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All Journal Dharmakarya : Jurnal Aplikasi Ipteks Untuk Masyarakat Pendas : Jurnah Ilmiah Pendidikan Dasar IZDIHAR Jurnalistrendi: Jurnal Linguistik, Sastra dan Pendidikan
Rohanda Rohanda
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Agriculture, Biological Sciences & Forestry Arts Humanities Economics, Econometrics & Finance Education Engineering Languange, Linguistic, Communication & Media Public Health Other

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WORKSHOP PEMBUATAN JARINGAN INFORMASI DAN PENGGUNAAN MEDIA SOSIAL DALAM MENDUKUNG KEGIATAN PENGUSAHA ALAT-ALAT PERTANIAN Dian Sinaga; Andri Yanto; Rohanda Rohanda; Fitri Perdana
Dharmakarya Vol 6, No 4 (2017): Desember
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (575.697 KB) | DOI: 10.24198/dharmakarya.v6i4.14886

Abstract

PPM yang berjudul “Workshop Pembuatan Jaringan Informasi Dan Penggunaan Media Sosial Dalam Mendukung Kegiatan Pengusaha Alat-Alat Pertanian”. Adapun salah satu hal yang menjadi perhatian kami dalam upaya mengembangkan usaha alat-alat pertanian adalah dengan mengembangkan jaringan informas antar para pengrajin dan kelompok pengrajin serta  memanfaatkan beberapa media alternatif dalam  memasarkan produk-produk alat pertanian tersebut. Tim kami memberikan pelatihan kepada 13 orang peserta terkait bagaimana pembuatan jaringan informasi dan penggunaan media sosial. Metode yang digunakan untuk menyelesaikan malasah tersebut adalah melalui pelatihan dan pendampingan bagaimana pembuatan jaringan informasi dan penggunaan media sosial. Hasil dari PPM tersebut adalah terbangunnya website para kelompok pengrajian dalam upaya pemasaran alat-alat pertanian melalui laman https://kerajinangalonggong.wordpress.com/ serta membuat akun media sosial seperti facebook dengan laman https://www.facebook.com/KerajinanGalonggongTasik dalam upaya pemasaran produk alat-alat pertanian oleh para kelompok pengrajin yang ada di Dusun Galogggong Desa Cilangkap Kabupaten Tasimalaya.
Representasi Identitas Perempuan Arab Saudi dalam Film Naga Karya Meshal Al-Jasser: Analisis Semiotika Roland Barthes Siti Hani Zakiyah; Rohanda Rohanda; Muhammad Abdul Halim
JURNALISTRENDI : JURNAL LINGUISTIK, SASTRA, DAN PENDIDIKAN Vol 11 No 1 (2026)
Publisher : Universitas Nahdlatul Wathan Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51673/jurnalistrendi.v11i1.2827

Abstract

This study identifies the representation of female identity in the film Naga (2023) by Meshal Al-Jasser using Roland Barthes' semiotic theory, which focuses on denotative, connotative, and myth meanings. The research method used is qualitative descriptive with observation-note data collection techniques. Data were obtained through observations of dialogues and visual symbols that represent female identity conflicts in the film Naga. The research results on 12 findings show that visual symbols such as the view through the carpet hole function as connotative signs of the limitation of the main character's mobility. This symbol represents the myth of patriarchal father roles as authority holders who become obstacles to women's individual freedom in the narrative of the film Naga. The film Naga voices satirical criticism concerning women related to fair and humane social rights. This study concludes that the film Naga becomes a medium of social representation that depicts women's struggle in balancing between tradition and modernity.
Perbandingan Latar dalam Novel Perempuan di Titik Nol dan Novel The Baghdad Clock (Kajian Sastra Bandingan) Alissa Fariztina; Fadlil Yani Ainusyamsi; Rohanda Rohanda
JURNALISTRENDI : JURNAL LINGUISTIK, SASTRA, DAN PENDIDIKAN Vol 10 No 1 (2025)
Publisher : Universitas Nahdlatul Wathan Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51673/jurnalistrendi.v10i1.2408

Abstract

Latar dalam karya sastra memiliki peran penting dalam membangun suasana, menghidupkan tokoh, serta merefleksikan kondisi sosial dan budaya yang melatarbelakangi cerita. Dalam penelitian ini, dalam novel Perempuan di Titik Nol karya Nawal El-Saadawi dan The Baghdad Clock karya Shahad Al-Rawi merupakan karya yang mengangkat konteks sosial dan sejarah yang berbeda, namun sama-sama kuat dalam menghadirkan latarnya. Penelitian ini kemudian bertujuan untuk membandingkan latar dalam kedua novel tersebut dengan pendekatan sastra bandingan yang berfokus pada latar tempat, latar waktu, dan latar sosial. Pada penelitian ini digunakan pendekatan analitis deskriptif dengan metode kualitatif menguraikan hasil analisis yang diperoleh dari kutipan data berupa narasi maupun dialog. Hasil penelitian menunjukkan bahwa kedua novel menggunakan latar untuk memperkuat tema perjuangan perempuan di tengah penindasan struktural dan sosial, meskipun dalam konteks yang berbeda. Latar dalam Perempuan di Titik Nol menggambarkan kekerasan sistemik terhadap perempuan dalam struktur patriarki Mesir, sementara latar dalam The Baghdad Clock merefleksikan trauma kolektif akibat perang di Irak. Studi ini memberikan wawasan baru tentang bagaimana latar dapat menjadi elemen penting yang membentuk tema dan narasi dalam karya sastra dari berbagai budaya.
KESENIAN TRADISIONAL ANGKLUNG DALAM PERSPEKTIF FILSAFAT ILMU: KAJIAN EPISTEMOLOGI, ONTOLOGI, & AKSIOLOGI Dhany Muharom Albandaniji; Rohanda Rohanda; Abdul Kodir
Pendas : Jurnal Ilmiah Pendidikan Dasar Vol. 11 No. 01 (2026): Volume 11 No. 01 Maret 2026
Publisher : Program Studi Pendidikan Guru Sekolah Dasar FKIP Universitas Pasundan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23969/jp.v11i01.40259

Abstract

Angklung is one of Indonesia's traditional cultural heritages that functions not only as a musical instrument but also as a symbol of cultural identity, a means of social expression, and a medium for passing down the values of the Sundanese community. This study aims to analyze angklung from the perspective of the philosophy of science, focusing on three main branches, namely ontology, epistemology, and axiology, to gain a deeper understanding of its essence, the process of knowledge, and the values contained within it. This research uses a qualitative method with a library research approach. Data were obtained from various written sources such as scholarly books, journal articles, research reports, theses, and other relevant documents. Data analysis was conducted through the stages of reading, noting, and grouping data according to the focus of the study, while data validity was tested through source triangulation. The results of the study indicate that ontologically, the angklung is a multidimensional cultural entity, encompassing both material and non-material dimensions related to historical, social, spiritual, and ritual aspects. Epistemologically, knowledge about the angklung is built through traditional oral and practical inheritance, and it is further systematized through formal education and modern cultural institutions. Meanwhile, axiology shows that the angklung contains aesthetic values, a sense of togetherness, character education, cultural identity, and social ideology oriented towards human welfare. Thus, the angklung is not only artistically valuable but also holds philosophical and educational significance in contemporary society.
Peirce's Semiotic Analysis of the Ngalogat Symbols: The Process of Semiosis and Knowledge Construction among Students at the Miftahul Huda Islamic Boarding School in Tasikmalaya Wihandani Wihandani; Budi Hermawan; Syihabuddin Syihabuddin; Neidya Fahma Sunendar; Rohanda Rohanda; Ashinida Aladdin
Izdihar : Journal of Arabic Language Teaching, Linguistics, and Literature Vol. 9 No. 2 (2026): Izdihar: Journal of Arabic Language Teaching, Linguistics, and Literature
Publisher : Arabic Education Department, Islamic Studies Faculty, Universitas Muhammadiyah Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22219/jiz.v9i2.43627

Abstract

This study aimed to identify the sources of semiosis in the ngalogat symbols at the Miftahul Huda Islamic Boarding School in Tasikmalaya and to explain how these sources shaped students' knowledge in reading classical Islamic texts. This study applied Charles Sanders Peirce's semiotics theory, focusing on six symbols: ari, eta, éta tetep, saha, naon, and ka. A qualitative descriptive method was employed. Data were collected through interviews with teachers and alumni, classroom observations, and questionnaires given to 30 Ma'had 'Aly students. The results showed three sources of semiosis: local conventions and arbitrariness, modification of form, and simplification of the Pegon script. The semiosis process took place hierarchically through grammatical identification (52%), individual interpretation (31%), understanding of the logatan system (14%), and structural function (3%). These findings indicated that ngalogat symbols functioned not only as a word-by-word translation tool but as a cognitive framework that shaped santri's grammatical understanding of Arabic.
Co-Authors Alissa Fariztina Andri Yanto Ashinida Aladdin Budi Hermawan Dhany Muharom Albandaniji Dian Sinaga Fadlil Yani Ainusyamsi Fitri Perdana Kodir, Abdul - Muhammad Abdul Halim Neidya Fahma Sunendar Siti Hani Zakiyah Syihabuddin Syihabuddin Wihandani Wihandani