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All Journal Gorga : Jurnal Seni Rupa Gondang: Jurnal Seni dan Budaya
Sahrul Nazar
Institut Seni Indonesia Padangpanjang
Arts Humanities Education

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PENCIPTAAN TEATER MERETAS ADAB BERANGKAT DARI TRADISI MELANGUN SUKU ANAK DALAM Suci Lantika; Sulaiman Juned; Sahrul Nazar
Gorga : Jurnal Seni Rupa Vol 10, No 2 (2021): Gorga : Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gr.v10i2.27137

Abstract

The work of Meretas Adab is an achievement of the process of creating a theater based on research on the tradition of Melangun from Anak Dalam tribe. The form approach chosen in this creation process is a contemporary theatrical form. The formulation of the problem in question from this creation is how to realize the creation of a contemporary theater of Meretas Adab departing from the Melangun tradition. The theories used are contemporary theater theory, proscenium stage conventions and cultural arts exploration. The directing method used consisted of research, script preparation, selecting a creative team, separate exercises and joint exercises. The result of this creation process is a theatrical performance that utilizes the properties and daily behavior of the Anak Dalam tribal community. This contemporary theater utilizes Jambi Malay art as the basis for creating musical and dance compositions. Keywords: meretas adab, melangun. AbstrakKarya Meretas Adab merupakan capaian dari proses penciptaan teater yang berlandaskan pada riset atas tradisi melangun suku Anak Dalam. Pendekatan bentuk yang dipilih dalam proses penciptaan ini adalah bentuk teater kontemporer. Rumusan masalah yang dipertanyakan dari penciptaan ini adalah bagaimana mewujudkan penciptaan teater kontemporer Meretas Adab berangkat dari tradisi Melangun. Teori yang digunakan adalah teori teater kontemporer, konvensi panggung proscenium dan eksplorasi seni budaya. Metode penyutradaraan yang digunakan terdiri dari, riset, penyusunan naskah, memilih tim kreatif, latihan terpisah dan latihan gabungan. Hasil dari proses penciptaan ini adalah pertunjukan teater yang memanfaatkan properti dan prilaku keseharian dari masyarakat suku Anak Dalam. Teater kontemporer ini memanfaatkan seni Melayu Jambi sebagai basis dari penciptaan komposisi musik dan tari.Kata Kunci: meretas adab, melangun. Authors:Suci Lantika : Institut Seni Indonesia PadangpanjangSulaiman Juned : Institut Seni Indonesia PadangpanjangSahrul Nazar : Institut Seni Indonesia Padangpanjang References:Ibrahim, M., Gurniwan, K. & Djakarta, M. (2013).Kehidupan Suku Anak Dalam di Kecamatan Air Hitam Kabupaten Sarolangun. Antologi Pendidikan Geografi, 1(3), 1-15. http://antologi.upi.edu/file/.Irianto, Ikhsan, S. (2020). Recombination of Minangkabau Traditional Arts in Alam Takambang Jadi Batu. Jurnal Ekspresi Seni, 22(1), 85-99.Jalaludin. (2021). “Jenang”. Hasil Wawancara Pribadi: 5Januari 2021, Sorolangun.Ledwin, David, Joe and Robin Stockadale. (2008), The Architecture Of Drama Plot Character Theme Genre And Style. Plymouth: The Scarecrow Press, Inc.Mailinar, N. (2013). Kehidupan Keagamaan Suku Anak Dalam di Dusun Senami Lii Desa Jebak Kabupaten Batanghari Jambi. Jurnal Kontektualita, 28(2), 247-271.Suryadi, Tumanggung Rimbo. (2021). “Pemandu Wisata Sarolangun”. Hasil Wawancara Pribadi: 4 Januari 2021, Kecamatan Sorolangun.Susanti, Susi. & Sherli Novalinda, R. (2019). Penciptaan Tari Breath In Dari Aktivitas Pencari Pensi di Danau Singkarak. Ekspresi Seni, 21(2), 139-149.Susantono, Nurul P. (2016). Produksi Drama Musikal - Dari Ide ke Panggung. Jakarta: Gramedia.Temenggung, Baladan. (2021). “Berburu”. Hasil Wawancara Pribadi: 5 Januari 2021, Bukit Dua Belas Sarolangun.Yudiaryani. (2010). Inspirasi Teoretis Bagi Praktik Pembentukan Teater Kontemporer Di Indonesia. Yogyakarta: UPT Perpustakaan ISI Yogyakarta.
TARI BALEGA DI TANAH MANANG KARYA SUSAS RITA LORAVIANTI DALAM KAJIAN DRAMATURGI TARI Mentari Varianda; Sahrul Nazar; Roza Muliati
Gorga : Jurnal Seni Rupa Vol 10, No 2 (2021): Gorga : Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gr.v10i2.27465

Abstract

Balega di Tanah Manang is an attempt to express the situation and condition of Minangkabau society in a matrilineal setting. This study discusses the practice of dance dramaturgy in the creation of Balega di Tanah Manang by Susas Rita Loravianti. The work of creation through the birth of dramaturgical forms and concepts seen in dramaturgical practice. The pattern of work in the creation process through the views of the choreographer and dramaturg in their work. The practice of dialogue between the choreographer and dramaturg is carried out. The research method uses a dramaturgical approach, which is an approach that focuses on the circle of work patterns carried out in the creative process of dance creation and production by dramaturg and a choreographic approach in seeing the form of the work by the choreographer.Keywords: balega di tanah manang, dramaturgy.AbstrakTari Balega di Tanah Manang merupakan upaya mengekspresikan situasi dan kondisi masyarakat Minangkabau dalam tatanan matrilinial Penelitian ini membahas praktik dramaturgi tari dalam penciptaan Balega di Tanah Manang karya Susas Rita Loravianti. Kerja penciptaan melalui pelahiran bentuk dan konsep dramaturgi yang dilihat dalam praktik dramaturgi. Pola kerja dalam proses penciptaan melalui pandangan koreografer dan dramaturg dalam tugasnya. Adanya praktik dialog antara koreografer dan dramaturg yang dilakukan. Metode penelitian menggunakan pendekatan dramaturgi, yaitu pendekatan yang terpusat pada lingkaran pola kerja yang dilakukan dalam proses kreatif penciptaan dan produksi tari oleh dramaturg dan pendekatan koreografi dalam melihat bentuk karya oleh koreografi.       Kata Kunci: balega di tanah manang, dramaturgi. Authors: Mentari Varianda : Institut Seni Indonesia PadangpanjangSahrul Nazar : Institut Seni Indonesia PadangpanjangRoza Muliati : Institut Seni Indonesia Padangpanjang References:Denzi, Norman K Dan Yvonna S. Lincoln (Eds). (2009). Handbook Of  Qualitative Research. Terj. Dariyatno Dkk. Yogyakarta: Pustaka Pelajar.Hansen, Pil Dan Darcey Callison. (2015). Dance Dramaturgy: Modes Of Agency, Awareness And Engagement. United Kingdom: Palgrave Macmillan.Loravianti, Susas Rita. (2003).  Karya Tari Perempuan Dalam Kaba.  Laporan Karya. Padangpanjang : Isi Padangpanjang.Loravianti, Susas Rita. (2014). Tari Garak Nagari Perempuan. Laporan Karya. Surakarta: Isi Surakarta.Loravianti. (2020). “Dramaturgi”. Hasil Wawancara Pribadi: 23 Oktober 2020, Guguak Malintang.Luckhurts, Mary. (2005). Dramaturgy: A Revolution In Theatre. New York: Cambrige University Press.Mulyadi Seto, Dkk. (2019). Metode Penelitian Kualitatif Dan Mixed Method. Depok: PT. Rajagrafindo Persada.Murgiyanto, Sal. (2016). Kritik Pertunjukan dan Pengalaman Keindahan. Jakarta: Penerbit Pascasarjana–Ikj (Institut Kesenian Jakarta).Raihan. (2018). “Gerak Dinamika”. Hasil Dokumentasi Pribadi: 09 Juli 2018, Studio Tari ISI Padangpanjang.Simatupang, Lono. (2013). Pergelaran : Sebuah Mozaik Penelitian Seni – Budaya. Yogyakarta : Jalasutra.Sugiyono. (2007). Metode Penelitian Kuantitatif, Kualitatif Dan R&D. Bandung: Alfabet.Wulan, Sari Renee. (2019).  Dramaturgi : Sesuatu Yang Dekat. https://gelaran.id/dramaturgi-tari-sesuatu-yang-dekat (diakses 30 Desember 2019).Yudiaryani, dkk. .(2017). Karya Cipta Seni Pertunjukan. Yogyakarta: JB Puplisher Bekerjasama Dengan Fakultas Seni Pertunjukan, Institut Seni Indonesia Yogyakarta.
Embodiment of Parental Love Through the Medium of Wooden Matches in Expression Photography Ichsan Saputra; Sulaiman Juned; Sahrul Nazar
Gondang: Jurnal Seni dan Budaya Vol 8, No 1 (2024): GONDANG: JURNAL SENI DAN BUDAYA
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v8i1.57338

Abstract

This photographic work raises the theme of parental love through the medium of wooden matches in expression photography. This work focuses on life experiences, the daily activities of the creator while he was born and grew up full of love from his parents in Aceh. The theory of ideas that the creator uses in creating this work of Expression photography is in the form of Expression Photography, Composition, Semiotics and Lighting. This creation method also involves experimentation. The creative concepts and ideas displayed in this photo work are a reflection of the creator's daily life. The main object in making this work is a miniature person created from wooden matches. This work is inspired by the author's life story of the sincere love of his parents, as well as daily life activities that the author has experienced and felt. Rooted in a deep narrative of parental love, the project captures the essence of familial warmth and affection, depicting miniature wooden matchsticks involved in everyday activities as symbolic representations of the human experience. Each photo encapsulates a narrative of parental love and familial bonds, visually depicting moments of tenderness, joy and nurturing care. In "In Mother's Lap", "Happiness", "Dodaidi Swing", "Adab", and "Guardian", the creator visualizes the multifaceted nature of parental love, from caring for babies to guiding adolescence. These photos are a touching reminder of the eternal bond between parents and children, illustrating the profound impact that love and care can have on a child's development and well-being. Ultimately, through a blend of artistic expression and qualitative inquiry, the project “Parental Love through the Medium of Wooden Matching in Expressive Photography” transcends the realm of conventional photography, offering viewers a glimpse into the depth and richness of human relationships and experiences.
Co-Authors Ichsan Saputra Mentari Varianda Roza Muliati Suci Lantika Sulaiman Sulaiman