Article Per Year (5 Year)
p-Index From 2020 - 2025
0.562
P-Index
This Author published in this journals
All Journal Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Jurnal Pengabdian kepada Masyarakat Multidisiplin (JUPENGEN)
Cerly Sudarta Martsidaun
Unknown Affiliation
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Economics, Econometrics & Finance Education Engineering

Published : 3 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 3 Documents
Search

 1 
Pelatihan Penerapan Motif Tradisi Jawa pada Pengrajin Asesoris di Prapen Jewelry Denpasar Yuniana Cahyaningrum; Rahayu Adi Prabowo; Arfiati Nurul Komariah; Cerly Sudarta Martsidaun; Sutriyanto; Satria Bagus Wibowo
Jurnal Pengabdian Kepada Masyarakat Multi Disiplin Vol. 1 No. 2 (2024): JUPENGEN - November
Publisher : CV. SINAR HOWUHOWU

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.70134/jupengen.v1i2.177

Abstract

This training aims to improve the understanding and skills of accessory craftsmen at Prapen Jewelry, Denpasar, in applying traditional Javanese motifs to their products. Traditional Javanese motifs have high aesthetic value and are full of cultural philosophy that can enrich the appeal of contemporary accessories. The training method includes a theory session to introduce the history and meaning of Javanese motifs, as well as hands-on practice to integrate these motifs into product design. The results of the training showed an increase in creativity and innovation of craftsmen in developing products that combine traditional and modern elements. This training also opens up wider market opportunities for accessory products with a touch of local culture. Thus, the application of traditional Javanese motifs not only preserves cultural heritage but also provides added economic value for craftsmen
Makna Simbolis Topeng Malangan Lembu Suro Dalam Perspektif Semiotika Visual Cerly Sudarta Martsidaun
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 16 No. 2 (2024)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/brikolase.v16i2.6603

Abstract

The Lembu Suro Mask in the Topeng Malangan tradition is a cultural heritage that contains complex symbolism and deep mythological narratives. This research aims to explore the cultural meanings contained in the visual elements of the mask through Roland Barthes' visual semiotics approach. The analysis was conducted on the denotation and connotation aspects of elements such as color, shape, motif, and expression, and was linked to the Lembu Suro myth in the local tradition of the Malang community. Data were obtained through the observation of mask artifacts, performance art documentation, and interviews with traditional artists. The analysis results show that the red and black colors on the mask symbolize strength, protection, and bravery. The stern face shape with horns resembling a bull reflects characteristics of leadership, bravery, and spirituality. The visual ornaments adorning the mask reinforce its sacred function in rituals, while also serving as a link to the local narrative about the Lembu Suro myth, which emphasizes the values of loyalty, sacrifice, and cosmic harmony. This research asserts that the Lembu Suro Mask not only serves as a medium of aesthetic expression but also functions as a symbol of cultural identity and spirituality of the Malang community. This study contributes to the preservation of traditional craft arts and a deeper understanding of the importance of visual semiotics in representing local values.
Makna Simbolis Topeng Malangan Lembu Suro Dalam Perspektif Semiotika Visual Cerly Sudarta Martsidaun
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 16 No. 2 (2024)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/brikolase.v16i2.6603

Abstract

The Lembu Suro Mask in the Topeng Malangan tradition is a cultural heritage that contains complex symbolism and deep mythological narratives. This research aims to explore the cultural meanings contained in the visual elements of the mask through Roland Barthes' visual semiotics approach. The analysis was conducted on the denotation and connotation aspects of elements such as color, shape, motif, and expression, and was linked to the Lembu Suro myth in the local tradition of the Malang community. Data were obtained through the observation of mask artifacts, performance art documentation, and interviews with traditional artists. The analysis results show that the red and black colors on the mask symbolize strength, protection, and bravery. The stern face shape with horns resembling a bull reflects characteristics of leadership, bravery, and spirituality. The visual ornaments adorning the mask reinforce its sacred function in rituals, while also serving as a link to the local narrative about the Lembu Suro myth, which emphasizes the values of loyalty, sacrifice, and cosmic harmony. This research asserts that the Lembu Suro Mask not only serves as a medium of aesthetic expression but also functions as a symbol of cultural identity and spirituality of the Malang community. This study contributes to the preservation of traditional craft arts and a deeper understanding of the importance of visual semiotics in representing local values.
Co-Authors Arfiati Nurul Komariah Cahyaningrum, Yuniana Prabowo, Rahayu Adi Satria Bagus Wibowo Sutriyanto