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TRAUMATIS SEBAGAI EKSPRESI DALAM BUSANA WANITA ANTI-FASHION Fegelia Rahmadani; Arfiati Nurul Komariah
Narada : Jurnal Desain dan Seni Vol 8, No 3 (2021)
Publisher : Universitas Mercu Buana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22441/narada.2021.v8.i3.008

Abstract

The fraumatic issue upon childern need to be expose to public as one of social issue to notice in the society. In this writing, case is being responed as an expression of the craftmanship of women’s fashion. This expression roled as the representation of mother. The final products of this thesis is a critic work was a critic about behasioral digression to the attitude of mothers in rising their children that caused a traumatic effect on the children itself. Fashion, in this cuse, used as communication media to communicat experientes and traumatic phenomenon throgh partice, artefac, intuition, and metaphor to express the emotional values that comes from social enviarnment.The method used in this work is a practice based on research method, Process that used logical understanding or reason in creating research into art creation can produce academic document that has function to help communicate the description of the work, both conceptually and contextually. Meanwhile, the theory used in this work was the theory of art function and imagination. The works itself is manifested using a manipulating of fabric technique which will produce a response to the traumatic feeling of the children.The writings of this final assignment are in the form of eight design works, and five of that will come to a work realization. Each work represent the perspective values of the author about traumatic phenomenon of the children as the manifestation of behavior digression of mothers in rising or educating their children. In addition, the design of women’s clothing was an anti-fashion style inspired by Japanese design Rei Kawakubo. Anti-fashion was a form of fashion innovation that do not have timeline of fashion and break the gap of fashion because it does not fond of the market trends and desires.
Pelatihan Penerapan Motif Tradisi Jawa pada Pengrajin Asesoris di Prapen Jewelry Denpasar Yuniana Cahyaningrum; Rahayu Adi Prabowo; Arfiati Nurul Komariah; Cerly Sudarta Martsidaun; Sutriyanto; Satria Bagus Wibowo
Jurnal Pengabdian Kepada Masyarakat Multi Disiplin Vol. 1 No. 2 (2024): JUPENGEN - November
Publisher : CV. SINAR HOWUHOWU

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.70134/jupengen.v1i2.177

Abstract

This training aims to improve the understanding and skills of accessory craftsmen at Prapen Jewelry, Denpasar, in applying traditional Javanese motifs to their products. Traditional Javanese motifs have high aesthetic value and are full of cultural philosophy that can enrich the appeal of contemporary accessories. The training method includes a theory session to introduce the history and meaning of Javanese motifs, as well as hands-on practice to integrate these motifs into product design. The results of the training showed an increase in creativity and innovation of craftsmen in developing products that combine traditional and modern elements. This training also opens up wider market opportunities for accessory products with a touch of local culture. Thus, the application of traditional Javanese motifs not only preserves cultural heritage but also provides added economic value for craftsmen