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All Journal MAKNA: Jurnal Kajian Komunikasi, Bahasa dan Budaya
Endang Suryana Priyatna
Universitas Islam 45 Bekasi
Humanities Languange, Linguistic, Communication & Media Other

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Three Lions of Batavia Endang Suryana Priyatna
Makna: Jurnal Kajian Komunikasi, Bahasa, dan Budaya Vol 2 No 1 (2011): MAKNA : Jurnal Kajian Komunikasi, Bahasa dan Budaya
Publisher : Fakultas Komunikasi, Sastra, dan Bahasa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33558/makna.v2i1.766

Abstract

Kota Tua merupakan salah satu cagar budaya (cultural conservation zone) dan sejarah kota Jakarta. Di area ini, khususnya di area Taman Fatahillah dan Glodok, terdapat banyak peninggalan artefak budaya (cultural artifact) dan praktek budaya (cultural practices) yang memberikan penarasian aspek-aspek spatialitas (spatiality) dan etnisitas(ethnicity) kota Jakarta. Pusat dari penarasian ini adalah Museum Sejarah Kota Jakarta/ Museum Fatahillah yang didirikan di atas bekas balai kota Batavia, stadhuis. Posisi ini, menempatkan Museum Sejarah Kota Jakarta berada dalam dua posisi narasi; 1) posisi narasi yang mengacu pada spatialitas dan etnisitas masa lalu (Past Narrative) dan 2) posisi narasi yang mengacu pada konteks kekinian (Present Narrative). Hal ini memunculkan pertanyaan tentang narativitas (narrativity) penarasian sejarah kota Jakarta. Karena itu, penelitian difokuskan pada: 1) sudut pandang yang dipergunakan dalam penarasian melalui sequent koleksi museum dan kronologis sejarah (timeline) dan 2) konsep dan ideology yang berusaha dikonstruksi maupun yang mengkonstruksi narasi dalam narasi.Dengan menggunakan metode penelitian etnografi dalam Cultural Studies dan beberapa pendekatan kritis (critical theories) terutama konsep-konsep Bourdieu mengenai social space and symbolical power dan konsep spatialitas dan etnisitas Lefebvre, penelitian menunjukan bahwa narasi mengenai sejarah kota Jakarta tidak terlepas dari konteks budaya politik (cultural politic) dan politik identitas (politic of identity) dari sudut pandang dan kepentingan otoritas dalam mengkonstruksi pemaknaan mengenai spatialitas dan etnisitas kota Jakarta. Keanekaragaman etnisitas dan latar budaya yang merupakan peninggalan dari aliran budaya global masa lalu (global cultural flow) diterjemahkan, dikonsepsikan, dan diacukan pada satu etnisitas dan budaya pribumi dan lokal. Konteks inilah yang akhirnya menyebabkan invisibilitas (invisibility) identitas budaya beberapa etnis dalam narasi sejarahkota Jakarta.
KONFIGURASI IDENTITAS DAN PARTISIPASI PUBLIK DALAM TWITTER Endang Suryana Priyatna
Makna: Jurnal Kajian Komunikasi, Bahasa, dan Budaya Vol 2 No 2 (2012): MAKNA : Jurnal Kajian Komunikasi, Bahasa dan Budaya
Publisher : Fakultas Komunikasi, Sastra, dan Bahasa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33558/makna.v2i2.772

Abstract

Living in a globalized world where information dominates every a pect of life, our access to social reality seems to be in a mediated by media. Whether it is realized or not, media constructs our perceptions and rea tions toward the reality through representations it projects. Out of so many things mediated by the media, representation of certain identities is one example of how media constructs our perception. Through the narration and narrative it creates and narrates, media constructs and represents certain perceptions towards the objects and subjects of representations. From this context, we can argue that media holds ‘a regime of truth’ or an apparatus of institutions which hold power over access to knowledge, access to reality. However, the uprising of internet as the new media gives a new construction and configurations towards the mediations and modes of representations.Applying theories on the new media proposed by Mark Poster and Katherine Hayles, the research is focused and contextualized toward the analysis of Twitter as one of social media in the internet environment. The analysis is directed toward how certain identities are being represented and how the representation is reacted. Contextualizing to twitter user in Indonesia, I take the representation of two opposing Islamic group: Islamic Defender Front (FPI) and Liberal Islam Network (JIL) as my analysis. The research shows that 1) the representation and reaction toward those two groups in Twitter is constructed through user anonymity and parody, image disappropriation and caricatures, and hash tags. 2) These modes of representations cannot be separated from the existing stereotypes of those groups. 3) The old media’s role in constructing the representation is by giving certain basic assumptions about those groups.
IDEOLOGI DAN POPULAR CULTURE Endang Suryana Priyatna
Makna: Jurnal Kajian Komunikasi, Bahasa, dan Budaya Vol 3 No 1 (2012): MAKNA : Jurnal Kajian Komunikasi, Bahasa dan Budaya
Publisher : Fakultas Komunikasi, Sastra, dan Bahasa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33558/makna.v3i1.778

Abstract

During New Order Regime (Orba) in Indonesia, Pancasila was conceptualized and internalized as the state and national ideology. However, the regime turned it into a state control ideology, legitimizing repressive act conducted by the state. Nowadays, in the period of post new order regime, the calls to return to the reconceptualization and reinternalization of Pancasila seem to be very immanent. At least, that is what can be inferred and interpreted from the speech given by four national leaders during the commemoration of the birth of Pancasila in 1 June 2011. This essay tries to analyze how the ideas of reconceptualization of Pancasila as state ideology are conferred in the speech. By relating the speech to certain discursive formations surrounding Pancasila and recent cultural phenomenon and practices in Indonesian public sphere, the essay tries to contest the validity of such conceptualizations. The result shows that Pancasila as state ideology seems to be irrelevant and obscured in the cultural practices and activities of the public. It shows that Pancasila resides at the heart of the political elites, but not inside the everyday life
THE LANDSCAPE MEMORY: THE SPECTACULAR, THE AUDIBLE, AND THE BODY Endang Suryana Priyatna
Makna: Jurnal Kajian Komunikasi, Bahasa, dan Budaya Vol 1 No 2 (2016): MAKNA : Jurnal Kajian Komunikasi, Bahasa dan Budaya
Publisher : Fakultas Komunikasi, Sastra, dan Bahasa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33558/makna.v1i2.809

Abstract

This essay begins with a simple observation on a popular drawing theme: landscape drawing. The image of the landscape appears to be unchanging nevertheless the landscape itself was rapidly transformed as a result of Indonesian developmental and modernisationprogrammes. The essay attempts to argue that the image is a form of cultural memory: a memory about the nature, the mother nature, and the motherland. Under the New Order regime, the link between the image and the memory was (re)used for disciplinary action to maintain order and stability. This was articulated in the form of cultural practices. In this essay, SenamKesegaranJasmani (Massphysical exercises) and UpacaraBendera (Flag ceremony) are the cultural practices under discussion. Both practices are analysed as disciplinary action towards the body by means of internalisation, memorisation, and reproduction of the landscape through physical movement and auditioning (power of hearing and listening). The essay offers a non conclusive conclusion that these practices are linked to the formation of collective memory of being a nation.
IMITATION AND FALSE IDENTITY Endang Suryana Priyatna
Makna: Jurnal Kajian Komunikasi, Bahasa, dan Budaya Vol 1 No 2 (2010): MAKNA : Jurnal Kajian Komunikasi, Bahasa dan Budaya
Publisher : Fakultas Komunikasi, Sastra, dan Bahasa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33558/makna.v1i2.1058

Abstract

Dalam konteks dunia pascakolonial dan pascamodern, pertanyaan tentang (jati) diri dan identitas merupakan isu yang sangat krusial. Pertanyaan tentang siapa saya, dia, kami (kita), atau mereka merupakan pertanyaan yang sulit untuk dijawab. ‘Ketidak-keterjawaban’ini, biladilihatdari prespektif kritik pascakolonial dan pascamodern tidak terlepas dari telah tercerabutnya akar-akar identitas, originalitas, dan keutuhan diri, sebagai efek dari kolonialisasi, modernisasi, dan kapitalisme global. Dari prespektif inilah, esai ini mencoba membahas dan menunjukan bahwa konsep tentang ‘diri’ ‘kita (kami/saya)’ tidak terlepas dari konstruksi dan penarasian ‘diri’ ‘lian’ (Barat, eks-kolonial, kapitalis) terhadap ‘diri’ ‘kita’ melalui serangakaian narasi kolonialisasi/imperialisme, modernisasi, kapitalisme, dan demokrasi. Selain itu, persepsi mitos (mythical) bahwa ‘mereka’ (Barat) lebih dari ‘kita’ dan sebaliknya ‘kita’ kurang dari ‘mereka’ tidak terlepas dari narasi-narasi ini
INTERFERENSI AURAL DALAM LANSKAP KOTA Endang Suryana Priyatna
Makna: Jurnal Kajian Komunikasi, Bahasa, dan Budaya Vol 3 No 2 (2018): MAKNA : Jurnal Kajian Komunikasi,Bahasa, dan Budaya
Publisher : Fakultas Komunikasi, Sastra, dan Bahasa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33558/makna.v3i2.1526

Abstract

This article is a preliminary research on the study of urban soundscape, especially soundscape of City of Bekasi. Sounds and voices shaping the soundscape are analysed as cultural artefacts and products of urban cultural practices. Loudspeakers and their uses are the cultural artefact under scrutiny. This analysis owes to critical and theoretical approaches in sound studies. In its position as a preliminary research and writing, this article aims to unpack and portray the complexities of acoustic phenomena in urban space and its everyday life. The article tries to argue that urban soundscape relates to certain discourses surrounding urban cultural practices such as the discourse of modernity, consumerism, and capitalism.
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