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All Journal Rekam : Jurnal, Fotografi, Televisi Animasi MUDRA Jurnal Seni Budaya Jurnal Bahasa Rupa Panggung IKRA-ITH Humaniora : Jurnal Sosial dan Humaniora specta: Journal of Photography, Arts, and Media Jurnal Invensi (Jurnal Penciptaan dan Pengkajian Seni) Jurnal Dimensi Seni Rupa dan Desain Aksa : Jurnal Desain Komunikasi Visual Retina Jurnal Fotografi Panggung Jurnal Bahasa Rupa
Aji Susanto Anom Purnomo
Institut Seni Indonesia Yogyakarta
Religion Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences Other

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TERAPI INGATAN MELALUI FOTO TEMUAN DAN KOLASE MIXED MEDIA: Memory Therapy Through Found Photos and Mixed Media Collage Aji Susanto Anom Purnomo
Jurnal Dimensi Seni Rupa dan Desain Vol. 20 No. 1 (2023)
Publisher : Fakultas Seni Rupa dan Desain, Universitas Trisakti

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25105/dim.v20i1.17995

Abstract

Memory plays a vital role for humans as historical beings. Man interprets his life in a space of time that continues in his memory. Humans also know the concept of forgetting, where memory repression is one of the leading causes. Repression is a memory activity in which past experiences are deliberately suppressed so that they do not surface. Guilt and traumatic events in childhood are just a few causes of such repressive activities. Photography as an art activity has a very close relationship with the function of memory. The beginning of the emergence of the photographic medium is related to the human desire to record memories from precious memories. The connection between photography and memory becomes more pronounced when photography becomes a medium of art therapy.  Photography as a medium of art therapy is called the therapeutic photography approach. This approach is an exploration that will be carried out in this study. The subject of research that will be a vital instrument in this research is the experience of the researcher, who still leaves internal conflicts on him. The research method will use Fox's creative creation research method and conduct memory therapy through mixed media experimentation on the photo findings. The stages of this research are as follows: Observation stage, Data collection, Problem Identification and Formulation, Literature Study, Data Processing, Data Analysis, Exploration, Experimentation and Work Realization. This study aims to reveal the positive effects of the medium of photography as art therapy. The therapeutic process carried out is based on the activity of making and reading a narrative through photographic works. The narrative is constructed through re-accessing memory and self-reflection to find positive coping. With the positive effects caused by therapeutic photography, it is hoped that the repression experienced by research subjects will be reduced and reconcile internal conflicts. Keywords: art therapy, collage, found photograph, therapeutic photography
Fotografi Konseptual sebagai Media Representasi Sikap Masyarakat Lokal Terhadap Fenomena "Udan Salah Mangsa" Kusrini Kusrini; Aji Susanto Anom Purnomo
Rekam : Jurnal Fotografi, Televisi, Animasi Vol 19, No 2 (2023): Oktober 2023
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/rekam.v19i2.9355

Abstract

Artikel ini memuat hasil penelitian tentang fotografi konseptual yang digunakan sebagai media representasi sikap masyarakat lokal terhadap fenomena hujan di musim yang salah (udan salah mangsa). Penelitian menggunakan pendekatan fotografis untuk memahami fenomena udan salah mangsa dalam perspektif masyarakat lokal. Bagaimana masyarakat merespon anomali hujan dan peristiwa alam yang ada di lingkungannya dalam kaitan dengan isu perubahan iklim. Pendekatan penelitian yang digunakan adalah kualitatif dengan metode penyelesaian masalah penelitian dilakukan melalui proses berpikir kreatif dengan landasan pemikiran tentang seni konsep, fotografi konseptual, serta representasi. Adapun hasil penelitian menunjukkan bahwa fotografi konseptual udan salah mangsa merupakan media yang tepat untuk merepresentasikan sikap masyarakat lokal terhadap fenomena anomali hujan. Bangunan utama dalam penciptaan fotografi konseptual yaitu konsep dan ketrampilan fotografi, berhasil diolah secara kuat dan sebagian telah diwujudkan dalam purwarupa karya visual foto konsep. Konsep yang kuat dapat diperoleh melalui pengumpulan data dari berbagai sumber agar akurat serta pemahaman tentang fotografi yang baik sehingga karya diharapkan memiliki daya ganggu kognitif sehingga muncul kesadaran terhadap kondisi lingkungan alam. Conceptual Photography as Representation Media of Local Communities in Responding The Rains in The Wrong Season Phenomena. This article contains the results of research on conceptual photography which is used as a media to represent local people's attitudes towards the phenomenon of rain in the wrong season (udan salah mangsa). This research uses a photographic approach to understand the phenomenon of udan salah mangsa from the local community perspective. How do people respond to rain anomalies and natural events in their environment, including in relation to the issue of climate change. The research approach used is qualitative with the method of solving research problems carried out through a process of creative thinking with the basis of ideas about concept art, conceptual photography, and representation. The results of the study show that conceptual photography of udan salah mangsa is an appropriate medium to represent local people's attitudes towards the rain anomaly phenomenon. The main building blocks in the creation of conceptual photography, namely the concept and skills of photography, have been successfully processed and some of them have been embodied in prototypes of visual concept photo works. A strong concept can be obtained through collecting data from various sources so that it is accurate as well as a good understanding of photography so that works are expected to have cognitive interference so that awareness of natural environmental conditions arises.
TERAPI INGATAN MELALUI FOTO TEMUAN DAN KOLASE MIXED MEDIA: Memory Therapy Through Found Photos and Mixed Media Collage Aji Susanto Anom Purnomo
Jurnal Dimensi Seni Rupa dan Desain Vol. 20 No. 1 (2023): Jurnal Dimensi Seni Rupa dan Desain
Publisher : Fakultas Seni Rupa dan Desain, Universitas Trisakti

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25105/dim.v20i1.17995

Abstract

Memory plays a vital role for humans as historical beings. Man interprets his life in a space of time that continues in his memory. Humans also know the concept of forgetting, where memory repression is one of the leading causes. Repression is a memory activity in which past experiences are deliberately suppressed so that they do not surface. Guilt and traumatic events in childhood are just a few causes of such repressive activities. Photography as an art activity has a very close relationship with the function of memory. The beginning of the emergence of the photographic medium is related to the human desire to record memories from precious memories. The connection between photography and memory becomes more pronounced when photography becomes a medium of art therapy.  Photography as a medium of art therapy is called the therapeutic photography approach. This approach is an exploration that will be carried out in this study. The subject of research that will be a vital instrument in this research is the experience of the researcher, who still leaves internal conflicts on him. The research method will use Fox's creative creation research method and conduct memory therapy through mixed media experimentation on the photo findings. The stages of this research are as follows: Observation stage, Data collection, Problem Identification and Formulation, Literature Study, Data Processing, Data Analysis, Exploration, Experimentation and Work Realization. This study aims to reveal the positive effects of the medium of photography as art therapy. The therapeutic process carried out is based on the activity of making and reading a narrative through photographic works. The narrative is constructed through re-accessing memory and self-reflection to find positive coping. With the positive effects caused by therapeutic photography, it is hoped that the repression experienced by research subjects will be reduced and reconcile internal conflicts. Keywords: art therapy, collage, found photograph, therapeutic photography
Estetika Fotografi Eksperimental di Masa Pandemi COVID-19: Studi Kasus Pameran Finding Horizon Purnomo, Aji Susanto Anom; Rahma, Berliana Anisya
Jurnal Bahasa Rupa Vol. 6 No. 1 (2022): Jurnal Bahasa Rupa Oktober 2022
Publisher : Prahasta Publisher (manage by: DRPM Institut Bisnis dan Teknologi Indonesia)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31598/bahasarupa.v6i1.1204

Abstract

This research aims to reveal the impact of the pandemic situation on the aesthetic aspects of the artworks in the "Experimental Photography" course. Online lectures and social restrictions during the pandemic led to the emergence of a special strategy from the process of creating art works that reflected in these aesthetic aspect. The aesthetic aspect can reveal the changing value of the artwork.  The change of the value on these artworks can provide a reference in the creation of photography artworks, especially in the ideas and the development of technique. "Experimental Photography" course is a course that help student to be specializing in the art photography genre (fine-art). Art photography is one of the specialties of the Department of Photography at the Institut Seni Indonesia Yogyakarta which is also an important aspect for this research.  This study use qualitative descriptive research methods with the research populationn "Finding Horizon" Exhibition.  The research sample is the 12 best works chosen by lecturers during the exhibition. The sample will disclosed descriptively the aesthetic aspects using the theory of ideational aesthetics and technical photography according to Soeprapto Soedjono. The result of this study is a complete and reflective description of the ideational and technical aesthetic aspects of the "Experimental Photography" course work that was created during the COVID-19 pandemic. This description becomes a very important archive for future references to the learning process and the creation of photographic artworks, especially in the field of fine- art photography.
Dialektika Estetika Foto pada Buku Fotografi “Flores Vitae” karya Nico Dharmajungen Kusrini Kusrini; Aji Susanto Anom Purnomo; Muhammad Alfariz; Siti Solekhah
PANGGUNG Vol 32 No 2 (2022): Ragam Fenomena Budaya dan Konsep Seni
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v32i2.2051

Abstract

Buku Fotografi adalah entitas ruang seni bagi fotografer untuk mempresentasikan karya. Sebagai entitas ruang seni, fotografer perlu memahami nilai atau konsep keindahan dari sebuah buku fotografi. Penelitian ini bertujuan untuk mendeksripsikan nilai pengalaman artistik dan estetik dari buku fotografi melalui metode studi kasus karya buku fotografi Flores Vitae oleh Nico Dharmajungen. Nico Dharmajungen adalah seorang maestro fotografi yang menggunakan galeri seni sebagai ruang seni utama dalam memamerkan karya seninya. Hal tersebut menjadi penting karena menunjukkan gejala pergeseran alternatif ruang seni dari galeri konvensional ke buku fotografi. Penelitian ini menggunakan metode penelitian deskriprif kualitatif naratif dengan teori utama dialektika, teori pengalaman artistik dan teori pengalaman estetik. Hasil penelitian adalah pemaparan yang komprehensif dari konsep nilai keindahan ruang alternatif buku fotografi. Nilai keindahan dari buku fotografi adalah menghadirkan pengalaman privat dengan memfasilitasi fokus perhatian yang penuh terhadap sebuah karya seni. Buku fotografi menghadirkan pengalaman ketubuhan yang aktif dari pembacanya sehingga membawa pembaca pada pengalaman estetik yang lebih tinggi yaitu pengalaman simbolis.Kata kunci: fotografi, dialektika, pengalaman estetik, pengalaman artistik, Nico Dharmajungen
Fotografi Di Era Media Sosial : Studi “Toko Memorabilia” Karya Agan Harahap Aji Susanto Anom Purnomo
Jurnal Bahasa Rupa Vol. 1 No. 2 (2018): Jurnal Bahasa Rupa April 2018
Publisher : Prahasta Publisher (manage by: DRPM Institut Bisnis dan Teknologi Indonesia)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31598/bahasarupa.v1i2.200

Abstract

The development of photography technology in the era of social media currently contribute various problems that need to be studied and reflected. One of them is about the essence or meaning of the presence of "photography" itself. This paper reflect the essence or meaning of photography in the social media based on the theory of reading photographs "cynical phenomenology" by Roland Barthes through a case study study of "Toko Memorabilia" which is one of the social criticisms by the artist Agan Harahap. Memories Commodification and visual carnivals are two instruments of meaning that the author discovers in his critical reflection journey and will be described further through this study.
NARASI LIRIS FOTOGRAFI JURNALISTIK PADA MASA PANDEMI COVID-19: STUDI KASUS PROYEK FOTOGRAFI “STILL LIVES” OLEH THE NEW YORK TIMES Aji Susanto Anom Purnomo; Novan Jemmi Andrea; Monica Revias Purwa Kusuma
Jurnal Bahasa Rupa Vol. 4 No. 2 (2021): Jurnal Bahasa Rupa April 2021
Publisher : Prahasta Publisher (manage by: DRPM Institut Bisnis dan Teknologi Indonesia)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31598/bahasarupa.v4i2.714

Abstract

2020 is the year when the world is faced with a health crisis, namely the Covid-19 pandemic or also known as the Corona Virus. All aspects of life are affected by this crisis, the joints of humanity are faced with limitations. The mass media are intensively reporting various incidents regarding the Covid-19 pandemic. The stories are often accompanied by journalistic photos. One of the functions of photojournalism is to strengthen the story of what the media wants to convey. Journalistic photos during this pandemic usually feature scenes from medical activities, government policies and large narratives that are cold on empathetic human relations. However, different from most photojournalism in most mass media, The New York Times publishes "Still Lives" photography projects that are done by its photographers. The project presents a different narrative from this time of the pandemic. The “Still Lives” photography project is important because it presents journalistic photos that tell a domestic narrative that is close to the sides of universal humanity, namely the stories of the photographers' homes and families. This study aims to describe and interpret the “Still Lives” photography project as an alternative in creating a different narrative from photojournalism during the pandemic. This study used a descriptive qualitative research method based on phenomenology with Roland Barthes' main theory of semiotics and supported by journalistic photography theory and representation theory. The research results obtained a complete explanation and meaning of the “Still Lives” Project from The New York Times. The project according to the theory of photo journalistic is photo story based on personal experiences. From the analysis through the theory of semiotics from Roland Barthes and representation theory successfully obtained a result that basically projects “Still Lives” can be understood as a representation of the universal experience and feeling by mankind. Project “Still Lives” provides the representation of covid-19 pandemic through the mass media journalistic that show an alternative offer to journalistic practice to use lyrical narratives and personal experience in the story and more empathy in the mass publication of pandemic covid-19.
ANALISIS SEMIOTIKA PADA ILUSTRASI SAMPUL MAJALAH TEMPO BERTEMA TERORISME EDISI 13 – 27 MEI 2018 Luqman Wahyudi; Aji Susanto Anom Purnomo
Jurnal Bahasa Rupa Vol. 5 No. 2 (2022): Jurnal Bahasa Rupa April 2022
Publisher : Prahasta Publisher (manage by: DRPM Institut Bisnis dan Teknologi Indonesia)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31598/bahasarupa.v5i2.1066

Abstract

The cover of Tempo weekly magazine is known to be bold, critical, and sometimes controversial with its hidden meanings that are intentionally inserted (subliminal messages) in all fields (social, political, economic). This study was conducted to analyze the meanings and messages contained in a sample of three covers of Tempo magazine editions of 13, 20 and 27 May 2018 which featured terrorism cases, through three elements of Charles Sanders Peirce's semiotics, namely ground, object, and interpretant. The methodology used in this research is qualitative interpretative using semiotic analysis method. The results of this study are that the meaning of the sign that appear on the cover are closely related to acts of terrorism, prisoners who take hostage at the Brimob Mako detention house, a small child who is a suspect in a suicide bombing with his family, and students who stabbed Brimob intelligence officers in Kelapa Dua.The conclusion of researcher's interpretation when looking at the cover illustration is to disclosure  a series of terrorist acts in the May 2018.
Estetika Fotografi Eksperimental di Masa Pandemi COVID-19: Studi Kasus Pameran Finding Horizon Aji Susanto Anom Purnomo; Berliana Anisya Rahma
Jurnal Bahasa Rupa Vol. 6 No. 1 (2022): Jurnal Bahasa Rupa Oktober 2022
Publisher : Prahasta Publisher (manage by: DRPM Institut Bisnis dan Teknologi Indonesia)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31598/bahasarupa.v6i1.1204

Abstract

This research aims to reveal the impact of the pandemic situation on the aesthetic aspects of the artworks in the "Experimental Photography" course. Online lectures and social restrictions during the pandemic led to the emergence of a special strategy from the process of creating art works that reflected in these aesthetic aspect. The aesthetic aspect can reveal the changing value of the artwork.  The change of the value on these artworks can provide a reference in the creation of photography artworks, especially in the ideas and the development of technique. "Experimental Photography" course is a course that help student to be specializing in the art photography genre (fine-art). Art photography is one of the specialties of the Department of Photography at the Institut Seni Indonesia Yogyakarta which is also an important aspect for this research.  This study use qualitative descriptive research methods with the research populationn "Finding Horizon" Exhibition.  The research sample is the 12 best works chosen by lecturers during the exhibition. The sample will disclosed descriptively the aesthetic aspects using the theory of ideational aesthetics and technical photography according to Soeprapto Soedjono. The result of this study is a complete and reflective description of the ideational and technical aesthetic aspects of the "Experimental Photography" course work that was created during the COVID-19 pandemic. This description becomes a very important archive for future references to the learning process and the creation of photographic artworks, especially in the field of fine- art photography.
MITOS PEZIARAHAN PANTAI SELATAN MELALUI PERSPEKTIF PSEUDO-ETNOFOTOGRAFI Purnomo, Aji Susanto Anom
Jurnal Bahasa Rupa Vol. 7 No. 3 (2024): Jurnal Bahasa Rupa Agustus 2024
Publisher : Prahasta Publisher (manage by: DRPM Institut Bisnis dan Teknologi Indonesia)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31598/bahasarupa.v7i3.1530

Abstract

The creative process of creating fine-art photographic works so far is considered to have an emphasis on personal artistic expression. This research seeks to present an alternative offer where personal expression and socio-cultural phenomena can be cohesively intertwined and built in the creative process of creating fine-art photographic works. This is answered through the concept of pseudo-ethnophotography. Ethno-photography is an approach in social research that is the trajectory of photographic record and ethnographic narratives. The ethno-photographic method is used to understand society's point of view that gives meaning to a specific cultural phenomenon. Recent developments in the ethnographic approach gave rise to the concept of pseudo-ethnography. The idea arises from a new symptom of artwork creation where an artist descends into a community environment, conducts a brief interview, and then creates artwork from the data obtained. This research then adapts the pseudo-ethnographic approach with an ethno-photography approach to pseudo-ethnophotography. The South Sea entity (Laut Kidul) has a solid and deep-rooted myth for the Javanese. The figure that emerged from the myth is Gusti Kanjeng Ratu Kidul, the ruler of the The South Sea Palace. Parangkusumo Beach is one of the beaches located in the South Sea; Parangkusumo Beach is located in Bantul Regency, Special Region of Yogyakarta. Parangkusumo Beach has a role as a cultural entity that becomes the space of local myths. This myth strengthens the roots of Javanese identity, often known as Kejawen. This research sets out by applying the concept of pseudo-ethnography and adapting it to the pattern of creating photographic art into pseudo-ethnophotography. The stages of research used are literature study, observation, photographic recording, and data analysis. This study aims to offer a point of view that departs from the emic view of the myth of Parangkusumo Beach and its influence on the philosophy of the jawan of pilgrims. This research results in a series of photo works, which are pseudo-ethnophotographic recordings and textual narratives processed from data analysis and personal stories from pilgrims. This research is expected to present an understanding of the Javanese philosophy of the pilgrims who are part of their Javanese identity.
Co-Authors Berliana Anisya Rahma Dominikus Devlin Anggi Suryantoro Indra Dwi Prasetyo Kusrini Kusrini Kusrini Kusrini Luqman Wahyudi Made Ariandra Bagaskara Marghaputra Monica Revias Purwa Kusuma Muhammad Alfariz Novan Jemmi Andrea Rahma, Berliana Anisya Siti Solekhah Tegar Prayuda