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Behavior Changes in Paulo Coelho Veronika Decides to Die: A Psychological Approach Bagas Suryo Prakoso; Resneri Daulay
NOTION: Journal of Linguistics, Literature, and Culture Vol. 2 No. 2 (2020): NOTION: Journal of Linguistics, Literature, and Culture
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12928/notion.v2i2.2880

The purpose of this study is to analyze the personality of the main character presented in the novel. In addition, the aim of this research is to reveal the main character’s environments contribute to the character’s motivation to life. This novel conducted the struggle from Veronika as the main character for finding her motivation to life. This study used descriptive qualitative methods to analyze the data. This study used three main concepts of social cognitive theory by Albert Bandura (1986), they are reciprocal determinism, therapy, and dysfunction behavior/depression. This study also applied the theory of social cognitive theory in the book entitled The Theory of Personality by Jess Feist as a tool to analyze the personality of the main character also the main character’s environments contributing to the character’s motivation to life in the novel. The results are first, this study indicated personality of Veronika as the main character in the novel based on the social cognitive theory concept that is dysfunction behavior. It shows that Veronika is an introvert person, fainthearted, and suffering from depression. Second, this study discovered the main character’s environments contribute to the character’s motivation to life based on the social cognitive concepts, they are reciprocal determinism and therapy. Based on that theoretical concept, it shows that Veronika’s environment really helps her to find her motivation to life. They are Mari, Zedka, and Edward.

CONSUMERISM OF LEISURE CLASS IN SINGAPORE IN KEVIN KWAN’S CRAZY RICH ASIANS: A SOCIOLOGICAL APPROACH Agni Nurwidia Setiadi; Resneri Daulay
Lire Journal (Journal of Linguistics and Literature) Vol 5 No 1 (2021): Lire Journal (Journal of Linguistics and Literature)
Publisher : Elite Laboratory English Department Universitas Bangka Belitung, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33019/lire.v5i1.101

This research entitled “Consumerism of Leisure Class in Singapore in Kevin Kwan’s Crazy Rich Asians: A Sociological Approach”. The purpose of this study is to analyze the leisure class reflected in Singapore in the novel Crazy Rich Asians. In addition, the aim of this research is to reveal the consumerism of leisure class in Crazy Rich Asians. This novel contains the aspect about the style of consumer in Singapore.The research uses qualitative method to analyze the data. This study uses the mimetic approach by M.H. Abrams and two main concepts of theory of leisure class by Thorstein Veblen, these are conspicuous leisure and conspicuous consumption. The research applies the data of Singaporeans leisure class in the book Understanding Singaporeans: Values, Lifestyle, Aspirations and Consumption Behaviours by Keng et al. This study also applies the concept of uniquely Singaporean mindset in the book entitled The Cult of the Luxury Brand: Inside Asia’s Love affair with Luxury by Chadha and Paul as a tool to analyze the consumerism of leisure class in the novel Crazy Rich Asians. In this study, the researcher finds two main results. First, this study indicates conspicuous leisure as a signal of leisure class in Crazy Rich Asians based on seven leisure activities of Singaporean. They are sports, social, self-improvement, various charity, travel, home, and other activities. Second, the study discovers the consumerism of leisure class in Crazy Rich Asians and uniquely Singaporean mindset as a main result of leisure class’ consumerism in Singapore reflected in Crazy Rich Asians.

THE CONSTRUCTION OF POSTCOLONIAL DISCOURSE IN THE STORY ROBOHNYA SURAU KAMI BY A. A. NAVIS Resneri Daulay; Tomi Arianto
IdeBahasa Vol 2 No 1 (2020): Jurnal Ide Bahasa Vol. 2 No. 1 Juni 2020
Publisher : Asosiasi dosen IDEBAHASA KEPRI

The story of Robohnya Surau Kami by A. A. Navis is an indirectly provocative work of fiction which arouse eastern society, represented in the life of Minangkabau people at that time, to realize their helplessness in order to take the initiative and express their silenced voices. This short story directs people to carry out a reformist movement in their constraints to the traditions they have lived for centuries because of colonialism. This short story was made in the 1990s where many Minangkabau Ulemas tended to focus more on education and intellectual activity rather than physical resistance. Orientalist discourse manifests itself as an influential system of ideas or as a network of various intellectual interests and meanings that are implied in various contextual, social, political, and constitutional of colonial hegemony. As alluded above, surau becomes a symbol of the institutions used by the colonial to facilitate the process of inculcating ideology and religion as the means of control in society. The result of this research represented that the construction of postcolonial discourse in the story Robohnya Surau Kami by AA. Navis reflected into the concept of demonization, dehumanization, western hegemonic. Paradigms that places eastern culture as old-fashioned, backward and stupidity are a construction to build demonization in the story. Thus, through the character of Ajo Sidi as an agent, the eastern people represented by the grandfathers are alienated, instigated, and subsequently experience a divided identity called by dehumanization. This demonization and dehumanization continued to be created and maintained by instilling hegemonic doctrines even without violence.

AMBIGUITY OF GENDER IDENTITY IN SHAKESPEARE’S TWELFTH NIGHT Resneri Daulay
BASIS (Bahasa dan Sastra Inggris) Vol 5 No 2 (2018): JURNAL BASIS UPB
Publisher : Universitas Putera Batam

Gender is often identified with sex and gender, even though they have different concepts. It is associated with men and women who are socially and culturally formed. Understanding about masculine and feminine discourses are formed to identify gender identity which men must behave masculine and women must behave feminine. Taking William Shakespeare’s Twelfth Night play as its object, this study aims to see how gender identity displayed and describe the ambiguity of gender identity that is acted by character in the play. The data which were taken from the play were analyzed by relating them to the secondary data taken from references discussing the gender identity depicted in the play. The study concluded that sex, gender and sexual orientation are something that is fluid, not natural and changing and constructed by social conditions. Changes of the identity can be said changing with the form performativity shown, namely by disguise.

HEROINE AND PRINCESS: WOMEN IMAGE PORTRAYED IN SELECTED DISNEY’S STORIES Resneri Daulay
BASIS (Bahasa dan Sastra Inggris) Vol 8 No 1 (2021): JURNAL BASIS UPB
Publisher : Universitas Putera Batam

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33884/basisupb.v8i1.3553

The purpose of this study is to revealed the women image portrayed in selected Disney’s stories. There are several stories of Disney’s movie adaptation that are used as object in this research. There are Sleeping Beauty (Disney, 2014), Snow White (Brothers Grimm, 1812), Beauty and The Beast (Gabrielle-Suzanne Barbot, 1740), Cinderella (Giambattista Basile, 1634), Mulan (Guo Maoqian, 1992), and Brave (Disney, 2012). In addition, the aim of this research is also to identify the characteristics of female characters in selected Disney’s stories related to the Heroine and Princess attitude. This study used qualitative research; descriptive qualitative methods are used to analyze data. This study used three main concepts of semiotics theory by Roland Barthes, there are meaning of denotation, connotation, and myth. This study also applied feminism approach accordance to women attitude as heroine and princess. In this study, the researcher found some results. First, this study indicated the women image portrayed in Disney’s stories contains two images, they are women as heroine and princess. Women image as heroine is revealed in Beauty and the Beast, Mulan and Brave. Meanwhile, women as princess is portrayed in Sleeping Beauty, Snow White and Cinderella. Then, there are several characteristics found in Disney’s stories that represent the woman’s character as heroine and princess. They are from the feminism such as submissive, kind and gentle, domestic role, damsel in distress, emotional balance, craving for freedom (independent and brave), willing to sacrifice and has ability to stand up to the antagonist.

EGO DEFENSE MECHANISM OF SUMARNI AS REFLECTED IN OKKY MADASARI’S THE YEARS OF THE VOICELESS: A PSYCHOANALYSIS APPROACH Resneri Daulay; Shofie Aina Qurani
IdeBahasa Vol 4 No 2 (2022): Jurnal Ide Bahasa Vol. 4 No. 2 Desember 2022
Publisher : Asosiasi dosen IDEBAHASA KEPRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37296/idebahasa.v4i2.98

The research entitled Ego Defense Mechanism of Sumarni in Okky Madasari's The Years of The Voiceless: A Psychoanalysis Approach aims to elaborate on Sumarni's ego defense mechanism. This research is classified as qualitative research, and the data is presented in descriptive form. The data is collected from The Years of the Voiceless novel written by Okky Madasari. In collecting data, the researcher reads the novel several times, looks for supporting data, then takes notes. In analyzing this research, the researcher applies the psychoanalysis approach by Sigmund Freud, especially the theory of ego defense mechanisms. The result of this research showed that Sumarni performs six ego defense mechanism because ego have to cope with reality demands, and the conflict between id's desires and superego’s opposition. Anxiety will inform ego to surmount the conflict using an ego defense mechanism. Then, ego defense mechanisms present with Sumarni suddenly forgetting the source of the problem (repression), turning uncomfortable feelings into socially valuable actions (sublimation), justifying Sumarni’s behavior (projection), looking for reasons to reduce the disappointment that she feels (rationalization), releasing his anxiety on others (aggression), choosing to be silent and giving up on problems (apathy), and looking for solutions in a fantasy world (fantasy).

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