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BUNGA LAYU DALAM FOTOGRAFI STILL LIFE Yeti Septo Rini; Setyo Tohari Caturiyanto
Texture:Art and Culture Journal Vol 4, No 1 (2021)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

Flowers are one of the extraordinary forms that are enjoyed by their beauty. Starting from a childhood experience, this work tries to manifest anxiety through the art of photography. The object selected in this work is a lay flower. Wither is where a condition is not fresh or pale. Based on changes in flower color, irregular textures and shapes are interesting to visualize in a photographic work. One of the genres of photography used is still life photography. A work of art that creates an image of an inanimate object or object to make it appear much more alive. The work of this work, uses air-filled media with other supporting objects. The selection of media that contains water is used to facilitate the arrangement in order to achieve aesthetic or beauty value. The values of beauty include unity, complexity, and sincerity in creating such works. All of these things are related to the results in the process of working on the work. The Creation of Withered Flowers in Still life Photography has meaning, not just a visual form without aesthetic value.

Pelatihan Visual Story Telling sebagai Pengembangan Potensi Diri dan Kemandirian Siswa Tuna Rungu SLB YKK Kabupaten Pacitan Unik Dian Cahyawati; Purwastya Pratmajaya Adi Lukistyawan; Agus Heru Setiawan; Johan Ies Wahyudi; Setyo Tohari Caturiyanto
Abdi Seni Vol 13, No 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/abdiseni.v13i2.4568

The storytelling method is one method that influences student learning. With storytelling, students can make a mind map of the information they get and the ideas they want to convey. Students with special needs (deaf) need their method of storytelling. The PKM Photography Study Program from ISI Surakarta conducted photography training as a storytelling medium for students attending YKK Pacitan Elementary School, East Java. Through photo media, deaf students can easily convey ideas and assist in teaching and learning. In addition, this training improves students’ photography ability using DSLR and smartphone cameras. Students participating in photography training as a storytelling medium demonstrate their ability to take pictures of objects and write descriptions as a whole storytelling unit summarized in a photo catalog containing the works of all photography training participants as storytelling.

COMPACT DARKROOM IN THE EXPLORATION OF PHOTOGRAPHY AS AN EFFORT TO IMPROVE THE CREATIVE INDUSTRY Anin Astiti; Tohari Caturiyanto, Setyo; Wahyudi, Johan Ies; Waskito, Setyo Bagus
Acintya Vol. 16 No. 2 (2024)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v16i2.6766

Using a darkroom to create photogram works often gives rise to findings related to the effectiveness and efficiency of using light in the enlarger in the darkroom as well as findings to deal with problems that exist when in the darkroom. This then inspired the desire to carry out an experiment that would be useful when researchers carried out the photogram technique, but could be done outside the dark room. Through this research, it is hoped that the aim will be to obtain a solution to the problems that the researcher stated in the previous paragraph. In this applied research efforts are made to apply the research results which can be used to develop creative photography experiments, especially the photogram technique. The darkroom is an important space that must exist in the analog era. A dark room is a room that is literally dark with several devices such as enlargers and chemicals that are used for the image development process. The darkroom or darkroom is a manifestation of the development of the camera obscura in the 18th century. Portable darkrooms became very popular among artists/photographers because of their practicality in being able to travel with them, or dark-room wagons which were usually attached to a horse-drawn carriage or stroller. It is hoped that this research can provide a useful solution in terms of ease and practicality in carrying out photogram techniques so that the illumination process can be carried out outdoors (not in a dark room) so that it has more value as when using a conventional camera.

BUNGA LAYU DALAM FOTOGRAFI STILL LIFE Rini, Yeti Septo; Caturiyanto, Setyo Tohari
Sanggitarupa Vol. 1 No. 2 (2021)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sanggitarupa.v1i2.4171

Bunga merupakan salah satu wujud luar biasa yang dinikmati keindahannya. Berawal dari pengalaman masa kecil, karya ini berusaha mewujudkan kegelisahan melalui karya seni fotografi. Objek yang dipilih dalam karya ini adalah bunga layu. Layu merupakan dimana suatu keadaan sedang tidak segar atau pu- cat. Berdasarkan pada perubahan warna bunga, tekstur dan bentuk yang tidak beraturan menarik untuk divisualisasikan dalam sebuah karya fotografi. Salah satu genre fotografi yang digunakan adalah fotografi still life. Karya seni yang menciptakan sebuah gambar dari benda atau objek mati agar tampak jauh leb- ih hidup. Pengerjaan pada karya ini, menggunakan media akuarium berisi air dengan objek pendukung lainnya. Pemilihan media akuarium yang berisi air digunakan untuk mempermudah setting agar mencapai nilai estetik atau keindahan. Nilai-nilai keindahan meliputi kesatuan, kerumitan, dan kesungguhan dalam penciptaan karya ditata sedemikian rupa. Segala unsur tersebut berkaitan dengan hasil dalam proses pengerjaan karya. Penciptaan Bunga Layu dalam Fotografi Still life memiliki makna, bukan sekedar bentuk visual tanpa memiliki nilai-nilai estetika.

Konsep Zero Waste Dalam Fotografi Still Life Ramadani, Anggita Cahya; Caturiyanto, Setyo Tohari
Sanggitarupa Vol. 3 No. 2 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sanggitarupa.v3i2.5230

Zero waste adalah gerakan untuk mengurangi atau bahkan meniadakan sampah yang dihasilkan dengan pengurangan bahan yang digunakan, memaksimalkan penggunaan kembali, dan daur ulang. Mengatasi permasalahan sampah yang semakin meningkat, gerakan zero waste semakin banyak dipromosikan baik oleh pihak pemerintah, organisasi, maupun individu. Konsep zero waste mengajak untuk menggunakan produk sekali pakai dengan lebih bijak untuk mengurangi jumlah dan dampak buruk dari sampah. Genre yang dipilih dalam penciptaan karya ini yaitu fotografi still life, cabang fotografi yang khusus membidik benda-benda tidak bergerak. Konsep zero wasteakan divisualisasikan menggunakan objek berupa gambaran benda imajiner yang dibentuk menggunakan bayangan dan pola pencahayaan dari teknik gobo lighting , serta barang-barang yang pemanfaatannya untuk zero waste . Objek yang dipilih akan dikomposisikan secara mendatar dengan teknik flat lay menggunakan pencahayaan lampu studio dengan tingkat kontras yang tinggi untuk menghasilkan bayangan dan pola pencahayaan gobo , serta foto yang jelas dan terang dalam menampilkan konsep zero waste .

COMPACT DARKROOM IN THE EXPLORATION OF PHOTOGRAPHY AS AN EFFORT TO IMPROVE THE CREATIVE INDUSTRY Anin Astiti; Tohari Caturiyanto, Setyo; Wahyudi, Johan Ies; Waskito, Setyo Bagus
Acintya Vol. 16 No. 2 (2024)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v16i2.6766

Using a darkroom to create photogram works often gives rise to findings related to the effectiveness and efficiency of using light in the enlarger in the darkroom as well as findings to deal with problems that exist when in the darkroom. This then inspired the desire to carry out an experiment that would be useful when researchers carried out the photogram technique, but could be done outside the dark room. Through this research, it is hoped that the aim will be to obtain a solution to the problems that the researcher stated in the previous paragraph. In this applied research efforts are made to apply the research results which can be used to develop creative photography experiments, especially the photogram technique. The darkroom is an important space that must exist in the analog era. A dark room is a room that is literally dark with several devices such as enlargers and chemicals that are used for the image development process. The darkroom or darkroom is a manifestation of the development of the camera obscura in the 18th century. Portable darkrooms became very popular among artists/photographers because of their practicality in being able to travel with them, or dark-room wagons which were usually attached to a horse-drawn carriage or stroller. It is hoped that this research can provide a useful solution in terms of ease and practicality in carrying out photogram techniques so that the illumination process can be carried out outdoors (not in a dark room) so that it has more value as when using a conventional camera.

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