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All Journal Jurnal Ilmiah Komunikasi Makna INFORMASI Jurnal Pekommas Jurnal Ilmu Komunikasi Channel : Jurnal Komunikasi Jurnal Sosioteknologi JURNAL EDUCATION AND DEVELOPMENT Diakom : Jurnal Media dan Komunikasi Jurnal Rupa Kajian Jurnalisme Jurnal Manajemen Komunikasi DIALEKTIKA Sosiohumanitas: Jurnal Ilmu-Ilmu Sosial dan Humaniora Budapest International Research and Critics Institute-Journal (BIRCI-Journal): Humanities and Social Sciences eProceedings of Management
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Journal : DIALEKTIKA

 1 
REPRESENTASI PEREMPUAN INDONESIA ERA 70-AN DALAM SAMPUL MAJALAH FEMINA Nadia Muty Ismalia; Kharisma Nasionalita
Dialektika Vol 4 No 1 (2017): Vol.4 No.1 (2017) Maret
Publisher : Prodi Ilmu Komunikasi FISIP Universitas Langlangbuana

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Abstract

This study aims to determine the Semiotic meaning about “The Representation of Indonesian Women in the 70s through Femina Magazine’s Cover (Semiotic Analysis of Femina Magazine Cover’s first edition, September 18th 1972)” that analyzes the denotative, connotative and myth meanings according to Roland Barthes through symbols (Properties, Expressions, and Gestures), Typography, and Colors. The theories that analyzer used are Roland Barthes’ Semiotics theory with signification steps. The method that is used is a qualitative method with critic as its paradigm. The result of this research shows from the determination meanings through Roland Barthes’ denotative, connotative, and myth meanings on Femina’s first edition cover magazine, Indonesian Women in the 70s are represented as women who had multijobs, and responsibilities in multiple fields, not only internal fields but also external fields which at the same time Indonesian Women in the 70s are “maintained” by Women’s organizations running in the name of women.
PRODUKSI FILM DOKUMENTER "ALI PON: SANG MAESTRO" (FILM DOKUMENTER TENTANG BIOGRAFI MAESTRO SENI TRADISI BERPANTUN DI KOTA TANJUNGPINANG) Fauzan Anangga; Kharisma Nasionalita
Dialektika Vol 6 No 1 (2019): Vol.6 No.1 (2019) Maret
Publisher : Prodi Ilmu Komunikasi FISIP Universitas Langlangbuana

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Abstract

This final work is taken the form of documentary film and aims to tell the beginning of Ali Pon’s journey to become a Maestro of Traditional Art. The work is created based on the theory of cultural communication, cultural inheritence, documentary film, cinematography, art of lighting and art of sound. The data collection for this final work uses the techniques of preliminary research, interview and literature study. The documentary begins with the story of the fondness he has for Pantun since his childhood. This eventually made him become a Pantun artist whose expertise is recognized by Ministry of Education and Culture, which ultimately inaugurated him into a Maestro of Traditional Art. With the inauguration, the Ministry hope that Ali Pon could contribute in Pantun culture inheritence. The conclusion of this final work is Ali Pon’s fondness for Pantun makes Ministry of Education and Culture recognized his expertise in the field and inaugurated him into a Maestro of Traditional Art, Pantun, in Tanjungpinang City.
Co-Authors Adinda Dewi Shalsabilla Catur Nugroho Fauzan Anangga Felesia Ekafaya Kirianawati Gita Atiko Hadi Purnama Hartika Putri Mutiarani Indah Sary Juniar Lolly Octarina Muhammad Ghifari Putra Nadia Muty Ismalia Nasur, Octavianus Tertius Paulin Ninda Putti Arrochmah Nisa Nurmauliddiana Abdullah Pranya, Fikri Cetta Nirwasita Ratih Hasanah Sudrajat Ravenna Ravika Roro Retno Wulan Soni Sadono Syifaul Fauziyah, Syifaul