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All Journal Budapest International Research and Critics in Linguistics and Education Journal (Birle Journal) Budapest International Research and Critics Institute-Journal (BIRCI-Journal): Humanities and Social Sciences
Russel Akbar Fauzi
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Religion Arts Humanities Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Social Sciences Other

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Reinterpretation of the Legend of Lake Toba into the Batak Opera Janji Putri Ikan Octaviana Tobing; Russel Akbar Fauzi; Try Wahyu Purnomo
Budapest International Research and Critics Institute (BIRCI-Journal): Humanities and Social Sciences Vol 4, No 3 (2021): Budapest International Research and Critics Institute August
Publisher : Budapest International Research and Critics University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33258/birci.v4i3.2372

Abstract

The creation of the Janji Putri Ikan Batak Opera is an effort to design the Art of Batak Opera which is based on the Batak folklore of the legend of Lake Toba. The design effort is the result of the re-interpretation of the legend of Lake Toba folklore through the transfer approach. The results of the transfer of the vehicle were initially manifested in a new drama play entitled Janji Putri Ikan. The drama play of the Janji Putri Ikan was designed by retaining the plot as found in the folklore of the legend of Lake Toba but changing it from a folklore format to a drama play format with a formulation or play style adapted for the purposes of designing the Batak Opera. The designer of the play is done by making changes to the structural aspects of folklore which are interpreted deconstructively in the meaning of the structure. The placement of the opposite meaning of the structure ultimately has an impact on significant changes in the characterization aspect, the dramatic aspect and also the story setting aspect as contained in the structure of the legend of Lake Toba folklore. Thus, the design of the Janji Putri Ikan Batak Opera is more than just an adaptation work but is a complete application of the concept of transfer from the regional literary genre (folklore) to the creation of the Batak Opera. This means that the final embodiment of this creation is the Batak Opera performance with the play Janji Putri Ikan. This work is supported by 15 players consisting of actors, dancers, and musicians, which will be performed at the local or national level. The product of this research is a work of theater art, as an appreciation material for students and the community. This work is made in Brechtian form in a realist concept.
Reinterpretation of the Legend of Batu Gantung as the Basis for the Creation of Batak Opera, Batu Naungan Cinta Azmi Azmi; Russel Akbar Fauzi; Tuti Rahayu
Budapest International Research and Critics in Linguistics and Education (BirLE) Journal Vol 5, No 4 (2022): Budapest International Research and Critics in Linguistics and Education, Novemb
Publisher : BIRCU

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33258/birle.v5i4.7165

Abstract

The creation of the Batak Batu Naungan Cinta Opera is an attempt to reinterpret the legend of Batu Hang as the basis for creating theatrical performances. The formal object of this creation is the theory of reinterpretation (hermeneutics) and the dialectical approach. This creation process uses the concept of performing Batak Opera combined with modern theater conventions. As the basis of creation, the theory used is the theory of montage and the technique of alliance from Bertolt Brecht. The creation methods used include: Source Studies, Visual Observations and Interviews, Literature Studies, Script Writing, Dramaturgy Design, Stage and Ensemble. The result of this process of creation is the Batak Opera performance which offers a new interpretation of the legend of the Batu Gantung.
Transfer of Siti Nurbaya Novel by Marah Roesli to Siti Nurbaya Theater Performance: Bayang di Balik Tiang Mhd. Anggie Januarsyah Daulay; Russel Akbar Fauzi; Agustina Helena Samosir
Budapest International Research and Critics in Linguistics and Education (BirLE) Journal Vol 5, No 4 (2022): Budapest International Research and Critics in Linguistics and Education, Novemb
Publisher : BIRCU

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33258/birle.v5i4.7166

Abstract

Siti Nurbaya's theatrical work: Bayang di Balik Tiang is an achievement of the transfer process from Marah Roesli's novel Siti Nurbaya. The creation of this theater uses transfer theory and dramatic vision as the basis for analysis. As for staging, the theory used is Stanislavski's acting theory and Bertolt Brecht's multiple sets by utilizing the essential elements of randai. The creation methods used include: production of dramatic visions, script writing, acting training, preparation of spectacles and the realization of the unity of the show. The result of this creation process is the presence of a mamak character in Siti Nurbaya's theatrical work: Bayang di Balik Tiang by utilizing the narrator's character as the embodiment of the V-effect.
Co-Authors Agustina Helena Samosir AZMI AZMI Mhd. Anggie Januarsyah Daulay Octaviana Tobing Try Wahyu Purnomo Tuti Rahayu