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Dramatik Plot Teater Dulmuluk Naskah Lakon Zahara Siti Nugroho Notosutanto Arhon Dhony
Besaung : Jurnal Seni Desain dan Budaya Vol 3, No 2
Publisher : UNIVERSITAS INDO GLOBAL MANDIRI

Abstract Dulmuluk Theater starts from literary art (poetry reading). Syair Abdul Muluk was composed by a woman named Saleha, the younger sister of Raja Ali Haji Ibn Raja Achmad Ibn. The youngster Raja Ali Haji Fi Sabilillah, who reigned in Riau, the island of Penyengat Indra Sakti, was estimated in the 19th century. A letter between Raja Ali Haji and a judge in Batavia (now Jakarta) named Philippus Pieter Roorda Van Eijsinga. Along with the development of Syair Abdul Dulmuluk, it has now been written in the form of drama text in general. This research journal is a qualitative type using descriptive analysis. The Dramaturgy theory approach is used to explore scripts and performances. The dramatic plot of Gustav Freytag consists of (exposition, complications, climax, resolution and denoumen) also used to discuss and analyze the play. Related to these issues, there is a problem formulation, namely: how dramatic is Dulmuluk's theater plot in the play of Zahara Siti. Data collection method is done by observation, literature study, interview, and documentation.Keywords: Poetry, Drama Script, Dramatik Plot, Zahara Siti's play Abstrak Teater Dulmuluk bermula dari seni sastra (pembacaan syair). Syair Abdul Muluk dikarang oleh seorang wanita yang bernama Saleha, yaitu adik perempuan dari Raja Ali Haji Ibn Raja Achmad Ibn Yang dipertuan Muda Raja Ali Haji Fi Sabilillah yang bertahta di Negeri Riau pulau Penyengat Indra Sakti diperkirakan abad ke 19. Hal ini diketahui dari data surat-menyurat antara Raja Ali Haji dengan seorang hakim di Batavia (sekarang Jakarta) yang bernama Philippus Pieter Roorda Van Eijsinga. Seiring perkembanganya Syair Abdul Dulmuluk, kini telah ditulis dalam bentuk teks naskah drama pada umumnya. Jurnal penelitian ini merupakan jenis kualitatif menggunakan deskriftif analisis. Pendekatan teori Dramaturgi digunakan untuk menggali naskah dan pertunjukanya. Dramatik plot Gustav Freytag terdiri dari (eksposisi, komplikasi, klimaks, resolusi dan denoumen) juga digunakan untuk membahas dan menganalisis naskah lakonya. Terkait permasalahan tersebut maka terdapat rumusan masalah, yaitu: bagaimana dramatik plot teater Dulmuluk dalam naskah lakon Zahara Siti. Metode pengumpulan data dilakukan dengan cara observasi, studi pustaka, wawancara, dan dokumentasi.Kata kunci : Syair, Naskah Drama, Dramatik Plot, Lakon Zahara Siti.

DUL MULUK THEATER PERFORMANCE FUNCTION IN PALEMBANG CITY (Manifest Function and Latent Function) Nugroho Notosutanto Arhon Dhony
JURNAL PAKARENA Vol 6, No 2 (2021): Desember
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/p.v6i2.26166

This study aims to analyze the function of the Dul Muluk Theater Performance in Palembang City. This research is a qualitative descriptive study with data collection techniques, namely observation,interviews and documentation. The object of this research is the function of the dul muluk theatre performance, directed by elyas and also the leader of the Tunas Harapan theater arts group. The subject of this research, the researcher tries to see from two functions, namely the manifest function (visible function) and latent function (covered function). The researcher obtained the data by using observation, interview, and documentation techniques. The data obtained were analyzed using qualitative descriptive analysis by describing the state of the object in the field. The results of the study indicate that there are performance functions, consisting of (personal entertainment, aesthetic presentation, educational facilities, entertainment or spectacle, economy as a means of earning aliving and functioning as a means of ritual which has been described in detail in the results anddiscussion.

Pembelajaran Teater Modern Menggunakan Metode Drill Di Sekolah Menegah Atas Islam Az – Zahrah Palembang Nur Anisa Putri; Nugroho Notosutanto Arhon Dhony; Auzy Madona Adoma
Jurnal Pendidikan dan Penciptaan Seni Vol 2, No 2 (2022): Jurnal Pendidikan dan Penciptaan Seni - November
Publisher : Mahesa Research Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34007/jipsi.v2i2.279

Modern theater learning is one of the cultural arts learning materials at Islamic Senior High School Az – Zahrah Palembang. The drilling method is a way of teaching by doing training activities continuously to gain dexterity and skills. This study aims to describe the learning process of modern theater using the drill method in class XI at SMA Islam Az – Zahrah Palembang. The research method used is a descriptive qualitative method with data collection techniques through observation, interviews, and documentation. The results of the study on teachers and 33 students of class XI, showed that modern theater learning using the drill method went well.

Aspek Penari Dalam Koreografi Kelompok Tari Satu Padu Di Sanggar Belisa Palembang Lutvi Dwi Samodra; Liza Murniviyanti; Nugroho Notosutanto Arhon Dhony
Jurnal Pendidikan dan Penciptaan Seni Vol 2, No 2 (2022): Jurnal Pendidikan dan Penciptaan Seni - November
Publisher : Mahesa Research Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34007/jipsi.v2i2.286

The purpose of this study was to determine the dancers' aspects in Satu Padu dance, whether Satu Padu dance has dancer aspects according to the theory used in the study. The theory used in this study is the theory of Y Sumandiyo Hadi regarding the aspects of dancers in group choreography which has 3 elements, namely: 1) Aspects of the number of dancers, 2) Aspects of gender and body posture of dancers, 3) Aspects of the unity of group composition, (a) Aspects of the direction facing the dancers, (b) Aspects of the distance between dancers, (c) Aspects of Key dancers. The research method used is qualitative, this qualitative research method is a method based on philosophy, and this method is used in research with natural object conditions, so this research method is often used by a researcher in an art and culture research. The results of the study are in accordance with the theory used, in this Satu Padu dance, there are dancer aspects according to the dancer aspects of Y Sumandiyo Hadi.

Pelatihan Cara Penanaman Tanaman Obat Keluarga (Toga) Bersama (KWT) dan (PKK) di Desa Karya Maju A1 Nugroho Notosutanto Arhon Dhony; Dea Husnul Khotimah; Alvini Agustin; Novi Lesiana; Vira Rafelinda; Bayu Irawan
Jurnal Pengabdian Nasional (JPN) Indonesia Vol. 4 No. 1 (2023): Januari
Publisher : Lembaga Penelitian dan Pengabdian Kepada Masyarakat (LPPM) AMIK Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35870/jpni.v4i1.90

Family Medicinal Plants (TOGA) are plants that are used to describe maintenance and cultivation reports that are used as treatment. The training was carried out in Karya Maju A1 Village, which is a village in Keluang District, Musi Banyuasin Regency, whose main livelihoods are gardening and farming. TOGA is a herbal plant for medicines, for example, lime, turmeric, betel, brotowali and others. other. Therefore, holding training on how to plant family medicinal plants (TOGA), carried out and directed by Students of the PGRI Palembang University Real Work Lecture (KKN) to improve the skills and creativity of the Karya Maju A1 village community, Members of the Women Farmers Group (KWT), members (PKK). The method used is how to cultivate family medicinal plants using lecture, discussion, and question and answer methods. The aim of this training is to find out how the Training on How to Grow Medicinal Plants in the Family (TOGA) is carried out.

Bentuk dan Struktur Pertunjukan Tari Reog Ponorogo di Desa Tri Mulya Agung Kecamatan Lalan Kabupaten Musi Banyuasin Desi Dwi Lestari; Nugroho Notosutanto Arhon Dhony; Auzy Madona Adoma
ANTHOR: Education and Learning Journal Vol 1 No 3 (2022): Vol 1 No 3. Page: 134 - 184
Publisher : Fakultas Keguruan dan Ilmu Pendidikan, Universitas Pahlawan Tuanku Tambusai

The purpose of this study was to describe the form and structure of the Ponorogo Reog dance performance. The method used in this research is a descriptive qualitative method, with data collection techniques using observation, interviews, and documentation. The result of theanalysis of research data on Ponorogo is a dance that grows and develops in the village of Tri Mulya Agung this dance is usually danced by seven people. Reog Ponorogo dance is usually performed at weddings, circumcisions, etc, this dance uses the dadak peacock property made of bamboo and rattan, and artificial horses made of woven bamboo, while the costumes use clothes, udengan, cute, sempyok, katok panji, stagen, sampur, jarik binggel sikel, and boroboro. The accompaniment music used in the Reog Ponorogo dance performance is saron, drums, kenong, kempul, gongs, and angklung. While the structure of the show includes the opening, the core, the closing

Pelatihan Cara Penanaman Tanaman Obat Keluarga (Toga) Bersama (KWT) dan (PKK) di Desa Karya Maju A1 Nugroho Notosutanto Arhon Dhony; Dea Husnul Khotimah; Alvini Agustin; Novi Lesiana; Vira Rafelinda; Bayu Irawan
Jurnal Pengabdian Nasional (JPN) Indonesia Vol. 4 No. 1 (2023): Januari
Publisher : Lembaga Penelitian dan Pengabdian Kepada Masyarakat (LPPM) STMIK Indonesia Banda Aceh

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35870/jpni.v4i1.90

Family Medicinal Plants (TOGA) are plants that are used to describe maintenance and cultivation reports that are used as treatment. The training was carried out in Karya Maju A1 Village, which is a village in Keluang District, Musi Banyuasin Regency, whose main livelihoods are gardening and farming. TOGA is a herbal plant for medicines, for example, lime, turmeric, betel, brotowali and others. other. Therefore, holding training on how to plant family medicinal plants (TOGA), carried out and directed by Students of the PGRI Palembang University Real Work Lecture (KKN) to improve the skills and creativity of the Karya Maju A1 village community, Members of the Women Farmers Group (KWT), members (PKK). The method used is how to cultivate family medicinal plants using lecture, discussion, and question and answer methods. The aim of this training is to find out how the Training on How to Grow Medicinal Plants in the Family (TOGA) is carried out.

Bentuk dan Struktur Pertunjukan Tari Reog Ponorogo di Desa Tri Mulya Agung Kecamatan Lalan Kabupaten Musi Banyuasin Desi Dwi Lestari; Nugroho Notosutanto Arhon Dhony; Auzy Madona Adoma
ANTHOR: Education and Learning Journal Vol 1 No 3 (2022): Vol 1 No 3. Page: 134 - 184
Publisher : Institut Teknologi Pendidikan Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/anthor.v1i3.21

The purpose of this study was to describe the form and structure of the Ponorogo Reog dance performance. The method used in this research is a descriptive qualitative method, with data collection techniques using observation, interviews, and documentation. The result of theanalysis of research data on Ponorogo is a dance that grows and develops in the village of Tri Mulya Agung this dance is usually danced by seven people. Reog Ponorogo dance is usually performed at weddings, circumcisions, etc, this dance uses the dadak peacock property made of bamboo and rattan, and artificial horses made of woven bamboo, while the costumes use clothes, udengan, cute, sempyok, katok panji, stagen, sampur, jarik binggel sikel, and boroboro. The accompaniment music used in the Reog Ponorogo dance performance is saron, drums, kenong, kempul, gongs, and angklung. While the structure of the show includes the opening, the core, the closing

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