Garuda - Garba Rujukan Digital

ADAPTASI KEARIFAN LOKAL NUSANTARA PADA PERANCANGAN HURUF DIGITAL TAPIS DAN GORGA Raden, Agung Zainal Muttakin
Jurnal Budaya Nusantara Vol 2 No 2 (2019): NUSANTARA & TEKNOLOGI
Publisher : LPPM Universitas PGRI Adi Buana Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36456/b.nusantara.vol2.no2.a1964

Indonesia is a house of culture. Many tribes, language, art and traditional culture spread in the Indonesian regions. All of these have become a motto of Indonesia that is unity in diversity or Bhinneka Tunggal Ika. In relation to arts, it is recognized that before colonialism, Indonesia has several indigenous scripts in which the root of this typeface originating from south Indian. After colonialism, however, these indigenous scripts in Indonesia started to shifting direction to modern typeface. As a result, these indigenous scripts become endangered. In the meantime, the modern typeface is growing sustainable until nowadays. This research paper aims to design digital typefaces application with Lampung and north Sumatra local wisdom adaptation. The method in this research is descriptive analysis with typography approach. The result in this research is the production of digital typefaces with local wisdom forms which can be installed in computer.

Transformation of Tradition: Incorporating Technology to Transform Local Culture in the Form of Modern Sundanese Script Agung Zainal Muttakin Raden
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol 14, No 2 (2019)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Sundanese script is a system for writing Sundanese. The traditional writing system in Sundanese began in the 14th century until the 19th century. Sundanese script is related to cosmology that developed in Sundanese society. This research will review the role of technology in transforming local values by comparing the Ancient Sundanese Script and the Modern Sundanese Script through ATUMICS method. The result of this study shows that there is a simplification happening when transforming the Ancient Sundanese Script to the Modern ones. However, the Sundanese cosmology embodied within the Sundanese script is not lost. Thus, transformation of tradition could become one of the options in preserving local traditional values while adapting it into the current world.

Transformation Tradition: Incorporating Technology and Local Culture in Sundanese Script Agung Zainal Muttakin Raden; Rustopo Rustopo; Timbul Haryono
Cultural Syndrome Vol 1, No 2 (2019): Cultural Syndrome
Publisher : Universitas Indraprasta PGRI

The Sundanese script has a philosophy of life for the Sundanese people, this script is a system for writing Sundanese. The traditional writing system in Sundanese began in the 14th century to the 19th century. This article will discuss the role of digital technology in creating the Sundanese script, using ATUMICS method, ATUMICS is an acronym for Artifact, Technique, Utility, Material, Icon, Concept and Shape. The ATUMICS approach is carried out to review the transformation of tradition in the Sundanese script. The ancient Sundanese script and the modern Sundanese script will be compared with ATUMICS approach. the results of this study were to determine the change or transformation of tradition in the Sundanese script. Transforming tradition is a way to create a new product derived from traditions, with adjustments to the six elements contained in the ATUMICS theory. Transformation of tradition is an effort to maintain tradition in the modern era which is adjusted to the times.

Figurative Calligraphy: Artistic, Magic, and Religious Aspect of the Cirebon Glass Painting Agung Zainal Muttakin Raden; Mohamad Sjafei Andrijanto; Wirawan Sukarwo
Cultural Syndrome Vol 1, No 1 (2019): Cultural Syndrome
Publisher : Universitas Indraprasta PGRI

Cirebon glass painting is a particularly famous artwork related to Islamic art in Indonesia. Aside from its aesthetic values, Cirebon glass painting also contained the symbol and message behind its ornaments. Figurative calligraphy with Arabic script is frequently used by glass painting artisans to make Cirebon glass painting. The resulted figurative calligraphy can take form resembling those of human figure, plants, animals, wayang, and the imaginary entity or particular symbols. As it is, Cirebon is one of the busiest port city in Java island. Therefore, many cultural exchanges happened by the interaction of many nationalities visiting Cirebon which later on assimilated to the local culture. This makes Cirebon glass painting unique since it was influenced by a mixture of cultures. This research focused on the elements that are contained on the Cirebon glass painting based on the artistic, magic, and religious aspect. The result in this research has an implication to expose the symbols, message and meaning behindCirebon glass painting and its synergy with the artistic, magic, and religious aspect that makes Cirebon glass painting survived and still doing well in Cirebon society nowadays.

Membuat Bahan Ajar dengan Teknik Transfer Laser Print bagi Guru-guru Masayu Endang Apriyanti; Agung Zainal Muttakin Raden; Yayah Rukiah
Jurnal PkM Pengabdian kepada Masyarakat Vol 1, No 01 (2018): Jurnal PkM Pengabdian kepada Masyarakat
Publisher : Universitas Indraprasta PGRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30998/jurnalpkm.v1i01.2357

Pengabdian masyarakat yang dilakukan adalah salah satu kewajiban dari tridarma dosen. Kegiatan ini akan dilakukan di Sekolah Raudhatul Athfal Salman dan Paud Rumah 71 yang berlokasi di Pisangan Ciputat Jakarta Selatan. Melalui observasi dan pengamatan yang kami lakukan, Sekolah RA. Salman membutuh sesuatu yang baru atau inovasi dalam hal pengajaran kepada murid-murid. Sesuatu yang dilakukan dengan belajar dan bermain, dan dapat membuat murid-murid senang. Berdasarkan hal tersebut tim kami berinisiatif untuk membuat pelatihan mengenai membuat suatu karya sederhana dengan menggunakan teknik transfer laser print dan lem. Dengan menggunakan teknik ini para guru dapat mentransfer kembali kepada murid-murid bagaimana caranya dan dapat membuat bahan ajar sendiri seperti membuat puzzle, mengenal huruf dan angka, mengenal buah- buahan dengan dua bahasa. Hal ini dilakukan untuk menstimulus para guru agar bisa lebih kreatif dan dapat menjadi peluang usaha. Kegiatan ini juga diharapkan mampu memberikan wawasan baru bagi para guru serta dapat dipraktikkan langsung kepada murid-murid Sekolah Raudhatul Athfal Salman dan Paud Rumah 71, karena pelatihan ini tidak hanya diaplikasikan ke media kayu atau triplek tetapi media apapun seperti acrylic, kaca, kanvas dan lain sebagainya.Kata kunci : pelatihan, bahan ajar, teknik transfer laser print

ADAPTASI KEARIFAN LOKAL NUSANTARA PADA PERANCANGAN HURUF DIGITAL TAPIS DAN GORGA Agung Zainal Muttakin Raden
Jurnal Budaya Nusantara Vol 2 No 2 (2019): NUSANTARA & TEKNOLOGI
Publisher : Universitas PGRI Adi Buana Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36456/b.nusantara.vol2.no2.a1964

Indonesia is a house of culture. Many tribes, language, art and traditional culture spread in the Indonesian regions. All of these have become a motto of Indonesia that is unity in diversity or Bhinneka Tunggal Ika. In relation to arts, it is recognized that before colonialism, Indonesia has several indigenous scripts in which the root of this typeface originating from south Indian. After colonialism, however, these indigenous scripts in Indonesia started to shifting direction to modern typeface. As a result, these indigenous scripts become endangered. In the meantime, the modern typeface is growing sustainable until nowadays. This research paper aims to design digital typefaces application with Lampung and north Sumatra local wisdom adaptation. The method in this research is descriptive analysis with typography approach. The result in this research is the production of digital typefaces with local wisdom forms which can be installed in computer.

Kerajinan Wayang Golek sebagai Produk Unggulan Daerah untuk Pemberdayaan Ekonomi Desa Tegalwaru M.I. Qeis; Agung Zainal Muttakin Raden; Santi Sidhartani; Dendi Pratama
Dinamisia : Jurnal Pengabdian Kepada Masyarakat Vol. 3 No. 2 (2019): Dinamisia: Jurnal Pengabdian Kepada Masyarakat
Publisher : Universitas Lancang Kuning

Tegalwaru Village has tried to develop by making itself a tourism village for Micro, Small, and Medium Enterprises (MSMEs) since 2018. However, MSMEs of Tegalwaru Village have difficulty establishing their identity in the business world due to the lack of specialty products that are unique in the market. Therefore, there is a need to innovate the regional specialty products as one of the efforts to improve the village's economy through the development of science and technology by considering the potential and uniqueness of the resources available in Tegalwaru Village. As part of the community service program, research on specialty products in this area uses qualitative methods in the form of field studies through observation and in-depth interviews. The result shows that one of the potential MSMEs of Tegalwaru Village that can be developed as a regional specialty product is Wayang Golek craft. This potential is supported by thre factors which are natural resource in the form of Pulai trees which grow around Pulekan road, human resources who have expertise in handicrafts, and the uniqueness of the product compared to the MSME around the area. However, there were major problems in the ability of MSME production and diversity of products regarding Wayang Golek in Tegalwaru Village. The implication of this study is to offer solution regarding the ability to increase MSME production and to innovate a diverse Wayang Golek product to strengthen the position of Tegalwaru Village MSMEs in market competition.

Pelatihan Membuat Hiasan Dinding Kepala Wayang Golek Berbahan Resin di UKM Golek Waris Desa Tegalwaru Muhammad Iqbal Qeis; Santi Sidhartani; Agung Zainal Muttakin Raden; Dendi Pratama
DHARMA RAFLESIA Vol 20, No 1 (2022): JUNI (ACCREDITED SINTA 5)
Publisher : Universitas Bengkulu

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33369/dr.v20i1.19263

Wayang golek identik dengan boneka yang terbuat dari kayu, memakai pakaian lengkap, dan beberapa tokoh memiliki mahkota atau ukiran yang unik. Ukiran pada kepala wayang golek menjadi ciri khas dan identitas tokoh wayang tersebut. Pengrajin wayang golek akan langsung mengukir kepala wayang golek sesuai dengan karakter yang akan dibuatnya. Karya yang dibuat memiliki nilai estetika. Kendala yang dihadapi adalah hanya pengrajin saja yang dapat membuat kepala wayang golek, dilain sisi kurangnya minat generasi muda dalam mempelajari pembuatan wayang golek. Program Pengabdian Kepada Masyarakat dilakukan untuk menarik minat generasi muda dalam mempelajari seni tradisi Indonesia melalui kegiatan pelatihan pembuatan hiasan dinding kepala wayang golek. Teknik yang dilakukan adalah dengan membuat cetakan wayang golek dari silicone rubber, sehingga wayang golek yang dihasilkan bukan lagi berbahan kayu, melainkan berbahan resin dan campuran kalsium. Hiasan dinding wayang golek berbahan resin ini dapat diproduksi secara massal sehingga produksi dapat terpenuhi dengan jumlah yang banyak.

Pelatihan Foto Produk UMKM Wayang Golek Sebagai Upaya Promosi Pasca Pandemi Covid-19 Santi Sidhartani; Dendi Pratama; Agung Zainal Muttakin Raden; Muhamad Iqbal Qeis
DHARMA RAFLESIA Vol 18, No 2 (2020): DESEMBER (ACCREDITED SINTA 5)
Publisher : Universitas Bengkulu

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33369/dr.v18i2.13522

Covid-19 yang melanda beberapa negara berdampak pada perlambatan ekonomi. UMKM di Indonesia terkena dampak paling signifikan. Pandemi yang diikuti dengan Pembatasan Sosial Skala Besar ini membuat para pelaku UMKM banyak merumahkan pekerjanya. Golek Waris, salah satu UMKM di wilayah Tegalwaru, mengalami hal serupa. Sejak Covid-19 melanda pada pertengahan Maret 2020, UMKM ini harus menghentikan produksinya yang mengakibatkan penjualan menurun dan pendapatan negatif. Era kenormalan baru yang dicanangkan oleh pemerintah mulai memberikan harapan bagi UMKM untuk menghidupkan kembali perekonomian. Maka dari itu, artikel ini bertujuan untuk berbagi pengalaman Pengabdian kepada Masyarakat yang dilakukan dalam memberikan edukasi untuk membantu UMKM melalui pelatihan foto produk agar mereka mempersiapkan promosi produk yang nantinya akan digunakan di pasar yang tersedia sehingga wayang golek sebagai produk unggulan Desa Tegalwaru bisa kembali bersaing di pasar pasca pandemi Covid-19.

TIPOGRAFI VERNAKULAR PADA WARUNG TENDA KAKI LIMA DI JAKARTA Taufiq Akbar; Agung Zainal Muttakin Raden
Jurnal Dimensi DKV Seni Rupa dan Desain Vol. 1 No. 2 (2016): Jurnal Dimensi DKV Seni Rupa dan Desain
Publisher : Universitas Trisakti

AbstractVernacular Typhography on Street Market Tents in Jakarta. Jakarta is the capitol city of Indonesia, which became one of urban destination for people from supporting district like Bogor, Tangerang, Bekasi, and Depok. Before and after colonialism, there is lots of culture assimilation from many ethnic and parts of nation. One the effect of vernacularism is typography vernacular that spread out at tents of street market.This research is analyzing the hierarchy, contrast, and main principles of typography (readability, legibility, clarity, and visibility) of the banner of street market’s tents. Thisanalysis is to know the vernacular typography in street market’s tents which are applying indirectly the hierarchy system, contrast, and main principles of typography. The resultof this research is the banner of the street market is one of the specific identities of street market’s food vendor from time to time.AbstrakTipografi Vernakular pada Warung Tenda Kaki Lima di Jakarta. Jakarta merupakan ibukota negara Indonesia yang telah menjadi tujuan bagi masyarakat urban yang bermukim di kota-kota penyangganya seperti Bogor, Tangerang, Bekasi danDepok serta daerah-daerah lain di Indonesia. Sejak zaman sebelum kolonial dan setelah kolonial banyak asimilasi budaya dari berbagai etnis dan suku bangsa. Pengaruh sertabudaya yang dibawa oleh masyarakat urban multietnis tersebut memberi pengaruh yang sangat besar. Karya-karya vernakular di Jakarta, salah satunya adalah tipografi vernakular yang terpampang pada tenda-tenda pedagang kaki lima. Dalam penelitian ini dianalisis spanduk pada tenda pedagang kaki lima berdasarkan hirarki dan kontras serta prinsip pokok tipografi (readability, legibility, clarity, dan visibility). Analisis iniuntuk mengetahui tipografi vernakular pada spanduk tenda pedagang kaki lima yang secara tidak langsung telah menerapkan sistem hirarki dan kontras serta prinsip pokoktipografi. Hasil dari penelitian ini adalah bahwa spanduk kaki lima merupakan salah satu cirri dan identitas pedagang kaki lima sejak dulu hingga sekarang

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