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All Journal Jurnal Ruas (Review of Urbanism and Architectural Studies) Local Wisdom : Jurnal Ilmiah Kajian Kearifan Lokal Nature: National Academic Journal of Architecture Civil and Environmental Science Journal (CIVENSE) Hasta Wiyata Studi Budaya Nusantara Jurnal Lingkungan Binaan Indonesia
Yusran, Yusfan Adeputera
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DIALEKTIKA BUK SEBAGAI BENTUK KESEDERHANAAN MATERIALITAS DALAM SPASIALISASI ARSITEKTUR DI DUSUN MALANGSUKO MELALUI PERSPEKTIF EKISTICS Yusran, Yusfan Adeputera; Utama, Afidz Aditya
Nature : National Academic Journal of Architecture Vol 7, No 2 (2020): Nature
Publisher : Department of Architecture, Faculty of Science and Technology, Alauddin State Islamic Univ

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24252/nature.v7i2a2

Abstract

Abstrak_ Budaya dalam suatu ruang muncul sebagai respon manusia dalam memaknai tempatnya beraktivitas. Seiring semakin intensnya digunakan, ruang itu dapat memberikan makna yang mendalam bagi penggunanya. Penelitian ini mengangkat sebuah fenomena yang terjadi di Jalan Melati, Desa Malangsuko, Malang yaitu sebuah konstruksi lokal sederhana pengaman selokan yang bernama Buk dapat menciptakan ruang interaksi yang intens digunakan oleh masyarakat setempat. Lama-kelamaan ruang ini cenderung membentuk sebuah budaya interaksi yang mewarnai kehidupan sehari-hari masyarakatnya. Secara eksploratori, penelitian ini diawali dengan mengkaji kondisi riil Buk di lokasi untuk mendapatkan bagaimana peran Buk dalam terciptanya ruang budaya. Melalui perspektif Ekistics, fenomena keberadaan Buk dibaca dengan menggunakan aspek alam (nature), manusia (man), masyarakat (society), naungan (shells), dan jaringan (network). Disamping itu, dilakukan pula kuantifikasi hasil kajian kualitatif tersebut dengan menyebarkan kuesioner kepada masyarakat yang tinggal di sepanjang Jalan Melati Desa Malangsuko. Hasilnya menunjukkan bahwa memang proses sosial di dalamnya merupakan hasil dari bagaimana masyarakat di tempat ini memanfaatkan Buk ini dan sekaligus menjadikannya tempat berinteraksi. Proses sosial yang terjadi di tempat ini menunjukkan bahwa Buk memiliki peran sebagai pendukung terjadinya interaksi yang saling berkesinambungan serta memperlihatkan bagaimana manusia menciptakan sebuah elemen konstruksi sederhana sebagai tanggapan alam yang kemudian dimanfaatkan oleh mereka sehari-hari. Kata kunci : Arsitektur yang Sederhana; Ekistics; Spasialisasi. Abstract_ Culture in a space arises as a human response to interpret their activity’s place. As more and more intensely used, space can give a deep meaning to its users. This research attempts to raise a phenomenon that occurs in Jalan Melati in Malangsuko hamlet, Malang where a simple local construction for the gutter safety called Buk can create an intense interaction space used by the local community. Over time this space tends to form a culture of interaction that colours the daily lives of the locals. Exploratively, this study began by examining the real condition at the site to get the role of the Buk in creating cultural space. From the Ekistics perspective, the existence of Buk is read using the five ekistics’ principles; Nature, Man, Society, Shells, and Network. Also, the obtained qualitative study results were quantified by distributing questionnaires to the locals who live along Jalan Melati. The results show that the social process in it is a result of how the locals use this Buk and, at the same time, make it a place to fulfil their social needs. The social processes that occur at there show that Buk has a role as a supporter of continuous interaction and shows how the locals create a simple construction element in response to nature and then utilized it on their daily basis.Keywords:  Ekistics; Inornate Architecture; Spatialization.
KONSEP LIMINALITAS DALAM RITUAL ANDHERENAT Hilmy, Ayu Nur Izzati; Kusdiwanggo, Susilo; Yusran, Yusfan Adeputera
Studi Budaya Nusantara Vol. 8 No. 1 (2024)
Publisher : Studi Budaya Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.sbn.2024.008.01.03

Abstract

Liminality is a concept referring to the transitional phase in which individuals or groups experience a suspension ofhierarchy and social structure, fostering a sense of togetherness, collective solidarity, and equality. The andherenat ritual on Gili Iyang Island, Sumenep Regency, is a tradition of the migrant Buton-Binongko community aimed at invoking rain and maintaining soil fertility. This study explores and analyzes liminality in the andherenat ritual and its sociocultural implications for the assimilative community. A qualitative method and case study strategy were used, focusing on the cultural activities of the andherenat ritual. The research findings reveal that the andherenat ritual involves three phases of liminality: separation, liminality, and incorporation. The separation phase is marked by theperformance of tawassul, yasin, tahlil, and praise, separating participants from everyday life. The liminality phase is a transitional period where participants undergo spiritual transformation through activities such as the topak loberprocession and circling the island. The incorporation phase reintegrates participants into society with renewed identities, highlighted by a communal feast.
Sustainability Evaluation of the 'Batu Into Green' Village Based on the United Nation Sustainable Development Goals (SDGs) Sari, Hela Radika; Yusran, Yusfan Adeputera; Wulandari, Lisa Dwi; Santoso, Joko Triwinarto; Nordin, Jestin
Civil and Environmental Science Journal (CIVENSE) Vol. 7 No. 1 (2024)
Publisher : Fakultas Teknik Universitas Brawijaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.civense.2024.007.01.1

Abstract

Nowadays, environmental issues deserve everyone's attention. People can actually improve their surrounding environment to be healthier and more comfortable, started with their own houses. This idea realizes an ecology village named 'Batu Into Green', located in Pattimura V, Temas, in the City of Batu, Indonesia. Originally, this village was a slum, but with the initiation of the local village head and with the increase of local public awareness for a healthier environment, the locals improved the ecology of their village. 'Batu Into Green' applies to the concept of environmental friendly village. Thus, an analysis was carried out to examine the level of sustainability of this ecology village. This research applied a qualitative approach to descriptively evaluate the current condition of the village based on the principles of the United Nation's Sustainable Development Goals (SDGs). The focus of the SDGs in this discussion is Sustainable Cities and Communities (SDGs No.11). From the analyses, the 'Batu Into Green' initiative has a great potential for economic, social, and cultural sustainability
Systematic Literature Review (SLR): Keberlanjutan Arsitektur Tradisional dan Vernakular dalam Menghadapi Zaman pada Konteks Urban Rural Bunga Pasadena Ineru; Kusdiwanggo, Susilo; Yusran, Yusfan Adeputera
Jurnal Lingkungan Binaan Indonesia Vol. 13 No. 4 (2024): JLBI
Publisher : Ikatan Peneliti Lingkungan Binaan Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32315/jlbi.v13i4.408

Abstract

Arsitektur vernakular tradisional merupakan ekspresi budaya yang menggambarkan interaksi manusia dengan lingkungan fisik dan sosialnya. Gaya arsitektur ini berkembang secara alami berdasarkan tradisi lokal, iklim, dan ketersediaan material setempat, serta mencerminkan solusi yang efisien dan berkelanjutan. Namun, perkembangan urbanisasi dan globalisasi memberi tekanan signifikan terhadap keberlangsungan arsitektur vernakular, terutama di daerah pedesaan dan perkotaan yang menghasilkan interaksi antara kebudayaan modern dan tradisional berupa intervensi maupun asimilasi. Penelitian ini menggunakan pendekatan Systematic Literature Review (SLR) untuk mengidentifikasi pola adaptasi arsitektur vernakular dalam konteks transisi urban-rural dan dampaknya terhadap keberlanjutan budaya serta ekologis. Hasil dari penelitian ini ditemukan tren fokus dan metode yang banyak digunakan dalam penelitian terkait Arsitektur Tradisional dan Vernakular dalam konteks Urban-Rural dalam rentang sepuluh tahun terakhir yang berfokus pada pelestarian tradisi dan unsur tradisional dalam kawasan yang telah berkembang melalui metode kualitatif. Umumnya jenis penelitian bersifat deskriptif untuk mengungkap fenomena yang melatar belakangi perubahan suatu kawasan/objek arsitektur vernakular. Penelitian ini diharapkan dapat memberikan kontribusi dalam memahami dinamika perubahan antara kawasan urban dan rural serta menyajikan strategi yang efektif untuk mendukung kelestarian arsitektur vernakular di masa depan.
Creative vs Defective: A Critical Review of Malang Creative Center (MCC) in Malang City Ineru, Bunga Pasadena; Yusran, Yusfan Adeputera; Santoso, Joko Triwinarto; Wijaya, Moch. Ardiansyah Fendy; Kusdiwanggo, Susilo
RUAS Vol. 22 No. 1 (2024)
Publisher : Departemen Arsitektur Fakultas Teknik Universitas Brawijaya, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.ruas.2024.022.01.5

Abstract

The Malang Creative Center (MCC) construction is a step taken by the Malang City government to support the flow of modernization and as a forum for Malang residents to develop their creativity. The MCC display concept is planned by combining the shape of the temple and the unique cultural background of Malangan. However, during the development process, many changes were different from the initial concept. All these things make this building interesting to study critically. Therefore, this study aims to critically identify these changes in the idea as well as rectify the perceptions that have developed. Descriptive analysis was carried out through direct observation of objects by describing real conditions and explanatory verification of the results of these observations with visitors' views via a questionnaire. The analysis results show that the public's perception of the visual MCC has a good level of compatibility with the concept and function of the building, although some aspects still require attention regarding the visitor’s safety and comfort.
Decolonizing Tacit Knowledge of The Bugis Traditional House through Ethnomathematics Yusran, Yusfan Adeputera; Utami, Sri; Fadhilah, Siti Mar atul; Sir, Mohammad Mochsen; Prijotomo, Josef
Local Wisdom Jurnal Ilmiah Kajian Kearifan Lokal Vol. 14 No. 2 (2022): July 2022
Publisher : University of Merdeka Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26905/lw.v14i2.8016

Abstract

This study aims to reveal the logical factors behind the cultural values of traditional house. Through an ethnomathematical study approach, this study reconstructs various patterns of Bugis house forms using photo documentation belonging to the KITLV institution published around 1880-1953. The Bugis vernacular house forms is often described as the embodiment of the basic knowledge of non-physical (intangible) in the form of culture, belief, and the principles of community life. However, when viewed from the building process, rules, and sizes, to the development of its form and typology, a Bugis house cannot be seen as a mere embodiment of the cosmological concept, but also an embodiment of form that implements scientific knowledge. This is indicated by the various patterns of Bugis' traditional houses formed from an ethnomodelling point of view as a result of humans knowledge to the context and the environment in which they inhabit.
The Impact of Maritime Culture Assimilation on the Architecture of Gili Iyang Communities Yusran, Yusfan Adeputera; Hilmy, Ayu Nur Izzati; Kusdiwanggo, Susilo
Local Wisdom Jurnal Ilmiah Kajian Kearifan Lokal Vol. 17 No. 1 (2025): January 2025
Publisher : University of Merdeka Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26905/lw.v17i1.13032

Abstract

Indonesia's cultural diversity provides a unique backdrop for understanding the dynamics of cultural assimilation, especially on Gili Iyang Island in Sumenep, Madura, where migration has shaped social and architectural aspects. This study explores the influence of cultural adaptation on architecture among the Bugis-Makassar, Buton-Binongko, and Sumenep-Madura communities on Gili Iyang Island. Utilizing a case study method, this research focuses on how these maritime-oriented communities adjust and modify architectural aspects in response to cultural interactions. The findings indicate that the assimilation affecting the architecture of Gili Iyang Island includes: (1) spatial organization and division from east to west and north to south, reflecting a balance between gender aspects and spiritual symbolism; (2) color concepts based on natural elements such as brown (earth), green (sea), blue (sky), and red-orange (fire); (3) ornaments inspired by the surrounding environment including plants, animals, and repetitive geometric patterns; (4) courtyards serving as the focal points for orientation and transition between buildings; (5) buildings that are closely spaced
Memori Kolektif Melalui Komunikasi Konteks Arsitektural Yusran, Yusfan Adeputera; Ineru, Bunga Pasadena
Hasta Wiyata Vol. 8 No. 1 (2025): Jurnal Hasta Wiayata
Publisher : University of Brawijaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.hastawiyata.2024.008.01.02

Abstract

The Rupiah banknotes are visual cultural objects with the ability to present visual narratives that evoke collective memory. The Rupiah banknotes issued between 2000 and 2005 maintain a consistent design pattern across all denominations, featuring national heroes on the front and local identities on the back, which represent the rich history and culture of Indonesia. Research on visual culture focusing on collective memory in the context of architectural communication is still limited. This study employs architectural criticism methods to examine and critique the role of visualizing local identity in revealing collective memory related to historical context and its implications for architectural communication, grounded in the concept of visual culture. The visualization of local identity elements depicted on the Rupiah banknotes from 2000 to 2005 in each denomination serves as an architectural representation that can shape communication in the form of collective memory, narrating cultural identity and leading to architectural context. The results of this study, through the analysis of architectural object representation, can enrich understanding related to visual culture and its connection to the presence of collective memory concerning local identity.
Co-Authors Bunga Pasadena Ineru Fadhilah, Siti Mar atul Hilmy, Ayu Nur Izzati Ineru, Bunga Pasadena Joko Triwinarto Santoso Josef Prijotomo Lisa Dwi Wulandari Mohammad Mochsen Sir, Mohammad Mochsen Nordin, Jestin Ronarizkia, Adita Sari, Hela Radika Sri Utami Susilo Kusdiwanggo, Susilo Utama, Afidz Aditya Wijaya, Moch. Ardiansyah Fendy