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All Journal Idealog: Ide dan Dialog Desain Indonesia Jurnal Rupa PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT International Journal of Science and Society (IJSOC)
Andryanto Rikrik Kusmara
Institut Teknologi Bandung
Arts Humanities Materials Science & Nanotechnology Social Sciences

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Pemanfaatan Pewarna Alam sebagai Trend Baru pada Fashion Brands di Indonesia Arini Arumsari; Agus Sachari; Andryanto Rikrik Kusmara
JURNAL RUPA Vol 3 No 2 (2018): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v3i2.1620

Abstract

As one of the largest sub-sectors of the creative industry in Indonesia, the fashion industry has a great potential and contribution to society and the country's economy. However, the role of the large fashion industry also needs to be balanced with the methods of production and design of fashion products that are environment-friendly. This needs to be done considering the potential for adverse impacts of the rapidly developing fashion industry without any direction. The adverse effects are the use of synthetic materials or raw materials that are harmful to the environment; unprocessed production waste; poor quality of materials and production processes resulting in a low product life-cycle; and social labor issues. To overcome the above problems, the environment-friendly method currently used by various fashion brands in Indonesia and becoming a trend is the use of natural dyes in the process of fashion production. The use of natural dyes has many advantages, namely: using non-toxic and dangerous materials; preserving the traditions of Indonesian ancestors; and producing authentic and trendy color characters if processed properly. This study uses qualitative methods with a sociocultural approach. This study presents the background and development of the use of natural dyes by various fashion brands in Indonesia to become today's trend. Thus, the use of natural dyes is expected to not only become a momentary trend but is also expected to continue to be developed. The biggest reason is that the application of more environment-friendly methods for the Indonesian fashion industry broadly can provide many benefits.
Ernest Irwandi EVALUASI PENDEKATAN PARTISIPATORI DALAM SENI, STUDI MURAL KOMUNITAS DI KAMPUNG KOTA Ernest Irwandi; Setiawan Sabana; Andryanto Rikrik Kusmara
PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT Vol 2 (2019): Seni, Teknologi, dan Masyarakat #4
Publisher : LP2MP3M, INSTITUT SENI INDONESIA SURAKARTA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/semhas.v2i0.117

Abstract

Mural art does not only function as decoration but it is an art activity that impact social life. Decorating villageswith murals has become an art movement across Java. Creation of mural in these villages involves manystakeholders (government, universities, students, artists), which can be considered as participatory art, thatemphasize on collaboration and shared experiences. In participatory art, artists’ and facilitator role is to encouragecommunity creativity. This research focuses on art community murals using participatory action researchapproach. This research aim to analyze collaborative art creation models, and examine how art canempower a community.
Gesture Visualization from Babad Diponegoro (UNESCO’s MoW) into Digital Character using Motion Capture Harry Nuriman; Setiawan Sabana; Intan Rizky Mutiaz; Rikrik Kusmara Andryanto
International Journal of Science and Society Vol 3 No 2 (2021): International Journal of Science and Society (IJSOC)
Publisher : GoAcademica Research & Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (470.988 KB) | DOI: 10.54783/ijsoc.v3i2.322

Abstract

The image of Prince Diponegoro as a national hero of Indonesia is very strong. However, there are controversies and myths regarding his characterization. The researcher deconstructs the character of Prince Diponegoro by appropriating Raden Saleh's painting entitled Penangkapan Pangeran Diponegoro by tracing the authentic script from the autobiography of Babad Diponegoro. The manuscript is examined using an intertextuality approach. Prince Diponegoro is constructed based on the physical characteristics contained in the Babad Diponegoro text into a three-dimensional digital model. The results are then rearranged using the deconstruction method by detaching from the existing stereotype of Prince Diponegoro and displaying his character and habits as written in Babad Diponegoro. A number of questions to be answered through this research are what can be visualized from the character of Prince Diponegoro using a textual approach, especially based on Babad Diponegoro, why does the character and identity based on Babad Diponegoro need to be visualized and what methods can be used to bring out the body and character. through the use of digital technology which includes embodiment, motion, gesture, sound, light, interactivity so as to provide a new experience for the audience. The result was a series of movements and visuals that enriched the characterization of Prince Diponegoro. All characters, both those that have been formed for a long time and those that were only known after the translation of Babad Diponegoro, were shown in the virtual experiment entitled Hikayat Dipanegara. The results showed that appropriation using different dimensions and technology resulted in a new image of Prince Diponegoro. The crossing of signs that occurs between real and virtual experiences and in the context of time can provide a new experience which may change the perspective or understanding of things.
EVALUASI INKLUSIVITAS TATA PAMER INTERAKTIF DAN MULTISENSORI MUSEUM BERBASIS INTEGRATED MUSEUM ENGAGEMENT MODEL (IMEM): EVALUASI INKLUSIVITAS TATA PAMER INTERAKTIF DAN MULTISENSORI MUSEUM BERBASIS INTEGRATED MUSEUM ENGAGEMENT MODEL (IMEM) Parlindungan Ravelino; Andryanto Rikrik Kusmara; Gregorius Prasetyo Adhitama
Ide dan Dialog Desain Indonesia (Idealog) Vol 11 No 1 (2026): Jurnal Idealog Vol 11 No 1
Publisher : Universitas Telkom

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/idealog.v11i1.9415

Abstract

Abstract : Limited visitation and public engagement remain major issues for museums in Indonesia, indicating that the transition toward the New Museology paradigm has not yet been fully accompanied by inclusive exhibition practices. One emerging effort is the implementation of interactive and multisensory exhibition design; however, its effectiveness in supporting museum inclusivity still requires critical evaluation. This study aims to evaluate the inclusivity of interactive and multisensory exhibition design in Indonesian museums based on the Integrated Museum Engagement Model (IMEM), with the Bank Indonesia Museum and the Wayang Museum in Jakarta as case studies. This research employed a mixed-methods approach through field observation, visual documentation, and questionnaires distributed to museum visitors. The analysis used the three pillars of IMEM, namely Participatory Design, Narrative Immersion, and Digital Interaction, as an evaluative framework. The findings show that both museums have adopted various interactive elements, such as touchscreens, immersive spaces, audio-visual media, and digital modelling, which contribute to increased visitor engagement. However, these implementations have not fully supported inclusivity. Limitations remain in physical accessibility, tactile and audio information, and facilities for persons with disabilities and other vulnerable groups. These findings emphasize the need to strengthen interactive exhibition design by integrating it more clearly with inclusive principles in the development of museums in Indonesia.   Keywords : Integrated Museum Engagement Model; Museum; Inclusive Museum; Interactive Exhibition Design; Multisensory
Co-Authors Adhitama, Gregorius Prasetyo Agus Sachari Arini Arumsari Ernest Irwandi Harry Nuriman Intan Rizky Mutiaz Parlindungan Ravelino Setiawan Sabana Setiawan Sabana