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All Journal JECCE (Journal of Early Childhood Care and Education) Acintya Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni Ornamen Jurnal Pengkajian dan Penciptaan Seni Kriya Pendhapa International Journal of Visual and Performing Arts PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT ARTISTIC : International Journal of Creation and Innovation International Journal of Social Science
Raden Ersnathan Budi Prasetyo
Institut Seni Indonesia
Agriculture, Biological Sciences & Forestry Arts Humanities Civil Engineering, Building, Construction & Architecture Computer Science & IT Education Environmental Science Health Professions Languange, Linguistic, Communication & Media Medicine & Pharmacology Public Health Social Sciences Other

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PERKEMBANGAN BENTUK DAN FUNGSI PATUNG LORO BLONYO DALAM MASYARAKAT DI SURAKARTA Ersnathan Budi Prasetyo
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol 8, No 1 (2012)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (705.66 KB) | DOI: 10.33153/dewaruci.v8i1.1081

Abstract

This article is the result of a study of the development of the formand function of the statue of loro blonyo in the Surakartacommunity. Themethod used for collecting data for the research included direct observation, a bibliographical study, and indepthinterviewswith cultural experts, academics, and the community using the loro blonyo statue. Fromthe results of theresearch it can be concluded that the loro blonyo statue is the symbol of a couple (aman and awoman), themanifestationof an imperceptible form, representing Dewi Sri and Sadana. In Javanese mysticism, this sacred statue is believed tosymbolize the embryo of the figure of a Javanese couple. The statue of loro blonyo is the product or result of the culture ofthe nobility, and as such, the rural Javanese community,who cannot afford to own such a statue, have transformed the loroblonyo statue into the formof amanten pari (rice wedding), alu lumpang (mortar and pestle), and ani-ani arit (knife forharvesting the rice). The statue of loro blonyo has undergone a change in form and function from a sacred to a profanesymbol.Keywords: loro blonyo,myth, sacred, profane.
Makna Simbolik Wayang sebagai Seni Spiritual dalam Ruwatan Murwakala Ersnathan Budi Prasetyo
Ornamen Vol 4, No 1 (2007)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1005.228 KB) | DOI: 10.33153/ornamen.v4i1.881

Abstract

A puppet for Javanese people (man who knows the real) is a guidance of live. It’s arranges Javanese people how must they act to another, how could they realizing as human being and how should they relationship with the creator (God). Puppet consists a symbolic meaning from art language character or the myth. The tradition of ruwatan ceremony still used by Javanese people as a way to liberation and holies the sin that can catch the mischance in their life. In puppet story with title Murwokolo act on Central Java ruwatan ceremony, at the beginning estimated grew from Java ancient story. The story consist holies which is liberation the God and Goddess sinner to become holy again. Meruwat means prevent the sadness by showed ceremony which performing puppet Murwokolo act. People who must be get ruwatan ceremony called sukerta child or ma , according to bibliography Pakem Ruwatan Murwa Kala and other source that copied by Purwadi (2005) which is Serat Centhini (Sri Paku Buwana V). There was 60 calamity causes. Keyword: Puppet, Ruwatan, Murwokolo 
Revitalizing the Interior of Ndalem Puspowijoto as a Laweyan Batik Shop and Museum in Surakarta. Yosafat Adi Pradipta; Raden Ersnathan Budi Prasetyo
Pendhapa Vol 11, No 2 (2020)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (648.846 KB) | DOI: 10.33153/pendhapa.v11i2.3618

Abstract

Revitalizing the Interior of Ndalem Puspowijoto as a Batik Shop and Museum in Laweyan Surakarta is an effort to preserve cultural heritage buildings. The revitalization aims to maintain the building and as a means of education about batik and local wisdom of Laweyan village for the visitors and general public who care about batik. The design process is carried out using Kurtz programming including the orientation stage, the base program stage, interative programming, and design as feedback. The design approach uses the Art Deco style with the theme of Parang Saudagar. The results of the revitalization are in the form of the museum that can be used for educational purposes, and Laweyan Batik shop which has a place that is comfortable, safe, and able to accommodate the needs of both managers and visitors. The facilities consist of a lobby, café, deposit counter, shop, ticketing room, digital audio education, main display, fabric display, item display, maintenance room, multipurpose room, pantry, toilet, office, and prayer room.
PERKEMBANGAN BENTUK DAN FUNGSI PATUNG LORO BLONYO DALAM MASYARAKAT DI SURAKARTA Ersnathan Budi Prasetyo
Pendhapa Vol 3, No 1 (2012)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (3335.108 KB) | DOI: 10.33153/pendhapa.v3i1.1179

Abstract

This study focuses on the shape and function development of Loro Blonyo statue including its application to other media within Surakarta’s society.            The data collection method of this research is observation, reference research and in-depth interview. This research concludes that the statue of Loro Blonyo is the symbol of couples – Male and female, its manifest is  in the shape of sensible and insensible, which represent Dewi Sri and Sadana. This statue is considered sacred in Javanese mystical belief, as the figure symbol of the embryo of Javanese people. Loro Blonyo statue was marked of noble Javanese culture, so for the rural Javanese society which could not afford it, had transformed this statue into the symbol of brides in paddys (manten pari), pestle and mortar (alu-lumpang) and the sickle (ani-ani arit). The advancement in Loro Blonyo statue has experienced friction in shapes and function from scared to profane.Key words: Loro Blonyo, myth, sacred, profane.
PERANCANGAN INTERIOR KARANGANYAR MUSIC CENTRE DI KABUPATEN KARANGANYAR Isman Prasetyo Sukarno; Raden Ersnathan Budi Prasetyo
Pendhapa Vol 10, No 2 (2019)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (4039.1 KB) | DOI: 10.33153/pendhapa.v10i2.2943

Abstract

Karanganyar Music Centre adalah suatu wadah yang menjadi pusat kegiatan musik secara menyeluruh baik pendidikan, pertunjukan, informasi dan aplikasi musical lainnya dengan tujuan untuk mengembangkan apresiasi masyarakat terhadap music yang didukung oleh fasilitas-fasilitas pendukung. Perancangan interior Music Centre di Kabupaten Karanganyar ini akan mengangkat tema batik khas Kabupaten Karanganyar, yaitu motif batik Tirta Intan Pari sebagai simbolisme identitas Kabupaten Karanganyar yang dikemas dengan gaya postmodern.aplikasi desain interior Karanganyar Music Center didasarkan pada pendekatan fungsi, ergonomi, tema serta  gaya. Perancangan Karanganyar Music Centre ini mengambil lokasi di tengah Kabupaten Karanganyar, yaitu di Jalan Raya Solo-Karanganyar. Pemilihan lokasi ini dianggap strategis, mudah dijangkau dan juga saat ini sudah menjadi pusat aktivitas Masyarakat Karanganyar, kawasan ini juga dipakai Car Free Day pada setiap hari minggu pagi. Kata kunci: Karanganyar, Music Centre, Batik Karanganyar, Batik Tirta Intanpari, Interior Musik Center
Soft finishing: A safe and comfort furnikids design for preschool children Sumarno Sumarno; Ersnathan Budi Prasetyo
JECCE (Journal of Early Childhood Care and Education) Vol. 4 No. 1 (2021)
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26555/jecce.v4i1.2471

Abstract

Furniture is inseparable from almost all human activities. It is used by individuals of all ages, both adults and children. However, the childhood period is a vulnerable period and hence requires protection. This study mainly aims to design safe, comfortable, fun, and aesthetic furniture for preschool children. This applied research aims to deliver a design through design concept, idea, and drawing stages. The concept was developed based on textual and visual data sources. The data were analyzed using interactive analysis techniques, including data reduction, data display, and data verification. The design process was carried out through the idea stage, alternative sketching stage, sketch selection stage, work drawing, and 3D drawings. The designed furnikids products include soft-furnished racks, tables, and chairs specifically designed for children. A Soft-finishing technique was applied to coat the product using foam and cloth to deliver a soft surface. The product was designed using various animal motifs, aiming to serve as media for introducing colors and animal shapes to children, in addition to serving as play equipment.
AKSARA SEBAGAI UNSUR VISUAL DALAM PERANCANGAN FURNITUR Taufik Murtono; Raden Ersnathan Budi Prasetyo
PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT No 1 (2016): Seni, Teknologi, dan Masyarakat #1
Publisher : LP2MP3M, INSTITUT SENI INDONESIA SURAKARTA

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Abstract

Penelitian ini bertujuan melakukan eksperimentasi aksara Jawa sebagai struktur bentuk produk furnitur di Surakarta. Aksara dalam penelitian ini diperlakukan tidak sebagai medium pesan semata, namun menjadi satu kesatuan dalam struktur produk. Eksperimentasi desain memiliki dua tujuan. Pertama, sebagai usaha inovasi desain. Kurangnya terobosan desain furnitur di Surakarta bisa mengakibatkan semakin lemahnya posisi tawar produk menghadapi pasar bebas. Penggunaan Aksara Jawa pada struktur bentuk furnitur menghasilkan produk yang berkarakter kuat. Kedua, sebagai usaha mendekatkan masyarakat dengan aksara Jawa. Penempatan aksara dalam struktur bentuk produk akan mampu menarik perhatian pengguna. Ketertarikan pengguna akan mengundang keingintahuan terhadap pembacaan aksara tersebut. Dengan begitu aksara Jawa lebih dikenal oleh masyarakatnya. Produk furnitur yang dirancang adalah meja, kursi, penyekat ruang, dan lampu. Penelitian ini adalah kerja kolaboratif antara desain grafis dengan desain furnitur. Penelitian menggunakan metode penciptaan desain yang meliputi tahap identifikasi masalah, riset, perumusan gagasan, prototipe, seleksi, implementasi, dan peninjauan kembali. Hasil pada tahun pertama ini adalah inovasi desain furnitur dengan penerapan Aksara Jawa sebagai struktur bentuk.
THE CREATION OF “REPURPOSING” CERAMIC USING ROOF TILES WASTE Aries Budi Marwanto; Johan Ies Wahyudi; Raden Ersnathan Budi Prasetyo
ARTISTIC : International Journal of Creation and Innovation Vol 3, No 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/artistic.v3i2.4528

Abstract

There was a lot of used roof tile discovered throughout the village. However, the community did not turn it into usable items. The roof tile waste motivated us  to turn it into artwork. This artistic research focused on the production of repurposing ceramic pieces utilizing roof tile waste materials. This creative study made use of the experimentation, reflection, and formation phases of Dharsono's artistic creation approach. This artistic creation process resulted in a jug of art entitled "Wanawarih." This artwork is full of symbolic expression values about the trilogy of vitality, namely forest preservation, water function maintenance, and earth manifestation
Batik Stamp Canting as An Interior Material Harmilyanti Sulistyani; Raden Ersnathan Budi Prasetyo; Indaro Indarto
Pendhapa Vol 13, No 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/pendhapa.v13i2.4651

Abstract

Batik’s recognition as a world heritage by UNESCO has given a positive impetus to the batik industry. The encouragement, however, has yet to reach the batik canting cap (stamp) home industry, which is a supporting sector of stamped batik. Knowledge and expertise in making canting stamps are difficult to transfer to the next generation because the economic value is not promising. The raw material of the canting stamp, namely copper metal, has unique characteristics. In terms of visual appearance, the canting stamp has an aesthetic value for the interior. An experimental method is used in the research to produce interior material prototypes that are suitable for market conditions. The making of an interior elements model as a prototype reference uses computer programs and tools for design, which are known as computer-aided design (CAD) to reduce costs because it can provide a photorealistic visualization. The outcome is expected to encourage the growth of the canting stamp batik home industry, hence its economic value will increase. The ultimate goal is to increase employment by pushing canting stamp batik quantity production due to the demand for interior materials then will open up opportunities to regenerate the skills to make canting stamp batik.
Utilization of empon-empon stem waste in the creation of eco-friendly homeware products Sumarno Sumarno; Raden Ersnathan Budi Prasetyo; Agung Cahyana; Catur Sugiarto
International Journal of Visual and Performing Arts Vol 6, No 1 (2024)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v6i1.1338

Abstract

Empon-empon stems, considered agricultural waste, present an untapped resource for crafting natural fiber products. While materials like banana stems, water hyacinth, and jute are commonly used for this purpose, empon-empon stems offer a novel alternative. This study explores the potential of empon-empon stems in creating ropes and other homeware products, aiming to not only reduce agricultural waste but also to provide additional income streams for farmers. The research methodology involves a comprehensive process of harvesting, separating, drying, and twisting empon-empon stems into rope. Additionally, a design-driven material (DDM) approach is employed to convert the rope into various products such as baskets, planter stands, and trays. The DDM approach includes analyzing material characteristics, visual exploration, creating shop drawings, and producing prototypes. The results demonstrate that empon-empon rope products are not only functional and aesthetically pleasing but also carry a unique aroma, adding to their appeal. These products have the potential to address the shortage of natural fibers in the craft industry and can serve as an alternative material for interior design applications. In conclusion, this research highlights the feasibility of utilizing empon-empon stems as a sustainable material for crafting innovative homeware products. By transforming agricultural waste into valuable goods, this approach contributes to both environmental sustainability and economic development in rural areas.
Co-Authors Agung Cahyana Agung Purnomo Aries Budi Marwanto Catur Sugiarto Handriyotopo Handriyotopo Harmilyanti Sulistyani Indarto Indarto Isman Prasetyo Sukarno Johan Ies Wahyudi Marwanto, Aries Budi Nova Wulan Priyandani Pantini, Retno Primastiti Wening Mumpuni, Primastiti Wening Reno Abdurrahman Sumarno . Sumarno Sumarno Sumarno Sumarno Sunarmi Sunarmi Taufik Murtono Wahyudi, Johan Ies Yosafat Adi Pradipta Yuninggar Renaningtyas