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Lokakarya Musik Iringan Teater Tradisional Japin Carita di Dapur Teater Kalimantan Selatan Benny Mahendra; Tutung Nurdiyana; Muhammad Najamudin
Jurnal Pengabdian ILUNG (Inovasi Lahan Basah Unggul) Vol 1, No 3 (2022)
Publisher : Universitas Lambung Mangkurat

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (914.423 KB) | DOI: 10.20527/ilung.v1i3.4378

Abstract

Tujuan program pengabdian kepada mayarakat ini yaitu:  untuk memberikan wawasan dan keterampilan kepada praktisi seni/pengiat seni teater mengenai  musik iringan teater Japin Carita Kalimantan Selatan, yang dimana dalam kegiatan pertunjukan masih terdapat kurangnya sumber yang berlandaskan sebuah riset/ penelitian. Metode program pengabdian kepada masyarakat lokakarya yang di laksanakan dengan metode ceramah, demonstasi atau unjuk kerja di sanggar Dapur Teater Kalimantan Selatan. Pelaksanaan pengabdian dimulai bulan september sampai dengan oktober tahun 2021.
System of Inheritance as a Preservation Effort of Kuriding In South Kalimantan Muhammad Najamudin; Wadiyo Wadiyo; Syahrul Syah Sinaga
Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Vol. 6 No. 1 (2023)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/vt.v6n1.p68-80

Abstract

This research generally aims to look at the inheritance system as an effort to preserve kuriding music in South Kalimantan. The method used is a qualitative method with an ethnomusicological approach, namely kuriding instrument craftsmen, academics, and the community in South Kalimantan. The main data collection tool in this study is the researcher himself as the key instrument. Based on the results of research on inheritance systems (1) History, (2) Concept of Inheritance, (3) Performance Presentation, (4) How to Play, and (5) Conservative Ideological Values. The research is expected to provide knowledge about South Kalimantan kuriding music to the community as the owner of the art.
The Local Wisdom and Educational Values in Kurung-Kurung Music of the Dayak Meratus Loksado: English Muhammad Najamudin; Maryanto Maryanto; Dedy Ari Nugroho
Gondang: Jurnal Seni dan Budaya Vol. 10 No. 1 (2026): GONDANG: JURNAL SENI DAN BUDAYA, JUNE 2026
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/bcwahz55

Abstract

This study aims to uncover the educational values ​​contained in the traditional kurung-kurung music of the Dayak Meratus community in Loksado, South Kalimantan. The kurung-kurung music, played in an ensemble with bamboo instruments, serves not only as entertainment or a complement to traditional ceremonies, but also as a means of transmitting cultural values ​​through an ethnopedagogical approach. This study used a descriptive qualitative method with data collection techniques in the form of participatory observation, in-depth interviews, and documentation. Analysis was carried out through data reduction, data presentation, and drawing conclusions. The results of the study indicate that kurung-kurung music contains important educational values ​​for the community, namely: (1) discipline, (2) awareness of environmental conservation, (3) obedience to leaders, (4) tolerance, and (5) mutual cooperation. These values ​​are rooted in the local wisdom of the Meratus agrarian community that prioritizes social and ecological harmony. Thus, kurung-kurung music not only preserves cultural identity, but also functions as a medium for character education that is relevant to the needs of the younger generation in the modern era.
ORGANOLOGI MUSIK SALONG: CERMINAN BUDAYA MASYARAKAT HALONG KABUPATEN BALANGAN Jafira Liana Melanbiru; Muhammad Najamudin; Benny Mahendra
Jurnal Penelitian Musik Vol 6 No 1 (2025): Jurnal Penelitian Musik
Publisher : Program Studi Pendidikan Musik

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/JurnalPenelitianMusik.61.02

Abstract

Salong is a traditional musical instrument originating from Halong Village, Balangan Regency. This study aims to describe the organology of the salong instrument in terms of its structure, manufacturing process, and the sound production it generates. The research employs a qualitative approach that produces descriptive data in the form of written or spoken words from individuals and observable behaviors. To support the qualitative approach, this study collects both primary and secondary data focusing on the object and subjects of research. Data collection techniques include observation, interviews, and documentation.The results of this study describe the following: (1) The history of salong, (2) Inventory of salong, (3) Terminology of salong, (4) Classification of salong as an idiophone instrument, (5) Description of salong, (6) Sound production of salong, which consists of six stages: Stage I: Preparation (preparing tools and raw materials) Stage II: Manufacturing process (removing branches, cutting bamboo into five pieces, creating resonator tubes) Stage III: Tuning process of the salong Stage IV: Finishing (assembling bamboo components, smoothing each bamboo blade on the salong) Stage V: Testing phase (assessing the instrument's functionality and quality) Salong represents a living and dynamic cultural heritage, reflecting the character of the Halong community that upholds the values of tradition, togetherness, and the preservation of local cultural heritage.
ORGANOLOGI MUSIK SALONG: CERMINAN BUDAYA MASYARAKAT HALONG KABUPATEN BALANGAN Jafira Liana Melanbiru; Muhammad Najamudin; Benny Mahendra
Jurnal Penelitian Musik Vol 6 No 1 (2025): Jurnal Penelitian Musik
Publisher : Program Studi Pendidikan Musik

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/JurnalPenelitianMusik.61.02

Abstract

Salong is a traditional musical instrument originating from Halong Village, Balangan Regency. This study aims to describe the organology of the salong instrument in terms of its structure, manufacturing process, and the sound production it generates. The research employs a qualitative approach that produces descriptive data in the form of written or spoken words from individuals and observable behaviors. To support the qualitative approach, this study collects both primary and secondary data focusing on the object and subjects of research. Data collection techniques include observation, interviews, and documentation.The results of this study describe the following: (1) The history of salong, (2) Inventory of salong, (3) Terminology of salong, (4) Classification of salong as an idiophone instrument, (5) Description of salong, (6) Sound production of salong, which consists of six stages: Stage I: Preparation (preparing tools and raw materials) Stage II: Manufacturing process (removing branches, cutting bamboo into five pieces, creating resonator tubes) Stage III: Tuning process of the salong Stage IV: Finishing (assembling bamboo components, smoothing each bamboo blade on the salong) Stage V: Testing phase (assessing the instrument's functionality and quality) Salong represents a living and dynamic cultural heritage, reflecting the character of the Halong community that upholds the values of tradition, togetherness, and the preservation of local cultural heritage.