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All Journal Melayu Arts and Performance Journal Musica: Journal of Music Scoring: Journal of Film Music
Aluna Aluna
Institut Seni Indonesia Padangpanjang
Arts Humanities Languange, Linguistic, Communication & Media

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Sampelong Batu Putiah: Komposisi Musik untuk Orkestra Aluna Aluna; Hadaci Sidik; Delfi Enida
MUSICA : Journal of Music Vol 1, No 1 (2021): MUSICA: JOURNAL OF MUSIC
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (659.899 KB) | DOI: 10.26887/musica.v1i1.1720

Abstract

Sampleong as one of the traditional Minangkabau music that grows and develops in the Tolang Mau area, kec. Please, kab. 50 Kota has a unique and interesting musical idiom to be developed as a musical idea in the creation of new musical compositions. Sampleong is a traditional Minangkabau music performance that is performed in a duet between a singer and a sample of wind music player. At the beginning of its growth, it had a mystical feel, but along with the development of religion and culture, it turned into a function of entertainment music. This mystical atmosphere is reflected in the melodic aesthetics of the songs contained in the sampleong music. Sampleong music has several songs, one of which is Batu Putiah. In this paper, the melody of the sampleong Batu Putiah is taken as the basis for the creation of a thematic new musical composition that is worked on in an orchestral format. This material was worked out through examination of, exploration, and experimentation of musical elements, so that it became a new musical that represents the journey of Sampelong without losing the distinctiveness of Sampleong itself.Keywords: Sampelong, Batu Putiah, CompositionABSTRAKSampelong sebagai salah satu musik tradisional minangkabau yang tumbuh dan berkembang di daerah Tolang Mau, kec. Mungka, kab. 50 Kota memiliki idiom musikal yang unik dan menarik untuk dikembangkan sebagai ide musikal dalam penciptaan komposisi musik baru. Sampelong merupakan pertunjukan musik tradisional minangkabau yang ditampilkan secara duet antara penyanyi dan pemain musik tiup sampelong. Pada awal pertumbuhannya sampelong memiliki nuansa mistik, namun seiring dengan perkembangan agama dan kebudayaan, sampelong berubah fungsi menjadi musik hiburan. Suasana mistik ini tergambar dalam estetika melodi yang dimiliki oleh lagu-lagu yang terdapat pada musik sampelong. Musik sampelong memiliki beberapa lagu, salah satunya adalah Batu Putiah. Pada tulisan ini, melodi lagu sampelong Batu Putiah diambil sebagai dasar terciptanya sebuah tematik komposisi musik baru yang digarap ke dalam format orkestra. Komposisi ini digarap melalui identifikasi, eksplorasi, dan eksperimentasi terhadap unsur-unsur musikal, sehingga menjadi musikal baru yang mewakili perjalanan Sampelong tanpa menghilangkan ciri khas dari Sampelong itu sendiri.Kata Kunci: Sampelong, Batu Putiah, Komposisi
Musik Militer di Kodiklat TNI AD Babakan Ciamis, Bandung (Military Music at the Kodiklat TNI AD Babakan Ciamis, Bandung) Akbar, Rahmat; Asril, Asril; Gusrizal, Gusrizal; Aluna, Aluna
Musica: Journal of Music Vol 3, No 1 (2023): MUSICA : JOURNAL OF MUSIC
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/musica.v3i1.3251

Abstract

ABSTRAKMusik militer adalah salah satu aspek penting dalam kegiatan militer di Indonesia, khususnya di Kodiklat TNI AD Babakan Ciamis, Bandung. Musik militer terdiri dari beberapa jenis dan digunakan dalam berbagai kegiatan kemiliteran, baik kegiatan sehari-hari, maupun kegiatan-kegiatan khsusus lainnya yang diselenggarakan angkatan militer. Pada penelitian ini dikasifikasikan fungsi dan tujuan musik dalam kegiatan militer, khususnya di Kodiklat TNI AD Babakan Ciamis, Bandung. Penelitian ini menggunakan metode pendekatan kualitatif deskriptif dan sumber data dari wawancara dan studi pustaka di angakatan militer Kodiklat Babakan Ciamis, Bandung. Data yang diambil dalam penelitian ini adalah jenis musik militer, tujuan, dan fungsi musik dalam kegiatan militer di Kodiklat TNI AD Babakan Ciamis, Bandung.Kata Kunci: Musik Militer; jenis musik; Fungsi ABSTRACTMilitary music is an important aspect of military activities in Indonesia, especially at the Babakan Ciamis Army Kodiklat, Bandung. Military music consists of several types and is used in various military activities, both daily activities and other special activities organized by the military. In this study, the functions and purposes of music were classified in military activities, especially in the Babakan Ciamis Army Kodiklat, Bandung. This study uses a descriptive qualitative approach and data sources from interviews and literature studies at the military training center, Babakan Ciamis Kodiklat, Bandung. The data taken in this study are the types of military music, the purpose, and the function of music in military activities at the Babakan Ciamis Army Kodiklat, Bandung.Keywords: Military Music; type of music; Function
Structure of Nang Gumalunsang Angka Laut Toba Batak Song in Sisolu-Solu Village, North Sumatera Pintu Batu, Wanda; Wati, Rosmega; Aluna, Aluna
Scoring: Journal of Film Music Vol 2, No 2 (2024): Scoring Jurnal of Film Music
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/scoring.v2i2.4908

Abstract

The song 'Nang Gumalunsang Angka Laut' is one of the popular Batak Toba songs that is often performed at certain events such as church services, mourning ceremonies, and entertainment. The research location was in the village of Sisolu-solu, Sumbul District, North Sumatra. The song studied was performed in the SATB choral format and arranged by Mr. Edy Dh Siahaan, S.Th. This research aims to analyze the structure of the choral song titled 'Nang Gumalunsang Angka Laut'. This research uses a qualitative method with a descriptive analysis approach, with the intention of revealing and describing the analysis of the structure of the choral song. The data collection techniques used were observation, interviews, and documentation. The data analysis techniques include data reduction, data presentation, and conclusion drawing. The result of this research is the revealing of the form of the song 'Nang Gumalunsang Angka Laut', which in this research consists of three parts form song , with a melodic line that has similarities (parallel), and has an irregular phrase (more than 4 bars).
PEMBELAJARAN LAGU “PISO SURIT” BENTUK ANSAMBEL CAMPURAN DI GEREJA BATAK KARO PROTESTAN PADANG Eldika Eldika; Anton Kustilo; Randi Restu Hadi; Della Rosa; Aluna Aluna
Musica: Journal of Music Vol 6, No 1 (2026): MUSICA : JOURNAL OF MUSIC
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/musica.v6i1.6009

Abstract

Penelitian yang berjudul “Pembelajaran Lagu Piso Surit dalam Bentuk Ansambel Campuran” ini bertujuan untuk mengetahui sejauh mana kemampuan peneliti dalam memberikan pembelajaran seni musik kepada kaum muda di gereja GBKP Padang. Lagu Piso Surit diaransemen ulang ke dalam format ansambel musik dengan beberapa instrumen seperti keteng-keteng, penganak, piano, gitar elektrik, gitar bass, dan drumset. Metode penelitian yang digunakan adalah metode kualitatif berupa penelitian tindakan kelas, dengan tujuan untuk memecahkan masalah yang ditemukan dalam proses pembelajaran di lapangan. Dalam proses penelitian dan pengajaran, peneliti menggunakan teori musik Aaron Copland yang digunakan sebagai alat bantu untuk memahami unsur-unsur dasar musik, seperti melodi, harmoni, dan ritme. Pembelajaran yang diajarkan sesuai dengan ilmu musik konvensional sehingga dapat meningkatkan kemampuan siswa dalam memainkan musik dengan baik dan benar
Fantasia Nandong dalam Format Combo Orchestra Harry Putra Wardana; Ibnu Sina; Della Rosa; Hadaci Sidik; Aluna Aluna
Musica: Journal of Music Vol 5, No 2 (2025): MUSICA : JOURNAL OF MUSIC
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/musica.v5i2.5996

Abstract

Fantasia Nandong merupakan karya komposisi musik fantasia dua bagian yang dikembangkan dari syair tradisi nandong, sebuah tradisi lisan masyarakat Indragiri Hulu yang berfungsi sebagai media penyampaian nasihat dan nilai moral melalui nyanyian pengantar tidur anak. Penciptaan karya ini bertujuan mentransformasikan karakter melodi, struktur musikal, dan ekspresi estetis nandong ke dalam bentuk komposisi musik baru dengan format combo orchestra. Metode penciptaan meliputi studi pustaka, wawancara dengan pelaku tradisi, serta tahapan eksplorasi dan eksperimentasi musikal yang diwujudkan melalui notasi balok menggunakan perangkat lunak Sibelius. Hasil penciptaan menunjukkan bahwa melodi nandong yang bersifat fleksibel dan diatonis dapat dikembangkan secara bebas melalui pengolahan tema, harmoni tonal dan polifonik, serta penerapan teknik unisono dan call and response. Karya ini tidak hanya menghadirkan bentuk musikal baru, tetapi juga menjadi upaya revitalisasi tradisi lisan nandong dalam konteks musik orkestra modern.
Tuju: Arketipe’s impression of Pakasiah In Music Composition “Jerat” Aluna Aluna
Melayu Arts and Performance Journal Vol 8, No 1 (2025): Melayu Arts and Performance Journal
Publisher : Pascasarjana Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/mapj.v8i1.4177

Abstract

Pakasiah is one of the mystical phenomena found in the Koto Nan Gadang area, Payakumbuh City. Pakasiah is performed to subdue or conquer a spouse, done by a wife towards her husband. The event of Pakasiah is portrayed in a music composition  titled 'Jerat' which is developed using a Psychoanalytic approach, where aspects found in the perpetrators involved in the Pakasiah event are concluded, namely the desire and purpose behind performing Pakasiah. This desire is rooted in the human subconscious, like fears, desires, and so on that are embedded within oneself, referred to as shadow’s archetypes. These aspects are then analogized to musical elements that have relevance to works with extra-musical ideas. This music composition is developed through stages including exploration, material identification, and application with an Impressionist musical style approach. Overall, the work Jerat has the structure with the name Tuju, which embodies the archetypal aspect of the performer Pakasiah then developed into a musical composition in ensemble format.
Co-Authors Akbar, Rahmat Anton Kustilo ASRIL ASRIL Delfi Enida Della Rosa Eldika Eldika Gusrizal Gusrizal Hadaci Sidik Harry Putra Wardana Ibnu Sina Pintu Batu, Wanda Randi Restu Hadi Wati, Rosmega