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All Journal Jurnal Ilmiah Profesi Pendidikan Boting Langi: Jurnal Seni Pertunjukan Matra Musikolastika: Jurnal Pertunjukan dan Pendidikan Musik
Dadang Dwi Septiyan
Universitas Sultan Ageng Tirtayasa
Arts Education Other

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TRANSFORMASI GRUP MARBANDUT AN-NAWAWI TERHADAP KESENIAN MARAWIS PADA MASYARAKAT KAMALAKA KELURAHAN PANGGUNG JATI KECAMATAN TAKTAKAN KOTA SERANG, BANTEN Dhio Licandra Agil; Suhaya Suhaya; Dadang Dwi Septiyan
MATRA: Jurnal Seni Musik Tari Teater & Rupa Vol 2, No 1 (2023)
Publisher : Pendidikan Seni Pertunjukan Fakultas Keguruan dan Ilmu Pendidikan Universitas Sultan Ageng

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Abstract

This study aims to find out and describe how the An-Nawawi marbandut group transforms into marawis art. The background of this research is the transformation of An-Nawawi's marawis art into An-Nawawi's marbandut which is influenced by people's requests to develop a more modern form of music. The transformation of musical forms in the An-Nawawi marbandut group made researchers use writing references. The research method uses descriptive qualitative through a case study approach with community objects/community leaders, members of An-Nawawi studio, and elders/founders of An-Nawawi studio. Data obtained through observation, interviews, and documentation. The research results obtained through the development and changes of the An-Nawawi marbandut group, researched directly to members of the An-Nawawi studio and the community regarding changes in terms of musical instruments and forms of marawis music featuring monotonous rhythmic music making marbandut a modern group in terms of clothing, musical instruments, formations in staging, and also forms of arrangement that can be enjoyed by every class. Keywords: transformation, art, marbandut an-nawawi.
Estetika Di Balik Popularitas: Kajian Bentuk Musik Dalam Lagu “START” Karya Depapepe Ibnu Yan Wiratama; Dadang Dwi Septiyan; Rian Permana
MATRA: Jurnal Seni Musik Tari Teater & Rupa Vol 5, No 1 (2026)
Publisher : Pendidikan Seni Pertunjukan Fakultas Keguruan dan Ilmu Pendidikan Universitas Sultan Ageng

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30870/m.v5i1.40947

Abstract

This study aims to analyze and describe the musical form of the song “START” by Depapepe. As a highly popular and influential work in modern instrumental guitar music, “START” demonstrates a creative exploration of energetic expression and complementary harmony between two acoustic guitars without compromising its structural coherence. This study employs a qualitative methodology with a musicological approach and library research, utilizing data collection techniques such as observation, documentation, literature review, and discography studies. The findings indicate that the musical form of “START” integrates systematically organized sections developed through various motivic and phrasal manipulations. Based on these findings, it can be concluded that the musical form of “START” does not strictly adhere to classical period conventions; it does not consistently feature symmetrical question-and-answer phrasing or perfectly balanced antecedent-consequent sentences, and its chord progressions conclude with diverse cadences. This structural complexity reinforces the song's energetic and optimistic character, creating a cohesive and dynamic musical unity.
Co-Authors Adi Maulana Alis Triena Permanasari Alis Triena Permanasari Dhio Licandra Agil Dwi Junianti Lestari Haura Dwitayu Bachri Ibnu Yan Wiratama Maulana Iqbal Melia Cahya Agusti Sidik Rian Permana Suhaya Suhaya Syamsul Rizal