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All Journal Gorga : Jurnal Seni Rupa Budapest International Research and Critics Institute-Journal (BIRCI-Journal): Humanities and Social Sciences Jurnal Arjuna : Publikasi Ilmu Pendidikan, Bahasa dan Matematika Atmosfer: Jurnal Pendidikan, Bahasa, Sastra, Seni, Budaya, Dan Sosial Humaniora Cendikia Pendidikan Realisasi: Ilmu Pendidikan, Seni Rupa dan Desain Abstrak: Jurnal Kajian Ilmu Seni, Media dan Desain
Sri Wiratma
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Religion Arts Humanities Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Health Professions Languange, Linguistic, Communication & Media Mathematics Social Sciences

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Journal : Realisasi: Ilmu Pendidikan, Seni Rupa dan Desain

 1 
Penciptaan Kriya Kayu Hiasan Dinding Karakter Tari Topeng Malangan dengan Teknik Ukir Riyan Januar Nst; Sri Wiratma
Realisasi : Ilmu Pendidikan, Seni Rupa dan Desain Vol. 2 No. 1 (2025): Januari : Realisasi : Ilmu Pendidikan, Seni Rupa dan Desain
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/realisasi.v2i1.503

Abstract

The creation of this work was motivated by the author's interest in making wall decoration wooden craft artworks inspired by the Malangan Mask dance characters. The author found unique and interesting things about the Malangan Mask dance characters such as facial expressions, eye expressions and different mask characteristics. This research aims to realize cultural, ethnic, artistic, social and philosophical visualization. The Creation Method used in the creation of wooden crafts for wall decoration of Malangan Mask dance characters by Nirwana and Andito (2017), namely starting from the internalization of ideas, the formulation of the concept of creation and the execution of the creation of works of art. The creation of this wall decoration is embodied in 12 works. The 12 wall decoration works have the same size of 25 cm x 52.8 cm. In this case, the author will create a wooden craft work hanging the wall of the Malangan Mask dance character using carving techniques. The characters of the Malangan Mask dance that will be applied include: (1) Panji Asmorobangun (Side 1), (2) Panji Asmorobagun (Side 2), (3) Dewi Sekartaji (Side 1), (4) Dewi Sekartaji (Side 2), (5) Raden Gunung Sari (side 1), (6) Raden Gunung Sari (side 2), (7) Dewi Ragil Kuning (Side 1), (8) Dewi Ragil Kuning (Side 2), (9) Klana Sewandana (Side 1), (10) Sewandana Clan (Side 2), (11) Bapang Joyo Pangangun Angun (Side 1), (12) Bapang Joyo Pangangun Angun (Side 2).
Penciptaan Outer Batik Dengan Teknik Batik Tulis, Shibori dan Ecoprint Nabilla Zalfa; Sri Wiratma; Raden Burhan S, N, D
Realisasi : Ilmu Pendidikan, Seni Rupa dan Desain Vol. 2 No. 2 (2025): April: Realisasi : Ilmu Pendidikan, Seni Rupa dan Desain
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/realisasi.v2i2.571

Abstract

The creation of batik outerwear combines three techniques: hand-drawn batik (batik tulis), shibori, and ecoprint, to produce designs that are both functional and aesthetically rich, while promoting local cultural identity. The process follows the Art Creation Methodology, consisting of four stages: exploration, experimentation, realization, and evaluation. In the exploration phase, the techniques used are studied, and how their combination can create unique motifs. This phase also includes an in-depth understanding of the history and philosophy of each technique, ensuring a strong foundation for their application in the design of the outerwear.In the experimentation phase, various patterns, colors, and compositions are tested to determine the best combination of the three techniques. This stage involves creating several design samples to test the harmony between hand-drawn batik, the visually appealing folds of shibori, and the natural impressions left by ecoprint leaves. Then, in the realization stage, the batik outerwear is completed by integrating these elements into a cohesive design. The techniques of batik tulis, shibori, and ecoprint work together to create rich textures and motifs.In the evaluation phase, the aesthetic and functional quality of the final product is assessed. The final result demonstrates that combining these techniques not only creates unique designs but also adds value in terms of beauty and sustainability, while supporting the preservation of local culture through innovation in batik art.
Penciptaan Dress Lilit Motif Bunga Easter Lily Dengan Teknik Batik Tulis Mikha Exclesia Pasaribu; Sri Wiratma; Raden Burhan Surya Nata Diningrat
Realisasi : Ilmu Pendidikan, Seni Rupa dan Desain Vol. 2 No. 2 (2025): April: Realisasi : Ilmu Pendidikan, Seni Rupa dan Desain
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/realisasi.v2i2.582

Abstract

This creation is based on Batik as a rich Indonesian cultural heritage, which continues to undergo significant transformation by combining traditional elements and modern fashion trends. The creation of a new batik motif inspired by the Easter lily flower, was chosen because of its symbolic meaning and natural beauty. The design of this motif consists of three elements: the main motif of the Easter lily flower, supporting motifs, and isen motifs as complementary details. This creation aims to determine the process and results of applying Easter lily motif batik cloth to a wrap Dress using the batik tulis technique. This creation uses the Alma M. Hawkins method which has 5 stages of creation, namely: preparation, elaboration, synthesis, concept realization, and completion. The result of this creation is the creation of a wrap Dress with an Easter lily flower motif of 12 batik works. This batik tulis uses the colet technique with remasol dye. The wrap batik Dress with the Easter lily motif is expected to foster the interest of the younger generation in wearing batik tulis with colors and motifs that are tailored to their tastes.
Visualisasi Pengalaman Pribadi sebagai Sumber Penciptaan Lukisan Batik Tulis Sri Rani Elisabeth Simanjuntak; Sri Wiratma; Misgiya Misgiya
Realisasi : Ilmu Pendidikan, Seni Rupa dan Desain Vol. 2 No. 3 (2025): Realisasi : Ilmu Pendidikan, Seni Rupa dan Desain
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/realisasi.v2i3.690

Abstract

This study discusses how personal experiences can serve as the main source of ideas in creating batik painting. Using a phenomenological approach, self-narratives are used to explore experiences which are then visualized into batik works. The creative process follows several stages: preparation, imagining forms and motifs, exploring color and technique, and the final execution on primisima mori cloth sized 77x 109 cm using hand drawn batik techniques. The resulting work not only captures life stories but also becomes a way to express oneself and preserve culture.
Co-Authors Mikha Exclesia Pasaribu Misgiya Misgiya MUTIARANI MUTIARANI Nabilah Ramadhani Nabilla Zalfa Nurliana Harun Raden Burhan S, N, D Raden Burhan SN. Diningrat Raden Burhan Surya Nata Diningrat Ratih Rahmadani Raysyah Daulay Riyan Januar Nst Rosauli Siahaan Siti Rahmadani Siregar Sri Rani Elisabeth Simanjuntak Suwanti Tamba Wahyu Tri Atmojo Wansix Sidauruk Yudea Agriva Tarigan