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All Journal Melayu Arts and Performance Journal Menulis: Jurnal Penelitian Nusantara Jejak digital: Jurnal Ilmiah Multidisiplin
Eva Riyanti
Institut Seni Indonesia Padangpanjang
Arts Humanities Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Social Sciences Other

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Perkembangan Tari Kuda Kepang sebagai Media Promosi Wisata Budaya di Kabupaten Kepahiang Provinsi Bengkulu Niken Novrianti; Eva Riyanti; Rasmida Rasmida; Syahril Syahril
Jejak digital: Jurnal Ilmiah Multidisiplin Vol. 2 No. 4 (2026): JUNI-JULI
Publisher : INDO PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/ppyz2993

Abstract

This study aims to determine the development of the Kuda Kepang Dance as a medium for cultural tourism promotion in Kepahiang Regency, Bengkulu Province. This research employs a qualitative method with a descriptive analysis approach. The results indicate that the Kuda Kepang dance was introduced to Kepahiang Regency in the 1930s through the Javanese transmigration program during the Dutch colonial era. Since 2023, the dance has undergone significant development led by choreographer Eigmal, who implemented creative reconstructions and innovations across movement elements, musical accompaniment, dancers, makeup, costumes, properties, floor patterns, and performance venues. Despite these modern modifications to suit contemporary entertainment and aesthetic demands, the Kuda Kepang dance preserves its core values and traditional roots. Furthermore, the dance effectively serves as a promotional tool for regional cultural tourism in collaboration with Kepahiang's natural tourism potential, while simultaneously fulfilling social, entertainment, cultural identity, and economic functions for the local community.
Karya Tari Galuik Dantiang Piriang di Era Digital: Kajian Eksistensi Elfira Rosa Nasution; Yesriva Nursyam; Eva Riyanti; Auliana Mukhti Maghfirah
Jejak digital: Jurnal Ilmiah Multidisiplin Vol. 2 No. 4 (2026): JUNI-JULI
Publisher : INDO PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/8wtbkq87

Abstract

This study analyzes how the current digital era significantly influences the way the Galuik Dantiang Piriang dance is recognized, valued, and sustained; it aims to understand how this dance continues to thrive in the digital age. A qualitative research method was employed. Drawing on Jean-Paul Sartre’s theory that "existence precedes essence" meaning something acquires meaning through its actual existence and continued presence via actions and lived processes the study reveals that the dance is flourishing both on digital platforms and within the community, as technological advancements facilitate its continued development and preservation.
Eksistensi Tari Tanduak Dalam Kehidupan Sosial Dan Budaya Masyarakat Nagari Lubuak Tarok Kabupaten Sijunjung Provinsi Sumatera Barat Latrid Novdillah; Eva Riyanti; Auliana Mukhti Maghfirah; Syielvi Dwi Febrianty
Menulis: Jurnal Penelitian Nusantara Vol. 2 No. 7 (2026): Menulis - Juli
Publisher : PT. Padang Tekno Corp

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59435/menulis.v2i7.1377

Abstract

Penelitian ini membahas eksistensi Tari Tanduak dalam kehidupan sosial dan budaya masyarakat Nagari Lubuak Tarok Kabupaten Sijunjung Provinsi Sumatera Barat. Tari Tanduak merupakan kesenian tradisional yang berakar dari gerakan silek Minangkabau. Penelitian ini bertujuan mendeskripsikan eksistensi Tari Tanduak dalam kehidupan sosial dan budaya masyarakat Nagari Lubuak Tarok, Kabupaten Sijunjung, Provinsi Sumatera Barat. Penelitian menggunakan metode kualitatif dengan pendekatan deskriptif analisis. Data diperoleh melalui observasi, wawancara, dan dokumentasi, kemudian dianalisis menggunakan teknik triangulasi. Analisis pada penelitian ini menggunakan teori Y. Sumandiyo Hadi yang memandang tari dari perspektif sosiologi dan antropologi. Hasil penelitian menunjukkan bahwa Tari Tanduak tetap eksis sebagai warisan budaya yang masih dipertahankan dan dipentaskan dalam berbagai kegiatan adat dan budaya, seperti Bakaua Adat, Batagak Panghulu, Alek Nagari, dan penyambutan tamu. Eksistensi Tari Tanduak juga terlihat dari tetap dipertahankannya unsur-unsur pertunjukan serta nilai-nilai budaya yang terkandung di dalamnya, seperti penghormatan, kebersamaan, musyawarah, dan penghargaan terhadap warisan leluhur. Keberlangsungannya didukung oleh proses pewarisan kepada generasi muda, peran tokoh adat, seniman, masyarakat, dan pemerintah daerah. Meskipun menghadapi tantangan akibat perkembangan zaman dan berkurangnya minat generasi muda, Tari Tanduak tetap menjadi identitas budaya masyarakat Nagari Lubuak Tarok.
Kreativitas Musrizal Pada Sanggar Seni Karang Taruna Dalam Mengembangkan Tari Piring Arak-Arakan Pada Masyarakat Nagari Batu Banyak Kabupaten Solok  Provinsi Sumatera Barat Monicha Antoni; Ninon Syofia; Hardi Hardi; Eva Riyanti
Jejak digital: Jurnal Ilmiah Multidisiplin Vol. 2 No. 1 (2026): JANUARI
Publisher : INDO PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/6r15vr65

Abstract

This study aims to discuss Musrizal's Creativity at the Karang Taruna Art Studio in Developing the Arak-arakan Plate Dance in the Batu Banyak Nagari Community, Solok Regency, West Sumatra Province. The method used in this study is a qualitative method with a descriptive-analytical approach, namely describing real data as found in the field and then analyzing it in depth. This study uses theories or expert opinions including the opinion of Y Sumandiyo Hadi about dance forms, and the opinions of Conny R Semiawan and Surya Pena Gemilang about creativity. The results of this study indicate that this Arak-arakan plate dance as a form of entertainment developed by Tri Murni, agreed by traditional leaders and community leaders of Batu Banyak Nagari, to be performed during the bridal procession either from the house of the groom's bako (marapulai) or from the house of the bride's bako, (anak daro), can also be performed at the procession from the bride's house to the groom's house (marapulai).
Perkembangan Tari Tirik Lalan Masyarakat Banjar di Tembilahan, Provinsi Riau Dini Rahdatul Aisy; Wahida Wahyuni; Eva Riyanti; Suaida Suaida
Jejak digital: Jurnal Ilmiah Multidisiplin Vol. 2 No. 4 (2026): JUNI-JULI
Publisher : INDO PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/w92dkc29

Abstract

This study aims to examine and describe the development of the Tirik Lalan Dance among the Banjar community in Tembilahan, Riau Province. Tirik Lalan Dance is a traditional paired dance characteristic of the Banjar ethnic group who migrated to Tembilahan through trade routes. Over time, this dance has undergone choreographic development due to interaction with the local Malay culture. This study uses a qualitative method with a descriptive analytical approach, and is analyzed using the Cultural Development Theory by Linton, the Cultural Ecology Theory by Steward, and the Choreography Theory by Y. Sumandio Hadi. Data was collected through literature study, observation at Sanggar Citra Sebati, in-depth interviews with traditional artists, and documentation. The results of this study show that development occurred in three main elements of presentation, namely movement, music, and costume. The movements that were originally straightforward and open as typical of Banjar developed into more subtle, closed, and symbolic forms, adapting to Islamic values and Malay aesthetics, such as the integration of Malay salutation and soft steps resembling Zapin. The accompanying music developed with variations of the gambus and accordion. Meanwhile, the dancers' costumes transitioned from Baju Kurung Basisit to Kebaya Labuh and Songket with Pucuk Rebung motifs. This development proves a dynamic cultural adaptation without eliminating the original philosophical values of the dance.
The Creative Efforts of the Arra’Sye Pelayangan Community in Promoting and Developing the Arab-Malay Zapin Dance in Jambi City Cynthia Pahni Maharani; Eva Riyanti; Adjuoktoza Rovylendes; Syielvi Dwi Febrianty
Melayu Arts and Performance Journal Vol 8, No 2 (2025): Melayu Arts and Performance Journal
Publisher : Pascasarjana Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/mapj.v8i2.5502

Abstract

This study examines the creativity of the Arra’sye Pelayangan community in developing the Arab-Malay Zapin dance in Jambi City. The Arab-Malay Zapin is a performing art resulting from the cultural interaction between Arab and Malay traditions, carrying strong historical, aesthetic, and religious values within the Pelayangan community. The aim of this research is to analyze the creative strategies employed by the community to preserve and further develop the dance so that it remains relevant within contemporary cultural contexts. This study utilizes a qualitative approach with data collected through interviews, observation, and documentation. The analysis is based on theories of creativity and dance form. The findings show that the Arra’sye Pelayangan community has introduced innovations in movement structure, floor patterns, musical accompaniment, costumes, and performance presentation while maintaining the authenticity of traditional values. The community also ensures regeneration through regular training and by involving local youth in various performances. Additionally, contemporary adaptations in aesthetics and staging are implemented to enhance the appeal of the dance to younger audiences. These creative efforts demonstrate that traditional performing arts can continue to grow through a balanced approach that integrates cultural preservation with contemporary artistic needs.
Co-Authors Adjuoktoza Rovylendes Auliana Mukhti Maghfirah Cynthia Pahni Maharani Dini Rahdatul Aisy Elfira Rosa Nasution Hardi Hardi Latrid Novdillah Monicha Antoni Niken Novrianti Ninon Syofia Rasmida Rasmida Suaida Suaida Syahril Syahril SYIELVI DWI FEBRIANTY Wahida Wahyuni Yesriva Nursyam