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TEKTONIKA BEBADUNGAN DI ARSITEKTUR BALI Prijotomo, Josef
Nalars Vol 9, No 2 (2010): NALARs Volume 9 Nomor 2 Juli 2010
Publisher : Nalars

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ABSTRAK. Bata adalah bahan bangunan yang mungkin saja paling dikenal oleh semua orang. Kita tidak perlu mempersoalkan sejak kapan bata ini digunakan sebagai bahan bangunan. Bersamaan dengan masa Renaisans di Eropa, di masa Majapahit bata juga sudah digunakan sebagai bahan pembangunan candi- candi. Bata memang bahan bangunan yang digunakan hampir di semua penjuru dunia. Memang, ada bata yang tidak dibakar dan ada yang dibakar terlebih dulu; juga ada bata yang berukuran kecil dan yang berukuran besar, namun perbedaan itu tidak menjadi penghalang bagi pengkonstruksian bata menjadi sebuah komponen bangunan. Tembok yang dihadirkan dari pasangan bata yang dijejer dan ditumpuk bukan sekadar sebuah teknologi konstruksi bangunan, tetapi juga sebuah tantangan bagi arsitek dan perancang untuk menggubah sebuah tektonika bata, yakni sebuah seni mengkonstruksi bataKata Kunci: tektonika, bebadungan, bataABSTRACT. Redbricks are a common building material in the world. We never know since when this material have been used as a building material. In the same time of Renaissance Period in Europe, in Majapahit Era, redbricks have been used as building material as well for temples. Redbricks have been regarded as a building material which have been used all over the world. Although, it has been know that there are many kind of redbricks: oven redbricks and non oven redbricks; small redbricks and big redbricks, but the differences will not become an obstacle in the process of building construction. Redbricks become one of building component in building construction. Buildingâs wall which have been constructed from redbricks structure is not only building construction technology, but also a challenge for architect and designer to change redbricks techtonic, which known as an art how to construct redbricksÂ Keywords : Techtonic, âbebadunganâ, redbricksÂ

KAJIAN ANTITESIS HEGELIAN DALAM ARSITEKTUR Nurwahyu, Muhammad; Rachmawati, Murni Rachmawati; Prijotomo, Josef
ATRIUM Jurnal Arsitektur Vol. 1 No. 1 (2015): ATRIUM Jurnal Arsitektur
Publisher : Lembaga Penelitian dan Pengabdian pada Masyarakat (LPPM) Universitas Kristen Duta Wacana Yogyakarta

Title: Study of Hegelian Antithesis in Architecture This paper tries to expose hegelian antithesis existence, that can be used as a way of thinking in architecture design process. With antithesis that lies in philosophy scope, then it needs to be settled with similar thing in architecture. The settlement will be set by using descriptive critique method. The result of the settlement can become a starting point for the usage of Hegelian antithesis in architecture design exploration. In this paper, antithesis proven to be equal with architecture of difference as bildung. Those equality shown in the architecture dialogue. With this equality, antithesis become defined and known its position in architecture.

HUBUNGAN MAKNA RUMAH BANGSAWAN DAN FALSAFAH HIDUP MANUSIA JAWA DALAM KONTEKS ORGANISASI RUANG Setiprayanti1, Dhiafah; Prijotomo, Josef
Rekayasa Vol 3, No 2: Oktober 2010
Publisher : Universitas Trunojoyo Madura

Rumah merupakan rana yang sangat luas bagi manusia mengembangkan diri dengan merealisasikan kemampuan serta menjalani segala bentuk aktivitas. Kegiatan yang terjadi di dalam rumah dipisahkan hingga membentuk klaster yang memberikan tingkatan organisasi ruang. Tulisan ini mmeemmbbaahhaass hubungan makna yang tteerrbbeennttuukk dari organisasi ruang dan falsafah hidup manusia Jawa. Rumah bangsawan mmeennjjaaddii objek yang dipilih karena kelengkapan bagian-bagiannya. Hasil penelitian, menunjukkan adanya hubungan pada bagian rumah yang memiliki nilai kehidupan dan ke-Tuhan-an. Kata kunci: falsafah hidup, makna rumah bangsawan, organisasi ruang AbstractHouse as for human must develop their selves. The activities that happen in house was separate until formed the cluster that gave organization of space level. This paper focus on relationship between meaning from organization of space and Javanese life philoshopy. Noble’s house ware choosen as object because the parst has complitly. The result showed relationship in part house that had value of life and belif of God. Keywords: life philosophy, the meaning of the noble’s house, organization of space

SASANA SEWAKA: TINJAUAN SEMANTIK ARSITEKTUR JAWA KRATON KASUNANAN SURAKARTA Sari, Galuh Puspita; Prijotomo, Josef
Rekayasa Vol 3, No 2: Oktober 2010
Publisher : Universitas Trunojoyo Madura

Sasana Sewaka merupakan pendhapa di Karaton Kasunanan Surakarta Solo, yang tumbuh dan berkembang dari nilai-nilai Arsitektur Jawa yang dipengaruhi perjumpaan dengan Arsitektur Eropa. Perjumpaan Arsitektur Eropa pada Arsitektur Jawa berpotensi memberikan pengaruh pada arsitektur yang telah ada sebelumnya. Suatu wujud arsitektur akan mendeskripsikan (komposisi) bahasa rupa melalui visualitas yang dimengerti sesuai dengan tampilannya, sehingga wujud arsitektur yang terbentuk memberikan makna yang dapat dikomunikasikan. Makalah ini membahas tinjauan semantik arsitektur jawa pada Sasana Sewaka. Kata kunci: Semantik, Arsitektur Jawa, Sasana Sewaka AbstractSewaka Sasana is pendhapa in Kasunanan Surakarta Palace Solo, which grow and develop from the values of Javanese architecture influenced the encounter with European architecture. Encounter of European architecture in the Java architecture has the potential to give effect to the existing architecture. A form of architecture will describe (composition) through a visual language that is understandable visualitas accordance with how it looks, so the architectural shape that is formed to give the meaning that can be communicated. This paper reviews the Javanesse architecturesemantics on Sewaka Sasana. Keywords: Semantics, Java Architecture, Sasana Sewaka

Study of Kurt Dietrichâ€™s Design Principles and Elements in Batak Karo Roosandriantini, Josephine; Prijotomo, Josef
Jurnal Koridor Vol. 15 No. 1 (2024): Jurnal Koridor
Publisher : Talenta Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32734/koridor.v15i1.12655

Architectural design is the process to create a building that aims for the comfort and beauty of the building itself. An architect in creating or designing a building cannot be separated from the use of design principles in his design, in order to create aesthetics in his architectural works. This study aims to show that design elements and principles which are a European mindset can show that Indonesian architecture also has design principles such as modern, classic, and contemporary architecture. With this awareness in mind, research on Archipelago architecture should be carried out critically so that the European knowledge taken is the knowledge that has been able to conform with the Archipelago mindset, not with the European mindset. This research can be useful for providing knowledge or insight into proving a European design principle (mindset) that can also be applied to objects of archipelago architecture. Explorative research method with a qualitative approach. European-minded design principles to recognize the existence of Batak Karo architecture. The analysis is carried out by ensuring that Kurt Dietrich's principles are based on the European mindset of the Karo Batak, which results in non-European design principles. The test was carried out to discuss whether there were design principles that applied to the Karo Batak, it was found that exclusive design principles were a unified archipelago design principle, and had the peculiarities of each architecture as well as diversity in archipelago architecture.

KAJIAN DESAIN BANDARA INDONESIA: KENUSANTARAAN DITINJAU DARI POLA RUANG, SOSOK, DAN ORNAMENTASI Andrew Darsono, Antonio; Prijotomo, Josef
Riset Arsitektur (RISA) Vol 9 No 01 (2025): RISET ARSITEKTUR "RISA"
Publisher : Department of Architecture, Faculty of Engineering Parahyangan Catholic University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/risa.v9i01.8935.1-20

Abstract - The airport is a form of representation of the entry gate of a nation that is present as the first greeterfor users of air transportation modes, both domestic and international users. The representation of the gatesymbolizes the identity and image of a nation. Indonesian airports carry an important message about theidentity of a nation which is reflected through the architectural form of the airport. The airport was designed notonly as a fulfillment of the facilities of a region or even a country, but more than that, the airport is nowdesigned by placing ef orts to create a visual character that shows architectural styles both from the west to theeast of the Republic of Indonesia. This style reflects the potential of arts and culture, tourism, and local wisdom.The development of Indonesian architecture from the past to the present has resulted in transformationsof forms that are constantly adapting, Nusantara Architecture has emerged as an "other" science in viewingarchitecture. Nusantara architecture develops, transforms, and goes global, not imitating the past or existingones, while respecting the architecture of the past. The definition of Nusantara Architecture used is based onNusantara Architecture by Prof. Josef Prijotomo.Airports in Indonesia on an international scale no longer represent the city, but represent the face ofIndonesia. Terminal 3 of Soekarno Hatta International Airport, I Gusti Ngurah Rai International Airport, andSultan Hasanuddin International Airport have the highest number of users in Indonesia and play an importantrole as representatives of Indonesia. A descriptivequalitative-comparative comparison is made to see how the archipelagic aspects based on the definition ofArchipelago Architecture are applied to the three study object airports. So that it can be seen how thetransformation of Archipelago architectural knowledge has been attached to the design of airports in Indonesia.This study was conducted to find out how the process of updating archipelago architecture in airport buildingsin Indonesia, whether airports in Indonesia can reflect their Nusantara through spatial patterns, figures, andornamentation.Key Words: Airport, Nusantara Architecture, Visual Character, Spatial form, Shape, Ornamentation

PERPADUAN ARSITEKTUR ART DECO DAN INTERNATIONAL STYLE PADA BANGUNAN GAIA HOTEL BANDUNG DAN PADMA HOTEL Grasilla Hartono, Bianca; Prijotomo, Josef
Jurnal Riset Arsitektur Vol 9 No 02 (2025): RISET ARSITEKTUR "RISA"
Publisher : Program Studi Arsitektur, Fakultas Teknik, Universitas Katolik Parahyangan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/risa.v9i02.9208.206-224

Abstract - Modernization gradually leads to the development of modern architecture, leaving local architecture behind. Consequently, modern architecture begins to overshadow the existence of Indonesian local architecture. Thus, there’s an urgent need for a fusion of the local and modern elements in architecture.Notably, through observation, the distinctive Art Deco context is a strong character in Bandung. Moreover, Bandung is ranked 9th in the City Of Art Deco in The World. During the modern architecture era, international style was developed as one of the architectural styles. This style has been appreciated and favored by the public up to this day because it is considered to follow the development of the industry and technology while remaining functional. This research method is descriptive qualitative and analytical methods. The first step is to identify the building designs, followed by identifying the Art Deco and international style characteristics in the buildings and the fusion. Theoretically and practically, this research is expected to provide additional insights for both the author and readers regarding Bandung's Art Deco heritage, thereby contributing to the field of architectural knowledge In general, the result reveals that both hotels exhibit Art Deco and international style features in their designs. In terms of percentage, The Gaia Hotel Bandung has a dominance of 46.7% classified as Modern Art Deco. Meanwhile, Padma Hotel Bandung has a percentage of 47.02% classified as Modern Art Deco. It can be observed that Padma Hotel has a higher Art Deco percentage. Keywords: fusion, art deco, international style, dominance

Decolonizing Tacit Knowledge of The Bugis Traditional House through Ethnomathematics Yusran, Yusfan Adeputera; Utami, Sri; Fadhilah, Siti Mar atul; Sir, Mohammad Mochsen; Prijotomo, Josef
Local Wisdom Jurnal Ilmiah Kajian Kearifan Lokal Vol. 14 No. 2 (2022): July 2022
Publisher : University of Merdeka Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26905/lw.v14i2.8016

This study aims to reveal the logical factors behind the cultural values of traditional house. Through an ethnomathematical study approach, this study reconstructs various patterns of Bugis house forms using photo documentation belonging to the KITLV institution published around 1880-1953. The Bugis vernacular house forms is often described as the embodiment of the basic knowledge of non-physical (intangible) in the form of culture, belief, and the principles of community life. However, when viewed from the building process, rules, and sizes, to the development of its form and typology, a Bugis house cannot be seen as a mere embodiment of the cosmological concept, but also an embodiment of form that implements scientific knowledge. This is indicated by the various patterns of Bugis' traditional houses formed from an ethnomodelling point of view as a result of humans knowledge to the context and the environment in which they inhabit.

SERAT BALEWARNA: JAWA MENOLAK JAWA KOLONIALISASI ATAUKAH RASIONALISASI PENGETAHUAN ARSITEKTUR JAWA? Prijotomo, Josef
Dimensi: Journal of Architecture and Built Environment Vol. 30 No. 1 (2002): JULY 2002
Publisher : Institute of Research and Community Outreach, Petra Christian University, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.9744/dimensi.30.1.%p

Perceptual ambiguity is a state of thinking that disturbs the either-or mode of knowledge. It causes one to face with the condition of two possible correct knowledges. This state of thinking, however, might be advantageous and contributive positively. Robert Venturi's dictum both-and is just one example of taking the advantageous of this perceptual ambiguity. Taking one Jawanese corpus titled Serat Balewarna, this study tries to present the practice of either-or mode of knowledge in Jawa around the 1920-s. A critical examination upon its content shows that the rational-universal knowledge had only becomes one lethal weapon against the Jawanese architectural knowledge. Toward thee end of the examination, this paper proposes to locate the jawanese architecture in a state of perceptual ambiguity. This re-location will open the way to allow the Jawanese architectural knowledge enter the world of discourse of knowledge in architecture. Abstract in Bahasa Indonesia : Ambiguitas perseptual adalah sebuah keadaan berpikir yang memusingkan pengetahuan ini-itu (either-or), mengingat keadaan itu memaksa seseorang untuk memilih satu dari dua kebenaran pengetahuan. Dari sisi lain, ambiguitas perseptual ternyata dapat menjadi keadaan yang menguntungkan dan memberi sumbangan yang positif. Diktum Robert Venturi "yang ini - dan - yang itu" adalah salah satu contoh dari penggunaan keadaan itu dari segi keuntungan dan sumbangan positif bagi pengetahuan. Dengan mengambil salah satu naskah Jawa tentang bangunan yang berjudul Serat Balewarna, kajian ini mencoba untuk memperlhatkan praktek pengetahuan 'ini-atau-itu' di Jawa dalam kurun waktu 1920-an. Pemeriksaan kritis atas naskah tersebut menunjukkan bahwa pengetahuan rasional-universal ternyata menjadi senjata yang ampuh dalam mematikan pengetahuan arsitektur Jawa. Menjelang akhir kajian ini, dicoba pula untuk ditunjukkan bahwa keadaan "yang ini-atau-yang itu" dapat dimanfaatkan untuk mendapatkan keuntungan dan sumbangan pengetahuan yang tersendiri. Re-lokasi keadaan, dari merugikan menjadi menguntungkan ini, ternyata dapat digunakan untuk menempatkan pengetahuan arsitektur Jawa di lingkungan wacana pengetahuan arsitektur seumumnya. Kata kunci: Ambiguitas perseptual, pengetahuan arsitektur Jawa, wacana pengetahuan arsitektur.

GRIYA DAN OMAH Penelusuran Makna dan Signifikasi di Arsitektur Jawa Prijotomo, Josef
Dimensi: Journal of Architecture and Built Environment Vol. 27 No. 1 (1999): JULY 1999
Publisher : Institute of Research and Community Outreach, Petra Christian University, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.9744/dimensi.27.1.%p

Terms and names in architecture may sometimes be powerful in exploring history of ideas. Philology and hermeneutics are discipline of knowledge that utilize this notion in a very throgh and critical way. Inspired by those discipline of knowledge, this musing on `Griya' and `Omah' tries to demonstrate that their meaning is not `house' as many still understand them. Rather, both terms understood by the Jawanese as `any building' constructed. Critical assessment upon old documents named `Kawruh Griya' not only supportive for this understanding among the Javanese, but also provide us with a hint on one of ideals of `what a home is' among the Jawanese. The Javanese once had a notion that to dwell in a house is like sheltering under a shady tree. Since `griya' and `omah' may open our musing up to regions and cultures outside Jawa, this paper will limit its musing within the Jawanese. Abstract in Bahasa Indonesia : Kata, sebutan dan istilah yang digunakan dalam arsitektur terkadang memiliki kemampuan untuk membantu dan menjadi bahan kajian sejarah bagi dunia arsitektur. Kajian filologi dan hermeneutika dengan baik telah memanfaatkan kemampuan tersebut. Tanpa harus memaksakan diri untuk mengikuti dengan ketat bidang pengetahuan tersebut, penelusuran atas arti `griya' dan `omah' ini mencoba untuk mengungkap sebagian kecil dari sejarah arsitektur Jawa. Melalui interpretasi-menerangkan (Poespoprodjo 1987: 194-195)) atas arti kedua kata tersebut di dalam berbagai naskah Kawruh Griya, keduanya samasekali tidak memiliki arti: `rumah'. Dengan penelusuran ini ditemukan pula petunjuk yang mengarah pada salah satu gagasan orang Jawa tentang rumah yakni `bagaikan berteduh di bawah pohon'. Meskipun kedua kata tersebut dapat membawa penelusuran ini ke wilayah di luar arsitektur dan masyarakat Jawa, harus diakui bahwa penelusuran ini masih dibatasi pada telusuran internal bahasa Jawa, yakni hanya mengkaji kedua kata tersebut di dalam perjalanan kebahasaan bahasa Jawa. Kata kunci : Bangunan, rumah, idealisasi rumah Jawa.

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