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All Journal Musica: Journal of Music Scoring: Journal of Film Music
Panggabean, Della Rosa
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Pertunjukan Solis Gitar dengan Repertoar Concerto in D Major Rv 93, Laila Canggung, dan Ephiphany (Guitar Solis Performance with Repertoire Concerto in D Major Rv 93, Laila Awkward, and Ephiphany) Seption, Moch Faisal; Supriando, Supriando; Panggabean, Della Rosa; Andranofa, Andranofa
Musica: Journal of Music Vol 3, No 1 (2023): MUSICA : JOURNAL OF MUSIC
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/musica.v3i1.3484

Abstract

Artikel ini memuat tentang pertunjukan repertoar gitar dan analisis permainan karya seni musik instrumen gitar klasik dan elektrik dengan repertoar yang dipilih yaitu Concerto In D Major, Laila Canggung dan Ephiphany. Analisis yang dihadirkan berupa permainan teknik gitar klasik serta gitar elektrik seperti Tirando dan appoyando, Apergio Right Hand, Legato, Barrer, Palm Mute, Vibrato, Slide dan Bending, Form Musik, gaya dan genre, serta metode pertunjukan. Ketiga repertoar yang dipilih ditinjau dari tingkat kesulitan sebagai bentuk pencapaian dari hasil pembelajaran musik di kampus ISI PadangpanjangKata Kunci: Pertunjukan Solois; Teknik Gitar Klasik dan Elektrik; Repertoar; ConcertoABSTRACTThis article contains an repertoire show and analysis of the playing of classical and electric guitar instruments with the selected repertoire of Concerto In D Major, Laila Canggung and Ephiphany. The analysis presented is in the form of playing classical guitar and electric guitar techniques such as Tirando and appoyando, Right Hand Apergio, Legato, Barrer, Palm Mute, Vibrato, Slide and Bending, Music Form, style and genre, and performance methods. The three repertoires chosen are reviewed from the level of difficulty as a form of achievement from the results of music learning at the ISI Padangpanjang campus.Keywords: Soloist Performance; Classical and Electric Guitar Technique; Repertoire; Concerto
Babunyi: Recomposition of Materak Art in Minimalist Music Concept Al Mubaraq, M. Habib; Panggabean, Della Rosa; Anggraini, Nora; Putra, Vindo Alhamda
Scoring: Journal of Film Music Vol 3, No 1 (2025): Scoring Jurnal of Film Music
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/scoring.v3i1.5547

Abstract

The musical composition “Babunyi” (a recomposition of Materak art in the minimalist music concept) is inspired by one of the kompang patterns found in Materak art, specifically the Kurang 1 pattern, which consists of the Induk (parent), Anak 2 (second child), and Anak 3 (third child) patterns. The concept of "Babunyi" utilizes a minimalist music approach, processed using the harmonic minor scale, and will be realized in a mixed ensemble format. The creation method for this work consists of three stages: exploration, experimentation, and realization. There are three structural processes in this composition: I (restricted pitch and rhythm materials), II (phasing), and III (long duration). The conclusion drawn is the use of minimal patterns followed by gradual changes until a complete musical composition is achieved.  Keywords : Materak, Kompang, Kurang 1, Minimalist Music, Mixed Ensamble.
Co-Authors Al Mubaraq, M. Habib Andranofa, Andranofa Nora Anggraini Putra, Vindo Alhamda Seption, Moch Faisal Supriando, Supriando