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All Journal IZUMI Journal of Language and Literature Syntax Literate: Jurnal Ilmiah Indonesia Jurnal Ilmiah Lingua Idea International Journal of Community Service Learning Ayumi : Jurnal Budaya, Bahasa, dan Sastra SULUK: Jurnal Bahasa, Sastra, dan Budaya Jurnal Abdimas Bina Bangsa Cahaya bagaskara
Muammar Kadafi
Faculty Of Humanities, Universitas Jenderal Soedirman
Arts Humanities Control & Systems Engineering Economics, Econometrics & Finance Education Electrical & Electronics Engineering Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Mathematics Social Sciences Other

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Journal : Journal of Language and Literature

 1 
Locality in Humor Show entitled “Bocah Ngapa(K) Ya” Shofi Mahmudah Budi Utami; Muammar Kadafi
Journal of Language and Literature Vol 21, No 1 (2021): April
Publisher : Universitas Sanata Dharma

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (900.109 KB) | DOI: 10.24071/joll.v21i1.2727

Abstract

This article discusses a humor show which was initially aired on YouTube channel entitled “Bocah Ngapa(K) Ya”. This show particularly brings out humorous content with local dialects and exhibits local nuances of the Ngapak-speaking community.  This phenomenological quality expressed by the Ngapak-speaking community as ‘self’ is understood as locality through which it connects the identity of the Ngapak-speaking community with a wider audience (global society). However, the locality displayed through such kind of shows can potentially perpetuate stereotyped identity. Thus, this article examines locality displayed in a particular humor show namely “Bocah Ngapa(K) Ya” which offers an alternative identity of the Ngapak-speaking community. Central to the analysis is an argumentation that the depiction of Ngapak people in “Bocah Ngapa(K) Ya” subverts their stereotyped identity. The purpose of this study is to reveal hierarchical identities and to present an alternative to view this local identity based on the local context and humor delivery in the humor show. The method employed is cultural studies approach in order to view this cultural phenomenon. Through this study, it is found that the locality performed in this humor indicates a contemporary identity for the Ngapak people in the current era, which posits Ngapak people beyond their prevailing identity.
Reimagining Trauma: Japanese American Incarceration Reflected in Kenji by Mike Shinoda Shofi Mahmudah Budi Utami; Muammar Kadafi
Journal of Language and Literature Vol 23, No 1 (2023): April
Publisher : Universitas Sanata Dharma

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24071/joll.v23i1.4970

Abstract

Trauma inherited by forbearers from those who had suffered racial injustice can endure so much consequence for later generations. Similarly, what had been affected to intergenerational Jews around the world about the Holocaust was, to an extent, repeated by Japanese Americans who had experienced incarceration during the World War II. This tragedy was recorded and reflected in several art and literary works including photography, short stories, and music. Interestingly, these eerie memories transmitted by the postgeneration or referred as ‘witness’ instead of ‘testifier’ (survivor) can be thoroughly seen present and well understood in such works. One of which is a song written by an American musician, Mike Shinoda, entitled Kenji. Therefore, this paper aims at figuring out on how this traumatic experience inhabited by the person who seemed to own the memories coming from someone else. Later in this study, the problem will be approached with postmemory by Frosh gradually by investigating constructive process in the lyrics of Kenji. In order to enhance discussion on this issue, the details of each line will be further analyzed with the concept of postmemory including memory, transmission and constructive process. As a result, the findings indicate that transmission of the trauma is reimagined through ‘actively’ constructive process by the songwriter as the ‘witness’ of the Japanese American incarceration. Rather than picturing the memory in similar context, the witness employs testimony in his creative reinvention to offer ‘new context’ in working through the trauma.
Co-Authors A. Hubur Acep R Jayaprawira Alya Husna Nabila Ambhita Dhyaningrum Anggita Stovia Arif Feriansah Ashari Ashari Aulia Ratna Rakhmadhani Diana Puspitasari Diani Ratna Pungkasari Dinda Paramitha Eko Kurniawan Ely Triasih Rahayu Farah Diva Salsabila Hanny Hafiar Hartati Hartati Haryono Haryono Heri Widodo Idah Hamidah Jakaria Jakaria mufid ashari Muhammad Hary Rusli Musyahar, Ghoni Rizqullah Thohuri Roch Widjatini Syakif Ahmad Utami, Shofi Mahmudah Budi Yudi Suryadi Yusida Lusiana Yussy Talitha Khairunnisa Zuyinatul Isro