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Journal : Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya

REPRESENTASI BUDAYA DALAM MITOS AMUNGME Aleda Mawene
Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya Vol 42, No 1 (2014)
Publisher : Fakultas Sastra Universitas Negeri Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (17.861 KB)

Abstract

The study aims to describe the type, meaning, function, and strategy of the mythology of  Amungme,  an  ethnic  group  in  Papua.  The  study is  based  on an assumption that the underlying concept of the Amungme mythology is the source of its conflict. The research design was based on the hermeneutics model of Schleiermacher, Dilthey, dan Richoeur. The study used quotations from the tales of the Amungme’s myth, attitudes of the Amungme people, statements from the resource persons of the Waa valley, and some written documents as the sources of data. Hermeneutical circle model was used to analyze the data. The result of the study shows that (1) the Amungme myth text contains human endogeonic, cosmogonic, eschatoic, languagenic, and animagenic types; (2) the three represented relations in the Amungme myth text are human-God, human-human, and human-nature relationships; (3) the myth has mystical, cosmological, sociological, and pedagogical function; (4) the legacy is passed on to the following generations based on the normative principles of the “three-generation speaking pattern”. The findings inform policy makers in development, ecology, and eduation in Papua, especially in the district of Amungsa.
IMPRESSIVE PENETRATION OF GENDER HABITUS IN AYAO WONIWON, TRADITIONAL PROVERBS OF YAPEN PEOPLE IN SERUI TOWN PAPUA Aleda Mawene; Wigati Yektiningtyas
Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya Vol 48, No 1 (2020)
Publisher : Fakultas Sastra Universitas Negeri Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2650.648 KB) | DOI: 10.17977/um015v48i12020p44

Abstract

IMPRESSIVE PENETRATION OF GENDER HABITUS IN AYAO WONIWON, TRADITIONAL PROVERBS OF YAPEN PEOPLE IN SERUI TOWN PAPUA Abstract: Penetration of gender habitus in Ayao Woniwon, Traditional expressions of the Yapen people is carried out through cultural objects. The penetration is impressive which gives suggestions to men and women so that they perceive differences in behavior not as a cultural construction, but as something natural and legitimate. This study used qualitative data. Data collected in the form of symbols of cultural objects that are reflected in the sentence Ayao Woniwon. It was collected by using the technique of observation and deep interview from Yapen people who live in Serui city and its surroundings. The holistic approach was adopted by combining cultural study (form and content model) and literary study (semiotic approach and feminist literary criticism).  The researcher found that Ayao Woniwon was created (anonymous) to protect males' roles that were symbolized by Kavi (loincloth), Yawainye (torch),  Ayume (sail),  Umbaio (wooden fork), and  Epane (Nibong floor) and position of females on private-domestic work that was symbolized by Keepo Anane  (papeda chopstick), Tewami (fireplace), and  Ingkuja (Noken ).The impressive penetration of gender habitus into Ayao Woniwon through these symbols causes gender disposition systems not to be eroded by time but continues to be inherited in the Yapen community.Keywords: Penetration-impressive, Gender habitus, Traditional proverbs, Yapen.PENETRASI IMPRESIF HABITUS GENDER PADA AYAO WONIWON, UNGKAPAN TRADISIONAL MASYARAKAT YAPEN DI KOTA SERUI PAPUAAbstrak: Penetrasi habitus gender pada ayao woniwon, ungkapan tradisional masyarakat Yapen dilakukan melalui benda-benda budaya. Penetrasi tersebut bersifat impresif yang memberi sugesti pada diri laki-laki dan perempuan sehingga mereka menganggap perbedaan perilaku bukan sebagai konstruksi budaya, melainkan sebagai sesuatu yang alamiah dan absah. Kajian dilakukan dalam lingkup paradigma penelitian kualitatif. Datanya berupa simbol benda-benda budaya yang tercermin dalam kalimat ayao woniwon. Data tersebut bersumber pada masyarakat Yapen yang berdomisili di Kota Serui dan sekitarnya. Pengumpulan data dilakukan melalui teknik observasi dan wawancara mendalam. Pendekatan yang digunakan bersifat holistik, yang memadukan studi kultural (Model Analisis Bentuk dan Isi) dan studi sastra (Pendekatan Semiotik dan Kritik Sastra Feminis). Temuan penelitian menunjukkan bahwa ayao woniwon yang diciptakan (anonim) ini memproteksi peran laki-laki yang disimbolkan dengan kavi (cawat), yawainye (obor) ayume (layar) umbaio (garpu kayu), dan epane (lantai nibun) dan memposisikan perempuan pada pekerjaan privat-domestik dengan simbol keepo anane (gata-gata papeda), tewami (tungku), dan ingkuja (noken). Penetrasi impresif habitus gender ke dalam ayao woniwon melalui simbol-simbol tersebut menyebabkan sistem-sistem disposisi gender tidak hilang digerus waktu tetapi terus diwariskan di dalam komunitas masyarakat Yapen.Kata kunci: Penetrasi-impresif, Habitus gender, Ungkapan tradisional, Yapen.