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COMPACT DARKROOM IN THE EXPLORATION OF PHOTOGRAPHY AS AN EFFORT TO IMPROVE THE CREATIVE INDUSTRY Anin Astiti; Tohari Caturiyanto, Setyo; Wahyudi, Johan Ies; Waskito, Setyo Bagus
Acintya Vol. 16 No. 2 (2024)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v16i2.6766

Using a darkroom to create photogram works often gives rise to findings related to the effectiveness and efficiency of using light in the enlarger in the darkroom as well as findings to deal with problems that exist when in the darkroom. This then inspired the desire to carry out an experiment that would be useful when researchers carried out the photogram technique, but could be done outside the dark room. Through this research, it is hoped that the aim will be to obtain a solution to the problems that the researcher stated in the previous paragraph. In this applied research efforts are made to apply the research results which can be used to develop creative photography experiments, especially the photogram technique. The darkroom is an important space that must exist in the analog era. A dark room is a room that is literally dark with several devices such as enlargers and chemicals that are used for the image development process. The darkroom or darkroom is a manifestation of the development of the camera obscura in the 18th century. Portable darkrooms became very popular among artists/photographers because of their practicality in being able to travel with them, or dark-room wagons which were usually attached to a horse-drawn carriage or stroller. It is hoped that this research can provide a useful solution in terms of ease and practicality in carrying out photogram techniques so that the illumination process can be carried out outdoors (not in a dark room) so that it has more value as when using a conventional camera.

“IN PAIN” HISTORY OF DENTAL DISEASE DALAM KARYA FOTOGRAFI STILL LIFE Sarsono, Nurmanita; Wahyudi, Johan Ies
TEXTURE Art and Culture Journal Vol. 7 No. 2 (2024)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/texture.v7i2.6140

“IN PAIN” History of Dental Disease in photography is the idea of the final project to represent the history of toothache experienced by the artist. Through the medium of still life photography, the creation of this work will raise objects related to toothache. Still-life photography is usually made in a studio setting where the artist uses the right composition and lighting to display the shape, show the surface quality of the object, build a mood, and draw the audience's attention to certain elements, by using Ferdinand de Saussure’s semiotic approach in selecting objects so that they can be present symbolically, conveying a strong narrative and message for the connoisseur of the work. The choice of presentation of the work uses a still-life photography approach with artificial light techniques to visualize events. Artificial light is used to freely adjust the direction of incoming light and which parts need to be illuminated. The artist uses a softbox and studio strobe light as lighting tools because they are easy to move and maneuver. Softboxes are used to shoot several works that require smooth and even lighting, so the resulting shadows look relatively soft and even. Meanwhile, studio strobe light is used in shooting several works that require hard or strong lighting, so that the resulting shadows also look relatively strong and clear to maximize the texture and dimensions of the object.

LOMOGRAFI SEBAGAI EKSPRESI SENI DAN GAYA HIDUP LOMOGRAPHIC SOCIETY SOLO Wahyudi, Johan Ies
Acintya Vol. 8 No. 1 (2016)
Publisher : Institut Seni Indoensia Surakarta

The aim of this study is to investigate the phenomenon of Lomography as art and lifestyle at theÂ Lomography community in Surakarta. The subjects were community Solo Lomographic Society andÂ the object of research is the works Lomografi of the community. Collecting data in this study using theÂ method of observation, literature / documents and interviews. Observations carried out on communityÂ activities Lomographic Society Solo in Surakarta and artifacts of their activities such as exhibitionÂ catalogs and documents activities. A literature study to strengthen the theoretical foundation and aÂ variety of matters relating to Lomography. Interviews were conducted to speakers who are competentas a practitioner Lomografi, photographic art expert and journalist who has written about the phenomenon Lomografi in Indonesia. The target of this research is knowing the stages in the process ofÂ creating works Lomografi and aesthetic form of artwork Lomografi the aesthetic point of view of artâ€˜as well as the internal-external factors that encourage the formation of community of LomographicÂ Society Solo and existence.Keywords: LOMO, Lomografi, Lomographic Society Solo, art expression, lifestyle.

Lomografi Sebagai Komoditas Dan Media Ekspresi Masyarakat Urban Wahyudi, Johan Ies
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 2 No. 2 (2010)
Publisher : Institut Seni Indoensia Surakarta

Digital carema technology is growing rapidly at this very indulgent lovers of photography, the image recording media facilities are also equiooed with sophisticated large data storage capacity and with a slim shape, making analog cameras are being abandoned. Analog camera is considered impractical because of the media are still using celluloid film recorder with a limitied number of photos, and not to mention the cost and time wasted to process film and print. This condition contrasts with the results of digital camera images that can be dircttly transferes and enjoyed on a computer screen. So if the world of analogue photography has been forgotten? Through the media Lomografi, analog photography as finding a new passion.LOMO is a phenomenon that is present in the digital age. LOMO cameras are still using celluloid film as a media recorder. The uniqueness of the camera and the images produced by LOMO camera makes quite a lot of people start experimenting to try it, so Lomografi in its development could create their own communities. In this article the author describes aspects of existence Lomografi, which begins by looking at commodities as a form of community Lomografi urban youth as this part of the tool to actualize themselves in their group who later gave birth to the consumtion of lomo cameras that serves as a lifestyle and a medium of expression for urban society.Keywords : Lomografi, expression media, lifestyle

COMPACT DARKROOM IN THE EXPLORATION OF PHOTOGRAPHY AS AN EFFORT TO IMPROVE THE CREATIVE INDUSTRY Anin Astiti; Tohari Caturiyanto, Setyo; Wahyudi, Johan Ies; Waskito, Setyo Bagus
Acintya Vol. 16 No. 2 (2024)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v16i2.6766

Using a darkroom to create photogram works often gives rise to findings related to the effectiveness and efficiency of using light in the enlarger in the darkroom as well as findings to deal with problems that exist when in the darkroom. This then inspired the desire to carry out an experiment that would be useful when researchers carried out the photogram technique, but could be done outside the dark room. Through this research, it is hoped that the aim will be to obtain a solution to the problems that the researcher stated in the previous paragraph. In this applied research efforts are made to apply the research results which can be used to develop creative photography experiments, especially the photogram technique. The darkroom is an important space that must exist in the analog era. A dark room is a room that is literally dark with several devices such as enlargers and chemicals that are used for the image development process. The darkroom or darkroom is a manifestation of the development of the camera obscura in the 18th century. Portable darkrooms became very popular among artists/photographers because of their practicality in being able to travel with them, or dark-room wagons which were usually attached to a horse-drawn carriage or stroller. It is hoped that this research can provide a useful solution in terms of ease and practicality in carrying out photogram techniques so that the illumination process can be carried out outdoors (not in a dark room) so that it has more value as when using a conventional camera.

THE CREATION OF “REPURPOSING” CERAMIC USING ROOF TILES WASTE Marwanto, Aries Budi; Wahyudi, Johan Ies; Prasetyo, Raden Ersnathan Budi
ARTISTIC : International Journal of Creation and Innovation Vol. 3 No. 2 (2022)
Publisher : ISI Press Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/artistic.v3i2.4528

There was a lot of used roof tile discovered throughout the village. However, the community did not turn it into usable items. The roof tile waste motivated us to turn it into artwork. This artistic research focused on the production of repurposing ceramic pieces utilizing roof tile waste materials. This creative study made use of the experimentation, reflection, and formation phases of Dharsono's artistic creation approach. This artistic creation process resulted in a jug of art entitled "Wanawarih." This artwork is full of symbolic expression values about the trilogy of vitality, namely forest preservation, water function maintenance, and earth manifestation

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