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All Journal BAHAS Jurnal Pendidikan Islam Jurnal Penelitian Pendidikan Indonesia Menulis: Jurnal Penelitian Nusantara
Ahmad Zaidi
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Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences Other

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تربية الأطفال في نظرية المعرفة في القرآن الكريم Ujang Saefullah; Ahmad Zaidi; Dede Suparman
Jurnal Pendidikan Islam Vol 1, No 3 (2015): JURNAL PENDIDIKAN ISLAM
Publisher : The Faculty of Tarbiyah and Teacher Training associated with PSPII

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/jpi.v1i3.688

Abstract

This study aims to explore the instructions of the Qur’an on epistimologi education of children. Based on the idea that childhood is a phase of life that is very important and influential on subsequent periods. Educational success in childhood will have a positive impact on the personality and life of the child in the future. As well as failure. This study is the library research with a qualitative approach. The primary data sources are the Qur’an and Tafsir. While the secondary data sources are books related to the theme of research. The research results showed that the Qur’an very concerned about the education of children and encourage parents and teachers to carry out such a comprehensive education. According to the Qur’an children can be jewelry of the world (zînat al-hayât al-dunyâ), a gem that boast (qurrata a’yun), trial for parents (fitnah), and enemies ('aduww). Several things related and affect a child's education is the goal, materials, methods and educator. Everything has to be integrated in an integrated manner for all the requirements are met properly. 
IDENTIFIKASI FOLKLORE DALAM KESENIAN MANTAU Ahmad Zaidi
BAHAS Vol 30, No 3 (2019): BAHAS
Publisher : BAHAS

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/bhs.v30i3.17178

Abstract

Abstrak Tradisi lisan sangat banyak jumlahnya di nusantara ini, bahkan bisa dikatakan bahwa setiap etnik suku yang ada di nusantara memiliki tradisi lisannya sendiri. Akan tetapi minimnya kajian akademis mengenai tradisi lisan atau folklore di Indonesia membuat penelitian terhadap objek folklore sangat sukar untuk diteliti. Pada dasarnya Mantau merupakan sebuah tradisi lisan musikal yang terdapat di daerah Jambi, yang mana lirik lagu dalam kesenian Mantau ini sesuai dengan kehendak atau perasaan yang dirasakan oleh sang pelantun lagu. Sesuai dengan permasalahan yang akan dikaji dalam penelitian ini, peneliti menggunakan metode kualitatif yang bersifat deskriptif analitik dengan pendekatan etnografi dan etnologi. Pendekatan etnografi dan etnologi dipakai untuk mempelajari etnik (ethnos:rakyat) atau masyarakat berdasarkan kelompok etnis dan formasi etnis, etnogenesis, komposisi, perpindahan tempat tinggal, karakteristik, relasi sosial, juga budaya material dan spiritual mereka; pengumpulan data empiris tentang masyarakat dan budaya manusia yang biasanya dilakukan melalui pengamatan partisipan dan wawancara yang bertujuan untuk menjelaskan keadaaan masyarakat yang dipelajari, serta mempelajari berbagai relasi atas aspek budaya suatu suku bangsa dan hubungannya dengan suku bangsa lainnya.  Kata Kunci : Mantau, Folklore, Identifikasi, Tradisi Lisan
Produksi Komposisi Mini Album Pop Alternatif “Ruang Tengah” Dengan Penyajian Berbasis Multimedia Misia Agape Barus; Weldi Syaputra; Ahmad Zaidi; Hadaci Sidik
Menulis: Jurnal Penelitian Nusantara Vol. 2 No. 4 (2026): Menulis - April
Publisher : PT. Padang Tekno Corp

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59435/menulis.v2i4.1112

Abstract

Penciptaan tugas akhir ini berupa produksi komposisi mini album pop alternatif berjudul “Ruang Tengah” dengan penyajian berbasis multimedia yang dipublikasikan melalui platform musik digital. Tujuan penciptaan adalah menghasilkan komposisi musik pop alternatif dalam bentuk mini album yang menjadi produk industri kreatif berupa mini album digital (EP) yang dipasarkan melalui platform digital. Metode penciptaan menggunakan kerangka Proses Kreatif Empat Tahap Graham Wallas (Preparation, Incubation, Illumination, Verification), dengan dukungan teori musik program, komposisi kontemporer, sosiologi musik populer, serta praktik teknik rekaman modern. Karya terdiri dari enam track yang dibagi dalam tiga bagian besar: Exposition (Overture), Development (Bagiku Sedih itu Siklus, Biru dan Kusam), dan Resolution (Chiro Said WDGAF, Ngalir Aja?, Hidup). Hasil penciptaan menunjukkan bahwa mini album “Ruang Tengah” tidak hanya memiliki nilai artistik sebagai refleksi personal pengkarya, tetapi juga relevansi akademis dan praktis dalam pengembangan keilmuan produksi musik populer berbasis multimedia.
Nyemendo's Music Composition: Technical and Empirical Verification of the Transformation of the Three Philosophical Values of the Premarital Tradition of the Orang Rimba Sidik, Hadaci; Aluna; Ferry Herdianto; Ahmad Zaidi; Weldi Syaputra
JPPI (Jurnal Penelitian Pendidikan Indonesia) Vol. 12 No. 1 (2026): JPPI (Jurnal Penelitian Pendidikan Indonesia)
Publisher : Indonesian Institute for Counseling, Education and Theraphy (IICET)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29210/020266887

Abstract

The premarital tradition of Nyemendo indigenous Orang Rimba in Jambi contains three philosophical values: active patience, practical competence, and communal decisions. These three values have been ethnographically documented by researchers before, but they have never been transformed into musical works and their success has been verified. This article discusses the creation of a three-part musical composition program (exposition, development, recapitulation) with the aim of answering musical questions, namely: what kind of sound represents active patience, what kind of sound represents practical competence, what musical parameters translate active patience into habitus, and what kind of instrumentation represents communal decision. This study uses three theoretical frameworks: Bourdieu's habitus for the social dimension, Tarasti's musical semiotics for the musical sign dimension, and Feld's acoustemology for the dimension of sound as knowledge. Based on this framework, three compositional concepts were formulated: static minimalism for active patience, gestural virtuosity for practical competence, and discontinuous alternation without soloist initiative for communal decisions. The musical material comes from the main notes of the Orang Rimba ritual mantras as well as the sounds of the forest which are treated as materials equivalent to the tone. The results of technical verification through score analysis proved the existence of the three concepts in 139 beats with a duration of 18 minutes. The results of empirical verification through a hearing test with three respondents (composers, art practitioners, and Tumenggung Urip as traditional elders) showed an average score of 4.33 for active patience, 4.67 for practical competence, and 4.33 for communal decisions (scale 1–5). This composition succeeded in filling the research gap by presenting Nyemendo's philosophical values into a verified sound medium.
Co-Authors Aluna Ferry Herdianto Hadaci Sidik Misia Agape Barus S.Pd. M Kes I Ketut Sudiana . Sidik, Hadaci Ujang Saefullah Weldi Syaputra