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All Journal Judikatif: Jurnal Desain Komunikasi Kreatif Wimba: Jurnal Komunikasi Visual
Rabendra Yudistira Alamin
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Arts Humanities Civil Engineering, Building, Construction & Architecture Computer Science & IT Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Social Sciences

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Kajian Representasi Tubuh dalam Film Fiksi Ilmiah Rabendra Yudistira Alamin; Alvanov Zpalanzani Mansoor; Pindi Setiawan
Wimba : Jurnal Komunikasi Visual Vol. 3 No. 2 (2011)
Publisher : KK Komunikasi Visual & Multimedia Fakultas Seni Rupa dan Desain Institut Teknologi Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1114.553 KB) | DOI: 10.5614/jkvw.2011.3.2.4

Abstract

The development of informatics technology in the 21st century has changed the world as if there is no limit and distance. Communication process has been done through various avatar medium which replaces the presence of human body. Representation has become the main factor to visualize or to create an image of human being towards the universe. Surrogates is a science fiction movie which is presenting the representation of different kinds of thoughts and imagination about how life will be conducted in the future or when mankind will have got the avatar technology of human body which is exactly the same as the person that it is represented. Surrogates, this movie is trying to recreate and represent the fact through representation of human body packed in audio visual language. The purpose of this research is to analyze the body representation of a movie to communicate the message to the audience. The theory is based on film studies and the main question about representation is how the world is constructed and represented through the film media. The approach to study the movie is dynamic picture analyzation based on visualization theory. This approach gives the writer an opportunity to break down the component in a movie into smaller units of representation. According through this research, the writer has concluded that the robot 'body' on Surrogates has completely represented the perfection body of human beings in the 21st century. Appearances and behavior of human body has been successfully sent the message to the audience about the story of this movie. By the end of this research, the writer has described the variable of body sign representation in the movie as a unity, so that the writer can decide the components and structures to create it.
A Documentation Approach in The Design of A Wayang Kamasan Visual Archive Book as An Effort to Preserve Bali’s Traditional Visual Identity Ananda Tanaya; Putri Dwitasari; Rabendra Yudistira Alamin; Sayatman
Judikatif: Jurnal Desain Komunikasi Kreatif Vol. 8 No. 1 (2026): June Issue
Publisher : fakultas Desain Komunikasi Visual

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35134/judikatif.v8i1.296

Abstract

Wayang Kamasan painting is one of the traditional Balinese painting forms that possesses significant historical, philosophical, and artistic values, and serves as an important part of traditional visual identity. However, visual documentation of Wayang Kamasan artworks remains limited and has not yet been systematically organized into a sustainable visual archive. The lack of structured documentary media has caused the visual records, visual conventions, and distinctive characteristics of Wayang Kamasan to be at risk of degradation and the loss of their authentic values. This study aims to apply a qualitative visual documentation approach in the design process of a Wayang Kamasan visual archive book as an effort to preserve traditional visual identity. The method used employs experimental stages with a documentation approach that includes the systematic collection, recording, and processing of visual data. Data collection was conducted through visual observation, interviews with artists and cultural practitioners, literature studies, and direct photographic documentation of artworks located in museums, art studios, and private collections. Through this documentation approach, the visual archive book is expected to function not only as a medium for storing visual data, but also as a strategy for preserving the traditional visual identity of Wayang Kamasan so that its existence can be maintained and passed on to future generations.
Co-Authors Ananda Tanaya Mansoor, Alvanov Z. Pindi Setiawan Putri Dwitasari Sayatman