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Peran Sanggar Seni Apo Lagaan terhadap Kontinuitas Sape’ Karaang Dayak Bahau di Kota Samarinda Kalimantan Timur Fernando Yonathan Tuah; Asril Gunawan; Zamrud Whidas Pratama
Jurnal Mebang: Kajian Budaya Musik dan Pendidikan Musik Vol. 1 No. 2 (2021)
Publisher : Program Studi Etnomusikologi, Fakultas Ilmu Budaya, Universitas Mulawarman

Abstract: The art studio Apo Lagaan first appeared in Samarinda in 2007 and is still going on today. The Apo Lagaan art studio is an art studio that focuses on the traditional arts of the Bahau Dayak, especially the music of sape' karaang. This study aims to reveal the form of the Apo Lagaan Art Studio's role, the form of presentation of sape' karaang, and the meaning contained in the game. This study uses a qualitative method. The observation technique used includes the object of research and the determination of informants. The data collection techniques of this research include literature study, interviews, and documentation. The research data analysis technique is carried out by utilizing the data that has been found in the field. The results showed that the Apo Lagaan Art Studio had a role in the continuity of the sape' karaang in Samarinda City. The role of the Apo Lagaan Art Studio on the continuity of the sape' karaang in Samarinda City is carried out through studio activities related to activities, training, and performances of traditional Dayak Bahau music and dance. In addition, the Apo Lagaan art studio has also expanded its partnerships to several government agencies and schools to provide education to the general public about the importance of cultural preservation, especially by the younger generation. Abstrak: Sanggar seni Apo Lagaan pertama kali muncul di Samarinda pada tahun 2007 dan masih bertahan hingga saat ini. Sanggar seni Apo Lagaan merupakan sanggar seni yang berfokus pada bidang kesenian tradisi Dayak Bahau khususnya musik sape’ karaang. Penelitian ini bertujuan mengungkap bentuk peran Sanggar Seni Apo Lagaan dan bentuk penyajian sape’ karaang serta makna yang terkandung dalam permainannya. Penelitian ini menggunakan metode kualitatif. Teknik observasi yang digunakan meliputi objek penelitian dan penentuan informan. Teknik pengumpulan data penelitian ini antara lain studi pustaka, wawancara, dan dokumentasi. Teknik analisis data penelitian dilakukan dengan memanfaatkan data-data yang telah ditemukan lapangan. Hasil penelitian menunjukkan bahwa sanggar seni Apo Lagaan memiliki peranan terhadap kontinuitas sape’ karaang di Kota Samarinda. Peranan Sanggar Seni Apo Lagaan terhadap kontinuitas sape’ karaang di Kota Samarinda dilakukan melalui aktivitas sanggar yang terkait dengan kegiatan, pelatihan, dan pementasan musik dan tari tradisi Dayak Bahau. Di samping itu, sanggar seni Apo Lagaan juga memperluas kemitraannya ke beberapa instansi pemerintah dan sekolah-sekolah guna untuk memberikan edukasi kepada masyarakat awam akan pentingnya pelestarian budaya terutama oleh generasi muda.

Faktor-Faktor Kesulitan Pembelajaran Praktik Karawitan Jawa Program studi Etnomusikologi Fakultas Ilmu Budaya Universitas Mulawarman Aris Setyoko; Zamrud Whidas Pratama
Jurnal Mebang: Kajian Budaya Musik dan Pendidikan Musik Vol. 1 No. 2 (2021)
Publisher : Program Studi Etnomusikologi, Fakultas Ilmu Budaya, Universitas Mulawarman

Abstract: Working on or how to work musically in a musical presentation or composition is an essential element. With the process of working on a musical dish, a good and quality dish will be achieved. The working process is essential to achieve the competency standard of a Javanese musical dish. In learning the practice of Javanese Karawitan, the Ethnomusicology Study Program, Faculty of Cultural Sciences, Mulawarman University, encountered problems in the implementation of this working process. It has an impact on the lack of achievement of learning competency standards. The purpose of this paper is to describe the factors that influence the non-achievement of competency standards in learning Javanese musical practice in terms of working on Javanese karawitan. The method used is descriptive analysis. The data collection technique was done by interview, literature study, and qualitative analysis of the work. The results showed that there were internal and external factors. Internal factors include (1) differences in the cultural background of each student, (2) students have not been able to determine the direction of working on karawitan, and (3) students have not been able to determine the considerations for working on karawitan. The external factor is the learning media used, namely the incomplete Javanese gamelan instrument. It is hoped that the results of this study can be used as material for evaluating learning in Javanese Karawitan practice courses. Abstrak: Garap atau cara kerja musikal dalam sajian gending atau komposisi karawitan merupakan unsur penting. Dengan adanya proses garap pada sebuah sajian gending karawitan, akan tercapai sebuah sajian yang baik dan berkualitas. Proses garap menjadi hal yang penting untuk mencapai standar kompetensi dari sebuah sajian karawitan Jawa. Pada pembelajaran praktik Karawitan Jawa Program studi Etnomusikologi, Fakultas Ilmu Budaya, Universitas Mulawarman mengalami kendala dalam pelaksanaan proses garap ini. Hal ini berdampak pada belum tercapainya standar kompetensi pembelajarannya. Tujuan penulisan ini adalah untuk mendeskripsikan faktor-faktor yang mempengaruhi tidak tercapainya standar kompetensi dalam pembelajaran praktik karawitan Jawa dalam hal garap pada karawitan Jawa. Metode yang digunakan adalah deskriptif analisis. Teknik pengambilan data dilakukan dengan wawancara, studi pustaka, dan analisis garap karya secara kualitatif. Hasil penelitian menunjukkan terdapat faktor internal dan eksternal. Faktor internal meliputi (1) perbedaan latar belakang budaya setiap mahasiwa, (2) mahasiswa belum bisa dalam menentukan arah garap karawitan, dan (3) mahasiswa belum bisa menentukan pertimbangan garap karawitan. Faktor eksternalnya adalah media pembelajaran yang digunakan, yaitu instrumen gamelan Jawa belum lengkap. Diharapkan dari hasil penelitian ini dapat menjadi bahan evaluasi pembelajaran pada mata kuliah Praktik Karawitan Jawa.

Faktor-Faktor yang Memengaruhi Pengetahuan Anak pada Lagu Daerah Kalimantan Zamrud Whidas Pratama; Famala Eka Sanhadi Rahayu
Jurnal Mebang: Kajian Budaya Musik dan Pendidikan Musik Vol. 1 No. 2 (2021)
Publisher : Program Studi Etnomusikologi, Fakultas Ilmu Budaya, Universitas Mulawarman

Abstract: Knowledge of elementary school-aged children in Kalimantan folk songs is a severe problem because children's knowledge is one of the factors that can affect the achievement of local song preservation. So that information is needed regarding surveys about what factors influence children's knowledge of Kalimantan folk songs. The theory used in this study is the theory of factors that influence learning. This study aims to determine the factors that influence children's knowledge of folk songs, especially Kalimantan. This study uses survey research with quantitative descriptive methods, namely, conducting field surveys. The sample of this study was 158 students, namely grades 5A and 5B of Elementary School 005 Samarinda, totaling 40 students, and classes 5A, 5B, and 5C of Elementary School 007 Samarinda totaling 118 students. The results of data analysis show that there are internal and external factors. The internal factor is that students listen to more popular songs because popular songs are currently packaged with unique and various videos. Even the advertisements that they usually hear contain many lyrics from popular songs today so that children are more interested and interested in listening to popular songs than folk songs. Another internal factor is when students do gymnastics together, the songs played are popular dangdut songs today. External factors indicate that the teacher's lack of knowledge about the folk songs of East Kalimantan. Abstrak: Pengetahuan anak-anak usia Sekolah Dasar (SD) pada lagu daerah Kalimantan merupakan permasalahan yang cukup serius, dikarenakan pengetahuan anak-anak merupakan salah satu faktor yang dapat mempengaruhi tercapainya pelestarian lagu daerah. Sehingga diperlukan informasi mengenai survei tentang apa saja faktor-faktor yang mempengaruhi pengetahuan anak pada lagu daerah Kalimantan. Teori yang digunakan dalam penelitian ini adalah teori faktor yang mempengaruhi belajar. Penelitian ini bertujuan untuk mengetahui faktor yang mempengaruhi pengetahuan anak terhadap lagu daerah khususnya Kalimantan. Penelitian ini menggunakan penelitian survei dengan metode deskriptif kwantitatif yakni melakukan survei lapangan. Sempel penelitian ini adalah 158 siswa, yaitu kelas 5A dan 5B Sekolah Dasar Negeri 005 Samarinda berjumlah 40 siswa, dan kelas 5A, 5B, dan 5C Seklah Dasar Negeri 007 Samarinda berjumlah 118 siswa. Hasil analisis data menunjukan bahwa terdapat faktor internal dan eksternal. Faktor internal adalah siswa lebih banyak mendengarkan lagu populer karena lagu populer saat ini dikemas dengan video yang unik dan bermacam-macam. Bahkan iklan-iklan yang biasa mereka dengar banyak gubahan lirik dari lagu-lagu populer saat ini, sehingga anak-anak lebih tertarik dan berminat untuk mendengarkan lagu populer daripada lagu daerah. Faktor internal lain adalah ketika siswa melakukan kegiatan senam bersama, lagu yang diputar adalah lagu-lagu dangdut populer masa kini. Faktor eksternal menunjukan bahwa kurangnya pengetahuan guru mengenai lagu daerah Kalimantan Timur.

Musik Ritual Bebalai dalam Upacara Adat Pesta Laut Bontang Kuala di Bontang Kalimantan Timur Hirda Yulinalmi; Asril Gunawan; Zamrud Whidas Pratama
Jurnal Mebang: Kajian Budaya Musik dan Pendidikan Musik Vol. 3 No. 1 (2023)
Publisher : Program Studi Etnomusikologi, Fakultas Ilmu Budaya, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/mebang.v3i1.42

This research aims to describe the presentation form and function of Bebalai music in the traditional ceremony of "Pesta Laut" Bontang Kuala. The "Pesta Laut" ceremony is a ritual for the indigenous people of Bontang Kuala that is still preserved and held every year from November to December. The "Pesta Laut" ceremony has meaning as a form of gratitude to God Almighty to be kept away from danger and various kinds of diseases. The Pesta Laut ceremony is divided into seven processions: (1) mencera buluh; (2) balai pompong; (3) melabuh perahu; (4) menjamu karang; (5) ance; (6) pagar mayang; and (7) balai puncak. The "Pesta Laut" ceremony also involves the arts, which include Bebalai music. The theories used are ceremony theory by Koentjaraningrat and function theory by R.M. Soedarsono. This research uses a descriptive method with a qualitative approach. The result of this research is that along with the times, the "Pesta Laut" ceremony has experienced a shift by adjusting to the environmental conditions of the community. It can be seen from the traditional rituals that were once highly sacred by the people of Bontang Kuala but are now carried out as ceremonial events.

Linearitas Wujud Tradisi Lisan terhadap Lagu Bedandeng Suku Kutai di Kecamatan Tenggarong Kresna Syuhada Rawanggalih; Yofi Irvan Vivian; Zamrud Whidas Pratama
Jurnal Mebang: Kajian Budaya Musik dan Pendidikan Musik Vol. 3 No. 1 (2023)
Publisher : Program Studi Etnomusikologi, Fakultas Ilmu Budaya, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/mebang.v3i1.54

Bedandeng is one of the traditional vocals found in the Kutai tribe in Tenggarong District and is sung while working (in the fields) and putting children to sleep. Currently, many young people from the Kutai tribe are not familiar with the Bedandeng song because it is rarely performed, so they do not know its musical characteristics and the context in which it is spoken. Bedandeng song research uses qualitative methods with a descriptive analysis approach to determine musical forms and (non-musical) speech contexts. There are four Bedandeng lyrics which adjust the function, place, and activities of the singer (wailing, advising, and putting the child to sleep). The four lyrics of Bedandeng have musical characteristics by Jean Ferris which include phrases (antecedents and consequents), melodies (C – D – Eb – F – G – Ab), themes (adjusting the place and activities of the singer), scale (C scale Original Minor), and uses melismatic and syllabic concepts in each of its lyrics. Context of speech is also found in Bedandeng's fourth lyrics, namely culture, situation, social, and ideology. The songs in the four Bedandeng lyrics have a linearity that is related to the musical characteristics and speech context (oral tradition) in the lyrics conveyed by the singer.

Strategi Sanggar Seni Karya Budi dalam Menjaga Kesenian Tingkilan Tradisional Kutai di Kalimantan Timur Fahrurazi Fahrurazi; Asril Gunawan; Zamrud Whidas Pratama
Jurnal Mebang: Kajian Budaya Musik dan Pendidikan Musik Vol. 3 No. 2 (2023)
Publisher : Program Studi Etnomusikologi, Fakultas Ilmu Budaya, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/mebang.v3i2.66

Karya Budi merupakan salah satu sanggar seni yang masih mempertahankan kesenian tingkilan tradisi di era modern. Sanggar seni Karya Budi telah mempertahankan kesenian tingkilan tradisi hingga saat ini. Penelitian ini bertujuan cara atau strategi yang dilakukan sanggar seni Karya Budi dalam menjaga kesenian tingkilan tradisional Kutai di Kalimantan Timur. Penelitian ini menggunakan metode kualitatif, meliputi teknik pengumpulan data, observasi, dan teknik analisis data. Pengumpulan data dilakukan dengan studi pustaka, wawancara, dan dokumentasi. Analisis data dilakukan dengan memanfaatkan data-data yang telah ditemukan di lapangan. Hasil penelitian menunjukan bahwa sanggar seni Karya Budi memiliki strategi atau cara tersendiri dalam menjaga keaslian tingkilan tradisi di Kabupaten Kutai Kartanegara, Kalimantan Timur. Strategi yang dijalankan oleh sanggar seni Karya Budi, antara lain (a) menyesuaikan lirik musik dengan tema acara disetiap penampilannya, (b) mengajarkan kesenian tingkilan melalui ekstrakurikuler, serta (c) memiliki kerja sama dengan beberapa tokoh kebudayaan dan instansi pemerintah daerah.

MINAT DAN PENGETAHUAN ANAK PADA LAGU DAERAH KALIMANTAN Famala Eka Sanhadi Rahayu; Zamrud Whidas Pratama
Prosiding Seminar Nasional Bahasa, Sastra, dan Seni (Sesanti) Prosiding Seminar Nasional Bahasa, Sastra, dan Seni (Sesanti) 2019
Publisher : Fakultas Ilmu Budaya, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar

Minat dan pengetahuan anak-anak usia Sekolah Dasar (SD) terhadap lagu daerah Kalimantan merupakan hal yang cukup serius untuk diperhatikan karena hal ini berpengaruh terhadap upaya pelestarian kesenian daerah Kalimantan. Oleh karena itu, informasi tentang minat dan pengetahuan anak-anak menjadi penting untuk diketahui melalui survei minat dan pengetahuan anak terhadap lagu daerah. Teori yang digunakan dalam penelitian ini adalah teori minat dan pengetahuan. Penelitian ini bertujuan untuk mendata bagaimana minat dan pengetahuan anak terhadap lagu daerah Kalimantan khususnya Kalimantan Timur. Penelitian ini menggunakan penelitian survei dengan metode deskriptif kuantitatif yakni melakukan survei lapangan. Sampel penelitian ini adalah 158 siswa yang terdiri dari Kelas VA, dan VB Sekolah Dasar Negeri 005 berjumalah 40 siswa, dan kelas VA, VB, dan VC Sekolah Dasar Negeri 007 Samarinda berjumlah 118 siswa. Hasil analisis data menunjukan bahwa minat responden terhadap lagu daerah cukup tinggi, yaitu sekitar 74 %. Namun, pengetahuan responden terhadap lagu daerah Kalimantan Timur. Hal ini dibuktikan dengan adanya 118 orang atau 80,8 % dari jumlah responden memiliki tingkat pengetahuan tentang lagu daerah khususnya daerah Kalimantan Timur dalam kategori rendah.

BEDANDENG KUTAI: ORNAMENTASI MELISMATIS DALAM BEDANDENG KUTAI Zamrud Whidas Pratama; Aris Setyoko; Purwanti Purwanti
Keteg : Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi Vol. 22 No. 2 (2022)
Publisher : Surakarta: Jurusan Karawitan Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/keteg.v22i2.4538

One form of singing or humming that is spread orally is a traditional song or hum that comes from the Kutai tribe called Bedandeng. The purpose of this study was to obtain data on how the history and types contained in the art of Bendadeng. The theory used in this research is historical theory. In addition to the theory about history, the author will also describe the notation of the nyanyain or humming bedandeng. To study it, a qualitative descriptive study was chosen by prioritizing a musicological approach. Data collection is done by (1) literature study, (2) observation, (3) interview, (3) documentation. The stages in analyzing data are (1) data reduction, (2) data presentation, and (3) data analysis (4) conclusion. Clarification of data was again carried out using data triangulation techniques. The results of the study show dandeng or bedandeng is one of the speech arts that exists and develops in Kutai. Bedandeng is a song of lamentation to express what is in the heart. In bedandeng when singing it is not accompanied by any instruments or music and is sung in a recitative way. When viewed from the form of the melody and the lyrics of the bedandeng melody, each melodic phrase has a melismatic ornament. Melismatic ornaments are found at the end of each melodic phrase. It is said to have many melismatic ornaments because in singing Bedandeng, one syllable can be sung with several tones.Kata Kunci: Ornamentasi, Vokal, Bedandeng Kutai.

GENDANG AGONG DALAM PERTUNJUKAN KUNTAU DI KABUPATEN PASER KALIMANTAN TIMUR Aris Setyoko; Zamrud Whidas Pratama; Pazru Rahman
Keteg : Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi Vol. 23 No. 1 (2023)
Publisher : Surakarta: Jurusan Karawitan Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/keteg.v23i1.4960

This study discusses working on the music of Gendang Agong in the Kuntau performance in Paser Regency, East Kalimantan. Gendang Agong is a traditional musical ensemble based on one of its functions used to accompany Kuntau performances, namely the martial arts or pencak silat traditions of the Paser Tribe. The study of the concept of garap karawitan Rahayu Supanggah related to the material for working on, cultivating, working on equipment, working on furniture/equipment for garap, determining the garap, and consideration on garap is used to analyze it. This research is a qualitative research with analytical descriptive research method. The results of the study show that the garap of Gendang Agong music has a working concept that applies in karawitan scholarship. The material for Gendang Agong is in the form of a transcript of musical notation by writing kepatihan notation with slendro pathet manyura. Cultivators are musicians who have a cultural background as the influence of virtuosity. The working facilities are in the form of quality musical instrument organology to support maximum sound. Furniture/cultivation tools, namely tools/software in the form of musicians' musical ideas that are formed based on their background as the casting of musical practice. The determining factor for garap is in the form of signs for musicians when working on it based on function, namely as an accompaniment for Kuntau. The consideration of working on it is musicians who are ready and responsive to emergencies for creativity when faced with an unsupportive performance venue. The series of six concepts worked on by supanggah is a unified whole that supports each other in forming traditional music compositions to build a musical atmosphere to accompany the Kuntau Paser performance.

PEMANFAATAN GOOGLE MAPS SEBAGAI ALAT OPTIMALISASI SISTEM INFORMASI DESA KANDOLO KABUPATEN KUTAI TIMUR: Utilization of Google Maps as a tool for optimizing information systems in Kandolo Village, East Kutai Regency Zamrud Whidas Pratama; Muthia Aulia Nur Adha; Fitriah Fitriah; Ida Handayani; Dinda Fatnilawati; Marisius Tena Hayon; Muhammad Rayhan Syahandra; Bima Aji Noto Purwoyo; Avriliza Arifah Herika
Jurnal Ruhui Rahayu: Jurnal Pengabdian Masyarakat Ilmu Humaniora Vol 5 No 1 (2026)
Publisher : Program Studi Sastra Indonesia Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/ruhuirahayu.v5i1.151

Abstract: The utilization of digital mapping technology represents an effort to improve access to information and public services at the village level. Kandolo Village, located in Teluk Pandan District, East Kutai Regency, faces challenges related to the limited availability of public facility location information on Google Maps. This situation may make it difficult for residents and visitors to locate essential public facilities. This community service program aimed to optimize the use of Google Maps by adding location markers to improve the availability of geographic information on public facilities in Kandolo Village. The program employed a field survey method involving direct observation, location data collection, documentation, the submission of location markers through the Google Maps application on smartphones, and verification of location information accuracy. The activity was conducted on July 12, 2024, by the KUTIM 01 Community Service Program (KKN) team from Mulawarman University. The results identified six locations targeted for inclusion on Google Maps: the Kandolo Village Office, Kandolo Village Consultative Body (BPD) Building, SDN 002 Teluk Pandan Elementary School, Kandolo Village Library, Kandolo Village Welcome Monument, and Al-Mubbaroq Prayer House. These locations represent government, educational, religious, and village landmark facilities. The program resulted in the documentation and submission of six location markers, representing an initial step toward improving the digital availability of geographic information in Kandolo Village. The use of Google Maps is expected to facilitate access to location information for residents and visitors and provide a foundation for the sustainable development of digital mapping of public facilities and local resources. Keywords: community service; digital mapping; Google Maps; Kandolo Village; public facilities. Abstrak: Pemanfaatan teknologi informasi berbasis pemetaan digital menjadi salah satu upaya dalam meningkatkan aksesibilitas informasi dan pelayanan publik di tingkat desa. Desa Kandolo, Kecamatan Teluk Pandan, Kabupaten Kutai Timur, menghadapi permasalahan berupa keterbatasan informasi lokasi fasilitas publik yang tersedia pada Google Maps.Kondisi tersebut berpotensi menyulitkan masyarakat dan pengunjung dalam menemukan lokasi fasilitas yang dibutuhkan. Kegiatan pengabdian kepada masyarakat ini bertujuan untuk mengoptimalkan pemanfaatan Google Maps melalui penambahan titik lokasi guna meningkatkan ketersediaan informasi geografis fasilitas publik di Desa Kandolo. Metode pelaksanaan menggunakan survei lapangan melalui observasi langsung, pendataan lokasi, dokumentasi, penambahan titik menggunakan aplikasi Google Maps pada perangkat smartphone, serta pemeriksaan kesesuaian informasi lokasi. Kegiatan dilaksanakan pada 12 Juli 2024 oleh Kelompok Kuliah Kerja Nyata (KKN) KUTIM 01 Universitas Mulawarman. Hasil kegiatan menunjukkan bahwa terdapat enam lokasi yang menjadi sasaran penambahan titik pada Google Maps, meliputi Kantor Desa Kandolo, Gedung BPD Desa Kandolo, SDN 002 Teluk Pandan, Perpustakaan Desa Kandolo, Tugu Selamat Datang Desa Kandolo, dan Musala Al-Mubbaroq. Keenam lokasi tersebut mencakup fasilitas pemerintahan, pendidikan, ibadah, dan penanda wilayah. Kegiatan ini menghasilkan pendataan serta pengajuan penambahan enam titik lokasi sebagai langkah awal dalam meningkatkan ketersediaan informasi geografis desa secara digital. Pemanfaatan Google Maps diharapkan dapat mempermudah masyarakat dan pengunjung dalam memperoleh informasi lokasi serta menjadi dasar pengembangan pemetaan digital fasilitas publik dan potensi lokal secara berkelanjutan. Kata kunci: Desa Kandolo; fasilitas publik; Google Maps; pemetaan digital; pengabdian masyarakat.

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