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All Journal Dharmakarya : Jurnal Aplikasi Ipteks Untuk Masyarakat Pendas : Jurnah Ilmiah Pendidikan Dasar Jurnalistrendi: Jurnal Linguistik, Sastra dan Pendidikan Jurnal Studi Islam dan Sosial
Rohanda Rohanda
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Religion Agriculture, Biological Sciences & Forestry Arts Humanities Economics, Econometrics & Finance Education Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Public Health Other

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WORKSHOP PEMBUATAN JARINGAN INFORMASI DAN PENGGUNAAN MEDIA SOSIAL DALAM MENDUKUNG KEGIATAN PENGUSAHA ALAT-ALAT PERTANIAN Dian Sinaga; Andri Yanto; Rohanda Rohanda; Fitri Perdana
Dharmakarya Vol 6, No 4 (2017): Desember
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (575.697 KB) | DOI: 10.24198/dharmakarya.v6i4.14886

Abstract

PPM yang berjudul “Workshop Pembuatan Jaringan Informasi Dan Penggunaan Media Sosial Dalam Mendukung Kegiatan Pengusaha Alat-Alat Pertanian”. Adapun salah satu hal yang menjadi perhatian kami dalam upaya mengembangkan usaha alat-alat pertanian adalah dengan mengembangkan jaringan informas antar para pengrajin dan kelompok pengrajin serta  memanfaatkan beberapa media alternatif dalam  memasarkan produk-produk alat pertanian tersebut. Tim kami memberikan pelatihan kepada 13 orang peserta terkait bagaimana pembuatan jaringan informasi dan penggunaan media sosial. Metode yang digunakan untuk menyelesaikan malasah tersebut adalah melalui pelatihan dan pendampingan bagaimana pembuatan jaringan informasi dan penggunaan media sosial. Hasil dari PPM tersebut adalah terbangunnya website para kelompok pengrajian dalam upaya pemasaran alat-alat pertanian melalui laman https://kerajinangalonggong.wordpress.com/ serta membuat akun media sosial seperti facebook dengan laman https://www.facebook.com/KerajinanGalonggongTasik dalam upaya pemasaran produk alat-alat pertanian oleh para kelompok pengrajin yang ada di Dusun Galogggong Desa Cilangkap Kabupaten Tasimalaya.
Representasi Identitas Perempuan Arab Saudi dalam Film Naga Karya Meshal Al-Jasser: Analisis Semiotika Roland Barthes Siti Hani Zakiyah; Rohanda Rohanda; Muhammad Abdul Halim
JURNALISTRENDI : JURNAL LINGUISTIK, SASTRA, DAN PENDIDIKAN Vol 11 No 1 (2026)
Publisher : Universitas Nahdlatul Wathan Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51673/jurnalistrendi.v11i1.2827

Abstract

This study identifies the representation of female identity in the film Naga (2023) by Meshal Al-Jasser using Roland Barthes' semiotic theory, which focuses on denotative, connotative, and myth meanings. The research method used is qualitative descriptive with observation-note data collection techniques. Data were obtained through observations of dialogues and visual symbols that represent female identity conflicts in the film Naga. The research results on 12 findings show that visual symbols such as the view through the carpet hole function as connotative signs of the limitation of the main character's mobility. This symbol represents the myth of patriarchal father roles as authority holders who become obstacles to women's individual freedom in the narrative of the film Naga. The film Naga voices satirical criticism concerning women related to fair and humane social rights. This study concludes that the film Naga becomes a medium of social representation that depicts women's struggle in balancing between tradition and modernity.
Perbandingan Latar dalam Novel Perempuan di Titik Nol dan Novel The Baghdad Clock (Kajian Sastra Bandingan) Alissa Fariztina; Fadlil Yani Ainusyamsi; Rohanda Rohanda
JURNALISTRENDI : JURNAL LINGUISTIK, SASTRA, DAN PENDIDIKAN Vol 10 No 1 (2025)
Publisher : Universitas Nahdlatul Wathan Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51673/jurnalistrendi.v10i1.2408

Abstract

Latar dalam karya sastra memiliki peran penting dalam membangun suasana, menghidupkan tokoh, serta merefleksikan kondisi sosial dan budaya yang melatarbelakangi cerita. Dalam penelitian ini, dalam novel Perempuan di Titik Nol karya Nawal El-Saadawi dan The Baghdad Clock karya Shahad Al-Rawi merupakan karya yang mengangkat konteks sosial dan sejarah yang berbeda, namun sama-sama kuat dalam menghadirkan latarnya. Penelitian ini kemudian bertujuan untuk membandingkan latar dalam kedua novel tersebut dengan pendekatan sastra bandingan yang berfokus pada latar tempat, latar waktu, dan latar sosial. Pada penelitian ini digunakan pendekatan analitis deskriptif dengan metode kualitatif menguraikan hasil analisis yang diperoleh dari kutipan data berupa narasi maupun dialog. Hasil penelitian menunjukkan bahwa kedua novel menggunakan latar untuk memperkuat tema perjuangan perempuan di tengah penindasan struktural dan sosial, meskipun dalam konteks yang berbeda. Latar dalam Perempuan di Titik Nol menggambarkan kekerasan sistemik terhadap perempuan dalam struktur patriarki Mesir, sementara latar dalam The Baghdad Clock merefleksikan trauma kolektif akibat perang di Irak. Studi ini memberikan wawasan baru tentang bagaimana latar dapat menjadi elemen penting yang membentuk tema dan narasi dalam karya sastra dari berbagai budaya.
KESENIAN TRADISIONAL ANGKLUNG DALAM PERSPEKTIF FILSAFAT ILMU: KAJIAN EPISTEMOLOGI, ONTOLOGI, & AKSIOLOGI Dhany Muharom Albandaniji; Rohanda Rohanda; Abdul Kodir
Pendas : Jurnal Ilmiah Pendidikan Dasar Vol. 11 No. 01 (2026): Volume 11 No. 01 Maret 2026
Publisher : Program Studi Pendidikan Guru Sekolah Dasar FKIP Universitas Pasundan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23969/jp.v11i01.40259

Abstract

Angklung is one of Indonesia's traditional cultural heritages that functions not only as a musical instrument but also as a symbol of cultural identity, a means of social expression, and a medium for passing down the values of the Sundanese community. This study aims to analyze angklung from the perspective of the philosophy of science, focusing on three main branches, namely ontology, epistemology, and axiology, to gain a deeper understanding of its essence, the process of knowledge, and the values contained within it. This research uses a qualitative method with a library research approach. Data were obtained from various written sources such as scholarly books, journal articles, research reports, theses, and other relevant documents. Data analysis was conducted through the stages of reading, noting, and grouping data according to the focus of the study, while data validity was tested through source triangulation. The results of the study indicate that ontologically, the angklung is a multidimensional cultural entity, encompassing both material and non-material dimensions related to historical, social, spiritual, and ritual aspects. Epistemologically, knowledge about the angklung is built through traditional oral and practical inheritance, and it is further systematized through formal education and modern cultural institutions. Meanwhile, axiology shows that the angklung contains aesthetic values, a sense of togetherness, character education, cultural identity, and social ideology oriented towards human welfare. Thus, the angklung is not only artistically valuable but also holds philosophical and educational significance in contemporary society.
ILMU TAJWID PERSPEKTIF FILSAFAT ILMU: KAJIAN ONTOLOGI, EPISTEMOLOGI, DAN AKSIOLOGI Sofia Laila Rahmah; Rohanda Rohanda; Abdul Kodir
Lisyabab : Jurnal Studi Islam dan Sosial Vol 6 No 1 (2025): Lisyabab, Jurnal Studi Islam dan Sosial
Publisher : Lembaga Penelitian dan Pengabdian Masyarakat (LPPM) Sekolah Tinggi Agama Islam Mulia Astuti (STAIMAS) Wonogiri

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58326/jurnallisyabab.v6i1.326

Abstract

Tajwid is a discipline that explores the methods of reciting the Qur'an correctly according to established rules. This study aims to explore the essence of Tajwid through ontological, epistemological, and axiological approaches, as well as analyze its significance in the lives of Muslims, encompassing spiritual, social, and educational aspects. This research employed a qualitative method with a literature study approach, examining various authoritative sources in Tajwid, including classical texts and direct instruction from competent teachers. The findings indicate that Tajwid is not merely a technique for reciting the Qur'an, but also possesses a profound spiritual dimension, serving as a means of drawing closer to Allah SWT. Tajwid is learned through diverse sources, with the implementation of varied learning methods, both face-to-face and through online platforms. Although technology has facilitated access to Tajwid learning, this study reveals that the main challenge faced is a lack of public awareness regarding the urgency of Tajwid in worship. Tajwid has an essential role in the life of a Muslim, both from a spiritual perspective and in preserving the tradition of reciting the Qur'an correctly. Therefore, enhancing the understanding and practice of Tajwid is imperative in order to maintain the authenticity of the meaning of the Qur'an and optimize the quality of worship for Muslims.
Subjektivitas Perempuan pada Tokoh Siska dalam Novel Dimsum Terakhir Karya Clara Ng: Kajian Postfeminisme Rosalind Gill Rayhan Isnaini; Wanda Choirunisa; Dendi Yuda Safrullah; Rohanda Rohanda
JURNALISTRENDI : JURNAL LINGUISTIK, SASTRA, DAN PENDIDIKAN Vol 11 No 4 (2026)
Publisher : Universitas Nahdlatul Wathan Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51673/jurnalistrendi.v11i4.3128

Abstract

Postfeminism presents female subjectivity within a patriarchal culture, as seen in the character Siska in Clara Ng’s novel Dimsum Terakhir. This study aims to describe the representation of female subjectivity and the paradox of freedom experienced by Siska in Dimsum Terakhir. The focus of this study is Siska’s subjectivity, which includes individualism, choice, and empowerment, as well as the paradox of agency, which includes self-surveillance and the makeover paradigm. This study uses a descriptive qualitative method to interpret female subjectivity represented through the character of Siska. The data source is Clara Ng’s novel Dimsum Terakhir. The data were collected through the stages of data reduction, data presentation, and conclusion drawing and verification. The results show that female subjectivity is represented through Siska’s freedom of choice and empowerment as an independent contemporary career woman. However, this freedom also shows a paradox of agency that is influenced by external factors, such as strict self-surveillance, consumerism, and the makeover paradigm. This study offers a new perspective in feminist literary studies by viewing women as subjects with agency. It contributes to the study of postfeminist subjectivity in Clara Ng’s novel Dimsum Terakhir by showing that women’s agency in a neoliberal context can also involve self-surveillance. This study also shows a paradox in which women’s freedom to make their own choices can become a form of self-control over their bodies and behavior, encouraging them to regulate themselves according to the standards constructed by their social environment
Co-Authors Alissa Fariztina Andri Yanto Dendi Yuda Safrullah Dhany Muharom Albandaniji Dian Sinaga Fadlil Yani Ainusyamsi Fitri Perdana Kodir, Abdul - Muhammad Abdul Halim Rayhan Isnaini Siti Hani Zakiyah Sofia Laila Rahmah Wanda Choirunisa