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All Journal Research Report - Engineering Science Jurnal Ruas (Review of Urbanism and Architectural Studies) Jurnal RISA ARTEKS : Jurnal Teknik Arsitektur Jurnal Arsitektur ARCADE Jurnal Permukiman Sustainable, Planning and Culture (Space) : Jurnal Perencanaan Wilayah dan Kota Jurnal Arsitektur TERRACOTTA Jurnal Arsitektur ARCADE
Alwin Suryono Sombu
Universitas Katolik Parahyangan
Chemical Engineering, Chemistry & Bioengineering Civil Engineering, Building, Construction & Architecture Engineering

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PELESTARIAN WUJUD BUDAYA JAWA PADA STRUKTUR DAN KONSTRUKSI MASJID SAID NAUM Rahma D, Indira; Suryono Sombu, Alwin
Jurnal Riset Arsitektur Vol 6 No 04 (2022): RISET ARSITEKTUR "RISA"
Publisher : Program Studi Arsitektur, Fakultas Teknik, Universitas Katolik Parahyangan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/risa.v6i04.6150.404-422

Abstract

Abstract - In contemporary architecture, the practice of assimilating and reinterpreting traditional philosophies in recent architectural works are experiencing a surge. Traditional architecture of the past are conserved in present-day time, and is considered a development of traditional concepts with advanced technology. In spite of these progressions, the advent of modern architecture replaces the craftsmanship of local designs, such as the simplification of structural elements and ornaments. These conservation efforts are sometimes done without any care for the philosophical aspect of traditional forms, only imitating the physical aspects. This research aims to discover Javanese cultural forms embedded in Said Naum Mosque, and the preservation methods used. Specific attributes to be researched further are the structural and construction systems. Qualitative methods are used to elaborate the structure and construction system of Said Naum Mosque, and identification of the Javanese cultural forms. The mosque is then compared to other Javanese mosques to break down the similarities and differences. The end result of the research uncovers the Javanese culture preserved in the structure and construction system in the form of artefacts, activities, and ideas. Conservation methods taken are adapting and preserving of the cultural forms. Adaptation of Javanese artefacts in the physical attributes of Said Naum Mosque were found, where the architect’s reinterpretations such as the removal of soko guru and the innovation of tajug are done in accordance to make use of newer, more modern materials such as concrete and steel. Activities are mostly preserved, considering the function did not stray much from the Javaneses’ piety and social relations. The forms of ideas and concepts underwent both adaptations and preservations, where adaptations happen as a more modern movement in structural and spatial, while preserving the Javanese people’s characters; understanding of each other and consideration for the nature. The research concludes that Said Naum Mosque’s structural and construction aspects have underwent an extensive adaptation process, but still yielded an architectural product that conserved the culture of Java. This is especially evident in the structural order which follows the Javanese concepts of verticality and the honest, as-is nature of Javanese structural expressions. Keywords: conservation, Javanese culture, structure, tectonics, Said Naum Mosque
PELESTARIAN ASPEK BENTUK – FUNGSI ARSITEKTUR PURI SAREN AGUNG UBUD - BALI Alwin Suryono
Jurnal Arsitektur ARCADE Vol 7 No 1 (2023): Jurnal Arsitektur ARCADE Maret 2023
Publisher : Prodi Arsitektur UNIVERSITAS KEBANGSAAN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31848/arcade.v7i1.872

Abstract

Abstract: Ubud, a dense tourism area originating from a rice field village, has Puri Saren Agung as a pioneer of Architectural Conservation. This paper aims to reveal the meaning of Bale Ukiran and Bale Gede (the main building of Puri Saren Agung), their significant architectural elements, and their conservation concept. Bale Ukiran a magnificent style of traditional Balinese architecture, limasan roof, red brick walls, multilevel open front terrace, its function is a place to receive guests, meetings and residence of the Puri family. The architectural/historical meaning is the splendor of the palace; Balinese cultural meaning of 'mountain - sea' and 'dualism of life' on terraced terraces; The meaning of the 'three layers of nature' in the carved ceiling - brick walls, wooden pillars - granite floor; The meaning of natural harmony on open terraces, wooden beams. Significant architectural elements: Limasan roof, terraced open terraces, carved ceiling-beams-doors-windows, brick walls. The building is maintained by adaptation, its function is preserved. Bale Gede is in the style of traditional Balinese architecture, with a thatch roof, open, its function is the place for Balinese religious/traditional ceremonies for the Puri family. The meaning of the architecture is sacred customary bale; The Balinese cultural meaning of the 'three layers of nature' through gold carvings on the underside of the roof - wooden pillars - granite floor; The meaning of the harmony of nature through the openness of buildings, wooden beams; The meaning of harmony between past and present life through the building remains as the original, the adaptation of the present in gold carvings, white granite floors. Significant architectural elements: Alang-alang roof, open, white floor at the highest level, gold carvings on the lower part of the roof. The building is maintained with few adaptations, its function survives.Abstrak: Ubud, kawasan pariwisata padat yang asalnya desa persawahan, memiliki Puri Saren Agung sebagai pionir Pelestarian Arsitektur. Tulisan ini bertujuan mengungkap makna Bale Ukiran dan Bale Gede (bangunan utama Puri Saren Agung), elemen arsitektur signifikannya, dan konsep pelestariannya. Bale Ukiran megah bergaya arsitektur Tradisional Bali, atap limasan, dinding bata merah, teras muka terbuka bertingkat, fungsinya tempat menerima tamu, pertemuan dan hunian keluarga Puri. Makna arsitektur/sejarahnya kemegahan istana; Makna Budaya Bali ‘gunung - laut’ dan ‘dualisme kehidupan’ pada teras bertingkat; Makna ‘tiga lapisan alam’ pada plafon berukiran - dinding bata, tiang kayu - lantai granit; Makna keharmonisan alam pada teras terbuka, tiang-balok kayu. Elemen arsitektur signifikan: Atap limasan, teras terbuka bertingkat, ukiran plafon-tiang-balok-pintu-jendela, dinding bata. Bangunan dipertahankan dengan adaptasi, fungsinya dipertahankan. Bale Gede bergaya arsitektur Tradisional Bali, atap persisai alang-alang, terbuka, fungsinya tempat upacara keagamaan/adat Bali keluarga Puri. Makna arsitekturnya bale adat sakral; Makna Budaya Bali ‘tiga lapisan alam’ melalui ukiran emas bagian bawah atap - tiang-tiang kayu - lantai granit; Makna keharmonisan alam melalui keterbukaan bangunan, tiang-balok kayu; Makna harmoni kehidupan masa lalu - masa kini melalui bangunan bertahan seperti aslinya, adaptasi masa kini pada ukiran emas, lantai granit putih. Elemen arsitetur signifikan: Atap tajug alang-alang, terbuka, lantai putih level tertinggi, ukiran emas bagian bawah atap. Bangunan dipertahankan dengan sedikit adaptasi, fungsinya bertahan.
BALINESE CULTURE IN THE ARCHITECTURE OF THE LOBBY AND RESTAURANT at the Royal Pita Maha Resort in Ubud, Bali Alwin Suryono
Jurnal Arsitektur ARCADE Vol 7 No 4 (2023): Jurnal Arsitektur ARCADE Desember 2023
Publisher : Prodi Arsitektur UNIVERSITAS KEBANGSAAN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31848/arcade.v7i4.3815

Abstract

Abstract: This paper aims to describe the physical elements of the lobby architecture - the Royal Pita Maha resort restaurant, and furthermore to reveal the meaning of Balinese culture. According to its method, the architectural object is expressed as 'physical existence', subsequently 'aspects of purpose', and finally 'essence' in the form of Balinese cultural meaning. The shape of the resort gate is the result of re-interpretation and improvisation of the past Puri Ubud gate. The lobby architecture is the result of re-interpretation and improvisation of the Balinese traditional public building with modern construction, manifesting the harmony of past-present life. The roof is more special than the others, representing the 'three layers of nature' in Balinese culture, open space and utilizing local resources referring to the 'harmonies of nature'. The layout of the continuous lobby - restaurant towards the South - North is adapted to the condition of the original land and utilizes local natural resources, standing for 'harmonies of local nature'. The re-interpretation of Balinese Traditional communal public building architecture with modern construction patterns means 'harmony of life' between the past and present. Once again, the roof is more outstanding than the other parts, referring to the 'three layers of nature.Keyword: Balinese culture, meaning, harmony.
SISTEM FISIK - NILAI BUDAYA JAWA DALAM ARSITEKTUR WISATA TEBING WATU MABUR DESA MANGUNAN YOGYAKARTA Alwin Suryono; Nancy Yusnita Nugroho; Budi Widodo P; Chris Hendrawan; Rochana Esti
Jurnal Arsitektur ARCADE Vol 8 No 1 (2024): Jurnal Arsitektur ARCADE Maret 2024
Publisher : Prodi Arsitektur UNIVERSITAS KEBANGSAAN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31848/arcade.v8i1.3826

Abstract

Abstract: This paper aims to reveal the physical system of Javanese cultural values in the architecture of Tebing Watu Mabur tourist destination. Using the descriptive method, the physical system of the object (figure, layout, materials, activities) and its purpose are observed, then the meaning/value of Javanese Culture is deeply observed with contemplation. The design of the mass-space layout of the tourist site refers to the North-South axis in accordance with the Philosophical axis of Yogyakarta Palace. The design of the grass field considers the harmony of the diversity of user groups and the preservation of the natural environment. The Panggang-pe traditional architectural style was chosen for the stalls and guard posts, following the tradition of village selling places, related to local social and natural relations. The Limasan variety of Pendopo 2 is open to all four sides for social activities of users while enjoying the cliff nature. The combination of traditional-modern materials as a contemporary form of traditional Javanese architecture. The architectural design of this cliff tourism destination means the harmony of nature and the physical system of local Javanese cultural values.Keyword: Traditional, Javanese culture, modern Abstrak: Tulisan ini bertujuan mengungkap sistem fisik-nilai Budaya Jawa dalam arsitektur destinasi wisata Tebing Watu Mabur. Digunakan metoda deskriptif, sistem fisik objek (sosok, tata ruang, material, aktivitas) dan tujuannya diobservasi, lalu makna/nilai Budaya Jawanya diamati mendalam disertai perenungan. Desain tata massa-ruang tapak wisata mengacu pada poros Utara-Selatan sesuai dengan sumbu Filosofis Kraton Yogyakarta. Rancangan lapangan rumput memperhatikan keharmonisan dari keberagaman kelompok pengguna dan kelestarian lingkungan alam. Dipilih ragam arsitektur traisional Panggang-pe untuk warung dan pos jaga, mengikuti tradisi tempat berjualan masyarakat desa, terkait relasi sosial dan alam setempat. Ragam Limasan Pendopo 2 terbuka ke empat sisinya untuk aktivitas sosial pengguna sambil menikmati-merasakan alam tebing. Paduan material tradisional-modern sebagai wujud kekinian arsitektur tradisional Jawa. Rancangan arsitektur destinasi wisata  tebing ini bermakna keserasian alam dan sistem fisik-nilai Budaya Jawa setempat.Kata Kunci: Tradisional, Budaya Jawa, modern.
PELESTARIAN MAKNA BUDAYA-SEJARAH-ALAM LOKAL DALAM ARSITEKTUR PUSAT WISATA GERABAH DESA SITIWINANGUN - CIREBON Alwin Suryono
Jurnal Arsitektur ARCADE Vol 8 No 4 (2024): Jurnal Arsitektur ARCADE Desember 2024
Publisher : Prodi Arsitektur UNIVERSITAS KEBANGSAAN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31848/arcade.v8i4.3890

Abstract

Abstract: This paper aims to identify the architectural plan of Sitiwinangun Village Pottery Tourism Centre from Form-Function elements, then reveal its local cultural-historical-natural meaning, and identify its preservation actions. The method is descriptive-qualitative with the approach of Architecture, Tourism, Culture and Architectural Preservation. The mass-space layout has historical meaning (pottery centre, Islamic propagation), cultural meaning and local nature meaning. Preservation of cultural and historical meaning through the adaptation of the Pottery Centre into a contemporary Pottery Tourism Centre. Preserving the meaning of local nature by maintaining its integration with local nature. The figure of the building open to the local nature means local nature, and its continuity from the Pottery Centre means history. Preservation of the figure of the old building by preservation and regular maintenance, preservation of the new building by maintaining the architectural style of the old building, then preserved. Open building layout-orientation to the old kiln is historically significant. It is preserved by maintaining the principle of open space layout and orientation. The activities of the Pottery Tourism Centre are meaningful to local history, culture and nature. For preservation, the heritage activities are maintained as before, and the present activities are adapted to the demands of the times.Keyword: Form, layout, figure, function, preservation Abstrak: Tulisan ini bertujuan mengidentifikasi rencana arsitektur Pusat Wisata Gerabah Desa Sitiwinangun dari unsur Bentuk - Fungsi, lalu mengungkap makna budaya-sejarah-alam lokalnya, dan mengidentifikasi tindakan pelestariannya. Metodenya deskriptif-kualitatif dengan pendekatan Arsitektur, Pariwisata, Kebudayaan dan Pelestarian Arsitektur. Tata massa-ruangnya bermakna sejarah (Sentra Gerabah, syiar agama Islam), bermakna budaya serta bermakna alam lokal. Pelestarian makna budaya dan sejarah melalui adaptasi Sentra Gerabah menjadi Pusat Wisata Gerabah kekinian, dan pembukaan akses langsung ke masjid Keramat Kebagusan. Pelestarian makna alam lokal dengan mempertahankan integrasinya dengan alam lokal. Sosok bangunan terbuka ke alam setempat bermakna alam lokal, dan keberlanjutannya dari Sentra Gerabah bermakna sejarah. Pelestarian sosok bangunan lama dengan preservasi dan perawatan rutin, pelestarian bangunan baru dengan mempertahankan bergaya arsitektur bangunan lama, lalu dipreservasi. Tata ruang bangunan terbuka-orientasi ke tempat pembakaran lama bermakna sejarah. Pelestariannya dengan mempertahankan prinsip tata ruang terbuka dan orientasinya. Aktivitas Pusat Wisata Gerabah ini bermakna sejarah, budaya dan alam lokal. Pelestariannya, aktivitas warisan dipertahankan seperti semula, dan aktivitas masa kini diadaptasi terhadap tuntutan zaman.Kata Kunci: Bentuk, tata-ruang, sosok, fungsi, preservasi
PELESTARIAN ELEMEN FASAD BANGUNAN PEMBENTUK GAYA ARSITEKTUR KOLONIAL PADA BANGUNAN LAMA STASIUN GARUT M. Pasha Adhima Basuki; Alwin Suryono
Jurnal Arsitektur ARCADE Vol 9 No 4 (2025): Jurnal Arsitektur ARCADE Desember 2025
Publisher : Prodi Arsitektur UNIVERSITAS KEBANGSAAN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31848/arcade.v9i4.4243

Abstract

Abstract: Garut Station, inaugurated on August 14, 1889, has undergone various historical transformations, including its destruction in 1947 and revitalization in 2022. The existence of this building as a cultural heritage is important for preserving the character of local architecture amidst the unplanned urban development. This study aims to identify the architectural characteristics of the old Garut Station building, focusing on the components that make up its facade. The research method used is qualitative descriptive, involving field observations and literature studies. The data obtained are reconstructed into a three-dimensional model to achieve a more comprehensive understanding of the facade components, including the entrance, walls, doors, windows, roof, signage, and ornaments. The results of the study indicate that the Garut Station, rebuilt in 1949, represents a modern colonial architectural style characterized by symmetrical buildings and sloped roofs. The influence of Art Deco is also evident in the geometric details of the building's facade elements. Keyword: Colonial Architecture, Building Facade, Garut Station Abstrak: Stasiun Garut, yang diresmikan pada 14 Agustus 1889, telah mengalami berbagai transformasi sejarah, termasuk pembumihangusan pada 1947 dan revitalisasi pada 2022. Keberadaan bangunan ini sebagai cagar budaya penting untuk melestarikan karakter arsitektur lokal di tengah perkembangan kota yang tidak terencana. Penelitian ini bertujuan untuk mengidentifikasi karakteristik arsitektur bangunan lama Stasiun Garut, dengan fokus pada komponen pembentuk fasad bangunan. Metode penelitian yang digunakan adalah kualitatif deskriptif, yang melibatkan observasi lapangan dan studi literatur. Data yang diperoleh direkonstruksi dalam model tiga dimensi untuk mendapatkan pemahaman yang lebih komprehensif mengenai komponen fasad, termasuk entrance, dinding, pintu, jendela, atap, signage dan ornamen. Hasil penelitian menunjukkan bahwa meski Stasiun Garut yang dibangun kembali pada 1949 pada periode arsitektur kolonial, bangunan lebih merepresentasikan gaya arsitektur kolonial transisi dengan ciri bangunan yang simetris dan beratap miring. Pengaruh Art deco juga terlihat dalam detail-detail geometris pada elemen fasad bangunan. Kata Kunci: Arsitektur Kolonial, Fasad Bangunan, Stasiun Garut
Pelestarian Budaya Lampung dalam Arsitektur Masa Kini pada Bangunan Menara Siger dan Sesat Agung Bumi Gayo Muhammad Diaz Adiyudha; Alwin Suryono
Jurnal Permukiman Vol 13 No 1 (2018)
Publisher : Direktorat Bina Teknik Bangunan Gedung dan Penyehatan Lingkungan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31815/jp.2018.13.31-40

Abstract

Provinsi Lampung kini sedang berfokus pada pelestarian budayanya, dengan mengangkat Siger sebagai simbol budaya dan menjadikannya sebagai identitas baru. Siger dulu berupa mahkota wanita, kini dijadikan konsep pada fasad bangunan pemerintahan dan komersial. Isu penelitian tentang pelestarian budaya Lampung pada bangunan publik Menara Siger dan Sesat Agung Bumi Gayo. Hal ini bertujuan untuk memahami peranan budaya Lampung pada objek studi, mendeskripsikan elemen-elemen arsitektur signifikan, serta konsep tindakan pelestarian budaya Lampung. Metode yang digunakan secara kualitatif, dengan langah-langkahnya: 1) Mengungkap budaya Lampung; 2) Mengungkap elemen arsitektur signifikan pada Menara Siger dan Sesat Agung Bumi Gayo; 3) Tindakan pelestarian budaya Lampung. Temuan penelitian ini: a) Budaya Lampung merupakan budaya yang sarat akan nilai terkait dengan kegiatan, orientasi mata angin, tata massa bangunan, dan juga hasil karya manusia berupa Siger dan kain tradisional. Hal ini juga tercermin pada konsep bangunan Menara Siger dan Sesat Agung Bumi Gayo yang sebagian besar mengambil konsep dasar bermukim masyarakat Lampung dulu; b) Elemen arsitekturnya adalah arah orientasi, tata massa bangunan di dalam tapak, dan ruang komunal seperti dengan pola permukimanan masyarakat dulu; c) Tindakan pelestarian pada aspek bentuk yaitu dengan cara preventif, preservasi, dan adaptasi, sedangkan tindakan pelestarian pada aspek fungsi yaitu preservasi, adaptasi, dan rekonstruksi.  Upaya pelestarian dengan aspek bentuk dan fungsi dilakukan agar budaya lampung tidak tergerus oleh zaman saat ini dan agar budaya tetap terjaga baik benda maupun nilainya.
Sistem fisik - Makna budaya Bali dalam arsitektur Restoran Three Monkeys di Sanur Bali Alwin Suryono Sombu; Ryadi Adityavarman; John Petrus Talan
ARTEKS : Jurnal Teknik Arsitektur Vol 9 No 1 (2024): ARTEKS : Jurnal Teknik Arsitektur | Januari 2024 ~ April 2024
Publisher : Program Studi Arsitektur Fakultas Teknik Universitas Katolik Widya Mandira

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30822/arteks.v9i1.2715

Abstract

Bali's Sanur tourism sector is home to many well-known structures with unique, non-Balinese architectural styles. This paper aims to expose the Balinese physical-meaning system found in the Three Monkeys restaurant's architecture in Sanur. The approach is descriptive; first, the "physical" architecture is explained, followed by the "purpose of existence" and "essence." Open frontage, bottom level raised over the terrace, and an alang-alang roof supported by bamboo poles. There is an open figure to the left and north, with bamboo trees around it and a glass-block wall atop. a blend of Balinese traditional and modern architecture. The arrangement: an open pool acts as a mediator between the dining room, kitchen, and bathroom; the terrace is shaded by frangipani trees, and there is a place of prayer in the northeast corner. The upper rooms are conditioned, enclosed by glass walls, modern compared to the lower rooms. The terrace materials are traditional (alang-alang roof, parasol stone wall - bamboo), the lower dining room is a mix of traditional (bamboo wall, alang-alang roof, wooden furniture) and modern (polished concrete floor, glass-block wall), and the upper room is modern (frameless glass wall, stainless-steel railing). The traditional-modern Balinese blend is displayed through the building's figure, layout and materials.
Co-Authors Adityavarman, Ryadi Amirani RS Budi Widodo P Chris Hendrawan Christianto Hendrawan Fransiscus Xaverius Budi Pangarso Indira Rahma D Irma Subagyo John Petrus Talan Laurentia Carrisa M. Pasha Adhima Basuki Muhammad Diaz Adiyudha Nancy Yusnita Nugroho Pramesti, Rochana Esti Rahma D, Indira RS, Amirani Ryadi Adityavarman Subagyo, Irma Sudianto Aly Sugian, Gregorius Vincent Talan, John Petrus William Sasmita X, Fransiscus Xaverius Budi Pangarso, Fransiscus Yasmin Suriansyah