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All Journal Arsitektura : Jurnal Ilmiah Arsitektur dan Lingkungan Binaan
Maya Andria Nirawati
Universitas Sebelas Maret
Arts Civil Engineering, Building, Construction & Architecture Engineering Environmental Science

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Identifikasi Penerapan Unsur-Unsur Iconic Jawa pada Bangunan Hotel di Surakarta Anita Dianingrum; Titis Srimuda Pitana; Maya Andria Nirawati; Mohamad Muqoffa; Pratiwi Anjar Sari
ARSITEKTURA Vol 19, No 1 (2021): Arsitektura : Jurnal Ilmiah Arsitektur dan Lingkungan Binaan
Publisher : Universitas Sebelas Maret Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/arst.v19i1.46023

Abstract

City branding is an effort to build an identity about a city and providing opportunities for the realization of regional development both in terms of economy and tourism. Branding can be realized through all forms of parts of the city that have distinctive characteristics that are influenced by physical and non-physical characteristics. “Solo the Spirit of Java” means that “Solo is the soul of Java” which reflects the depth of meaning of the cultural, artistic and historical roots of Solo. Since branding was established and legalized, several things have been done by the city government, one of the efforts are regarding physical characteristics is clearly visible in several buildings including cultural heritage buildings. Javanese iconic elements are deliberately preserved as a form of preservation and branding. This research was conducted to identify the application of Javanese iconic elements in hotel buildings in Surakarta. The method used in this study is collecting secondary data and observing to identify the application of Javanese iconic elements in buildings. The results illustrate that the application of Javanese iconic elements in hotel buildings is not optimal. It is because the visual view of building has not been able to attract attention, so it does not have a strong character. This needs more attention to all relevant stakeholders to improve the image or character of the building so that it can become a city branding that can strengthen the identity of Surakarta City through physical characteristics.
BEHAVIOURAL ARCHITECTURE STUDY ON THE DESIGN OF SOCIAL REHABILITATION CENTER FOR THE BLIND AT SURAKARTA Nadia Permatasari; Maya Andria Nirawati
ARSITEKTURA Vol 16, No 2 (2018)
Publisher : Universitas Sebelas Maret Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1425.743 KB) | DOI: 10.20961/arst.v16i2.23146

Abstract

Social rehabilitation center for the blind in Surakarta is a learning centre for people who is visually impaired, specifically the totally blinded. This facility provides professional activities program in order to regaining and increasing the skills of people with vision impairment, both individuals, families, and group, to carry out their social function fairly, and to live in harmony with the dignity; for instance, social skill learning, provision of additional skills and knowledge, psychosocial and health rehabilitation services, as well as basic daily activities training in Surakarta. The goal of this research is to create a physical space as a place of rehabilitation and counselling for the blind to live independently by providing a safe, easy, and convenient infrastructure facilities. To meet the goal, the principles of behavioral architecture design will be applied on the concept of the building. Field observation on the blinds’ behavior is used as the research method, to analyze what the blind needed so the facility can accommodate them.
Implementasi Arsitektur Semiotik pada Galeri Street Art di Kota Bandung Qonitah Hanan Subagyo; Kusumaningdyah Nurul Handayani; Maya Andria Nirawati
Arsitektura : Jurnal Ilmiah Arsitektur dan Lingkungan Binaan Vol 21, No 1 (2023): Arsitektura : Jurnal Ilmiah Arsitektur dan Lingkungan Binaan
Publisher : Universitas Sebelas Maret Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/arst.v21i1.71190

Abstract

Semiotic architecture is a bridge between architects and users who convey architectural information. The application of semiotic architecture to street art gallery buildings can be used as street art introduction images to users. Unfortunately, there is no research on the relationship between semiotic architecture and street art that can be used as design criteria parameters. Therefore, the urgency of this research is to find out which components of semiotic architecture are most suitable for the identity of street art galleries. The method of this research is studying the characteristics of street art and then analyzing it with three semiotic architectural theories from Yousafi, Uluğ and Huang & Zhou. This research produces the design criteria of a street art gallery, namely the use of polychromatic colors, the use of dominant walls, designing space without partitions, materials that give the impression of a street, and incorporating public street art interaction content.
Co-Authors Anita Dianingrum Kusumaningdyah Nurul Handayani Mohamad Muqoffa Nadia Permatasari Pratiwi Anjar Sari Qonitah Hanan Subagyo Titis Srimuda Pitana