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All Journal Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni Gelar : Jurnal Seni Budaya Cultural Syndrome
Rustopo Rustopo
Fakultas Seni Pertunjukan Institut Seni Indonesia (ISI) Surakarta
Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences Other

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Politik dan Situasi Sosial dalam Sejarah Keroncong di Indonesia Rully Aprilia Zandra; Rustopo Rustopo
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol 15, No 1 (2020)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/dewaruci.v15i1.2804

Abstract

Keroncong merupakan musik, instrumen musik, dan genre yang diklaim sebagai warisan budaya indonesia. Keroncong sebagai warisan budaya tentunya memiliki sejarah yang panjang.sejarah yang panjang juga tidak akan luput dari pasang surut dan perkembangan. Pasang surut dan perkembangan umumnya dipengaruhi politik dan situasi sosial. Untuk memetakan sejarah keroncong di Indonesia yang diwarnai politik dan situasi sosial, data dikumpulkan melalui dokumentasi, telaah pustaka, dan wawancara. Data valid dikonfirmasi dan dipaparkan secara kronologis berdasar periodesasinya. Hasil penelitian ini menunjukkan bahwa keroncong bermula dari diseminasi instrumen musik bangsa Portugis yang menjalin hubungan dengan Majapahit. Diseminasi instrumen fado di nusantara mengalami perubahan morfologi dan teknik perlakuan alatnya. Perubahan morfologi dan perlakuan alat ini melahirkan instrumen keroncong atau cukulele. Gaya lirik dibangun oleh kearifan lokal nusantara sesuai demografi dan situasi sosial di masing-masing lokasi penciptaannya. Gaya lirik dan pasang surut popularitas keroncong sebagai kelompok musik didorong dan dihentikan oleh naik turunnya kekuatan politik Portugis, Majapahit, Belanda, Jepang, dan Orde Lama dan Orde Baru. Political and Social Situations in the History of Keroncong in IndonesiaAbstract:Keroncong is music, musical instrument, and the genre that is claimed to be Indonesia's cultural heritage. Keroncong, as a cultural heritage, certainly has a long history. A long history will not escape its ups and downs and developments. Political and social situations generally influence the ups and downs and developments. In order to map the history of keroncong in Indonesia, which is colored by politics and social situations, data is collected through documentation, literature review, and interviews. Valid data are confirmed and presented chronologically based on the periodization. The results of this study indicate that keroncong originated from the dissemination of Portuguese musical instruments, which had a relationship with Majapahit. The dissemination of fado instruments in the archipelago has changed the morphology and treatment techniques of the tools. Changes in the morphology and treatment of this tool gave birth to the keroncong or Cukulele instrument. The local wisdom of the archipelago builds the lyric style according to the demographics and social situations in each location of its creation. The lyric style and the ebb and flow of keroncong's popularity as a musical group was driven and stopped by the ups and downs of the political power of the Portuguese, Majapahit, Dutch, Japanese, and the Old and New Order.
The Aesthetics of Surakarta Palace’s Karawitan According to Serat Sri Karongron Joko Daryanto; Rustopo Rustopo; Bambang Sunarto
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol 15, No 1 (2020)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/dewaruci.v15i1.2766

Abstract

Aesthetics is an observation of beauty, values, and judgments that view human works from the perspective of whether they are beautiful and not—Serat Sri Karongron by R. Ng. Purbadipura was written during the reign of Paku Buwana X, releasing a pulse of musical life in the Surakarta Palace, which implies the artistic content of the Surakarta Palace’s karawitan. Serat Sri Karongron explicitly mentions the atmosphere of the Seger sumyah karawitan feeling. The phrase Seger sumyah can be interpreted as something that can make someone feel happy because Seger sumyah refers to an excellent or delicious taste. Purbadipura notes that Seger sumyah refers to the gobyog karawitan presentation at the Surakarta Palace. On the other hand, Purbadipura reported that the gobyog karawitan presentation still refers to the karawitan presentation with three parameters of tan sora swaranira, rampak-rempeg, and sajanturing ringgit. The aesthetics of the Seger sumyah karawitan, which refers to karawitan composition with the nuances of gobyog, had a chance to live and develop during the reign of Paku Buwana X.
PERBANDINGAN ORNAMEN PATUNG LIONG PADA ATAP KELENTENG DI JAWA TENGAH DAN YOGYAKARTA Khairul Mustaqin; R., Rustopo
Gelar : Jurnal Seni Budaya Vol 14, No 1 (2016)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1256.605 KB) | DOI: 10.33153/glr.v14i1.1739

Abstract

Objek kajian ini adalah ornamen patung Liong pada atap Kelenteng di Jawa Tengah dan Yogyakarta, yaituKelenteng Tay Kak Sie di Semarang, Kelenteng Tien Kok Sie di Surakarta, dan Kelenteng Tjen Liong Kiong diYogyakarta. Rumusan masalah yang diangkat yaitu, 1) Bagaimana bentuk ornamen Liong pada atap kelentengdi Jawa Tengah dan Yogyakarta?; 2) Bagaimana perbedaan ornamen Liong pada atap kelenteng di JawaTengah dan Yogyakarta?; 3) Mengapa ornamen Liong pada atap kelenteng di Jawa Tengah dan Yogyakartamemiliki perbedaan? Seni patung dapat dikaji dari unsur seni bentuk, tekstur, posisi, warna, gaya, dan ekspresi.Cara penelitian ini dengan prosedur penelitian kualitatif dengan pendekatan studi kasus. Hasil penelitian inimenemukan perbandingan dan perbedaan ornamen patung Liong pada atap Kelenteng di Jawa Tengah danYogyakarta, dipengaruhi oleh faktor seniman, kebudayaan, Dinasti Ming, lokasi, dan kepercayaan.Kata kunci: Tionghoa, Liong, kelenteng.
Transformation Tradition: Incorporating Technology and Local Culture in Sundanese Script Agung Zainal Muttakin Raden; Rustopo Rustopo; Timbul Haryono
Cultural Syndrome Vol 1, No 2 (2019): Cultural Syndrome
Publisher : Universitas Indraprasta PGRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (6494.342 KB) | DOI: 10.30998/cs.v1i2.238

Abstract

The Sundanese script has a philosophy of life for the Sundanese people, this script is a system for writing Sundanese. The traditional writing system in Sundanese began in the 14th century to the 19th century. This article will discuss the role of digital technology in creating the Sundanese script, using ATUMICS method, ATUMICS is an acronym for Artifact, Technique, Utility, Material, Icon, Concept and Shape. The ATUMICS approach is carried out to review the transformation of tradition in the Sundanese script. The ancient Sundanese script and the modern Sundanese script will be compared with ATUMICS approach. the results of this study were to determine the change or transformation of tradition in the Sundanese script. Transforming tradition is a way to create a new product derived from traditions, with adjustments to the six elements contained in the ATUMICS theory. Transformation of tradition is an effort to maintain tradition in the modern era which is adjusted to the times.
Co-Authors Agung Zainal Muttakin Raden Bambang Sunarto Joko Daryanto Khairul Mustaqin, Khairul Rully Aprilia Zandra Timbul Haryono