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All Journal Nirmana DeKaVe Narada : Jurnal Desain dan Seni Komunikatif : Jurnal Ilmiah Komunikasi Serat Rupa: Journal of Design
Andrian Dektisa Hagijanto
Universitas Kristen Petra
Arts Humanities Environmental Science Languange, Linguistic, Communication & Media Social Sciences

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Kajian Iklan Layanan Masyarakat Tentang Pentingnya Mengucapkan Terima Kasih Bagi Para Remaja Di Surabaya Sugoto, Mella Christa; Dektisa H., Andrian; Cahyadi, Jacky
Nirmana Vol 11, No 2 (2009): JULY 2009
Publisher : Institute of Research and Community Outreach - Petra Christian University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (137.653 KB) | DOI: 10.9744/nirmana.11.2.pp. 106-113

Abstract

This visual communication’s design is accomplished to improve society awareness on how importance of expressing thank you, especially for Surabaya’s adolescent. Background of this study is formed by attitude and character descent in our society. Expressing thank you should be a simple way but in fact this word is rarely heard, whereas appreciate for all services and helps we received is the important thing in our life. Methode that is used in this study is qualitative, means getting the result by looking data in field and analyzing then. From data which is get, our adolescents think that expressing thank you is not important to do. Because its include a social problem, so I hope a Public Service Ad could be a solution to solve its problem. This Public Service Ad will be using effective media in informing message and this design is aimed to make attitude alteration in our Indonesia society.
Faktor-Faktor Dalam Desain Penunjang Buku Autobiografi I Made Ada ., Asthararianty; Dektisa H., Andrian; Cahyadi, Jacky
Nirmana Vol 11, No 2 (2009): JULY 2009
Publisher : Institute of Research and Community Outreach - Petra Christian University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (237.566 KB) | DOI: 10.9744/nirmana.11.2.pp. 67-78

Abstract

A sculptor named I Made Ada that comes from Pakuduwi village, Tegallalang, Gianyar, Bali and his work of garuda statues have been recognized worlwide. His works are spread all over the world. It causes fear that history will be repeated again. That is a claim from our neighboring country about our origins’ culture. The journey of I Made Ada the sculptor is worth to be documented as an autobiography that contains and tells every authentic data in detail and also so that Indonesian people may know about I Made Ada’s existence. The method used to collect all the needed data are observation, interview, and documentation. The making of an autobiography can create an understanding that this is one of Indonesian richness cultures that need to be kept and preserved. Furthermore, this book is presented as an authentic proof that can facilitate in managing patents and legality rights processes on intellectual properties. This autobiography book is designed by combining modern with traditional impressions and supported by photography, information resources, and other attractive interests.
KAJIAN SEMIOTIKA: REPRESENTASI IDENTITAS KOSMOPOLITAN PADA KONTEN VISUAL FOTOGRAFI DI INSTAGRAM @ANOMALI.BALI Tjahjadi, Clarence Venedictta; Dektisa, Andrian; Wahyudi, Anang Tri
Narada : Jurnal Desain dan Seni Vol 12, No 1 (2025)
Publisher : Universitas Mercu Buana

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Abstract

Cosmopolitan identity is a modern and open-minded concept along with the evolution of the globalization era. The concept of cosmopolitanism can be applied in various aspects, one of which is in photography as visual content. This study discusses the cosmopolitan identity represented through photography as visual content on Anomali Coffee Bali’s  Instagram. Semiotics concepts such as denotation, connotation, and myth are used to understand the signs in the photos. Using qualitative research method to analyze how cosmopolitan identity reflects through visual elements in photography content. This study uses data from literature studies that underpins the theory of research as well as visual data from @anomali.bali on Instagram. This research was conducted to provide an understanding of how a cafe, namely Anomali Coffee in Bali represents a cosmopolitan identity to the audience through their photography content.
Perancangan Feeds Instagram Ajakan dan Bimbingan untuk Melakukan Saat Teduh bagi Remaja Kristen Winata, Vanni Ivana; Hagijanto, Andrian Dektisa; Malkisedek, Mendy Hosana
Serat Rupa: Journal of Design Vol 7 No 1 (2023): SRJD - JANUARY
Publisher : Faculty of Humanities and Creative Industries, Maranatha Christian University (formerly Faculty of Fine Arts and Design)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.28932/srjd.v7i1.4687

Abstract

The development of digital world technology is increasingly popular today, which causes teenagers to be faced with challenges and temptations to enjoy entertainment that no longer prioritizes worship and spiritual discipline. One of the spiritual disciplines is to do devotional time to help Christian youth build positive behavior in accordance with the teachings of the Bible. However, Christian teenagers find it difficult to do devotional time regularly and often feel bored when doing devotional time. This design was made to interest Christian teenagers to do devotional time and encourage them to be able to apply it regularly. This design uses research methods with a qualitative perspective, with interview and observation data collection techniques. Collecting data on devotional time, the behavior of Christian youth in Indonesia, the use of Instagram social media, and illustration techniques as a media approach. The illustration style uses cartoon style to interest Christian youth. The media approach uses post-modernism theory by using new ways to introduce devotional time that is increasingly being forgotten in modern days. The results of the design are in the form of Instagram feeds that provide contents about introduction, invitations, and guidance to do devotional time with character illustrations. Hopefully through this design, Christian teens can start taking their time to do devotional time.            
Retrospection of Historical Traces: A Hypersemiotic Study on the Use of KNIL Uniforms in Contemporary Social Discourse Hagijanto, Andrian Dektisa
DeKaVe Vol 17, No 2 (2024): DeKaVe Vol. 17 No. 2 2024
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/dkv.v17i2.13853

Abstract

The formulation of the problem in this study is used to answer the question of how the uniforms of the Dutch colonial army during the Indonesian war of independence are used by young people today. Contemporary social activities carried out by individuals characterized as colonial soldiers produce signs that are used to re-examine the social stigma about KNIL soldiers. Why is hypersimiotics used in forming opinions that contrast with the mainstream views that have been passed down in Indonesia about the cruel and evil Dutch colonial soldiers towards the Indonesian people? The aim is to explain the contemporary social activities carried out by several young Indonesians who have a history of KNIL soldier ancestry. It explains contemporary social activities through social media posts by these young people in an effort to create retrospective attitudes towards the historical traces of the existence of KNIL soldiers in the Dutch East Indies. The result of this study is to explain the activities carried out by the research subjects as a construction of signs with concepts that refer to the blurring of boundaries between signs, symbols, and reality, where meanings can become ambiguous or have multiple layers of interpretation. The signs are the embodiment of what is understood as signs that go beyond classical semiotics and become a form of hypersimiotics. These new sign constructions produce an articulation that is interpreted as a form of resistance to prevailing conditions. The stigma inherited about the cruel and evil KNIL soldiers will be changed with a positive perspective. A retrospective expression of the KNIL soldiers in their existence during the Dutch colonial era.
Visual Parody of Decolonization: Reading the Hybridity of Colonial Symbols in the “Tujuh Belasan” Commemorations Dektisa, Andrian
KOMUNIKATIF : Jurnal Ilmiah Komunikasi Vol. 14 No. 2 (2025): Komunikatif : Jurnal Ilmiah Komunikasi
Publisher : Fakultas Ilmu Komunikasi UKWMS

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Abstract

ABSTRACT Indonesia’s Independence Day celebrations—popularly known as Tujuh Belasan—often feature theatrical performances that restage battles between Japanese troops, Allied forces, and Indonesian freedom fighters. In these performances, military costumes and props are crafted manually by local hands, turning narrow village alleys into symbolic stages. While they may appear to be mere entertainment, such reenactments, when viewed through the lens of complex postcolonial understanding, function as visual parodies of decolonization. Drawing on Homi K. Bhabha’s concepts of mimicry and the third space, these performances expose ironic fissures that unsettle colonial authority. They transform colonial imagery from symbols of domination into objects of mockery, hybridity, and creative contestation. Through Gillian Rose’s notion of the site of production, this study highlights how the making of costumes and theatrical paraphernalia generates visual meaning beyond institutional control, embedding local participation and creativity in the reinterpretation of history. This research employs a qualitative approach combining visual studies and ethnographic observation to examine how vernacular visual forms negotiate power, memory, and identity. The result is a form of visual parody that acts as a grassroots strategy of decolonizing historical imagination—using design as a tool to subvert dominant colonial narratives and to reconstruct the past in ways that are playful, hybrid, and deeply rooted in local collective agency. ABSTRAK Perayaan Hari Kemerdekaan Indonesia yang populer disebut Tujuh Belasan sering menampilkan pertunjukan teatrikal yang merekonstruksi pertempuran antara pasukan Jepang, Sekutu, melawan pejuang kemerdekaan Indonesia. Di pertunjukan itu kostum dan properti militer dibuat secara manual oleh tangan-tangan lokal yang mengubah lorong perkampungan menjadi panggung simbolik. Walau tampak sebagai hiburan semata, pertunjukan itu dalam perspektif pemahaman pascakolonial yang kompleks adalah bentuk parodi visual terhadap dekolonisasi. Menggunakan konsep mimicry dan third space dari Homi K. Bhabha, reenactment semacam itu mempertontonkan celah-celah ironis yang mengguncang otoritas kolonial. Menjadikan citra-citra kolonial bukan lagi simbol dominasi, melainkan objek olok-olok, hibriditas, dan perebutan makna secara kreatif. Melalui konsep site of production dari Gillian Rose, penelitian ini menyoroti bagaimana proses produksi kostum dan pernak-pernik impresi teatrikal membentuk makna visual di luar kendali institusional, menanamkan partisipasi dan kreativitas lokal dalam penafsiran ulang sejarah. Penelitian ini kualitatif melalui studi visual dan observasi etnografis, yang mengkaji bagaimana bentuk-bentuk visual vernakular bernegosiasi dengan kekuasaan, ingatan, dan identitas. Hal itu menjadi ungkapan parodi visual yang berfungsi sebagai strategi dekolonisasi imajinasi sejarah yang muncul dari bawah. Dimana menjadikan desain sebagai alat untuk menumbangkan narasi dominan kolonial dan merekonstruksi masa lalu secara jenaka, hibrid, dan penuh agensi kolektif khas lokalitas.
Co-Authors Anang Tri Wahyudi Angeline angeline ANGELITA SILVIA CHRISNAWATI, ANGELITA SILVIA Aniendya Christianna Arini, Bernadette Dian Asthararianty Asthararianty AUDREY AZARINE, AUDREY BEBY FILYCIA MAILOA, BEBY FILYCIA Bernadette Dian Arini Maer Bernadette Dian Arini Maer Chandra, Felicia Cindy, Euginia Efendi, Jennifer ELEN INDAH SANTOSO, ELEN INDAH Florencia Natali Poerniawan, Florencia Natali Goey Stefany Gunawan HALIM WIJAYA, HALIM IGNATIA GISELA BARATA, IGNATIA GISELA INDRAYANI DEWI, INDRAYANI Jacky Cahyadi JUVENTIA VIVI SUMANTI, JUVENTIA VIVI Livia Halim Malkisedek, Mendy Hosana Mella Christa Sugoto Moniharapon, Greliensia Mulyono, Priscilla Venessa Nerissa Arviana, Nerissa PRISKA MERCIANO ROSSIE, PRISKA MERCIANO resky, cheriana resky, cheriana Ryan Pratama Salim, Gabriela Josephin Santoso, Michella Sony Cahaya Setiawan Suksmono, Anisa Nada Tjahjadi, Clarence Venedictta Vania Elaine Moeljanto Winata, Vanni Ivana YENNY YENNY YESSICA MAMANGKAY, YESSICA