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All Journal Texture : Art and Culture Journal Gelar : Jurnal Seni Budaya Pendhapa PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT Panggung

Joko Budiwiyanto

Fakultas Seni Rupa Dan Desain, Institut Seni Indonesia (ISI) Surakarta

Author-ID : 3320018

Arts Humanities Civil Engineering, Building, Construction & Architecture Education Environmental Science Social Sciences

Published : 12 Documents Claim Missing Document

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Articles

Title

REVITALISASI INTERIOR ISTANA GEBANG SEBAGAI MUSEUM BUNG KARNO DI KOTA BLITAR HenggarIdham Rizky Prihartono Putra; Joko Budiwiyanto
Pendhapa Vol 9, No 1 (2018)
Publisher : Institut Seni Indonesia Surakarta

ABSTRAK Revitalisasi interior Istana Gebang sebagai Museum Bung Karno di Kota Blitarbertujuan mewujudkandesain interior yang dapat memenuhi kebutuhan pengunjung untuk beraktivitasÂ yang bersifat edukasi dan rekreasi secara aman dan nyaman. Tema interior yang digunakan adalah Indis dengan sentuhan Blitar yang ditampilkan secara kekinian. Museum Bung Karno di Kota Blitar adalah bangunan yang berfungsi melayani masyarakat dan perkembangannya, terbuka untuk umum, yang bertugas mengumpulkan, melestarikan, meneliti, mengkomunikasikan, memamerkan bukti-bukti bendawi presiden pertama Indonesia yaitu Soekarno, untuk tujuan studi, pendidikan dan kesenangan. Aktifitas yang ada pada museum Bung Karno di Kota Blitar adalah sebagai wadah pusat informasi tentang Soekarno, pengungkapan sejarah Soekarno dari masa ke masa .Untukmencapaitujuanperlumenggunakanpendekatanfungsi, ergonomi, danestetis.Metodepengumpulan data meliputistudi literature, wawancara, danobservasi.Metodeanalisis yang digunakanadalahmetodeinteraktif.Sehinggahasilrevitalisasimeliputibeberaparuangyaituruang lobby, introduksi, pamer, perpustakaan, dan audiovisual.Â Kata kunci : Revitalisasi, Istana Gebang,Museum,Fasilitas, dan LokalitasBlitar.Â Â ABSTRACTÂ Revitalization interior Istana Gebang as Museum in Kota Blitar Bung Karno aim of building an interior design that can meet the needs of visitors to be active are education and recreation in a safe and comfortable. Interior theme used was Indis with a touch of Blitar shown in the present. Bung Karno Museum in Kota Blitar is a building that serves serve society and its development, open to the public, which is in charge of collecting, preserving, researching, communicating, showing evidence of material first president of Indonesia, Sukarno, for the purposes of study, education and enjoyment. Activities that exist in museums in Kota Blitar Bung Karno is a venue information center about Sukarno, Sukarno history disclosure from time to time .To achieve the goals need to use the approach function, ergonomics and aesthetic. Methods of data collection include literature studies, interviews, and observations. The analytical method used is the interactive method. So the result of revitalization include several space is space lobby, introduction, showrooms, libraries and audiovisual.Â Keywords: Revitalization, Istana Gebang, Museum, facilities, and Localities Blitar.

SISTEM DISPLAY PADA INTERIOR MUSEUM MANUSIA PURBA KLASTER NGEBUNG DI SANGIRAN Zulfa Miflatul Khoirunnisa; Joko Budiwiyanto
Pendhapa Vol 10, No 1 (2019)
Publisher : Institut Seni Indonesia Surakarta

ABSTRACT Sangiran Sangiran Site is the most complete ancient human site in the world. The museum has several clusters, one of them is Ngebung Cluster which tells the grandeur and greatness of Sangiran. The purpose of this study is to know the interior design and display system of Ngebung Cluster Museum showroom. This study employs qualitative research methods which lead to detailed descriptions and interactive analysis techniques. The results of the research indicate that the interior of the showroom was created to adjust to the existing museum building and was designed in accordance with museum design standards. The composition of interior elements such as wall finishing, flooring and ceiling materials are repeated and plain in order that museum visitors can focus on the displays and collections of the museum. Therefore, the arrangement of furniture and display systems is adjusted to the available space. The display system in the museum's showroom can be said to have met the requirements of a good display, which refers to the principles of the exhibition system and technical requirements that need to be considered in the arrangement of the museum's collection. The presentation, display furniture, and the completeness of information are expected to encourage visitors to understand and interpret what is seen. Meanwhile, based on the results of the research it can be concluded that the display system in the showroom of the Ngebung Archaeological Museum has fulfilled good display standards referring to the principles of exhibition administration and taking into account the technical requirements in organizing museum collections. Keywords: Museum, Sangiran, Display System, Interior Design. ABSTRAK Situs Sangiran merupakan situs manusia purba terlengkap di dunia. Museum tersebut memiliki beberapa klaster, salah satunya yaitu Klaster Ngebung yang menceritakan kemegahan dan kebesaran Sangiran. Tujuan penelitian ini adalah untuk mengetahui desain interior dan sistem display ruang pamer Museum Klaster Ngebung. Penelitian ini menggunakan metode penelitian kualitatif yaitu penelitian yang mengarah pada pendeskripsian secara rinci dan teknik analisis interaktif. Hasil penelitian menyimpulkan bahwa interior ruang pamer diciptakan menyesuaikan dengan bangunan museum yang sudah ada dan didesain sesuai dengan standar perancangan museum. Komposisi elemen interior seperti finishing dinding, bahan lantai dan ceiling yang berulang dan dibuat polos dimaksudkan agar pengunjung museum dapat terfokus pada display dan koleksi yang disajikan museum. Oleh karena itu, penataan perabot serta sistem display disesuaikan dengan ruang yang tersedia. Sistem display di ruang pamer museum ini dapat dikatakan sudah memenuhi syarat display yang baik, yakni mengacu pada prinsip-prinsip tata pameran dan persyaratan teknis yang perlu diperhatikan dalam penataan koleksi museum. Melalui metode penyajian, perabot display, serta didukung dengan kelengkapan informasi pengunjung diharapkan dapat memahami dan menginterpretasi apa yang dilihat. Sementara itu, berdasarkan hasil penelitian dapat disimpulkan bahwa sistem display dalam ruang pamer Museum Manusia Purba Klaster Ngebung sudah memenuhi standar display yang baik mengacu pada prinsip-prinsip tata pameran serta memperhatikan persyaratan teknis dalam melakukan penataan koleksi museum.Kata Kunci: Museum, Sangiran, Sistem Display, Desain Interior.

PERANCANGAN INTERIOR GRIYA GERABAH MELIKAN BAYAT DI KLATEN Syaiful Anwar; Joko Budiwiyanto
Pendhapa Vol 9, No 2 (2018)
Publisher : Institut Seni Indonesia Surakarta

ABSTRACTThe Griya Earthenware Planning aims to be an alternative educational or educational destination. Offering tourism options that provide pleasure through knowledge and experience about Melikan Village pottery products and their environment. The creative process in this work uses several approaches, namely the function approach, ergonomics and themes or styles. Approach function to find out the functions and benefits of Griya Gerabah for tourists or visitors and surrounding communities. The ergonomics approach is needed to know the human dimension and all things related to the five human senses that are related to the comfort and safety of visitors. Approach to the theme or style, which is used to support the identity of Gerya Gerabah as a pottery craft tourist attraction. The theme or style used is rustic, which is applied by applying to interior elements, namely floors, walls, ceilings, space filler elements, and space conditioning. The results of this work process are to create interior shapes and displays on Griya Gerabah that can support the activities of visitors or tourists at the Melikan Bayat Pottery Griya in Klaten and display designs with strong pottery characters.Keywords: Pottery, tourism, creative process, interior design

PERANCANGAN INTERIOR OMAH BATIK SOLO DI SURAKARTA Ibnu Atha’Illah Atha’Illah; Joko Budiwiyanto Budiwiyanto
Pendhapa Vol 10, No 2 (2019)
Publisher : Institut Seni Indonesia Surakarta

Batik, warisan budaya yang tetap dilestarikan dari generasi ke generasi Indonesia. Batik Indonesia diakui oleh UNESCO pada tanggal 2 Oktober 2009 dalam daftar Representative sebagai Budaya Tak-benda Warisan Manusia (Representative list of the Intangible Cultural Heritage of Humanity) karena kaya akan simbol dan filosofi kehidupan rakyat Indonesia. Sejarah batik di Solo bermula pada masa Kerajaan Pajang lebih dari 4 abad yang lalu. Memasuki abad XX, batik menjadi salah satu identitas perekonomian masyarakat Jawa dan hingga kini nilai komersil lebih unggul dari edukasi. Perihal perlunya penunjang sarana edukasi mengenai batik yang mencakup rekreasi dan apreseiasi melatar belakangi perlu adanya Perancangan Interior Omah Batik Solo di Surakarta. Penggunaan kata Omah dari judul mengacu pada arti fungsional rumah, yakni sebagai tempat istirahat atau hunian, pembinaan atau perawatan dan bersosialisasi. Objek yang digarap memfokuskan pada interior ruang informasi, museum, runaway hall dan showroom dengan gaya ekletik (indisch-jawa) dengan pendekatan batik solo terpilih. Kata kunci: batik, solo, indisch, jawa

The Interior Designing of Omah Batik in Bayat Annisa Isma; Joko Budiwiyanto
Pendhapa Vol 11, No 2 (2020)
Publisher : Institut Seni Indonesia Surakarta

The interior Designing of Omah Batik in Bayat is aimed at accommodating the activities of developing traditional batik, especially in Bayat by presenting the theme of several motifs on batik which are packaged in art deco style. This design offers facilities such as galleries, shops, vehicle repair shops, cafes, and lobbies. This goal is achieved by a design method that uses a design process including input, synthesis, and output. The input is in the form of literature, field data, and synthesis through the design analysis process; whereas the output is in the design results. The approach used is the approach to function, ergonomics, themes, and styles as well as materials. The design analysis takes ideas from several batik motifs, such as kawung, sidomukti, and parang motifs combined with art deco patterns. The design result is the interior design of Omah Batik in Bayat which has several main facilities such as a lobby, shop, gallery, café, and vehicle repair shop. Supporting facilities include inns, audio-visual rooms, and a library in art deco style.

The Interior Design of a Women’s Health and Beauty Center with Postmodern Style in Surakarta City Putri Widyaningrum; Joko Budiwiyanto
Pendhapa Vol 12, No 1 (2021)
Publisher : Institut Seni Indonesia Surakarta

The Interior Design of a Women’s Health and Beauty Center in Surakarta City, precisely in a building of fitness and beauty center, applies a postmodern style. This design aims to create the interior design of a Women’s Health and Beauty Center in Surakarta City which is able to facilitate all activity needs in comfortable and safe ways, and provides excellent beauty care and body fitness services. The interior design of a Women’s Health and Beauty Center adopts Kurtz's programming method consisting of orientation stages, basic program creation, programming repetition, until the design reaches approval. The design foundation used is the aesthetic, ergonomic, and functional approaches. This design, with eclectic concept, is objected to gain attraction from the visitors by the creation of a space with a post-modern style that presents the theme of parang batik motifs. Surakarta's local wisdom in the form of such batik motifs aligned with modern elements with tropical nuances will answer the typical Indonesian comfort within several spaces, including: Main Lobby, Fitness Area Lobby, Gymnastics Studio, Fitness, Beauty Area Lobby, Whirlpool Room, Day Spa Room, Facial Treatment Room, Pedicure &Manicure Room, and Sauna Room.

Revitalization of Railway Station in Situbondo Regency Shela Rachim; Joko Budiwiyanto
Pendhapa Vol 13, No 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/pendhapa.v13i2.4541

The revitalization of the railway station in Situbondo Regency is an effort to revitalize the function of the station and commercial function as a maintenance measure of a cultural heritage building in Situbondo Regency. This design aims to renew Situbondo Railway Station with facilities following the Indonesian Railway Station Service Standards. The design method includes input, synthesis/analysis, and output. This design uses the theme "Modern Meets Heritage," which is an effort to process the physical condition of building architecture as a heritage building in very rapid technological and design developments. The Interior Style used is the Art Deco interior style. Thus this design produces an interior design of a train station with hall facilities, counters, customer service, waiting rooms, executive waiting rooms, platforms, and other supporting facilities with aesthetic and good function value.

Co-Authors Ahmad Fajar Ariyanto Amina Sukma Dewi Ana Rosmiati Annisa Isma HenggarIdham Rizky Prihartono Putra Ibnu Atha’Illah Atha’Illah Intan Rizki Aprilya Muh Arif Jati Purnomo Purwoko, Agus Putri Widyaningrum Sartiyasto Shela Rachim Siti Badriyah Supriyanto Supriyanto Tubagus Mulyadi Zulfa Miflatul Khoirunnisa

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