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Pengelolaan Zakat Untuk Membangun Kesejahteraan Umat Dalam Tinjauan Hukum Ekonomi Syariah Muhammad Aziz
Journal of Islamic Banking Vol 1 No 1 (2020): Journal of Islamic Banking
Publisher : Prodi Perbankan Syariah, Fakultas Ekonomi dan Bisnis Islam, Institut Agama Islam Al Hikmah Tuban

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (302.206 KB)

Abstract

Zakat is an important instrument in building the country's economy. The history of Islam has proven the effectiveness of zakat in eradicating poverty. Looking at the estimated potential of zakat in Indonesia and the existing reality in society, it can be seen that there is a gap between the rich and the poor. The potential for zakat funds in Indonesia is estimated to reach Rp. 200 trillion, while the poverty rate in Indonesia is still high. The meaning of the managed zakat fund is still far from the predicted potential. BAZNAS as the state zakat management institution sees that there are several factors that make this management not optimal. One of them is the lack of trust of the muzakki that arises because the reports on the management of zakat funds by amil zakat institutions are not yet transparent. Apart from trying to increase public trust, BAZNAS implements programs in the fields of health, education and community welfare. As a result of this effort, the poverty rate in Indonesia has gradually decreased, and in the future it is hoped that it can eradicate poverty in Indonesia. Keywords: zakat, management, the role of zakat, zakat program
Konfigurasi Ekspresi Keagamaan Artis Di Media Sosial Bayu Mujrimin; Nurul Istiani; Muhammad Aziz
POROS ONIM: Jurnal Sosial Keagamaan Vol 3 No 1 (2022): Kosmopolitanisme Islam, Moderasi Beragama, dan Sosial Profetik
Publisher : Institut Agama Islam Negeri Fattahul Muluk Papua

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53491/porosonim.v3i1.272

Abstract

The religious expressions of the artist in the social media space have the potential to give an ambiguous impression to the public in responding to them. On the one hand, artists as religious people have the right to carry out their religious teachings in the public sphere. But on the other hand, the artist is also a public figure whose popularity is widely used by the industrial world. This study intends to identify the meaning of various religious expressions of some Indonesian artists in various accounts or social media channels. Through a phenomenological approach, the dramaturgical theory that was initiated by Erving Goffman is used as an analytical theory. This research data collection using observation and documentation techniques. Meanwhile, the data analysis technique is through data reduction, data presentation, and drawing conclusions. The results of the study conclude that religious expressions by some Indonesian artists in the social media space can be explained through three patterns. First, religious expression as religiosity. This pattern can be seen from the backstage which is shown as a religious person who carries out his religious teachings. Second, religious expression as a commodification of religion. This pattern can be seen from the appearance of the artists as brand ambassadors for certain business products. Third, religious expression as media capitalization. This pattern can be seen from the artist's religious expression following the media arrangement that emphasizes the elements of business and profit. The theoretical implication of this research shows that understanding and expression of religion can experience developments and changes in form in the dynamics of the construction of socio-cultural life.