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All Journal Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) Jurnal Filsafat Jurnal Filsafat IDEA: Jurnal Seni Pertunjukan
Kardi Laksono
Institut Seni Indonesia Yogyakarta
Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences Other

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Scheler dan Apriorisme Material Nilai dalam Perspektif Media Massa Laksono, Kardi
Jurnal Filsafat "WISDOM" Vol 21, No 3 (2011)
Publisher : Fakultas Filsafat, Universitas Gadjah Mada Yogyakarta

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Abstract

Nowadays the mass media tends to inspire people to do crime. The crime which is conducted by humans actually is no other than an imitation factorwhich exists in every human. The main function of imitation is memetic which can also build a society as a product of imitation in which it will exist continuously as a social process in almost every society. Therefore, there is a need to build an ethics base, for instance Scheler’s ethics, for the mass media so that it functions to create human character based on love – ordo amoris.Keywords: Scheler’s ethics, mass media, imitation, ordo amoris.
Scheler dan Apriorisme Material Nilai dalam Perspektif Media Massa Laksono, Kardi
Jurnal Filsafat "WISDOM" Vol 21, No 3 (2011)
Publisher : Fakultas Filsafat, Universitas Gadjah Mada Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (110.267 KB) | DOI: 10.22146/jf.3106

Abstract

Nowadays the mass media tends to inspire people to do crime. The crime which is conducted by humans actually is no other than an imitation factorwhich exists in every human. The main function of imitation is memetic which can also build a society as a product of imitation in which it will exist continuously as a social process in almost every society. Therefore, there is a need to build an ethics base, for instance Scheler’s ethics, for the mass media so that it functions to create human character based on love – ordo amoris.Keywords: Scheler’s ethics, mass media, imitation, ordo amoris.
PENDIDIKAN SENI: PERGULATAN SUATU MAKNA Laksono, Kardi
Jurnal Filsafat "WISDOM" Vol 23, No 1 (2013)
Publisher : Fakultas Filsafat, Universitas Gadjah Mada Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jf.13156

Abstract

The very fact that painting was for Leonardo such an axtraordinary synthesis of different elements brings him closer o nature, in that he claims for the painter the role of universal being and the ability to use the creative impulse to mirror nature, which then approaches divine necessity. Naturally, when we look at one of Leonardo’s paintings, we should think of a kind of – it’s not a contradiction – of contrivance, of a painting that’s a synthesis between very different things. For him painting is a philosophy, a science, it’s a mental process and in every picture, just as in every page of his manuscripts, we can find an infinite number of hints about relationship and references. These relationship and references are also demonstrated by a number of philosophers through their thoughts about art and esthetics.
Musik Hip-Hop sebagai Bentuk Hybrid Culture dalam Tinjauan Estetika Kardi Laksono Laksono
Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) Vol 16, No 2 (2015): Agustus 2015
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (120.714 KB) | DOI: 10.24821/resital.v16i2.1507

Abstract

Berbicara mengenai seni mempunyai tendensi berbicara mengenai kehidupan itu sendiri. Dalam kehidupan ini maka proses penciptaan tidak akan pernah stagnan. Dinamisasi dalam kehidupan ini akan menjadikan seni senantiasa untuk mengupayakan dirinya selalu kreatif dalam menciptakan suatu karya seni. Seni yang terlibat dalam kehidupan akan dihasilkan oleh suatu masyarakat yang mampu menangkap esensi seni dalam kehidupan itu sendiri. Seni pada akhirnya merupakan produk masyarakat sebab bagaimanapun juga seni tidak dapat melepaskan dirinya dari suatu masyarakat. Produksi seni yang bersifat kolektif, atau dirasa dan dicipta oleh masyarakat, akan mengutamakan nilai-nilai yang menubuh, mengedepankan etnisitas lokal, dan penuh dengan intepretasi.Proses penciptaan seni dalam kehidupan manusia tidak dapat dilepaskan pada proses penciptaan kemurniaan dan hibriditas yang merupakan unsur yang mendasar. Proses penciptaan ini secara aktif terlibat dalam akulturasi atau asimilasi kebudayaan. Dilematis menjadi persoalan utama dalam terjadinya proses penciptaan tersebut, “Kemurnian” dan “hibriditas” menjadi gesekan persoalan. Hibriditas, merupakan telaah yang pas dalam melihat pembauran tersebut. Proses hibriditas menjadi semakin menarik terlebih seni yang tercipta dibentuk di masyarakat urban. Seni yang dicipta masyarakat urban menuju pada seni popular, tetapi tidak menutup kemungkinan itu semua berangkat dari masyarakat rural. Habitus, penubuhan, intepretasi individu yang tergabung dalam masyarakat menjadi proses pembentukan yang menarik.Padatataran ini, estetika hybrid culture menjadi studi mendalam dalam melihat persoalan kemajemukan nilai-nilai pada proses pembentukan seni itu sendiri. Pengarahan penelitian ini akan ditujukan kepada pemahaman atas pembentukan estetika seni pertunjukan, dan melihat korelasi yang terjadi antara nilai-nilai hibriditas pada estetika seni pertunjukan. Hip hop merupakan jenis musik yang mengalami percampuran, pembauran, dan intepretasi ulang atas sebuah kebudayaan. Hibriditas hip hop menjadi hakiki, terlebih bila melihat esksistensi dan konsistensinya kini. Hip-Hop Music as a Form of Hybrid Culture in the Aesthetics Reviews. Talking about art, it has a tendency to talk about life itself. The process of creation will never be stagnant in life. The dynamism in life will make art as an effort of seeking itself to be actively creative in creating a work of art. The art involving in life will be produced by a society that is able to capture the essence of art in life itself. Art is then ultimately a product of society because art cannot keep itself away from the society. The collective art production, or perceived and created by the community, will give more priority to the increasing values , prioritize the local ethnicity, and be full of interpretation.The process of creating art in human life cannot be released from the process of creating purity and hybridity which are parts of a fundamental element. The process of creation is actively involved in the acculturation or assimilation of culture. Dilemma becomes the main issue in the process of creation, “purity” and “hybridity” then are the friction of problems. Hybridity, is a suitable study in reviewing such assimilation. The process of hybridity becomes increasingly attractive especially when the created art is formed in the urban society. Art that is created by the urban society leads to the popular art, but it does not rule out the possibility that all arts may derive from the rural community. Habitus, embodiment, and the individual interpretation that belong to the society become theinteresting process of formation.
Scheler dan Apriorisme Material Nilai dalam Perspektif Media Massa Kardi Laksono
Jurnal Filsafat "WISDOM" Vol 21, No 3 (2011)
Publisher : Fakultas Filsafat, Universitas Gadjah Mada Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jf.3106

Abstract

Nowadays the mass media tends to inspire people to do crime. The crime which is conducted by humans actually is no other than an imitation factorwhich exists in every human. The main function of imitation is memetic which can also build a society as a product of imitation in which it will exist continuously as a social process in almost every society. Therefore, there is a need to build an ethics base, for instance Scheler’s ethics, for the mass media so that it functions to create human character based on love – ordo amoris.Keywords: Scheler’s ethics, mass media, imitation, ordo amoris.
PENDIDIKAN SENI: PERGULATAN SUATU MAKNA Kardi Laksono
Jurnal Filsafat "WISDOM" Vol 23, No 1 (2013)
Publisher : Fakultas Filsafat, Universitas Gadjah Mada Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jf.13156

Abstract

The very fact that painting was for Leonardo such an axtraordinary synthesis of different elements brings him closer o nature, in that he claims for the painter the role of universal being and the ability to use the creative impulse to mirror nature, which then approaches divine necessity. Naturally, when we look at one of Leonardo’s paintings, we should think of a kind of – it’s not a contradiction – of contrivance, of a painting that’s a synthesis between very different things. For him painting is a philosophy, a science, it’s a mental process and in every picture, just as in every page of his manuscripts, we can find an infinite number of hints about relationship and references. These relationship and references are also demonstrated by a number of philosophers through their thoughts about art and esthetics.
“The Glasses of a Child”: Komposisi Musik Berdasarkan Interpretasi Novel “Di Tanah Lada” Dalam Format Choir Aghib Putri; Kardi Laksono; Haris Natanael Sutaryo
IDEA: Jurnal Ilmiah Seni Pertunjukan Vol 17, No 2 (2023): Vol 17, No 2 (2023)
Publisher : Institut Seni Indonesia Yogyakarta

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Abstract

“The Glasses of a Child” merupakan alih wahana dari sebuah novel yang berjudul “Di Tanah Lada” dalam format choir yang dibuat menjadi 3 movement. Penelitianbermaksud untuk menginterpretasikan suasana dan emosi dari novel yang diangkat ke dalam 3 movement dengan sudut pandang atau kacamata anak kecil. Hal tersebut berhubungan dengan perkembangan dan pola pikir anak-anak yang di angkat dari kasus suasana dan emosi pada novel ‘Di Tanah Lada’. Metode yang dilakukan penulis dalam membuat karya ini yaitu ide penciptaan, proses observasi, konsep dan perancangan, struktur dasar, pembuatan lirik dan pembuatan notasi. Penelitian ini menunjukan bahwa suasana dan emosi dari sudut pandang anak kecil mulai dari cara berpikir dan emosinyabisa di implementasikan menggunakan body percussion, lirik menggunakan bahasa anak kecil yang masih polos serta sederhana, dinamika, tempo, tonalitas, ritmis dan scat-singing atau teriakan.Kata kunci: The Glasses of a Child, Alih wahana, Choir, Movement, Interpretasi, Implementasi"The Glasses of a Child" is an adaptation of a novel titled 'Di Tanah Lada' into a choir format, comprising three movements. The researcher intends to interpret the moods and emotions of the novel through the perspective or lens of a young child. This is related to the development and thought patterns of children, derived from the context of the moods and emotions in the novel 'Di Tanah Lada'. The methods employed by the author in creating this piece include idea generation, observation process, conceptualization and design, basic structure, lyric writing, and notation creation. This study demonstrates that the moods and emotions, as seen through the eyes of a child, can be implemented using body percussion, lyrics in a childlike and simple language, dynamics, tempo, tonality, rhythm, and scat-singing or shouts.Keywords: The Glasses of a Child, Choir, Movement, Interpretation, Implemented
"Let Me Tell You About Yogyakarta" Komposisi Musik Sebagai Representasi dari Multikulturalisme di Yogyakarta Kyla Geraldine Hartadi; Kardi Laksono; Maria Octavia Dewi
IDEA: Jurnal Ilmiah Seni Pertunjukan Vol 17, No 2 (2023): Vol 17, No 2 (2023)
Publisher : Institut Seni Indonesia Yogyakarta

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Abstract

Karya musik “Let Me Tell You About Yogyakarta” adalah sebuah karya musik yang merepresentasikan multikulturalisme yang terjadi di Yogyakarta. Budaya dari berbagai macam daerah yang masuk di Yogyakarta, menjadi sebuah ide utama penulis dalam menyusun karya musik tersebut. Penciptaan karya musik tersebut melalui berbagai macam tahapan mulai dari tahap penentuan judul, observasi, eksplorasi, pememtuan instrumentasi, penyusunan konsep dan sketsa, serta penulisan notasi ke dalam aplikasi komputer. Pada karya musik tersebut, terdapat tiga bagian mengenai introduksi, multikulturalisme, dan keberagaman. Multikulturalisme direpresentasikan dengan cara mengadaptasikan permainan instrumen dari berbagai budaya, ke dalam instrumen musik khas Barat. Budaya yang diangkat dalam karya musik tersebut adalah budaya Jawa, Tionghoa, dan juga Barat.Kata kunci: Budaya, Multikulturalisme, HibriditasThe musical composition "Let Me Tell You About Yogyakarta" is a musical work that represents multiculturalism that occurs in Yogyakarta. Cultures from various regions that entered Yogyakarta became the author's main idea in compiling this piece of music. The creation of the musical work goes through various stages starting from the stage of determining the title, observation, exploration, choosing instrumentation, drafting concepts and sketches, and writing notations into computer applications. In this piece of music, there are three sections regarding introduction, multiculturalism, and diversity. Multiculturalism is represented by adapting playing instruments from various cultures into typical Western musical instruments. The culture raised in the piece of music is Javanese, Chinese, and also Western.Keywords: Culture, Multiculturalism, Hybridity  
“Suicide Gen” Komposisi Musik Progressive Metal Dalam Format Ansambel Campuran Berdasarkan Riwayat Hidup Kurt Cobain Mada Panglima Nusa; Kardi Laksono; Royke Bobby Koapaha
IDEA: Jurnal Ilmiah Seni Pertunjukan Vol 17, No 2 (2023): Vol 17, No 2 (2023)
Publisher : Institut Seni Indonesia Yogyakarta

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Abstract

“Suicide Gen” adalah karya musik yang terinspirasi dari riwayat hidup Kurt Cobain dan menggunakan instrumen combo band serta ansambel gesek, yaitu string quartet. Sound effects juga digunakan untuk memperkuat suasana dan alur cerita pada setiap bagian. Penulis menemukan bahwa belum ada buku yang membahas tentang format ansambel campuran, namun buku tentang format bigband oleh William Russo dapat diterapkan dalam ansambel gesek. Penulis membahas tahapan dan penerapan teori dalam musik, seperti penggunaan teori thickened line dan voicing oleh William Russo dalam format bigband. Ide penciptaan setiap bagian cerita, penggabungan ansambel gesek dengan instrumen combo band, karakteristik progressive metal, dan penggunaan sound effects juga dibahas. Penulis menyatakan bahwa pembuatan karya musik genre progressive metal dengan format ansambel campuran dapat diterapkan dengan menggunakan teori dari bigband dan mempertimbangkan register pada instrumen gesek. Penggunaan sound effects juga perlu dianalisis sesuai dengan suasana dan kejadian yang diinginkan.Kata kunci: Ansambel Campuran, Progressive Metal, Sound Effects"Suicide Gen" is a musical work inspired by the life of Kurt Cobain and incorporates combo band instruments and a string quartet ensemble. Sound effects are also employed to enhance the atmosphere and storyline in each section. The author discovered that there are no books discussing the format of a mixed ensemble, but William Russo's book on the big band format can be applied to the string ensemble. The author discusses the stages and application of theory in music, such as the use of thickened line and voicing theory by William Russo in the big band format. The creation of each part of the story, the integration of the string ensemble with the combo band instruments, the characteristics of progressive metal, and the use of sound effects are also explored. The author states that creating a progressive metal music piece with a mixed ensemble format can be achieved by utilizing theories from the big band genre and considering the register of the string instruments. The use of sound effects should also be analyzed according to the desired atmosphere and events.Keywords: Mix Ensemble, Progressive Metal, Sound Effects 
Keroncong “In Nine”: Integrasi Sistem Serial pada Sistem Tonal Keroncong Rifal Taufani; Ovan Bagus Jatmika; Kardi Laksono
IDEA: Jurnal Ilmiah Seni Pertunjukan Vol 17, No 1 (2023): Vol 17, No 1 (2023)
Publisher : Institut Seni Indonesia Yogyakarta

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Abstract

ABSTRAKPenelitian ini bertujuan menerapkan prosedur serial dua belas nada dari Arnold Schonberg pada gaya musik tonal dalam idiom keroncong. Langkah yang dilakukan adalah dengan menciptakan karya komposisi berjudul “In Nine”. Tujuan dari penciptaan karya ini untuk mengetahui apakah kesan keroncong tetap terjaga meskipun melodi disusun dari prosedur dua belas nada dengan tidak menghilangkan tonalitas keroncong itu sendiri. Hasilnya menunjukkan bahwa penerapan prosedur serial dua belas nada bisa dilakukan pada musik keroncong tanpa mengilangkan kesan idiom dasarnya.Kata Kunci: Keroncong; Musik Serial; Atonal; TonalKeroncong “In Nine”: Serial System Integration on the Keroncong Tonal SystemABSTRACTThis study aims to apply Arnold Schonberg's twelve-tone serial procedure to tonal musical styles in keroncong idioms. The step taken is to create a composition entitled “In Nine”. The purpose of creating this work is to find out whether the impression of keroncong is maintained even though the melody is composed of a twelve-tone procedure without eliminating the tonality of the keroncong itself. The results show that the application of the twelve tone serial procedure can be performed on keroncong music without losing the impression of the basic idiom.Keyword: Keroncong; Serial Musik; Atonality; Tonality
Co-Authors Aghib Putri Arya Putra Hananta Chairul Slamet Haris Natanael Sutaryo Kyla Geraldine Hartadi Mada Panglima Nusa Maria Octavia Dewi Melisa Andriany Tanseng Ovan Bagus Jatmika Ribka Vita Ismawar Prabowo Rifal Taufani Royke B. Koapaha Sambung Penumbra