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All Journal FIKRI : Jurnal Kajian Agama, Sosial dan Budaya Ornamen Jurnal Pengkajian dan Penciptaan Seni Kriya Pendhapa
Ranang Agung Sugihartono
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Arts Humanities Civil Engineering, Building, Construction & Architecture Environmental Science Social Sciences

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Potensi dan Keterbatasan Kriya Wayang Krucil Malangan Ranang Agung Sugihartono
Ornamen Vol 3, No 2 (2006)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1455.543 KB) | DOI: 10.33153/ornamen.v3i2.859

Abstract

This article is taken from the result of the research by the title “Kriya Wayang Krucil di Dukuh Turus Desa Trenyang Kecamatan Sumberpucung Kab. Malang”, which mean for knowing the real condition of wayang krucil craft in Malang recently. So that for the next time it will be possible to develop the wayang krucil craft of Malangan by increasing the skill and the capability of their craftman. The type of research used here is Qualitative Descriptive. The subject is wayang krucil in Dukuh Turus Desa Trenyang Kec. Sumberpucung Kab. Malang. The sourches of the data are the numbers of wayang krucuil, some craftman, and some appreciators of traditional art form Universitas Negeri Malang (UM). The data is taken by the researcher by using interview and observation methods. After that, the researcher analyzing the data by Qualitative Descriptive Technique to the ornament and visual element of wayang krucil, and also the visual changes of them. In this article, you will know the exposition of the real condition of the instruments and the materials used by the craftman, which are very limited and simple, the capabilities of the craftman who need to be increased, the potential art characteristics (the visual element and ornamen) of wayang krucil is very interesting, and the changes of visual element the wayang krucil ensharped Malangan style which is different with other places in Indonesia, especially from Central Java. From the results of this reseach, it is hoped that there will be any attention from all of us. Perhaps we can give them some production equipments, skill training, experiments of technique in producing wayang krucil, or even by opening the nets of selling the production of wayang krucil.
ALTERNATIF DESAIN VITRIN UNTUK MUSEUM RADYAPUSTAKA Agung Purnomo; Basnendar Herryprilosadoso; Ranang Agung Sugihartono
Pendhapa Vol 3, No 2 (2012)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1537.423 KB) | DOI: 10.33153/pendhapa.v3i2.1193

Abstract

Tulisan ini bersumber dari hasil penelitian Pengembangan Desain Interior MuseumRadyapustaka Berbasis Ergonomi (Kenyamanan dan Keamanan) sebagai Pusat Budaya,Informasi dan Tujuan Wisata Kota Surakarta tahap ke-2. Telah dilaporkan sebelumnya tahappertama dalam penelitian bertujuan mengidentifikasi interior Museum Radyapustaka. Untukmenggali data yang berupa artefak, literatur, dan informan dilakukan melalui observasi,studi literatur, wawancara, dan dokumentasi. Sudah dilakukan Identifikasi desain interiormuseum Radyapustaka, meliputi aspek organisasi ruang, pola sirkulasi, elemen pembentukruang, elemen pengisi ruang termasuk di dalamnya sistem display dan benda-benda koleksimuseum, tata kondisi ruang ,faktor keamanan, dan aspek estetis yang membentuk atmosphirruang. Triangulasi data dipilih sebagai alat untuk menjaga tingkat validitas data, sedangkanmodel analisisnya bersifat interaktif . Eksperimen desain dilaksanakan di kampus ISISurakarta dengan melibatkan tim dosen dan mahasiswa Program Studi Desain Interior danpihak lain yang terkait.Pada tahap ke-2 dilakukan kegiatan uji-coba desain melalui kegiatanmewujudkan desain (vitrin sebagai produk eksperimen) dan penerapannya (implementasidesain), evaluasi, dan penyempurnaan konsep desain. Model analisis SWOT dipakai ketikaakan melakukan perumusan desain vitrin Museum Radyapustaka. Vitrin merupakan bagianpenting di dalam museum karena sebagai tempat untuk memajang benda koleksi. Dengandesain vitrin yang baik akan mampu memberikan keamanan terhadap benda koleksi sertamemberikan kenyamanan pengunjung di dalam mengamatinya.Key words: Museum Radyapustaka, vitrin, kenyamanan, keamananwe find in works of art do not consist of concepts but sense impressions.
Visual Style and the Cultural Representation of Islam in Penginyongan Film: An Analysis of Banyumas Raya Indonesia Cultural Expression Ferdinanda Ferdinanda; Guntur Guntur; Ranang Agung Sugihartono
Fikri : Jurnal Kajian Agama, Sosial dan Budaya Vol. 10 No. 2 (2025): Fikri : Jurnal Kajian Agama, Sosial dan Budaya
Publisher : Institut Agama Islam Ma'arif NU (IAIMNU) Metro Lampung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25217/jf.v10i2.6854

Abstract

This article examines how the Penginyongan film represents Islamic cultural values within the socio-cultural context of the Banyumas Raya community, Indonesia. The urgency of this research lies in the lack of studies that position local audio-visual media as a space for the articulation of religious values ​​and cultural identity amidst the penetration of digital modernity. Through a visual ethnography approach, this research not only utilizes field observations, interviews, and focus group discussions, but also conducts film text analysis to examine how social, cultural, and religious representations are constructed visually and narratively in four films: Pegatan (2023), SETAN: Seni Tani (2023), Dolanan Layangan (2020), and PUR (2024). The research findings show that Islamic cultural values are manifested through an egalitarian, simple visual style, a non-hierarchical communal production pattern, the use of the Ngapak language as a symbol of resistance and pride in local identity, and humor as a medium for polite social criticism. On the other hand, the Penginyongan film shows the dialectic between modernity and communality, especially amid changes in the lifestyles of the younger generation and the pressures of digital culture. This research contributes to strengthening the study of Indonesian local culture while broadening understanding in global cultural studies of how local communities negotiate religious values and cultural identity through short films. The cinema Penginyongan shows that cultural da'wah can be present through social ethics and everyday aesthetics, rather than through formal ritual symbols.
Co-Authors Agung Purnomo Basnendar Herryprilosadoso Ferdinanda Guntur Guntur