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<![CDATA[ORIENTALISME DALAM CERPEN ROBOHNYA SURAU KAMI KARYA A.A. NAVIS ]]>
<![CDATA[Kasimbara, Devi Cintia]]>
<![CDATA[ Jurnal Lentera (Jurnal Pendidikan dan Pengajaran Bahasa Indonesia) Vol 2 No 1 (2019): Jurnal Pendidikan dan Pengajaran Bahasa Indonesia ]]>
Publisher : <![CDATA[Jurnal Lentera merupakan Jurnal Prodi Pendidikan Bahasa Indonesia yang berkala mempublikasikan artikel ilmiah dari hasil penelitian berupa pengajaran dan pendidikan Bahasa Indonesia. Secara khusus, jurnal ini berisi penelitian tentang pengajaran, pen ]]>
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<![CDATA[The main discussion of this research is analyzing orientalism practical in Robohnya Surau Kami which narrates about a grandfather who finally commits suicide. It could happen since he is deceited by a liar, Ajo Sidi, who follows colonialism. The existence of East image and West image in Kakek Garin and Ajo Sidi characters leads the researcher to analyze the orientalism practical in Robohnya Surau Kami. In order to find how A.A. Navis describes characters, the orientalism theory by Edward W. Said is used by seeing life values that are followed by characters in this short story. The life values in this story are representation from West view toward the East. The result of this research is that the short story which is written by A.A. Navis has represented its characters in East and West view. The character of Kakek Garin is the representation of East who has characters from East world and Ajo Sidi is the representation of West who is seen as having characters from West world.
Keywords: A.A. Navis, Robohnya Surau Kami, Orientalism, West and East.]]>
<![CDATA[THE STRUGGLE OF WOMEN EXISTENCE IN “ISN’T IT ROMANTIC” NOVEL BY WENDY WESSERSTEIN ]]>
<![CDATA[Devi Cintia Kasimbara]]>
<![CDATA[ eScience Humanity Journal Vol 2 No 1 (2021): eScience Humanity Journal Volume 2 Number 1 November 2021 ]]>
Publisher : <![CDATA[Asosiasi Ide Bahasa Kepri ]]>
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DOI: 10.37296/esci.v2i1.28
<![CDATA[This study aimed to reveal the struggle of women to gain existence in the novel as a representation of social phenomena. The data source of this research was Isn't It Romantic drama by Wendy Wesserstein. This novel is about women who want to achieve their dreams without the participation of their parents. They want to live without any interference from their parents. To reveal the struggle for existence, the researcher uses the existentialism approach by Simone Beauvoir. Existentialists fight for the nature of human existence, especially for women who have been subordinated to the patriarchal system. The method used in this research is Descriptive qualitative method. The close reading data collection method is effective in tracing data relevant to research variables. The analysis method is carried out critically by using an existentialism approach. The researcher got three main analyses toward the novel, they are: independence over women, authority in making decisions, and lastly, the same existence as a human being.]]>
<![CDATA[MANGO TREE HASRATES IN A SHORT STORY OF DENGAR KELUHAN POHON MANGGA: STUDY ON PSYCHOANALYSIS OF LACAN ]]>
<![CDATA[Devi Cintia Kasimbara]]>
<![CDATA[ BASIS (Bahasa dan Sastra Inggris) Vol 7 No 2 (2020): JURNAL BASIS UPB ]]>
Publisher : <![CDATA[Universitas Putera Batam ]]>
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DOI: 10.33884/basisupb.v7i2.2480
<![CDATA[Dengar Keluhan Pohon Mangga (DKPM) is the story written by Maria Amin during the Japanese colonial era. The author uses the metaphor of "mango tree" to escape Japanese censorship to be published so that there are many hidden meanings in this short story. This study aimed to determine the author's unconscious condition through the language used by using Lacan's psychoanalytic theory. This study used a qualitative research method with a poststructuralism approach using Lacan's psychoanalysis. The data source of this research is a document, namely the short story DKPM by Maria Amin. The sampling technique used purposive sampling. In this study, the data were obtained through document analysis, and then the data were analyzed according to Lacan's psychoanalytic theory, which begins by describing the life of the author - in this case, is Maria Amin - to understand his work. After that, he explained the characters of the characters in the DKPM short stories. Furthermore, the analysis was focused on the short stories' language, which can be seen through the metaphor and metonymy phenomena in this short story. In this way, it will be seen how the author's subconscious is filled with a sense of lack and loss, so that the desire to cover up the deficiency appears. The results showed that the short story DKPM is a short story that reflects the writer's unconscious condition. It can be seen in the short stories he wrote that the Indonesian nation was expressed metaphorically by using the word "mango tree", the Japanese nation as "areca tree", and the Dutch nation as "the man". In this short story, the mango tree (the Indonesian nation) is on lacks condition. So that there is a desire to gain recognition for its existence as a subject.]]>
<![CDATA[PENGGUNAAN APLIKASI LINKEDIN UNTUK MELAMAR PEKERJAAN BAGI SISWA SMK PGRI 6 NGAWI ]]>
<![CDATA[Eni Winarsih]]>;
<![CDATA[Kodrat Eko Putro Setiawan]]>;
<![CDATA[Dedy Richi Rizaldy]]>;
<![CDATA[Devi Cintia Kasimbara]]>;
<![CDATA[Wahyuningsih Wahyuningsih]]>;
<![CDATA[Fuaduzzakiawan Fuaduzzakiawan]]>
<![CDATA[ J-ABDIPAMAS (Jurnal Pengabdian Kepada Masyarakat) Vol 6, No 1 (2022): April 2022 ]]>
Publisher : <![CDATA[IKIP PGRI Bojonegoro ]]>
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DOI: 10.30734/j-abdipamas.v6i1.2269
<![CDATA[ABSTRACTThe rapid development of science and technology can be utilized by the community. The development of technology has now shown very rapid progress. Many sectors of life have used the existence of technology itself. Its presence has had a considerable impact on human life in various aspects. The product of technological developments is LinkedIn. The Linkedin application can be used to apply for jobs. The use of the LinkedIn app needs to be taught to students. Such use includes how to use and take advantage of the features contained in Linkedin. The use of the Linkedin application is taught at SMK PGRI 6 Ngawi which is intended for students in grades 11 and 12. The result of using the Linkedin application is that students can create a Linkedin account, create a portfolio on Linkedin, apply for work online through Linkedin, create a curriculum vitae on Linkedin.Keywords: Using Linkedin, SMK PGRI 6 NgawiABSTRAKPerkembangan Ilmu dan Teknologi yang semakin pesat dapat dimanfaatkan oleh masyarakat. Perkembangan teknologi kini telah banyak menunjukkan kemajuan yang sangat pesat. Berbagai sektor kehidupan telah menggunakan teknologi dan kehadirannya telah memberikan dampak yang cukup besar terhadap kehidupan manusia dalam berbagai aspek. Produk perkembangan teknologi adalah LinkedIn. Adanya aplikasi Linkedin bisa dimanfaatkan untuk melamar pekerjaan. Penggunaan aplikasi LinkedIn perlu diajarkan kepada siswa. Penggunaan tersebut meliputi cara menggunakan dan memanfaatkan fitur-fitur yang terdapat dalam Linkedin. Penggunaan aplikasi Linkedin ini diajarkan di SMK PGRI 6 Ngawi yang ditujukan bagi siswa kelas 11 dan 12. Hasilnya penggunaan aplikasi Linkedin ini adalah siswa dapat membuat akun Linkedin, pembuatan portofolio di Linkedin, etika melamar kerja secara daring melalui Linkedin, membuat curriculum vitae di Linkedin.Kata Kunci: Penggunaan Linkedin, SMK PGRI 6 Ngawi]]>
<![CDATA[FORMULA DALAM SERIAL TELEVISI MALAM MINGGU MIKO SEASON 1 KARYA RADITYA DIKA ]]>
<![CDATA[Devi Cintia Kasimbara]]>;
<![CDATA[Kodrat Eko Putro Setiawan]]>;
<![CDATA[Wahyuningsih Wahyuningsih]]>
<![CDATA[ Lingua Rima: Jurnal Pendidikan Bahasa dan Sastra Indonesia Vol 12, No 1 (2023) ]]>
Publisher : <![CDATA[Universitas Muhammadiyah Tangerang ]]>
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DOI: 10.31000/lgrm.v12i1.8073
<![CDATA[Bergenre komedi, Malam Minggu Miko Season 1 (M3S1) memiliki formula khusus dalam penceritaannya yang membedakannya dengan genre film lainya. M3S1 yang ditulis dan disutradarai oleh Raditya Dika merupakan salah satu jenis film (serial televisi) yang banyak diminati oleh masyarakat karena pada awal mula kemunculannya di YouTube telah berhasil merebut perhatian masyarakat dengan mendapatkan 1.679.874 viewer. Serial televisi ini terdiri atas 26 episode yang semuanya memiliki formula yang sama. Penelitian dilakukan untuk mengetahui bagaimana formula dalam serial televisi M3S1. Analisis dilakukan dengan menggunakan analisis formula dengan membandingkan episode-episode tersebut lalu menggeneralisasikannya sehingga diperoleh formula umum dalam serial televisi ini, kemudian dilanjutkan dengan menghubungkan M3S1 dengan budaya sehingga diperoleh gambaran mengapa formula ini disukai oleh masyarakat. Hasil dari penelitian ini, yaitu M3S1 memiliki formula: (1) karakter tokoh yang unik; (2) tokoh mengalami kejadian yang tidak menyenangkan, menarik, dan menggelikan; (3) terdapat tokoh wanita yang menjadi sasaran cinta tokoh utama; (4) tema cerita diangkat dari kejadian-kejadian aktual di masyarakat; dan (5) dalam setiap episode tokoh utama selalu mengalami kesialan, tetapi pada akhirnya cerita berakhir dengan happy ending. M3S1 disukai oleh masyarakat karena memiliki unsur kelucuan yang dipengaruhi oleh faktor incongruity dan superioritas dalam memancing gelak tawa penonton.Kata kunci: formula, serial televisi, malam minggu Miko]]>
<![CDATA[Makna dan Nilai-Nilai Pendidikan Akhlak pada Puisi Piatu Karya F. Aziz Manna ]]>
<![CDATA[Kodrat Eko Putro Setiawan]]>;
<![CDATA[Wahyuningsih Wahyuningsih]]>;
<![CDATA[Devi Cintia Kasimbara]]>
<![CDATA[ Education & Learning Vol. 1 No. 1 (2021) ]]>
Publisher : <![CDATA[Medan Resource Center ]]>
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DOI: 10.57251/el.v1i1.5
<![CDATA[Understanding the meaning in a poem requires a theory. The object of this research is the poem Piatu by F. Aziz Manna. The theory used in this research is Michael Riffaterre's semiotics. The purpose of this research is to understand the meaning of poetry through heuristic reading, hermeneutic reading, models, matrices, and variants as well as moral education values. The method in this research is descriptive qualitative. The result of this research is the heuristic reading in the poem entitled Piatu, there are eight stanzas that produce the meaning of the poem based on language convention, not yet at the meaning. In the hermeneutic reading in the poem entitled Piatu, there are eight stanzas which in total contain the meaning of the longing of a child (immature) who does not have a mother anymore because he has passed away. This longing is a manifestation of a child's love and affection for his mother. This love and affection made him stronger and more willing to accept all the conditions given by Allah. The model in this poem is the Orphan. The matrix is ??a child whose mother has abandoned because of her death. The variants in this poem include: I don't cry or laugh; Flowers that embrace twigs; this solitude is strange. The values ??of moral education are respect for mothers and the command to love orphans.]]>
<![CDATA[Dekonstruksi Makna Priyayi dalam Novel Para Priyayi Karya Umar Kayam ]]>
<![CDATA[Devi Cintia Kasimbara]]>;
<![CDATA[Wahyuningsih Wahyuningsih]]>
<![CDATA[ Nusa: Jurnal Ilmu Bahasa dan Sastra Vol 15, No 3: Agustus 2020 ]]>
Publisher : <![CDATA[Program Studi Sastra Indonesia, Fakultas Ilmu Budaya, Universitas Diponegoro ]]>
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DOI: 10.14710/nusa.15.3.341-351
<![CDATA[Kepriyayian identik dengan status sosial seseorang dalam pandangan masyarakat. Priyayi dipandang sebagai orang yang memiliki status sosial yang tinggi dan terpandang. Bisa karena keturunan dari keluarga terpandang ataupun karena memiliki pekerjaan yang berstatus sosial tinggi. Dalam novel Para Priyayi makna yang ideal tersebut dijungkirbalikkan oleh Umar Kayam. Penelitian ini menggunakan cara kerja teori dekonstruksi Derrida dengan menemukan oposisi-oposisi berlawanan pada novel Para Priyayi. Hasilnya dapat dilihat bahwa Umar Kayam menunjukkan bahwa kepriyayian bukanlah sekadar gaya hidup maupun status sosial, namun lebih kepada kepribadian itu sendiri, bagaimana seseorang berguna bagi masyarakat. Hal ini menjungkirbalikkan esensi makna priyayi yang telah tertanam kuat di hati dan pikiran masyarakat bahwa kepriyayian yang sangat lekat dengan gaya hidup maupun status sosial.Kata Kunci: dekonstruksi, priyayi, derrida, umar kayam, para priyayi.]]>
<![CDATA[HEGEMONI KOMUNISME DALAM NOVEL KUBAH KARYA AHMAD TOHARI ]]>
<![CDATA[Kasimbara, Devi Cintia]]>;
<![CDATA[Wahyuningsih, Wahyuningsih]]>
<![CDATA[ Widyabastra : Jurnal Ilmiah Pembelajaran Bahasa dan Sastra Indonesia Vol 11, No 2 (2023) ]]>
Publisher : <![CDATA[Universitas PGRI Madiun ]]>
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DOI: 10.25273/widyabastra.v11i2.19053
<![CDATA[Penelitian ini membahas praktik hegemoni yang dilakukan oleh suatu kekuatan besar kepada tokoh dalam novel Kubah karya Ahmad Tohari. Teori hegemoni Gramsci digunakan ntuk mendeskripsikan bagaimana penanaman ideologi komunis yang dilakukan oleh suatu kekuatan besar. Penelitian dilakukan dengan mendeskripsikan latar sosial masyarakat dalam novel Kubah, kemudian mendeskripsikan proses penanaman ideologi komunis dalam novel tersebut. Hasil dari penelitian ini dapat disimpulkan bahwa penyebaran ideologi komunis dalam novel Kubah dilakukan dengan menerapkan kepemimpinan intelektual dan moral.]]>
<![CDATA[TEMA DALAM NOVEL-NOVEL PERIODE BALAI PUSTAKA ]]>
<![CDATA[Kasimbara, Devi Cintia]]>;
<![CDATA[Wahyuningsih, Wahyuningsih]]>;
<![CDATA[Setiawan, Kodrat Eko Putro]]>
<![CDATA[ IdeBahasa Vol 3 No 1 (2021): JURNAL IDEBAHASA Vol. 3 No. 1 Juni 2021 ]]>
Publisher : <![CDATA[Asosiasi dosen IDEBAHASA KEPRI ]]>
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DOI: 10.37296/idebahasa.v3i1.53
<![CDATA[Balai Pustaka is the initial period of the emergence of modern Indonesian literature, so it is necessary to know more about the novels that have become milestones in the history of the emergence of modern Indonesian literature. During this period, many novels emerged with stories that had various similarities. This prompted the writer to find out what themes dominated the novels published in this period. In this study, the authors took six novel samples, namely Azab and Sengsara by Merari Siregar, Sitti Nurbaya by Marah Rusli, Salah Asuhan by Abdoel Moeis, Looking for the Thief of Virgins by Suman Hs., and Dian Yang Takdir Alisjahbana by S. Takdir Alisjahbana. The theory Robert Stanton is used as an analytical knife. In this theory, Stanton focused more on how to identify the theme of a literary work, where the theme is an aspect of the story that is parallel to the 'meaning' in human experience; something that makes an experience so memorable. The results of this study could be seen that the themes raised in the novels of the Balai Pustaka period have similarities, namely traditional issues, forced marriages, and the conflict between the old and young groups so that these novels have similarities in the issues raised.]]>
<![CDATA[Makna Simbol-simbol dalam Kumpulan Puisi Mata Air di Karang Rindu Karya Tjahjono Widarmanto ]]>
<![CDATA[Kodrat Eko Putro Setiawan]]>;
<![CDATA[Wahyuningsih]]>;
<![CDATA[Devi Cintia Kasimbara]]>
<![CDATA[ Tabasa: Jurnal Bahasa, Sastra Indonesia, dan Pengajarannya Vol. 2 No. 2 (2021) ]]>
Publisher : <![CDATA[UIN Raden Mas Said Surakarta, Indonesia ]]>
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DOI: 10.22515/tabasa.v2i2.3943
<![CDATA[Penelitian ini membahas kumpulan puisi Mata Air Di Karang Rindu karya Tjahjono Widarmanto menggunakan pendekatan semiotika. Pendekatan ini merupakan upaya mengungkap tanda yang terdapat dalam kumpulan puisi berupa simbol. Tujuan penelitian ini adalah mendeskripsikan simbol budaya dan simbol sastra. Metode yang digunakan adalah deskriptif kualitatif dengan teknik pengumpulan data: mengumpulkan, membaca, dan mempelajari buku yang berhubungan dengan penelitian. Hasil pembahasan menunjukkan bahwa terdapat simbol budaya yang meliputi bahasa, benda, warna, dan tindakan. Simbol sastra berupa citra penglihatan, gerak, dan pendengaran. Simbol bahasa digunakan untuk menampilkan istilah-istilah dalam mempertegas dan memperjelas sifat religius. Simbol bahasa juga mengandung amanat selalu mengingat kematian yang pasti akan dialami semua makhluk hidup. Simbol sastra berupa citraan digunakan untuk mengimajinasikan kematian sehingga pembaca memiliki gambaran dalam pikirannya tentang proses kematian yang menjadi ketetapan dari Tuhan.]]>
