Masnia Ningsih
Prodi Ilmu Komunikasi Fakultas Ilmu Sosial Dan Ilmu Politik, Universitas Islam Majapahit

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Ritus Ngunduh Patirtan Jolotundo Sebagai Sistem Konservasi Air Berbasis Kearifan Lokal Mojokerto dan Urgensinya Sebagai Warisan Budaya Tak Benda Rakhmad Saiful Ramadhani; Masnia Ningsih; Jenny Yudha Utama
Takuana: Jurnal Pendidikan, Sains, dan Humaniora Vol. 5 No. 2 (2026): Takuana (July-September)
Publisher : MAN 4 Kota Pekanbaru

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56113/takuana.v5i2.682

Abstract

This article analyzes the Ngunduh Patirtan Jolotundo ritual as a community-based water conservation system rooted in local wisdom in Mojokerto Regency, and examines its potential as the academic basis for a Regent’s Regulation on Intangible Cultural Heritage (ICH) designation. The study employs a normative-empirical approach integrating literature review, field study, juridical analysis of regulatory hierarchies, and comparative analysis with similar ICH practices across Indonesia. The Ngunduh Patirtan ritual effectively functions as a communal water conservation mechanism through its procession of collecting water from 33 springs on Mount Penanggungan. The tradition possesses robust philosophical, sociological, and juridical foundations for designation as Mojokerto’s ICH. This is the first study to systematically integrate the spiritual-ecological, legal, and public policy dimensions of the Ngunduh Patirtan tradition into a unified analytical framework as a basis for local regulation.
Konstruksi Wacana dan Partisipasi Publik dalam Kasus “Purbaya Vs Everybody” Dwi Tantriana; Masnia Ningsih; Ratnaningrum Zusyana Dewi
Takuana: Jurnal Pendidikan, Sains, dan Humaniora Vol. 5 No. 2 (2026): Takuana (July-September)
Publisher : MAN 4 Kota Pekanbaru

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56113/takuana.v5i2.717

Abstract

The “Purbaya Vs Everybody” episode of the Kontroversi program on Metro TV’s YouTube channel illustrates how political discourse is constructed, circulated, and negotiated in a digital media environment. This study aims to examine the construction of political discourse and public participation surrounding the controversy using Norman Fairclough’s Critical Discourse Analysis integrated with Andrew Feenberg’s technopolitical perspective. A qualitative descriptive approach was employed, with data obtained from the episode’s dialogue, statements, narratives, visual elements, and selected audience responses in the YouTube comment section. The analysis focuses on text, discursive practice, and social practice. The findings indicate that Purbaya is constructed as a central political figure through lexical choices, repetition, the arrangement of competing statements, and the presentation of economic data. The controversy is also reframed from an issue of individual communication style into a broader discussion of economic policy, government communication, and relations among political actors. At the discursive level, YouTube extends the circulation of the program and provides space for audiences to reproduce, negotiate, and reinterpret the discourse. From a technopolitical perspective, the platform functions as an arena that simultaneously opens opportunities for participation and retains institutional and technological constraints. Thus, the case demonstrates that digital political discourse is shaped by the interaction of language, media practices, technology, and power.