Article Per Year (5 Year)
p-Index From 2020 - 2025
1.116
P-Index
This Author published in this journals
All Journal Laga-Laga: Jurnal Seni Pertunjukan Musica: Journal of Music Scoring: Journal of Film Music
Sidik, Hadaci
Unknown Affiliation
Religion Arts Humanities Education Languange, Linguistic, Communication & Media

Published : 6 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 6 Documents
Search

 1 
Musical Composition “Theme and Variations of the Sahur Arakan for Chamber Orchestra” Zulpiana, Dila; Sidik, Hadaci; Murniati, Murniati; Zaidi, Ahmad
Scoring: Journal of Film Music Vol 1, No 2 (2023): Scoring Jurnal of Film Musik
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/scoring.v1i2.3921

Abstract

The composition of this music departs from the art of the tradition of Arakan Sahur. Tradition originating from the Kuala Tungkal area, Tungkal Ilir District, Tanjung Jabung Barat Regency, Jambi Province. Arakan Sahur is a tradition of waking people from sleeping in the month of Ramadan. This tradition is carried out when people eat at dawn. The composition of the Sahur Sahur Music is the music that is worked on in the form of music theme variations with the format of the chamber orchestra instrument. The goal is to get to get a dawn atmosphere with a different taste. The cultivation of the composition of the Sahur Sahur uses the technique of developing the main theme of the composition of the motifs, rhythm, and melody. Repetition of the main theme uses eight variations without eliminating the pattern of dawn.
Nyanyian Kromong : Komposisi Musik Dua Bagian (Nyanyian Kromong : Two Part Musical Composition) Nurbaiti, Eliza; Sidik, Hadaci; Anggraini, Nora
Musica: Journal of Music Vol 3, No 1 (2023): MUSICA : JOURNAL OF MUSIC
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/musica.v3i1.2848

Abstract

ABSTRAK Kromong adalah salah satu instrumen musik tradisional dan kesenian yang berada didaerah Setangguk Remas, desa Mandiangin Tuo, Kecamatan Mandiangin, Provinsi Jambi. Kromong memiliki idiom musik yang unik dan menarik untuk dikembangkan sebagai ide musikal dalam penciptaan komposisi musik baru. Kromong ditampilkan bersamaan dengan gong, dan gendang pada acara adat penyambutan dan kedatangan keluarga kerajaan serta para pejabat pemerintahan. Dimainkan juga pada ritual acara perkawinan, khitan, dan pengiring tari kain kromong dan serta acara kesenian lainnya. Dari salah satu potongan ritme dan melodi yang dimainkan oleh kromong pada ritual acara perkawinan, dan pengiring tari kain kromong diambil sebagai dasar terciptanya sebuah tematik komposisi musik baru yang digarap ke dalam format orkestra dengan bentuk dua bagian. Komposisi ini digarap melalui identifikasi, eksplorasi, dan eksperimentasi terhadap unsur-unsur musikal, sehingga menjadi musikal baru.Kata kunci: Kromong; komposisi; dua bagianABSTRACTKromong is one of the traditional musical instruments and arts located in Setangguk Remas area, Mandiangin Tuo village, Mandiangin district, Jambi province. Kromong has a unique and interesting musical idiom to develop as a musical idea in creating new musical compositions. Kromong is displayed along with gongs and drums during traditional welcome and arrival ceremonies by the royal family and government officials. It is also played during wedding ceremonies, circumcision ceremonies and accompanies the kromong cloth dance and other artistic events. From one of the rhythms and melodies of the kromong played at the wedding ceremony, and the accompaniment of the kromong dance was taken as the basis to create a new thematic musical piece elaborately orchestrated in the form of an orchestra. the form of two pieces of music. This composition is made possible through the identification, discovery and experimentation of musical elements, so that it becomes a new musical.Keywords:  : Kromong; composition; two parts  
Fantasia Melengking Alpan, Deny; Sidik, Hadaci; Surayya, Yade; Adha, Yasril; Hendri, Yon
Musica: Journal of Music Vol 4, No 1 (2024): MUSICA : JOURNAL OF MUSIC
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/musica.v4i1.4271

Abstract

Seni bertutur atau sering dikenal dengan sastra lisan merupakan satu diantara wujud ekpresi dari Masyarakat. seni bertutur yang tumbuh dan berkembang di Desa Mudung Darat, Kab. Muaro Jambi, yaitu Jolo Mudung. Jolo memiliki makna sebuah nyanyian, sedangkan Mudung merupakan nama sebuah desa. Seni bertutur Jolo Mudung berisikan pantun yang sesuai dengan konteks yang terjadi pada masyarakat. Metode dalam penggarapan karya ini menggunakan: persiapan, tahap proses penciptaan. Hasil penggarapan ini yaitu Jolo mudung adalah sebuah komposisi musik yang terbagi dalam 2 bagian. Komposisi musik Melengking berangkat dari lantunan sahutan Jolo Mudung , yang menggembangkan melodi sahutan Jolo Mudung diwujudkan menjadi sebuah komposisi musik dengan format World musik serta bentuk musik Fantasia.
Trance Dalam Pertunjukan Rentak Kudo di Desa Sangir Koto Menanti Kecamatan Kayu Aro Kabupaten Kerinci Wani, Telya; Sriwulan, Wilma; Sidik, Hadaci; Kumala, Ofa Yutri; Surraya, Yade
Musica: Journal of Music Vol 5, No 1 (2025): MUSICA : JOURNAL OF MUSIC
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/musica.v5i1.5314

Abstract

Penelitian ini bertujuan untuk mengkaji pertunjukan Rentak Kudo yang merupakan perpaduan antara musik dan tarian. Pertunjukan ini merupakan warisan khas budaya Kerinci yang dianggap sakral karena dapat menghubungkan parapemain dan penonton dengan arwah para leluhur. Saat pertunjukan berlangsung Pengasuh sebagai tetua yang memimpin pertunjukan membakar kemenyan agar suasana pertunjukan lebih khidmat dan diyakini oleh masyarakat setempat sebagai pemanggil arwah nenek moyang atau nenek salih. Efek yang ditimbulkan selanjutnya memberikan pengaruh kepada penonton maupun penari, karena ada beberapa penari atau penonton yang mengalami kerasukan atau trance. Di antara mereka ada yang menari sambil menghentak-hentakkan kaki ke tanah secara spontan, mencakar tanah seperti harimau, dan ada juga yang melakukan gerakan-gerakan silat. Tidak semua orang yang bisa mengalami trance dalam pertunjukan tersebut, tetapi masyarakat percaya bahwa orang yang mempunyai keturunan nenek lah yang dapat mengalami trance. Dari sisi teori musikologis menyatakan bahwa kekuatan music (beat, rhythm, harmony) yang berulang-ulang dapat mempengaruhi jiwa dan roh manusia. Metode penelitian ini menggunakan metode etnografi yang merupakan pekerjaan mendeskripsikan suatu kebudayaan, memahami suatu pandangan hidup dari sudut pandang penduduk asli. mempelajari Masyarakat sekaligus belajar dari masyarakat yang diteliti.
Interpretation and Expression of Violin Soloist in Playing: Concerto In E Major, My Heart Will Go On, and Laila Canggung Nasrullah, M.; Sidik, Hadaci; Wijaksana, Bambang; Enida, Delfi; Dary, Mohammad
Scoring: Journal of Film Music Vol 3, No 1 (2025): Scoring Jurnal of Film Music
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/scoring.v3i1.5551

Abstract

Performances of musical repertoire from various eras, such as classical, modern, Malay, and popular, are wrapped into a solo violin performance in the form of interpretation and expression of works using musical performance techniques that contain conventional rules. This performance consists of several repertoires from different eras. The first repertoire is a repertoire that originates from the baroque era or the 16th century, entitled Concerto in E Major No. 1 Spring, with a combination of Antonio Vivaldi, which was created in 1725. The second repertoire is My Heart Will Go On, which is popular. The third repertoire is Laila Awkward, which Hamid and Amardi Raga created. Presenters interpret and express their repertoire by applying techniques such as arpeggios, trills, legato, and slurs to create a perfect performance.
Interpretasi Dan Ekspresi Penyaji Solis Violin Pada Pertunjukan Concerto In E Major, My Heart Will Go On, Dan Laila Canggung Nasrullah, M.; Sidik, Hadaci; Awerman, Awerman; Hendri, Yon; Nurmalena, Nurmalena
Laga-Laga : Jurnal Seni Pertunjukan Vol 11, No 1 (2025): Laga-Laga : Jurnal Seni Pertunjukan
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/lg.v11i1.5613

Abstract

Performing musical compositions from various eras such as classical, modern, Malay, and popular, this violin solo recital presents a blend of interpretation, improvisation, and expressive performance using musical techniques that adhere to conventional principles.The initial preparation for the soloist before the performance includes technical exercises involving both the left and right hand techniques in solo violin playing. Each composition to be performed is analyzed in detail, especially in terms of form and structure. This process is essential for expressing each section of the composition appropriately and in accordance with the composer’s intent, particularly given that the compositions span different musical periods. This performance consists of several repertoires from different eras. The first repertoire originates from the Baroque period, spanning the 16th to 17th century, characterized by clear and structured patterns. This piece is titled Concerto in E Major No.1 "Spring" by composer Antonio Vivaldi, composed in 1725. The second repertoire is My Heart Will Go On, a popular music piece presented in a contemporary style. The third composition is Laila Canggung, created by Hamid and Amardi Raga, which is rooted in Malay cultural tradition and is expressed in accordance with Malay aesthetic values. The performer interprets and expresses each repertoire by applying various techniques such as arpeggio, trill, legato, slur, and slide, aiming to deliver a refined and complete performance.
Co-Authors Adha, Yasril Ahmad Zaidi, Ahmad Alpan, Deny Awerman Awerman Bambang Wijaksana, Bambang Dary, Mohammad Delfi Enida Hendri, Yon Kumala, Ofa Yutri M. Nasrullah Murniati . Nora Anggraini Nurbaiti, Eliza Nurmalena, Nurmalena Surayya, Yade Surraya, Yade Wani, Telya Wilma Sriwulan Zulpiana, Dila