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All Journal Jurnal Kajian Bali International Journal of Interreligious and Intercultural Studies Humaniora Kumawula: Jurnal Pengabdian Kepada Masyarakat
Yunus Wafom
Universitas Cendrawasih
Religion Arts Humanities Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Languange, Linguistic, Communication & Media Social Sciences

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THE MEANING OF PURA AGUNG SURYA BHUVANA (PASB) IN THE RELIGIOUS LIVES IN JAYAPURA IN THE GLOBAL ERA Rai S, I Wayan; Sunartha, I Gusti Made; Purnamaningsih, Ida Ayu Made; Ruastiti, Ni Made; Wafom, Yunus
Humaniora Vol 11, No 1 (2020): Humaniora (In Press)
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v11i1.6222

Abstract

The purpose of this research was to be able to understand the meaning of the Pura Agung Surya Bhuvana (PASB) for the harmony of religious life in Jayapura in the global era. Lately, people?s lives in Jayapura had been highlighted by frequent turmoil. The research problems were (1) why did non-Hindus in Jayapura often visit the Pura Agung Surya Bhuvana? (2) How did they understand the Agung Surya Bhuvana temple in this global era? This research used a qualitative method. The data source of this research was the life of a multicultural society in the Agung Surya Bhavana temple in the global era. The selected informants included the chairperson of Parisada Hindu Dharma Indonesia Jayapura, chairperson of Parisada Hindu Dharma Indonesia Papua, stakeholders, pengempon, penyungsung, and temple visitors both Hindus and non-Hindus who often come to visit the temple. All data collected through observation techniques, interviews, FGDs, and documentary studies that were analyzed descriptively interpretatively using religious theory, symbol theory, and structural-functional theory. The results show that (1) Non-Hindus in Jayapura often visit the Agung Surya Bhuvana temple because Hindus at the temple are very kind, friendly welcoming them, often involved in religious activities at the temple, for sightseeing, for meetings between residents. (2) The people in Jayapura in this global era interpret Agung Surya Bhuvana temple as a place of worship, a meeting place for religious followers, a place of art, a place to strengthen multicultural life (multiculturalism), and as a vehicle to strengthen national integration.
The Meaning of Pura Agung Surya Bhuvana on the Religious Lives in Jayapura in The Global Era I Wayan Rai S; I Gusti Made Sunartha; Ida Ayu Made Purnamaningsih; Ni Made Ruastiti; Yunus Wafom
Humaniora Vol. 11 No. 1 (2020): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v11i1.6222

Abstract

The aim of the research was to be able to understand the meaning of the Pura Agung Surya Bhuvana for the harmony of religious life in Jayapura in the global era. Lately, people’s lives in Jayapura had been highlighted by frequent turmoil. The research problems were (1) why did non-Hindus in Jayapura often visit the Pura Agung Surya Bhuvana? (2) How did they understand the Agung Surya Bhuvana temple in this global era? The research applied a qualitative method. The data source was the life of a multicultural society in the Agung Surya Bhavana temple in the global era. The selected informants included the chairperson of Parisada Hindu Dharma Indonesia Jayapura, chairperson of Parisada Hindu Dharma Indonesia Papua, stakeholders, pengempon, penyungsung, and temple visitors both Hindus and non-Hindus who often come to visit the temple. All data collected through observation techniques, interviews, FGDs, and documentary studies that were analyzed interpretatively using religious theory, symbol theory, and structural-functional theory. The results show that (1) Non-Hindus in Jayapura often visit the Agung Surya Bhuvana temple because Hindus at the temple are very kind, friendly welcoming them, often involved in religious activities at the temple, for sightseeing, for meetings between residents. (2) The people in Jayapura in this global era interpret Agung Surya Bhuvana temple as a place of worship, a meeting place for religious followers, a place of art, a place to strengthen multicultural life (multiculturalism), and as a vehicle to strengthen national integration.
The Genealogy of Pura Agung Surya Bhuvana in Jayapura, Papua I Wayan Rai; I Gusti Made Sunartha; Ida Ayu Made Purnamaningsih; Ni Made Ruastiti; Yunus Wafom
International Journal of Interreligious and Intercultural Studies Vol 3 No 2 (2020): Interreligious and Intercultural Studies
Publisher : UNHI PRESS

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32795/ijiis.vol3.iss2.2020.1092

Abstract

Pura Agung Surya Bhuvana in Jayapura is the eastern part of Padma Buana temple. Its establishment was initiated by Balinese Hindus and has become the center of Balinese Hindu socio-cultural activities and an important icon of Jayapura. This article discusses the establishment of Pura Agung Surya Bhuvana from the beginning and its development into the center of Balinese Hindus’ social and cultural-religious activities in Jayapura of Papua. This article based on qualitative research, in which all data was collected through observation, document studies, interviews, and FGD with several members of the pengempon (the temple’s servants) as informants and observers of Papuan culture. Data analyzed descriptively by applying symbol theory and structural-functional theory. The results showed that Hindus established the Pura Agung Surya Bhuvana at Jayapura in 1962. Before, the Hindus of Papua, whose dominantly Balinese migrant, carried out religious activities at Matra’s house. I Made Matra was a civil servant at the Papua Province government office. Over time, the number of Hindus who migrate to the city of Jayapura continues to increase. Therefore in 1979, Hindu leaders in Jayapura built the Pura Agung Surya Bhuvana for the needs of Hindus. Pura Agung Surya Bhuvana was built on Skyline hill in 1982 and it was inaugurated in 1990. In 2012, the Pura Agung Surya Bhuvana was renovated to be more majestic than before, and later on became a center of Hindu worship, the center of Balinese socio-cultural activities, arts center, Hindu religious education centers, and tourist attractions in Papua.
PENERAPAN NEKAY (BONEKA KULIT KAYU) SEBAGAI KONSEP EDUECOTOURISM UNTUK MENDUKUNG PROGRAM DESA RAMAH PEREMPUAN DAN PERLINDUNGAN ANAK DI KAMPUNG ASEI KABUPATEN JAYAPURA Suseno, Bayu Aji; Utami, Putri Prabu; Astuti, Retnoning Adji Widi; Murda, Muhammad Ilham Mustain; Rinantanti, Yulini; Wafom, Yunus; Koyari, Yanes
Kumawula: Jurnal Pengabdian Kepada Masyarakat Vol 9, No 2 (2026): Kumawula: Jurnal Pengabdian Kepada Masyarakat
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/kumawula.v9i2.65483

Abstract

The development of Asei Village as a pilot village for the Women's Friendly and Child Protection Village (DRPPA) program has not yet been accompanied by activities that support play and learning spaces for children, as well as women's economic empowerment to enhance artistic entrepreneurship based on the potential of local materials (Khombouw bark). This community service activity aims to provide training in creating bark puppet theater performance models (NEKAY) for women (mama-mama) bark artisans in Asei Village. The Asset-Based Community Development (ABCD) method is used in this community service activity through four stages: (1) socialization of environmental- and education-based sustainable tourism (educotourism) programs; (2) training in sketching, creating basic patterns, assembly techniques, doll finishing, and the production of NEKAY ASEI performance merchandise in the form of gift-set hamper souvenirs; (3) assistance in developing performance models through training in vocal performance, musical accompaniment for NEKAY theater performances, and puppet manipulation techniques (movement), using monologue drama scripts based on the stories Friends of Animals and Mama Asei; and (4) development of the NEKAY ASEI theatrical performance through marketing strategies covering the production process, promotional media, and preparation for public performances. The output targets of this community service activity are performance props in the form of Khombouw bark puppets depicting indigenous Papuan children and endemic Papuan animals (the Bird-of-Paradise and the Waigeo Cuscus), as well as the addition of one female character (Mama Asei), and three children's songs with more cheerful and energetic musical arrangements that convey themes of friendship between humans and animals, as well as parental love for children. Pengembangan Kampung Asei sebagai desa percontohan program Desa Ramah Perempuan dan Perlindungan Anak (DRPPA) masih belum disertai dengan kegiatan yang menunjang ruang bermain dan belajar bagi anak, serta pemberdayaan ekonomi perempuan untuk meningkatkan kewirausahaan seni berbasis potensi material lokal (kulit kayu Khombouw). Kegiatan pengabdian ini bertujuan untuk memberikan pelatihan pembuatan model pertunjukan teatrikal boneka kulit kayu (NEKAY) bagi perempuan (mama-mama) pengrajin kulit kayu di Kampung Asei. Metode Asset Based Community Development (ABCD) digunakan dalam kegiatan pengabdian melalui empat tahapan, antara lain: (1) sosialisasi program pariwisata berkelanjutan berbasis lingkungan dan edukasi (eduecotourism); (2) pelatihan pembuatan sketsa, pola dasar, teknik perakitan, finishing boneka & pelatihan pembuatan produk merchandise pertunjukan NEKAY ASEI dengan format gift set hampers souvenir, (3) pendampingan model pertunjukan dengan pelatihan olah vokal dan musik iringan pertunjukan teater NEKAY dan teknik manipulasi (gerak) boneka dengan naskah drama monolog cerita Sahabat Satwa dan Mama Asei, (4) pengembangan pentas seni teatrikal NEKAY ASEI dengan menggunakan strategi pemasaran mulai dari proses pembuatan, media promosi hingga siap untuk dinikmati oleh penonton. Target luaran dari kegiatan pengabdian ini adalah alat peraga pertunjukan berupa boneka kulit kayu yang berbentuk anak asli Papua dan binatang satwa endemik Papua (Burung Cenderawasih dan Kuskus Waigeo), serta tambahan satu buah karakter tokoh perempuan (Mama Asei), serta tiga buah lagu anak-anak dengan aransemen musik yang lebih ceria dan energik yang bertemakan tentang persahabatan antara manusia dengan hewan, serta kasih sayang orang tua terhadap anak.
Bali Diaspora di Jayapura: Makna Pura Agung Surya Bhuvana dalam Membangun Kerukunan di Tanah Papua I Wayan Rai S; I Gusti Made Sunartha; Ida Ayu Made Purnamaningsih; Ni Made Ruastiti; Yunus Wafom
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 10 No. 1 (2020): BALI DIASPORA
Publisher : Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JKB.2020.v10.i01.p01

Abstract

The purpose of this study is to look for the meanings of the Balinese temple Pura Agung Surya Bhuvana in Jayapura in building harmony in the land of Papua. The life of Jayapura people is identical with the frequent riots. It looks different from the life of the Balinese diaspora around the temple Surya Bhuvana which marked by inter-religious harmony. The study focused on two issues: Why do non-Hindus in Jayapura often visit the Pura Agung Surya Bhuvana? How do they understand the temple Surya Bhuvana in this global era? This is a qualitative research and data were collected through observation, interview, FGD, and document study techniques. Data were analyzed with religious theory, symbol theory, and structural-functional theory. The results showed that the hospitality of the Balinese diaspora who manages the temple makes non-Hindus community feel welcome to visit the temple. The Balinese diaspora community in Jayapura interpreted Pura Agung Surya Bhuvana as a place of worship, a meeting place for people of different faiths, a place of art, a place to strengthen multi-cultural life and as a medium to strengthen national integration.
Co-Authors Astuti, Retnoning Adji Widi Bayu Aji Suseno I Gusti Made Sunartha I Gusti Made Sunartha I Gusti Made Sunartha I Wayan Rai I Wayan Rai S Ida Ayu Made Purnamaningsih Ida Ayu Made Purnamaningsih Ida Ayu Made Purnamaningsih Koyari, Yanes MS Prof. Dr. I Wayan Rai . Muhammad Rivai Murda, Muhammad Ilham Mustain Ni Made Ruastiti Purnamaningsih, Ida Ayu Made Putri Prabu Utami Sunartha, I Gusti Made Yulini Rinantanti