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Hasan, Uswan
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Transformation of Krinok to Bungo Krinok Music: The Innovation Certainty and Digital-Virtual Contribution for Cultural Advancement Mahdi Bahar; Johannes Johannes; Uswan Hasan; Indra Gunawan; Zulkarnain Zulkarnain; Hartati M; Fatonah Fatonah
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol 16, No 1 (2021)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/dewaruci.v16i1.3529

Abstract

Innovation is a certainty for the development of folk music. The use of digital technology is part of the creation of folk music in the sense of evolution itself. Krinok music is one of Jambi’s traditional music themes. This music genre is a cultural wealth that has great potential for artistic development and advancement. Musical systems, melodic contours, musical grammar, and interval patterns make up the distinctive character of krinok music. The normative freedom of the singing text’s spontaneous expression in presenting this musical entity and its changes is the entity that colors this uniqueness. The contribution of digital technology in processing krinok music has the potential for reproduction and publication as an integral part of the creative process itself. The placement of krinok music as cultural property is an effort to process it creatively. The result was the birth of new music as a transformation of Jambi folk music called “bungo krinok” music. This creative activity is an effort to progress the Indonesian nation’s culture.
RENTAK NANDUNG FORESTS IN FRAME COMPOSITION MUSIC Uswan Hasan; Rahayu Supanggah
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol 11, No 2 (2016)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (819.68 KB) | DOI: 10.33153/dewaruci.v11i2.2561

Abstract

AbstractForests are a source of life for living beings. Especially humans, forests serve as a place for food, medicine and “education”. Forests currently experiencing damage done by parties who are not responsible. This has led some aspects is hurt, such as; economic aspects and aspects of nature, and also have a negative impact on the life and culture to grow and flourish in it. This raises concerns, sadness, disappointment, and anger the people who live in the forest. This problem pengkarya lift and present in the works of the musical composition entitled “Forest In Frame Composition Music”. Performing the musical composition is also working with some actors who brought the traditional art of their traditional arts. This musical composition entitled “Rentak Nandung”3, which consists of four parts, the work, namely; “Nandung Tanah Tanjung”, “Satang Rimbo”, “Membentang Jolo”, and “Tabuh Tutup”. Each of these works gives a moral message about the importance of maintaining forest preservation. Musical composition is presented in Taman Budaya Jambi with a duration of 50 minutes.Keywords : Forests, work is a musical composition “Rentak Nandung”IntisariHutan merupakan sumber kehidupan bagi makhluk hidup. Khususnya manusia, hutan dijadikan sebagai tempat mencari makanan, obat-obatan dan “pendidikan”. Hutan saat ini sedang mengalami kerusakan yang dilakukan oleh pihak-pihak yang tidak bertanggung jawab. Hal ini menyebabkan beberapa aspek ikut dirugikan, seperti; aspek ekonomi dan aspek alam, serta juga berdampak negatif terhadap kehidupan dan kebudayaan yang tumbuh dan berkembang didalamnya. Hal ini menimbulkan keprihatinan, kesedihan, kekecewaan, dan kemarahan masyarakat yang tinggal di dalam hutan. Permasalahan ini pengkarya angkat dan hadirkan dalam karya komposisi musik yang bertajuk “Hutan Dalam Bingkai Komposisi Musik”. Pertunjukan komposisi musik ini juga berkerja sama dengan beberapa pelaku kesenian tradisi yang membawakan kesenian tradisi mereka. Komposisi musik ini diberi judul “Rentak Nandung”6, yang terdiri dari empat bagian, karya, yaitu; “Nandung Tanah Tanjung”, “Satang Rimbo”, “Membentang Jolo”, dan “Tabuh Tutup”. Masing-masing dari karya tersebut memberikan pesan moral akan pentingnya menjaga menjaga kelestarian hutan. Komposisi musik ini disajikan di Taman Budaya Jambi dengan durasi 50 menit.Kata Kunci : Hutan, Karya komposisi musik “Rentak Nandung”
Dari Krinok ke Bungo Krinok: Pemajuan Seni Musik Budaya Melayu Jambi Berkepribadian Menuju Persaingan Global Mahdi Bahar; Johannes Johannes; Uswan Hasan; Indra Gunawan; Hartati Hartati; Fatonah Fatonah; Zulkarnain Zulkarnain
Proceeding International Conference on Malay Identity Vol. 3 (2022): Desember 2022
Publisher : Jurusan Sejarah, Seni, dan Arkeologi, FKIP, Universitas Jambi

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Abstract

AbstractKrinok is one of the traditional music genres of the people of Jambi, is a treasure of musical culture and has the potential to be advanced. Its musical potential consists of several characters, especially the tone system, melodic contours, grenades, interval patterns, and circular musical journeys, as well as the normative freedom of expression of spontaneous singing texts in the presentation that characterizes this musical entity. In development as an effort to promote, several aspects mandated by the constitution (UUD-1945) are considered, namely, advancing in the midst of world civilization, and through development; (UU-RI) aims as an investment to build the nation's future and civilization, as well as personality. Efforts to advance from Krinok music to Bungo Krinok are manifested in three forms of model music, namely: children, youth and adults. Keywords: Krinok, bungo Krinok, advancement, personality, global
PENCIPTAAN KOMPOSISI MUSIK TARI TAMBO BAGIAN I: KEHIDUPAN Ramadhona Permana; Indra Gunawan; Uswan Hasan
Prabung Seni: Jurnal Pengkajian dan Penciptaan Seni Vol. 2 No. 1 (2023): Prabung Seni | Pengkajian dan Penciptaan Seni Pertunjukan (Juni 2023)
Publisher : Universitas Jambi

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Abstract

Kromong merupakan musik pengiring tari kain yang berasal dari Mandi Angin, Kabupaten Sarolangun. Tradisi ini dilakukan pada saat acara persta kerkawinan, acara adat lainnya. Dalam permainan kromong terdapat idiom musikal seperti scale ( tangga nada ), interval, dan motif. Tujuan penciptaan ini adalah untuk mentransformasikan ide musikal kromong menjadi komposisi musik tari Tambo Bagian I (kehidupan). Komposisi musik tari ini terinspirasi dari ekspresi yang muncul pada gerakan koreografi tari Tambo bagian-I dan memiliki ekspresi tenang, damai dan sejahtera yang dirasakan oleh masyarakat kampung Ujung Tanjung sebelum datangnya penjajah Belanda. Konsep Kehidupan yang dituangkan pada karya ini yaitu mengekspresikan aspek musikal yang berangkat dari kesenian musik tradisi kromong dan diinterpretasikan ke dalam karya komposisi musik tari Tambo: bagian-I (Kehidupan ) yang akan digarap menjadi sebuah pertunjukan musik secara kreatif dan inovatif dalam bentuk komposisi musik satu bagian bebas.
KRITIK ATAS EKSPLOITASI HUTAN DALAM PENCIPTAAN KOMPOSISI MUSIK RENTAK NANDUNG Uswan Hasan
Jurnal Cerano Seni | Pengkajian dan Penciptaan Seni Pertunjukan Vol. 2 No. 1 (2023): Cerano Seni | Pengkajian dan Penciptaan Seni Pertunjukan
Publisher : Universitas Jambi

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Abstract

Komposisi musik Rentak Nandung adalah karya yang berangkat dari kegelisahan atas penebangan hutan secara ilegal. Masalah ini berdampak pada seluruh aspek kehidupan, salah satunya kesenian. Salah satu kesenian yang terdampak dari penebangan ilegal adalah punahnya pohon marelang yang menjadi material dari alat musik tradisional Senandung Jolo. Karya tari ini menggunakan nada alas pentatonik. Metode penciptaan terdiri dari, pengamatan, penuangan, eksplorasi, pembentukan dan realisasi. Hasil dari proses penciptaan ini adalah karya musik Rentak Nandung yang terbagi menjadi empat bagian, yaitu Nandung Tanah Tanjung, Satang Rimbo, Membentang Jolo dan Tabuh Tutup.
Bungo Krinok Music from Local to Global Mahdi Bahar; Hartati M; Indra Gunawan; Fatonah; Uswan Hasan; Zulkarnain
IJCS: International Journal of Community Service Vol. 2 No. 1 (2023): IJCS: International Journal of Community Service
Publisher : PT Inovasi Pratama Internasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55299/ijcs.v2i1.701

Abstract

Bungo Krinok music is the result of research funded by LPDP for two years (2020 - 2023) in the form of a prototype of a new form of engineered music antithesis to the traditional krinok singing genre of the people of Bungo Regency, Jambi Province. The singing of krinok is accompanied by violin or the supporting community calls piul. The structure of the permanent krinok music composition is used as the main basis and the static framework in music engineering / creation becomes the form (genre) of music composition "Bungo Krinok". Creative and innovative efforts are carried out based on Research and Development methods (Research &; Development = R & D). The creative actions carried out are within the framework of engineering that does not eliminate or coerce certain treatments, thus potentially eliminating or defeating the essential of traditional krinok music itself. His research findings are in the form of a prototype form of Bungo Krinok Music which is implemented in three music models based on the ensemble format, namely the model: Children; Youth, and; Adult. This Bungo Krinok music genre based on local aesthetics is the first step towards the global artistic scene.
Japanese Colonialism Since The 19th Century Fatonah, Fatonah; Gusmahansyah, Risatri; Defrianti, Denny; Yanfaunnas, Yanfaunnas; Hasan, Uswan
Jurnal Ilmu Sosial Mamangan Vol 13, No 2 (2024): Special Issue: Jurnal Ilmu Sosial Mamangan, Accredited 2 (SK Dirjen Ristek Dikt
Publisher : LPPM Universitas PGRI Sumatera Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22202/mamangan.v13i2.7825

Abstract

This research will focus on studying the history of East Asia, how Japan became a colonial state since the 19th century. The intent and purpose of this research is to find out how the history of Japan's journey to becoming a colonialist country since the 19th century and becoming a very influential country. The method used by the author in this study is the historical research method which is divided into four stages, namely heuristics (collecting reference sources either books, journals, or articles from various sources related to the research theme) source criticism, interpretation (reinterpreting facts found), and historiography (writing the results obtained from this study). This is motivated by the emergence of imperialism which made several other countries form a colonial state. One of the countries in East Asia that adheres to imperialism is Japan, which in the end Japan became one of the countries with major influence in Asia including In Indonesia.
IDENTIFIKASI KARAKTERISTIK NYANYIAN TRADISIONAL MASYARAKAT KERINCI SEBAGAI DASAR PENCIPTAAN KARYA MUSIK INOVATIF Gunawan, Indra; Dekti, Gen; Handayani, Lusia; Hasan, Uswan
JURNAL EDUCATION AND DEVELOPMENT Vol 13 No 1 (2025): Vol 13 No 1 Januari 2025
Publisher : Institut Pendidikan Tapanuli Selatan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37081/ed.v13i1.6556

Abstract

Cipta karya musik tentu menuntuk aspek kreatifitas dalam pengolahanya. Salah satu dasar dari pengelolahan itu adalah material musik yang dapat dijakikan pijakan bagi pegnkarya. Dasar pada artikel ini yaitu musik tradisional masyarakat kerinci berupa mantra asyek pengobatan yang dinyanyikan oleh pelaku nya (dukun dan orang atau keluarga pasien). Mantra yang dinyanyikan ini tentu bersifat sakral dan penuh makna kesubliman sehingga mampu membuat orang (pasien) dapat yakin atas kesembuhan yang akan dirasakan. Peristiwa ini menjadi hal yang menarik bagi pengamat, terumata pengamat di bidang seni musik. Melihat apa yang terjadi dengan gelaja musikal yang hadir dapat memberi sumber inspirasi bai secara musikal maupun non musikal untuk dijadikan dasar pijakan atau dasar penciptaan musik itu sendiri. Untuk mengetahui lebih jauh bgmna gejala-gelaja musikal yang ada pada nyanyai mantra asyek pengobatan, maka hal yang dilakukan pertama selain observasi dan pengumpulan data yaitu identifikasi musikal yang akan menemukan idiom-idiom musiknya seperti interval nada, mitof melodi, dan teknik lainnya yang berhubungan dengan struktur musik. Setelah ini ditemukan, maka langkah selanjutnya adalah perwujudan menjadi karya musik inovatif.
Transtegrasi Ilmu dalam Persfektif Sejarah Filsafat Fatonah, Fatonah; Harianto, Neldi; Hasan, Uswan; Defrianti, Denny; Syarifuddin, Amir
Jurnal Ilmiah Universitas Batanghari Jambi Vol 24, No 2 (2024): Juli
Publisher : Universitas Batanghari Jambi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33087/jiubj.v24i2.5167

Abstract

This research aims to determine the historical development of philosophy and science as well as the transintegration of internal science from a philosophical perspective using the literature study method. Philosophy is considered to be the mother of science and is considered to be the first and last science which logically requires that other sciences be mastered, so that to understand philosophy one must also master other sciences, therefore philosophy can be transintegrated with various other sciences. In fact, to achieve true truth is knowledge. How philosophy can establish the transintegration of knowledge from various perspectives, one of which is history. To obtain the truth of philosophy when viewed from history. Human society, culture and the natural environment have a close relationship and are interconnected. This is what has structured and filled the history of philosophy with the various characteristics it carries and is inherent in. Based on these four things, philosophers generally divide philosophy into 4 (four) major traditions, namely Indian, Chinese, Islamic and Western philosophy. These 4 (four) great philosophical traditions gave birth to modern philosophy which then gave birth to the transintegration of science. Truth in philosophy and science is the truth of reason. Meanwhile, truth in religion is revelation. Thus, if philosophy, science and religion are united, there will be a transintegration of sophisticated and modern knowledge.
Co-Authors Aminuyati Amir Syarifuddin Defrianti, Denny Fatonah Fatonah Fatonah Gen Dekti Gusmahansyah, Risatri Handayani, Lusia Harianto, Neldi Hartati Hartati Hartati M Indra Gunawan Johannes Mahdi Bahar Mahdi Bahar MARIA BINTANG Nurdin, Fatonah Rahayu Supanggah Ramadhona Permana Veithzal Rivai Zainal Yanfaunnas, Yanfaunnas Zulham Zulham Zulkarnain