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All Journal Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) Jurnal Filsafat Jurnal Filsafat Journal of Music Science, Technology, and Industry (JOMSTI) IDEA: Jurnal Seni Pertunjukan
Kardi Laksono
Institut Seni Indonesia Yogyakarta
Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences Other

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"Let Me Tell You About Yogyakarta" Komposisi Musik Sebagai Representasi dari Multikulturalisme di Yogyakarta Hartadi, Kyla Geraldine; Laksono, Kardi; Dewi, Maria Octavia
IDEA: Jurnal Ilmiah Seni Pertunjukan Vol 17, No 2 (2023): Vol 17, No 2 (2023)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/idea.v17i2.10374

Abstract

Karya musik “Let Me Tell You About Yogyakarta” adalah sebuah karya musik yang merepresentasikan multikulturalisme yang terjadi di Yogyakarta. Budaya dari berbagai macam daerah yang masuk di Yogyakarta, menjadi sebuah ide utama penulis dalam menyusun karya musik tersebut. Penciptaan karya musik tersebut melalui berbagai macam tahapan mulai dari tahap penentuan judul, observasi, eksplorasi, pememtuan instrumentasi, penyusunan konsep dan sketsa, serta penulisan notasi ke dalam aplikasi komputer. Pada karya musik tersebut, terdapat tiga bagian mengenai introduksi, multikulturalisme, dan keberagaman. Multikulturalisme direpresentasikan dengan cara mengadaptasikan permainan instrumen dari berbagai budaya, ke dalam instrumen musik khas Barat. Budaya yang diangkat dalam karya musik tersebut adalah budaya Jawa, Tionghoa, dan juga Barat.Kata kunci: Budaya, Multikulturalisme, HibriditasThe musical composition "Let Me Tell You About Yogyakarta" is a musical work that represents multiculturalism that occurs in Yogyakarta. Cultures from various regions that entered Yogyakarta became the author's main idea in compiling this piece of music. The creation of the musical work goes through various stages starting from the stage of determining the title, observation, exploration, choosing instrumentation, drafting concepts and sketches, and writing notations into computer applications. In this piece of music, there are three sections regarding introduction, multiculturalism, and diversity. Multiculturalism is represented by adapting playing instruments from various cultures into typical Western musical instruments. The culture raised in the piece of music is Javanese, Chinese, and also Western.Keywords: Culture, Multiculturalism, Hybridity  
“Suicide Gen” Komposisi Musik Progressive Metal Dalam Format Ansambel Campuran Berdasarkan Riwayat Hidup Kurt Cobain Nusa, Mada Panglima; Laksono, Kardi; Koapaha, Royke Bobby
IDEA: Jurnal Ilmiah Seni Pertunjukan Vol 17, No 2 (2023): Vol 17, No 2 (2023)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/idea.v17i2.10366

Abstract

“Suicide Gen” adalah karya musik yang terinspirasi dari riwayat hidup Kurt Cobain dan menggunakan instrumen combo band serta ansambel gesek, yaitu string quartet. Sound effects juga digunakan untuk memperkuat suasana dan alur cerita pada setiap bagian. Penulis menemukan bahwa belum ada buku yang membahas tentang format ansambel campuran, namun buku tentang format bigband oleh William Russo dapat diterapkan dalam ansambel gesek. Penulis membahas tahapan dan penerapan teori dalam musik, seperti penggunaan teori thickened line dan voicing oleh William Russo dalam format bigband. Ide penciptaan setiap bagian cerita, penggabungan ansambel gesek dengan instrumen combo band, karakteristik progressive metal, dan penggunaan sound effects juga dibahas. Penulis menyatakan bahwa pembuatan karya musik genre progressive metal dengan format ansambel campuran dapat diterapkan dengan menggunakan teori dari bigband dan mempertimbangkan register pada instrumen gesek. Penggunaan sound effects juga perlu dianalisis sesuai dengan suasana dan kejadian yang diinginkan.Kata kunci: Ansambel Campuran, Progressive Metal, Sound Effects"Suicide Gen" is a musical work inspired by the life of Kurt Cobain and incorporates combo band instruments and a string quartet ensemble. Sound effects are also employed to enhance the atmosphere and storyline in each section. The author discovered that there are no books discussing the format of a mixed ensemble, but William Russo's book on the big band format can be applied to the string ensemble. The author discusses the stages and application of theory in music, such as the use of thickened line and voicing theory by William Russo in the big band format. The creation of each part of the story, the integration of the string ensemble with the combo band instruments, the characteristics of progressive metal, and the use of sound effects are also explored. The author states that creating a progressive metal music piece with a mixed ensemble format can be achieved by utilizing theories from the big band genre and considering the register of the string instruments. The use of sound effects should also be analyzed according to the desired atmosphere and events.Keywords: Mix Ensemble, Progressive Metal, Sound Effects 
“Masa-masa” Komposisi Musik berdasarkan Autobiografi Dalam Format Ansambel Campuran Hananta, Arya Putra; Laksono, Kardi; Sutaryo, Haris Natanael
IDEA: Jurnal Ilmiah Seni Pertunjukan Vol 17, No 2 (2023): Vol 17, No 2 (2023)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/idea.v17i2.10356

Abstract

“Masa-masa” adalah karya musik program naratif yang terinspirasi dari autobiografi. Beberapa pengalaman yang terkenang menjadi ide ekstramusikal dalam pembuatan karya musik ini. Komposisi musik ini dibuat melalui beberapa proses penciptaan yaitu perenungan autobiografi, observasi karya referensi dan instrumen, penetapan konsep, penggarapan detail, dan penulisan notasi. Karya musik ini dibuat dengan menggunakan format ansambel campuran yang terdiri dari double quartet strings, combo, dan beberapa instrumen tiup. Terdapat empat gerakan dalam karya musik ini yang memiliki latar suasana yang berbeda. Latar suasana dari keempat gerakan didukung dengan unsur musikal ambient dan leitmotif sebagai media untuk merepresentasikan pengalaman dari autobiografi.Kata kunci: Autobiografi, Musik Program Naratif, Leitmotif, Ambient“Masa-masa” is a narrative program music inspired by autobiography. Several memorable experiences are the extramusical ideas in this piece of music. This musical composition was created through several creative processes, such as contemplate of autobiography, observing several music works as the refrences and observing each of the instruments, concepts setting, detailing the musical elements, and notations writing. This piece of music is composed with the mixed ensemble formation consisting of a double string quartet, combo, and several wind instruments. There are four movements in this piece of music which have different backgrounds and story. The mood of the four movements is supported by the ambient as the one of the musical element and leitmotifs to represent the experiences of the autobiography.Keywords: Autobiography, Narrative Program Music, Leitmotif, Ambient
“Senandung Romansa” : Komposisi Ansambel Gesek dan Perkusi Berdasarkan Interpretasi Kisah Cinta Ribka dan Ishak dalam Alkitab Prabowo, Ribka Vita Ismawar; Dewi, Maria Octavia; Laksono, Kardi
IDEA: Jurnal Ilmiah Seni Pertunjukan Vol 17, No 2 (2023): Vol 17, No 2 (2023)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/idea.v17i2.10354

Abstract

“Senandung Romansa” adalah sebuah komposisi musik program naratif. Karya ini dikomposisikan berdasarkan interpretasi terhadap kisah cinta Ribka dan Ishak dalam Alkitab Perjanjian Lama. Proses penciptaan dilakukan melalui beberapa langkah seperti perumusan ide penciptaan dan penentuan judul, observasi, penentuan instrumen, eksplorasi instrumen, penetapan konsep, penggarapan detail, serta penulisan notasi. Komposisi “Senandung Romansa” menggunakan leitmotif dan unsur musik Timur Tengah sebagai rumusan ide penciptaan. Terdapat penerapan unsur musikal leitmotif pada ketiga gerakan yang berjudul “Pencarian”, “Pertemuan” dan “Penyatuan” dalam karya musik “Senandung Romansa” untuk merepresentasikan interpretasi kisah cinta Ribka dan Ishak. Implementasi unsur musik Timur Tengah terdapat pada Gerakan I “Pencarian” dan Gerakan III “Penyatuan” melalui tangga nada yang berasal dari Timur Tengah yaitu Ahavah-Rabbah serta penggunaan instrumen rebana dan tambourin.Kata kunci: Ribka dan Ishak, Musik program naratif, Leitmotif, Unsur musik Timur Tengah“Senandung Romansa” is a narrative program music. This music has been composed based on the interpretation of Rebecca and Isaac’s love story in the Old Testament of the Bible. The creation process carried out through several steps such as formulation of idea and choosing of the title, observation, selection of instruments, explorations of instruments, concept setting, detailing of the musical elements, and notations writing. “Senandung Romansa”’s composition uses the leitmotifs and Middle Eastern musical elements as the formulation of the ideas. The application of leitmotifs as the musical elements used in all movements that are titled “Pencarian”, “Pertemuan”, “Penyatuan” to represent the interpretation of Rebecca and Isaac’s love story. The implementation of Middle Eastern musical elements used in the First Movement “Pencarian” and Third Movement “Penyatuan” through the one of the Middle Eastern scale called Ahavah-Rabbah also the uses of Middle Eastern instruments such as rebana and tambourine.Keywords: Rebecca and Isaac, Narrative program music, Leitmotif, Middle Eastern musical elements
Interpretasi Karakteristik Tangga Nada dan Pola Ritmis Ritual Rambu Solo’ dalam Karya Musik “Sadness and Happiness” Wowiling, Stefan Arnold William; Laksono, Kardi; Dewi, Maria Octavia Rosiana
Journal of Music Science, Technology, and Industry Vol. 8 No. 2 (2025)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Purpose: This study aims to interpret the characteristics of scales and rhythmic patterns found in three rituals of the Rambu Solo’ ceremony, namely Ma’lambuk, Ma’marakka, and Ma’badong, into the musical composition “Sadness and Happiness.” The problem addressed is how each ritual forms its musical identity through tone structures and rhythms. Method: The method used is qualitative research with an interpretative approach. Data collection was conducted through observation of documentary videos, literature review, and audio analysis of musical elements from each ritual. The data were then verified and analyzed to identify rhythmic patterns, tone structure forms, and tempos, which were subsequently transformed into a combo mix format with a progressive rock genre. Result and Discussion: The results show that the Ma’lambuk ritual is dominated by complex polyrhythmic patterns utilizing phasing and tension and release techniques, performed improvisationally by several participants. Implication: The Ma’marakka ritual features a minor scale with an added raised third (III#) tone, accompanied by vocal and suling lembang improvisations that evoke a sorrowful lament. The Ma’badong ritual presents song lyrics in a simple minor scale with emphasis on the first (i) and second (ii) scale degrees.
Co-Authors Chairul Slamet Dewi, Maria Octavia Dewi, Maria Octavia Rosiana Hananta, Arya Putra Haris Natanael Sutaryo Hartadi, Kyla Geraldine Melisa Andriany Tanseng Nusa, Mada Panglima Ovan Bagus Jatmika Prabowo, Ribka Vita Ismawar Putri, Aghib Rifal Taufani Royke B. Koapaha Sambung Penumbra Wowiling, Stefan Arnold William