Articles
<![CDATA[EKSPRESI MUSIKAL RATOK SIKAMBANG DALAM BABIOLA ]]>
<![CDATA[Darmansyah, Darmansyah]]>;
<![CDATA[Bahar, Mahdi]]>;
<![CDATA[Nursyirwan, Nursyirwan]]>
<![CDATA[ Bercadik Vol 1, No 1 (2013): Bercadik | Diskursus Budaya Lokal ]]>
Publisher : <![CDATA[Institut Seni Indonesia Padangpanjang ]]>
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<![CDATA[Tulisan ini merupakan hasil penelitian tentang pertunjukan biola. Masyarakat Batang Kapas mengenalnya dengan istilah babiola. Penelitian bertujuan untuk mengetahui dan menganalisis salah satu repertoar lagu dalam pertunjukan biola, yang sangat dikenal oleh masyarakat setempat, yaitu ratok sikambang. Penelitian ini menerapkan metode kualitatif dengan pendekatan semiotik sebagai simbol budaya. Hasil penelitian memperlihatkan, bahwa tradisi babiola (pertunjukan biola) dengan ratok sikambang-nya merupakan simbol sosial mayarakat. Biola itu sendiri adalah sejenis alat musik tradisional yaitu sejenis instrumen gesek mirip biola (viol), dengan materi utamanya adalah penyampaian teks kaba (cerita). Salah satu repertoar lagunya yangterkenal adalah Ratok Sikambang. Ratok Sikambang diyakini sebagai lagu tradisional tertua dan memiliki karakteristik melodi dan teks. Isi teks lagu berupa imitasi bentuk isak tangis ratapan yang dipandang masyarakat pendukungnya sebagai representasi suasana sedih yang membatin, dan hal ini dialami tokoh legendaris Sikambang yang selalu dirundung penderitaan hidup. Penyajian tradisi Babiola dalam membawakan karakter lagu Ratok Sikambang disajikan secara eksrepsif oleh tukang biola (pemain biola) sebagai puncak ekspresi musikal.]]>
<![CDATA[BUDAYA EKOSISTEM SEBAGAI POTENSI PEMBANGUNAN BERWAWASAN KELESTARIAN LINGKUNGAN ]]>
<![CDATA[Bahar, Mahdi]]>
<![CDATA[ PROSIDING SEMINAR NASIONAL PROGRAM PASCASARJANA UNIVERSITAS PGRI PALEMBANG 2018: SEMINAR NASIONAL PENDIDIKAN 5 MEI 2018 ]]>
Publisher : <![CDATA[PROSIDING SEMINAR NASIONAL PROGRAM PASCASARJANA UNIVERSITAS PGRI PALEMBANG ]]>
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<![CDATA[This study discusses the ecosystem cultural issues and their potential for environmentally sound development in the Unitary State of the Republic of Indonesia. Two entities that need to be separated are the epistemological concept of culture and the concept of the state as an organization based on the law (constitution). These two entities are related, and will be explained and made into a conceptual foundation. Basically, communities in Indonesia have local ecosystem wisdom and intelligence as part of cultural system. The conception of local wisdom and intelligence they build is framed in harmony with the natural environment in which they live. Establishment of ecosystem values or norms into culture or tradition has close ties to nature as a source of economy - social welfare. Therefore, the alignment of the environment with the production process (economy) as well as other possibilities in the context of comfort, security, and even religion should be a calculation in taking policy. In certain contexts, sometimes it becomes preserved and even developed into a resource (potential) of development based on cultural sustainability. Keywords— Ecosystem culture, development, environmental sustainability]]>
<![CDATA[Peran Musik Tradisi Kelintang Tungkal Sebagai Prosesi Malam Beinai Masyarakat Kampung Nelayan Kabupaten Tanjung Jabung Timur ]]>
<![CDATA[Gunawan, Indra]]>;
<![CDATA[Bahar, Mahdi]]>;
<![CDATA[Aulia, Defni]]>
<![CDATA[ Journal of Education, Humaniora and Social Sciences (JEHSS) Vol 3, No 3 (2021): Journal of Education, Humaniora and Social Sciences (JEHSS) April ]]>
Publisher : <![CDATA[Mahesa Research Center ]]>
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DOI: 10.34007/jehss.v3i3.412
<![CDATA[This study aims to know the role of the Kelintang Tungkal music tradition as a musical tradition that lives and develops in the Kampung Nelayan Sub-District as a form of social integration and a developing musical structure. The structure is seen from the perspective of anthropologogical music, that Kelintang Tungkal was originally used by the community as accompaniment music in medical ceremonies but at this time the ceremony was no longer played because the myth of the local community that rolled the Kelintang Tungkal community had a strong magical element, so that these types of blows may not be made or played anywhere. Then the local community changed the function of the Kelintang Tungkal as an entertainment activity for the local community at wedding parties, welcoming traditional guests and as dance accompaniment music. Most of the data collected in this study were obtained from research on places and performances, interviews, and references related to writing about tungkal latitude, and were analyzed with qualitative approach. This study concludes that there has been a change in the Kelintang Tungkal performance that was originally used for medical ceremonies, because the functional factor of the Kelintang Tungkal performance turned into entertainment.]]>
<![CDATA[UNGKAPAN TRADISIONAL MASYARAKAT KERINCI SEBAGAI SENI BERTUTUR ]]>
<![CDATA[Sovia Wulandari]]>;
<![CDATA[Mahdi Bahar]]>
<![CDATA[ PARAFRASE : Jurnal Kajian Kebahasaan & Kesastraan Vol 20 No 2 (2020) ]]>
Publisher : <![CDATA[Universitas 17 Agustus 1945 Surabaya ]]>
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DOI: 10.30996/parafrase.v20i2.4248
<![CDATA[Bahasa Kerinci merupakan salah satu bahasa daerah yang ada di Indonesia yang masih hidup dan berkembang pada masyarakat Kerinci. Masyarakat Kerinci juga menggunakan bahasa sebagai kontrol sosial masyarakatnya yang tertuang dalam bentuk ungkapan. Tujuan penelitian ini yaitu untuk mendeskripsikan ungkapan tradisonal masyarakat Kerinci sebagai seni bertutur. Metode yang digunakan yaitu kualitatif deskriptif. Berdasarkan hasil penelitian, ungkapan tradisional sebagai seni bertutur yaitu adanya sikap kehati-hatian dalam menyampaikan maksud dan tujuan serta ketidaklangsungan makna atau arti dalam tuturan tersebut yang membuat tuturan tersebut indah. Ungkapan sebagai seni bertutur digunakan untuk melarang, menegur, menasihati, memerintah, menghukum, dan menyatakan aturan dalam masyarakat setempat. Selain itu, ungkapan tradisonal ini sebagai seni bertutur juga digunakan pada prosesi upacara adat Kenduri Seko.]]>
<![CDATA[Model Normatif Kemasan Seni Pertunjukan Melayu Objek Wisata Candi Muarajambi ]]>
<![CDATA[Mahdi Bahar]]>;
<![CDATA[Hartati Muchtar]]>
<![CDATA[ Mudra Jurnal Seni Budaya Vol 36 No 1 (2021): Februari ]]>
Publisher : <![CDATA[Institut Seni Indonesia Denpasar ]]>
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DOI: 10.31091/mudra.v36i1.1322
<![CDATA[Seni tradisional masyarakat Melayu Muarajambi adalah seni rakyat dan belum tentu mampu memenuhi kebutuhan apresiasi kontemporer para wisatawan. Untuk alasan ini, diperlukan model seni pertunjukan kreatif bercitra global di kompleks candi Muarajambi yang mampu memenuhi apresiasi para wisatawan. Sementara itu, kegiatan wisata berada di pusat kehidupan masyarakat Melayu Muarajambi yang kebudayaannya secara ideal berdasarkan pada ajaran Islam. Di sisi lain, ketahanan budaya dibutuhkan seiring dengan penguatan budaya. Solusi akomodatif untuk melakukan kemasan seni untuk itu adalah, model normatif didasarkan pada estetika dan kesenian Melayu Muarajambi, serta Melayu pada umumnya dan kreativitas seni berorientasi pada artistika global.]]>
<![CDATA[Pelatihan Teater Abdul Muluk Sebagai Upaya Revitalisasi Teater Tradisi di Desa Mudung Darat Kabupaten Muaro Jambi ]]>
<![CDATA[Bahar, Mahdi]]>;
<![CDATA[Irianto, Ikhsan Satria]]>;
<![CDATA[M, Hartati]]>;
<![CDATA[Gunawan, Indra]]>;
<![CDATA[Gustyawan, Tofan]]>
<![CDATA[ Batoboh Vol 9, No 1 (2024): BATOBOH: JURNAL PENGABDIAN PADA MASYARAKAT ]]>
Publisher : <![CDATA[Institut Seni Indonesia Padangpanjang ]]>
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DOI: 10.26887/bt.v9i1.4043
<![CDATA[Teater Abdul Muluk adalah seni tradisi yang sempat populer di Desa Mudung Darat. Namun, regenerasi yang kurang baik dan menurunnya minat masyarakat membuat teater Abdul Muluk di Desa Mudung Darat menjadi vakum dan jarang dipertunjukkan. Tanpa penanggulangan yang baik, kekayaan budaya Desa Mudung Darat ini akan terancam punah. Program pengabdian kepada masyarakat ini bertujuan untuk merevitalisasi teater Abdul Muluk yang ada di Desa Mudung Darat. Kegiatan ini dilakukan dalam empat tahapan kerja, yaitu: riset, pelatihan, produksi dan pertunjukan. Metode pelaksanaan kegiatan yang digunakan adalah metode presentasi dan diskusi serta metode latihan dengan bimbingan. Peserta pelatihan merupakan generasi muda yang memiliki minat dan bakat di bidang seni pertunjukan. Hasil dari program pengabdian ini adalah pertunjukan teater Abdul Muluk yang berangkat dari ingatan kolektif masyarakat Desa Mudung Darat.]]>
<![CDATA[The Concept of Institutionalization of Islamic Education in Its Contribution to the Cultural Behavior of Society ]]>
<![CDATA[Ravico, Ravico]]>;
<![CDATA[Bahar, Mahdi]]>;
<![CDATA[Karim, Maizar]]>;
<![CDATA[Firman, Firman]]>
<![CDATA[ PPSDP International Journal of Education Vol. 2 No. 2 (2023): PPSDP International Journal of Education (Special Issue) ]]>
Publisher : <![CDATA[Perkumpulan Program Studi Doktor Pendidikan (PPSDP) ]]>
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DOI: 10.59175/pijed.v2i2.139
<![CDATA[This study is part of a dissertation on the history of Islamic education’s institutionalization and its contribution. This is due to the conclusion that Islamic education in a region ought to be able to alter the mentality and behavior of animist culture in a society. In actuality, however, people’s behavior is still cloaked in theatrics. Therefore, it is necessary to maintain the theme’s conception. This study employs qualitative research methods and a literature review approach, with the phases of reading, reviewing, and analyzing findings from online and offline libraries. This study provides the definition of Islamic educational institutions, which are educational systems that endeavor to modify behavior and thought in accordance with Islamic principles. Community Culture consists of the collective ideas and behaviors of the community that are rooted in the individual identities of its members.]]>
<![CDATA[Strategies and Efforts of Characterization by Mrs Latummahina in the Script Pelangi by Nano Riantiarno ]]>
<![CDATA[Nazria, Nazria]]>;
<![CDATA[Irianto, Ikhsan Satria]]>;
<![CDATA[Bahar, Mahdi]]>
<![CDATA[ Creativity And Research Theatre Journal Vol 5, No 2 (2023): Creativity And Research Theatre Journal (CARTJ) ]]>
Publisher : <![CDATA[Institut Seni Indonesia Padangpanjang ]]>
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DOI: 10.26887/cartj.v5i2.4112
<![CDATA[This role creation work uses the concept of problem solving through strategy and effort. The strategy and efforts were applied to the character of Mrs Latummahina in the Pelangi script by Nano Riantiarno. The research method used is a descriptive-qualitative method which is based on analysis of the script, while the acting method used is the Stanislavski acting method. The findings from the creation of the character of Mrs Latummahina are that there are three acting strategies used, namely providing a script, understanding the character and acting the character. In order for the acting strategy to be achieved, the acting efforts chosen are script selection, script analysis, characterization analysis, designing acting concepts, applying acting methods, the process of creating roles and dressing actors.]]>
<![CDATA[Bungo Krinok Music from Local to Global ]]>
<![CDATA[Mahdi Bahar]]>;
<![CDATA[Hartati M]]>;
<![CDATA[Indra Gunawan]]>;
<![CDATA[Fatonah]]>;
<![CDATA[Uswan Hasan]]>;
<![CDATA[Zulkarnain]]>
<![CDATA[ IJCS: International Journal of Community Service Vol. 2 No. 1 (2023): IJCS: International Journal of Community Service ]]>
Publisher : <![CDATA[PT Inovasi Pratama Internasional ]]>
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DOI: 10.55299/ijcs.v2i1.701
<![CDATA[Bungo Krinok music is the result of research funded by LPDP for two years (2020 - 2023) in the form of a prototype of a new form of engineered music antithesis to the traditional krinok singing genre of the people of Bungo Regency, Jambi Province. The singing of krinok is accompanied by violin or the supporting community calls piul. The structure of the permanent krinok music composition is used as the main basis and the static framework in music engineering / creation becomes the form (genre) of music composition "Bungo Krinok". Creative and innovative efforts are carried out based on Research and Development methods (Research &; Development = R & D). The creative actions carried out are within the framework of engineering that does not eliminate or coerce certain treatments, thus potentially eliminating or defeating the essential of traditional krinok music itself. His research findings are in the form of a prototype form of Bungo Krinok Music which is implemented in three music models based on the ensemble format, namely the model: Children; Youth, and; Adult. This Bungo Krinok music genre based on local aesthetics is the first step towards the global artistic scene.]]>
<![CDATA[Educational Values in Lubuk Larangan Local Wisdom in Rantau Pandan Village, Bungo Regency, Jambi Province ]]>
<![CDATA[Bahar, Mahdi]]>;
<![CDATA[Wahyuni, Anny]]>;
<![CDATA[Adi Saputra, Muhammad]]>
<![CDATA[ QALAMUNA: Jurnal Pendidikan, Sosial, dan Agama Vol 15 No 2 (2023): Qalamuna - Jurnal Pendidikan, Sosial, dan Agama ]]>
Publisher : <![CDATA[Lembaga Penerbitan dan Publikasi Ilmiah Program Pascasarjana IAI Sunan Giri Ponorogo ]]>
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DOI: 10.37680/qalamuna.v15i2.3784
<![CDATA[This research explores the educational values embedded in the local wisdom of Lubuk Larangan in Rantau Pandan Village, Bungo District. To achieve this goal, the method used is qualitative research with a descriptive-analytical approach. Data was collected through interviews, observations, and documentation, and data validity was maintained through data source triangulation. The results of this research reveal that the local wisdom of Lubuk Larangan encompasses several valuable educational values. First, there are moral and ethical education values that promote awareness of good and proper behavior. Second, social education values help strengthen interpersonal relationships in the community and promote cooperation. Third, religious education values inspire spiritual and moral beliefs among the local population. Lubuk Larangan serves as an important public space for education for the people of Rantau Pandan. Through the introduction and understanding of these values, the community can preserve and pass on their cultural heritage while enhancing their understanding of ethics, morals, and deep-seated social and religious values. The results of this research make a significant contribution to appreciating and utilizing local cultural richness as a source of valuable educational values.]]>
