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All Journal Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Melayu Arts and Performance Journal Jejak digital: Jurnal Ilmiah Multidisiplin
Suaida Suaida
Institut Seni Indonesia Padangpanjang
Arts Humanities Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Social Sciences Other

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DAMPAK TEKNOLOGI ATAS NILAI-NILAI SOSIAL PADA TRADISI BEKARANG SEBAGAI SUMBER PENCIPTAAN KARYA TARI SANGKUT DAK MENYAUH Suaida Suaida; Susas Rita Loravianti; Eduard Zebua
Melayu Arts and Performance Journal Vol 3, No 1 (2020): Melayu Art and Performance Journal
Publisher : Pascasarjana Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/mapj.v3i1.1345

Abstract

The dance work entitled "Sangkut Dak Menyauh" is inspired by the Bekarang tradition of the Muaro Jambi community. Bekarang tradition is a fishing tradition that is carried out jointly by using tangkul, lukah, jalo. Bekarang has become one of the community traditions that must be preserved, but along with the development of the times this tradition has changed, due to the capture factor that utilizes technology with various cheats to meet human interests practically so that it can damage fish habitats and the wider environment. The instructor interpreted the impact of technology on influencing social values in the Bekarang tradition as a personal expression in the form of contemporary dance with an abstract type of environmental theme that conveys social values. The methods of creation include feeling, research, exploration of the nature of the center, improvisation, formation, and evaluation. The work consists of three parts. First abstracting the behavior of humans who abuse technology against living things. Second, how technology destroys living things. These three symbols are ritual values. ABSTRAKKarya tari yang berjudul “Sangkut Dak Menyauh” terinspirasi dari tradisi Bekarang masyarakat Muaro Jambi. Tradisi Bekarang merupakan sebuah tradisi penangkapan ikan yang dilakukan secara bersama-sama dengan menggunakan tangkul, lukah, jalo. Bekarang menjadi salah satu tradisi masyarakat yang harus dilestarikan, namun seiiring dengan perkembangan zaman tradisi ini mengalami perubahan,  yang disebabkan faktor penangkapan yang memanfaatkan teknologi dengan berbagai kecurangan untuk memenuhi kepentingan manusia secara praktis sehingga dapat merusak habitat ikan dan lingkungan lebih luas. Pengkarya menginterpretasikan dampak teknologi memengaruhi nilai sosial dalam tradisi Bekarang sebagai ekspresi personal dalam bentuk tari kontemporer dengan tipe abstrak tema lingkungan yang menyampaikan nilai-nilai sosial. Metode penciptaan diantaranya merasakan, riset, eksplorasi sifat sentrum, improvisasi, pembentukan, dan evaluasi. Karya terdiri dari tiga bagian. Pertama mengabstraksikan tingkah laku manusia yang menyalahgunakan teknologi terhadap makhluk hidup. Kedua bagaimana teknologi menghancurkan makhluk hidup. Ketiga simbol nilai ritual.Kata Kunci:  sangkut dak menyauh; kontemporer; tradisi bekarang; dampak teknologi; nilai sosial
Visualizing the Incantatory Power of the Sijundai Ritual: A Reinterpretation of Magical Phenomena through the Dance Work Migrasi Magis Ariefin Alham Jaya Putra; Fattahul Anugraha; Zulfikar Rizki Ananda; Suaida Suaida
Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Vol 27, No 2 (2025): Ekspresi Seni: Jurnal Ilmu Pengetahuan dan Karya Seni
Publisher : LPPM Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/ekspresi.v27i2.4801

Abstract

Migrasi Magis is a research-based dance creation that reinterprets the Sijundai magical phenomenon in Minangkabau culture. The ritual involves the use of spells and saluang music believed to possess supernatural power that psychologically and physically affects victims. Through observation, exploration, improvisation, formation, and evaluation, the artist transforms elements of space, time, energy, and property into visual symbols of the spell’s potency. The reinterpretation approach transforms this spiritual practice into an artistic expression through dance theatre, marked by dramatic tension, symbolism, and emotional intensity. The work embodies magical aesthetics derived from traditional rituals while portraying human desires, vengeance, and remorse. Migrasi Magis demonstrates how dance serves as a reflective space for social, spiritual, and psychological phenomena within Minangkabau society. Field data were collected through interviews with shamans, performance observations, and literature review, strengthening conceptual validity, aesthetic choices, and cultural context. This work illustrates that performing arts can negotiate tradition and modernity through contextual artistic interpretation
Peran Manajemen dalam Pengelolaan dan Pengembangan Ekstrakurikuler Seni Tari di SMA Negeri 2 Koto Kampar Hulu Putri Sylvi Ravina; Sri Meiweni Basra; Muhammad Fikri; Suaida Suaida
Jejak digital: Jurnal Ilmiah Multidisiplin Vol. 2 No. 4 (2026): JUNI-JULI
Publisher : INDO PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/4qnq5031

Abstract

This study aims to describe the role of school management in the management and development of dance extracurricular activities at SMA Negeri 2 Koto Kampar Hulu. This research employed a qualitative method with a descriptive approach. The data were collected through observation, interviews, and documentation involving the principal, the extracurricular dance instructor, and students participating in the dance extracurricular program. This study applied the management theory of Robbins and Coulter, which consists of four management functions: planning, organizing, directing, and controlling. The findings indicate that the implementation of the management functions planning, organizing, directing, and controlling has not yet been carried out optimally. Efforts to develop the dance extracurricular program include supporting students' performance activities, planning the development of training facilities, and preparing student participation in art activities outside the school. Based on thefindings, it can be concluded that the role of school management in managing and developing the dance extracurricular program needs to be improved through the optimization of management functions so that the program can be implemented more effectively, systematically, and sustainably.
Perkembangan Tari Tirik Lalan Masyarakat Banjar di Tembilahan, Provinsi Riau Dini Rahdatul Aisy; Wahida Wahyuni; Eva Riyanti; Suaida Suaida
Jejak digital: Jurnal Ilmiah Multidisiplin Vol. 2 No. 4 (2026): JUNI-JULI
Publisher : INDO PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/w92dkc29

Abstract

This study aims to examine and describe the development of the Tirik Lalan Dance among the Banjar community in Tembilahan, Riau Province. Tirik Lalan Dance is a traditional paired dance characteristic of the Banjar ethnic group who migrated to Tembilahan through trade routes. Over time, this dance has undergone choreographic development due to interaction with the local Malay culture. This study uses a qualitative method with a descriptive analytical approach, and is analyzed using the Cultural Development Theory by Linton, the Cultural Ecology Theory by Steward, and the Choreography Theory by Y. Sumandio Hadi. Data was collected through literature study, observation at Sanggar Citra Sebati, in-depth interviews with traditional artists, and documentation. The results of this study show that development occurred in three main elements of presentation, namely movement, music, and costume. The movements that were originally straightforward and open as typical of Banjar developed into more subtle, closed, and symbolic forms, adapting to Islamic values and Malay aesthetics, such as the integration of Malay salutation and soft steps resembling Zapin. The accompanying music developed with variations of the gambus and accordion. Meanwhile, the dancers' costumes transitioned from Baju Kurung Basisit to Kebaya Labuh and Songket with Pucuk Rebung motifs. This development proves a dynamic cultural adaptation without eliminating the original philosophical values of the dance.
Reinterpretation of Minangkabau Boys’ Merantau Culture in Dance Creation Fattahul Anugraha; Ariefin Alham Jaya Putra; Syahril Syahril; Zulfikar Rizki Ananda; Suaida Suaida
Melayu Arts and Performance Journal Vol 9, No 1 (2026): Melayu Arts and Performance Journal
Publisher : Pascasarjana Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/mapj.v9i1.6304

Abstract

This article discusses the creation process of the dance work Budaya Merantau, which originates from the socio-cultural phenomenon of migration in Minangkabau society. The study focuses on how the surau, as a space for religious education, customary learning, martial arts practice, and character formation among Minangkabau boys, is reinterpreted as a conceptual foundation for dance creation. The main issue addressed is how migration patterns expressed in Minangkabau proverbs and oral philosophy can be transformed into a choreographic method. This study employs a research-based creation method involving observation, interviews, literature review, documentation, data analysis, movement exploration, exploration of space-time-energy, property experimentation, rehearsal, and performance. The creation process reveals that the pattern of merantau can be structured into three dramatic parts: the encouragement to migrate, the ability to socialize and adapt in a new environment, and the longing for the homeland. These structures are embodied through movements derived from Minangkabau pencak silat, everyday gestures, shifting floor patterns, the use of sarong and white fabric, Minangkabau musical idioms, and religious expressions associated with the memory of the surau. The article argues that merantau can be understood not only as social mobility but also as a creative method for producing contemporary dance based on tradition.
Co-Authors Ariefin Alham Jaya Putra Ariefin Alham Jaya Putra Dini Rahdatul Aisy Eduard Zebua Eva Riyanti Fattahul Anugraha Muhammad Fikri Putri Sylvi Ravina Sri Meiweni Basra Susas Rita Loravianti Syahril Syahril Wahida Wahyuni Zulfikar Rizki Ananda