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All Journal Jurnal Invensi (Jurnal Penciptaan dan Pengkajian Seni) International Journal of Community Service (IJCS)
Hartati M
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Guna dan Fungsi Tari Bedana bagi Masyarakat Etnis Arab Melayu Jambi Hasnah Sy, Sy; Hartati M; Riswani Riswani
INVENSI Vol 4, No 1 (2019): Juni 2019
Publisher : Graduate School of the Indonesia Institute of the Arts Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (101.02 KB) | DOI: 10.24821/invensi.v4i1.2665

Abstract

Abstrak Etnik Arab Melayu merupakan salah satu sub-etnik Melayu Jambi. Mayoritas mereka bermukim di Desa Seberang yang berseberangan dengan Angso Duo Kota Jambi. Bedana berupa tarian dengan iringan ansambel musik gambus berkhas Arabic telah diwarisi secara turun-temurun dari leluhur mereka. Tulisan ini mengkaji aspek guna dan fungsi tari Bedana yang telah fungsional untuk memeriahkan dan memberi suasana hiburan bagi pelaksanaan berbagai upacara berciri khas budaya Islami yang dimiliki masyarakat etnis Arab Melayu Jambi tersebut, sehingga tari Bedana menjadi identitas etnik Arab Melayu di tengah-tengah masyarakat etnis lain di Kota Jambi. Capaian tulisan ini berupa deskripsi kualitatif pada aspek guna tari Bedana sebagai pemeriah helat, hiburan, dan menjadi wadah komunikasi dalam sebuah interaksi sosial mereka. Pada sisi fungsi, tari ini berhubungan dengan aspek status sosial ekonomi masyarakat pendukung, identitas budaya, masalah keberlanjutan status budaya, dan sebagai penguat sosial budaya etnis Arab Melayu di Jambi. Abstract Ethnic of Malay Arab represent one of the Malay sub-ethnic of Jambi. Their Majority live in countryside defect which is beside with Angso Duo of Jambi Town. Bedana in the form of dance with music ensemble accompaniment of gambus typical of Arabic have inherit hereditaryly from their ancestor. This article study aspect use and function of Bedana dance which have functional to enliven and give entertainment amusement atmosphere to execution various ceremony have cultural special of Islami had by ethnical society of Arab Malay of Jambi, that Bedana dance become ethnic identity of medial Arab Malay of other ethnical society in Town of Jambi. This Performance Article in the form of descriptions qualitative at aspect utilize dance of Bedana as ceremonial of party, entertainment, and become the place of communications in a social interaction of them. At function side, this dance relate to social status aspect of supporter society economics, cultural identity, problem continue cultural status, and as social of ethnical culture of Arab Malay in Jambi.
Bungo Krinok Music from Local to Global Mahdi Bahar; Hartati M; Indra Gunawan; Fatonah; Uswan Hasan; Zulkarnain
IJCS: International Journal of Community Service Vol. 2 No. 1 (2023): IJCS: International Journal of Community Service
Publisher : PT Inovasi Pratama Internasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55299/ijcs.v2i1.701

Abstract

Bungo Krinok music is the result of research funded by LPDP for two years (2020 - 2023) in the form of a prototype of a new form of engineered music antithesis to the traditional krinok singing genre of the people of Bungo Regency, Jambi Province. The singing of krinok is accompanied by violin or the supporting community calls piul. The structure of the permanent krinok music composition is used as the main basis and the static framework in music engineering / creation becomes the form (genre) of music composition "Bungo Krinok". Creative and innovative efforts are carried out based on Research and Development methods (Research &; Development = R & D). The creative actions carried out are within the framework of engineering that does not eliminate or coerce certain treatments, thus potentially eliminating or defeating the essential of traditional krinok music itself. His research findings are in the form of a prototype form of Bungo Krinok Music which is implemented in three music models based on the ensemble format, namely the model: Children; Youth, and; Adult. This Bungo Krinok music genre based on local aesthetics is the first step towards the global artistic scene.
Co-Authors Bela Bela Fatonah Hasan, Uswan Hasnah Sy, Sy Mahdi Bahar Riswani Riswani Ulfa Dwi Candra Veithzal Rivai Zainal Zulkarnain