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All Journal Lingua Jurnal Bahasa dan Sastra Semiotika Metahumaniora Social Sciences and Humanities Reviews
Abu Bakar Ramadhan Muhamad
Universitas Jember
Arts Humanities Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences

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“SUARA-SUARA DARI PEDALAMAN” BIAS DAN DILEMA IDENTITAS NASIONALISME DALAM NOVEL BURUNG-BURUNG MANYAR SEBUAH UPAYA PENCAPAIAN “ESENSIALISME STRATEGIS” Muhamad, Abu Bakar Ramadhan
Lingua Vol 13, No 1 (2017): January 2017
Publisher : Lingua

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Abstract

Penelitian ini mengkaji: (1) wacana identitas nasional dalam novel Indonesia modern, pada keberpihakannya terhadap suara sub-altern; dan (2) bias serta dilema “esensialisme strategis” posisi sub-altern dalam narasi yang coba disuarakan. Teori penunjang adalah teori poskolonial, strategi pembacaan kritis terhadap dampak kolonial. Hasil yang diperoleh dalam penelitian ini yaitu: suara sub-altern sebagai sub-ordinat, intens secara kritis “menyuarakan” komitmen identitas nasional. Hanya saja, akibat efek kolonialisme yang masih hegemonik (keinginan menjadi ‘pusat’), ‘suara’ kritis itu justru merepresentasi wacana identitas nasional dalam kodifikasi suara “pusat”, suatu tanda bagi langgengnya hegemoni kolonial. Hal itu dibuktikan dalam novel Burung-Burung Manyar karya YB. Mangunwijaya, dalam kaitan pencapaian “Esensialisme Strategis” wacana identitas nasional, masih menghadirkan dikotomi pusat dan pinggiran yang timpang. Akibatknya, secara horisontal identitas nasionalisme yang dibangun suara sub-altern (pedalaman) kian menempatkannya pada posisi marginal dan yang secara vertikal berada di bawah otoritas suara pusat. Hal tersebut mengimplikasikan pula ciri statis sistem kolonial yang hegemoni dalam novel Indonesia modern, di mana “pusat” hadir superior terhadap “pedalaman” yang inferior.  The Article is titled "Sounds of the Outback" - Bias and Dilemmas of National Identity in the Novel Birds Manyar, An Effort Achievement "Strategic Essentialism", to assess: 1). discourse of national identity in modern Indonesian novel, at its partiality towards the sound sub-altern, and 2). bias and the dilemma of "strategic essentialism" sub-altern position in trying voiced narrative. Supporting the theory is postcolonial theory, critical reading strategies to the impact of colonial rule. The results obtained are sub-altern voice as a sub-ordinate, intense critically "voicing" the commitment of national identity. However, due to the effects of colonialism which still hegemonic (the desire to be the center), the noise that actually represents the critical discourse of national identity in the codification of sound "center", a sign for the perpetuation of colonial hegemony. This was evidenced, novel Birds Manyar YB work. Mangunwijaya, in terms of achievement of the "Strategic Essentialism" discourse of national identity, still presents the dichotomy of center and periphery is lame. Akibatknya, horizontally identity nationalism built sound sub-altern (inland) are increasingly being placed in a marginal position, and vertically under the authority of the central sound. It also implies a static characteristic of colonial hegemonic system in modern Indonesian novel, where the "center" is present superior to the "deep" inferior.
“SUARA-SUARA DARI PEDALAMAN” BIAS DAN DILEMA IDENTITAS NASIONALISME DALAM NOVEL BURUNG-BURUNG MANYAR SEBUAH UPAYA PENCAPAIAN “ESENSIALISME STRATEGIS” Muhamad, Abu Bakar Ramadhan
Lingua Vol 13, No 1 (2017): January 2017
Publisher : Lingua

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Penelitian ini mengkaji: (1) wacana identitas nasional dalam novel Indonesia modern, pada keberpihakannya terhadap suara sub-altern; dan (2) bias serta dilema “esensialisme strategis” posisi sub-altern dalam narasi yang coba disuarakan. Teori penunjang adalah teori poskolonial, strategi pembacaan kritis terhadap dampak kolonial. Hasil yang diperoleh dalam penelitian ini yaitu: suara sub-altern sebagai sub-ordinat, intens secara kritis “menyuarakan” komitmen identitas nasional. Hanya saja, akibat efek kolonialisme yang masih hegemonik (keinginan menjadi ‘pusat’), ‘suara’ kritis itu justru merepresentasi wacana identitas nasional dalam kodifikasi suara “pusat”, suatu tanda bagi langgengnya hegemoni kolonial. Hal itu dibuktikan dalam novel Burung-Burung Manyar karya YB. Mangunwijaya, dalam kaitan pencapaian “Esensialisme Strategis” wacana identitas nasional, masih menghadirkan dikotomi pusat dan pinggiran yang timpang. Akibatknya, secara horisontal identitas nasionalisme yang dibangun suara sub-altern (pedalaman) kian menempatkannya pada posisi marginal dan yang secara vertikal berada di bawah otoritas suara pusat. Hal tersebut mengimplikasikan pula ciri statis sistem kolonial yang hegemoni dalam novel Indonesia modern, di mana “pusat” hadir superior terhadap “pedalaman” yang inferior.  The Article is titled "Sounds of the Outback" - Bias and Dilemmas of National Identity in the Novel Birds Manyar, An Effort Achievement "Strategic Essentialism", to assess: 1). discourse of national identity in modern Indonesian novel, at its partiality towards the sound sub-altern, and 2). bias and the dilemma of "strategic essentialism" sub-altern position in trying voiced narrative. Supporting the theory is postcolonial theory, critical reading strategies to the impact of colonial rule. The results obtained are sub-altern voice as a sub-ordinate, intense critically "voicing" the commitment of national identity. However, due to the effects of colonialism which still hegemonic (the desire to be the 'center'), the 'noise' that actually represents the critical discourse of national identity in the codification of sound "center", a sign for the perpetuation of colonial hegemony. This was evidenced, novel Birds Manyar YB work. Mangunwijaya, in terms of achievement of the "Strategic Essentialism" discourse of national identity, still presents the dichotomy of center and periphery is lame. Akibatknya, horizontally identity nationalism built sound sub-altern (inland) are increasingly being placed in a marginal position, and vertically under the authority of the central sound. It also implies a static characteristic of colonial hegemonic system in modern Indonesian novel, where the "center" is present superior to the "deep" inferior.
RESISTENSI DALAM NOVEL STUDENT HIDJO KARYA MAS MARCO KARTODIKROMO: KAJIAN POSKOLONIAL Nando Zikir Mahattir; Novi Anoegrajekti; Abu Bakar Ramadhan Muhamad
SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik Vol 22 No 1 (2021): Semiotika: Jurnal Ilmu Sastra dan Linguistik
Publisher : Diterbitkan oleh Jurusan Sastra Indonesia Fakultas Ilmu Budaya Universitas Jember bekerja sama dengan Himpunan Sarjana - Kesusastraan Indonesia (HISKI), Himpunan Pembina Bahasa Indonesia (HPBI) dan Masyarakat Linguistik Indonesia (MLI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/semiotika.v22i1.19939

Abstract

This research use Mas Marco's novel Student Hidjo as material object. The Postcolonial theory will be used to analys Student Hidjo novel’s by Mas Marco. Postcolonial is a set of theories to explore the effects of colonialism in various documents and behaviors, including literature. This study uses qualitative methods to obtain the necessary data from the novel. This type of analysis uses descriptive analysis. The analysis will use deconstruction method. This is in accordance with postcolonialism which is a reversal of the colonial discourse. Such a method is useful for reversing the colonial discourse which presents the relationship between colonizers >< colonized in the novel.. The relationship that seemed stable was undermined by the subjectivity of the colonized through their resistance. The various resistances presented by the colonized were understood by the postcolonialists as a form of an ambivalent legacy of colonialism. The ambivalent side occurs because the resulting resistance strikes both sides. On the one side attacking the invaders, but on the other side attacking resisting subject. Keywords: postcolonial, deconstruction, colonizers, colonized, ambivalent
CITRA EKSOTIK DALAM NOVEL RONGGENG DUKUH PARUK Abu Bakar Ramadhan Muhamad
SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik Vol 19 No 2 (2018): Semiotika: Jurnal Ilmu Sastra dan Linguistik
Publisher : Diterbitkan oleh Jurusan Sastra Indonesia Fakultas Ilmu Budaya Universitas Jember bekerja sama dengan Himpunan Sarjana - Kesusastraan Indonesia (HISKI), Himpunan Pembina Bahasa Indonesia (HPBI) dan Masyarakat Linguistik Indonesia (MLI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (316.041 KB) | DOI: 10.19184/semiotika.v19i2.8328

Abstract

Imaging of a discourse in the paradigm of postcolonialism is closely related to the issue of domination and subordination in terms of reference to imperialism or capitalization. The imagery is a project that develops special perceptions about "foreign" (East) regions. This project presupposes that the "foreign" (East) region is exotic "uncivilized" regions, standardized in a special "understanding", whose main purpose is to separate or dissolve it ("tame" the "foreign" region), so that different from or being "civilized". One area that is strongly embedded in this project is literature, with the novel as an aesthetic object. In connection with this issue, this article reveals how the East is presented in its exotic image, so how the image represents an ambivalent relationship between the East (colonized) and the West (invaders), especially in the Ronggeng Dukuh Paruk (RDP) novel by Ahamad Tohari.The results of the study show that the RDP novel is an urgent medium related to the conditions of postcoloniality. The postcoloniality is meant not only that the narrative that is displayed is the essence of what is obtained from the author about the exotic world region (the nature of Paruk dukuh) with all the signs attached to it, narration is also used as an affirmation of identity and historical existence, in the context of civilized culture. The culture in question is the source of identity that is championed as a filter and lifter, for the community that has been known and thought about, as an invitation for emancipation. Power and ability to tell stories, in this case, are used as weapons of the author in hopes of inspiring readers. The expected result is the hegemonic reader of the discourse displayed in the work of the author.In the post-colonial context, this method is inseparable from a combination where political and ideological power is interrelated, where the image represented is always still signifying the "emancipation" power relationship between the West and the East. However, like ideology, imaging must be realized other than as originating from and relating to material conditions and material effects, it is also a misrepresentation of reality and in its rearrangement process. Therefore, the potential, possibilities, and certain visions that follow, are full of content, values, or strategies for "mastering" (power). Especially in the Ronggeng Dukuh Paruk novel by Ahamad Tohari, exotic images give rise to ambivalent meanings for emancipation efforts (West to East).
Wacana Kolonial dalam Novel Max Havelaar: Sebuah Kajian Poskolonial Abu Bakar Ramadhan Muhamad
Metahumaniora Vol 7, No 3 (2017): METAHUMANIORA, DESEMBER 2017
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/metahumaniora.v7i3.18862

Abstract

AbstrakHegemoni kolonialisme dalam budaya poskolonial merupakan alasan penelitian inikemudian mengkaji wacana kolonial dalam novel Max Havellar (MH) khususnya dampakditimbulkannya. Dampak dimaksud adalah posisi keberpihakan pemikiran tersirat darikarya tersebut. Hasil pembahasan menunjukkan, secara temporal maupun permanen MHmenyuarakan ketidakadilan dalam kondisi-kondisi kolonial menyangkut penindasan sangpenjajah terhadap terjajah. Hanya saja, upaya mengatasnamakan atau mewakili suarakaum terjajah terbukti mengimplikasikan ciri ideologis statis kerangka kolonialisme(orientalisme); yakni cara pandang Eropasentris, di mana “Barat” sebagai self adalah superior,dan “Timur” sebagai other adalah inferior. Dalam konteks poskolonialisme, MH dengan sifatkritisnya yang berupaya “menyuarakan” nasib pribumi terjajah, justru menampilkan stigmapenguatan kolonialitas itu sendiri secara hegemonik. Artinya, “menyuarakan” nasib pribumidimaknai sebagai keberpihankan kolonial yang kontradiktif, di mana stigma penguatankolonialitas justru lebih terasa, ujung-ujungnya melanggengkan hegemoni kolonial. Tidakmembela yang terjajah, tetapi memperhalus cara kerja mesin kolonial.AbstractThe hegemony of colonialism in the culture of postcolonial society is the reason this studythen examines the colonial discourse in the novel Max Havellar (MH) in particular the impactit brings. The impact in question is the implied position of thought in the work. The resultsof the discussion show that, temporarily or permanently, MH voiced injustice in the colonialconditions regarding the oppression of the colonist against the colonized. However, the effort toname or represent the voice of the colonized has proven to imply a static ideological characterin the framework of colonialism (orientalism); ie Eropacentric point of view, in which “West” asself is superior, and “East” as the other is the inferior. In the context of postcolonialism, MH withits critical nature that seeks to “voice” the fate of the colonized natives, actually presents thestigma of strengthening coloniality itself hegemonicly. That is, “voicing” the fate of the pribumiis interpreted as a contradictory colonial flare, where the stigma of strengthening colonialityis more pronounced, which ultimately perpetuates the hegemony of colonialism. No longerdefending the colonized, but refining the workings of the colonial machinery.
FALSAFAH MADURA DALAM NOVEL TANJUNG KEMARAU KARYA ROYYAN JULIAN: KAJIAN ANTROPOLOGI SASTRA Maharani Sri Devi; Titik Maslikatin; Abu Bakar Ramadhan Muhamad; Bambang Aris Kartika; Dewi Angelina
SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik Vol 24 No 1 (2023): SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik
Publisher : Diterbitkan oleh Jurusan Sastra Indonesia Fakultas Ilmu Budaya Universitas Jember bekerja sama dengan Himpunan Sarjana - Kesusastraan Indonesia (HISKI), Himpunan Pembina Bahasa Indonesia (HPBI) dan Masyarakat Linguistik Indonesia (MLI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/semiotika.v24i1.36803

Abstract

The culture of an ethnic group can be known through its reflection in literary works. The Tanjung Kemarau novel by Royyan Julian tells about the complexities of the socio-cultural life of the Madurese people in Branta Pesisir Village, Pamekasan Regency, Madura. This study aims to describe the Madurese philosophy contained in the novel Tanjung Kemarau by Royyan Julian. The method used in this study is a qualitative method with descriptive analysis. This study uses the theory of literary anthropology to examine the main problem in the Tanjung Kemarau novel, namely the Madurese philosophy. The results of the study show that the Madurese philosophy reflected in the Tanjung Kemarau novel is abhântal sahâdât, smokepo' faith, apajung Èslam, (bearing creed, covered with faith, covered with Islam). Moreover, there are also found bhuppa', bhâbhu', ghuru, rato, (father, mother, teacher, and king or leader). The other phylosophy terms are abhântal ombâk, smokepo' angèn, apajung langngè', (cushioned by the waves, covered with wind, under the sky's umbrella) also Ango'an potèa tolang è tembhâng potè mata (better white bones than whites of eyes). Kar ngarkar colpè' (paw continuously pecking), Rampa' naong bâringèn korong (shady shady, banyan brackets) are stated in the novel. All the Madurese philosophy revealed in the novel describes the philosophy in the social reality of the Madurese people.
NOVEL SUSU DAN TELUR KARYA MIEKO KAWAKAMI TERJEMAHAN ASRI PRATIWI WULANDARI: KAJIAN FEMINISME RADIKAL Arlilianda, Wahyu Gaesesita; Maslikatin, Titik; Umniyyah, Zahratul; Angelina, Dewi; Muhamad, Abu Bakar Ramadhan
SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik Vol 25 No 1 (2024): SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik
Publisher : Diterbitkan oleh Jurusan Sastra Indonesia Fakultas Ilmu Budaya Universitas Jember bekerja sama dengan Himpunan Sarjana - Kesusastraan Indonesia (HISKI), Himpunan Pembina Bahasa Indonesia (HPBI) dan Masyarakat Linguistik Indonesia (MLI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/semiotika.v25i1.45656

Abstract

The topic of feminism in Japan is something that society has not yet fully accepted. This is the reason why researchers chose the novel Susu and Eggs to be used as the object of study. The discrimination that occurs against female characters in the novel leads to extreme actions and thoughts regarding women's freedom regarding their rights. Therefore, the novel Susu and Eggs is studied using radical feminism theory. The aim of this research is to describe the structural analysis and aspects of radical feminism in the object of study. Data discovery was carried out using the library study method, namely reading the novel in its entirety. The description of the data is carried out through qualitative descriptive methods. The research results show that there is a relationship between the title, theme and characterization in the novel. The title relates to the major theme which is supported by the minor theme. The theme is depicted through events that support the characters' characters. On the other hand, the aspects of radical feminism found are divided into five parts, namely: (1) women and their bodies which are related to Midoriko and Natsuko. Midoriko as a teenager who hates the nature of women, then Natsuko as a single woman who cannot find pleasure in sex, but wants to have children through a sperm donor; (2) the inequality of roles in the household which is depicted through the character Yusa Rika who hates her ex-husband; (3) women's beauty standards which include women's body shape and nipple color; (4) stereotypes about women's bodies that discuss women's instincts to get pregnant and societal stigma that prioritizes the penis over the vagina; (5) and sexual violence which includes the act of rape against the character Zen Yuriko.
Representation of Madurese Culture in the Novel Tanjung Kemarau: A Literary Anthropology Study Maharani Sri Devi; Titik Maslikatin; Abu Bakar Ramadhan Muhamad
Social Sciences and Humanities Reviews Vol. 1 No. 1 (2025): Social Sciences and Humanities Reviews
Publisher : CV. DYOQU PUBLISHING MANAGEMENT

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.64780/sshr.v1i1.22

Abstract

Background: Literature functions not only as a medium of storytelling but also as a reflective space to explore cultural identity. The Madurese culture, though rich in traditions, values, and philosophical depth, is often represented through reductive stereotypes in mainstream narratives. Such portrayals risk eroding the authentic identity of the community. Aims: This study aims to analyse the structural elements of the novel Tanjung Kemarau by Royyan Julian and uncover representations of Madurese cultural identity through the lens of literary anthropology. Methods: Using a qualitative descriptive method and a literary anthropology framework, the novel was examined through its themes, characters, conflicts, settings, symbols, myths, and embedded philosophical values. Data collection included textual analysis and triangulation with ethnographic sources and expert consultations. Results: The findings reveal that Tanjung Kemarau integrates Madurese cultural elements, such as the value hierarchy of bhuppa', bhâbhu', ghuru, rato, the honour-bound principle potèa tolang è tembhâng potè mata, and community rituals like petik laut and matchmaking. Characters and settings illustrate tensions between traditional values and modern social dynamics. Myths and legends embedded in the narrative reflect a syncretic worldview rooted in ancestral wisdom. Conclusion: Tanjung Kemarau serves as more than a fictional narrative; it becomes a cultural archive that documents, critiques, and symbolically reconstructs Madurese identity. The novel validates literature’s potential as an ethnographic medium to reveal complex social realities and challenge dominant cultural discourses. Through this interdisciplinary approach, the study contributes to cultural preservation and supports culturally responsive literary education in a multicultural context.
Co-Authors Arlilianda, Wahyu Gaesesita Bambang Aris Kartika, Bambang Aris Dewi Angelina Maharani Sri Devi Nando Zikir Mahattir Novi Anoegrajekti Titik Maslikatin umniyyah, zahratul