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All Journal Sorai: Jurnal Pengkajian dan Penciptaan Musik Abdi Seni Acintya Musikolastika: Jurnal Pertunjukan dan Pendidikan Musik Jurnal Kajian Seni Jurnal Mebang
Bondan Aji Manggala
Program Studi Etnomusikologi, Fakultas Seni Pertunjukan Institut Seni Indonesia Surakarta
Arts Humanities Education Social Sciences

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“DURMA” (Model Penciptaan Pesan dan Kesan Musik Melalui Pembenturan Teks Lirik dengan Ekpresi Musik) Manggala, Bondan Aji
Acintya Vol. 12 No. 1 (2020)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v12i1.3139

Abstract

ABSTRACT This article is part of a report on the results of artistic research (works of music) in the field of music. Briefly expresses experience and some knowledge findings related to the process of creating musical works of art. "Durma" is an editorial for this artwork, which contains three works of music with a popular music creation approach. Inspired by the anxiety of observing the infertility of creativity in the area of popular music in Indonesia, through "Durma" the thought was made to model the creativity of popular music by paying attention to the clash of lyric texts with musical expressions to produce messages and impressions of songs that are not public. In the habits of popular music, the elements of lyric text and musical expression are linear and mutually reinforcing relationships. It has never been imagined before that when a popular musical creation thinks a little freely and tries to clash ideas with an established knowledge of popular music creation, it will instead create ambiguity and the complexity of a refreshing taste. The outputs of the "Durma" artistic research include (1) art work products in the form of audio recordings of three songs entitled (a) Candles, (b) Girls, and (c) Good Night, (2) research reports, and (3) scientific publications articles that unravel the knowledge behind this work process.Keywords : Music creation, popular, clash of musical expressions and lyric texts ABSTRAK Artikel ini adalah bagian dari laporan hasil penelitian artistik (karya musik) di bidang musik. Secara singkat, ini mengungkapkan pengalaman dan beberapa temuan pengetahuan terkait dengan proses penciptaan karya seni musik. "Durma" adalah editorial untuk karya seni ini, yang berisi tiga karya musik dengan pendekatan penciptaan musik populer. Terinspirasi oleh kecemasan mengamati ketidaksuburan kreativitas di bidang musik populer di Indonesia, melalui "Durma" pemikiran dibuat untuk memodelkan kreativitas musik populer dengan memperhatikan benturan teks lirik dengan ekspresi musik untuk menghasilkan pesan dan tayangan lagu yang tidak umum. Dalam kebiasaan musik populer, unsur-unsur teks lirik dan ekspresi musik adalah hubungan linier dan saling menguatkan. Belum pernah terbayangkan sebelumnya bahwa ketika sebuah ciptaan musik populer berpikir sedikit dengan bebas dan mencoba untuk bertabrakan dengan pengetahuan mapan tentang ciptaan musik populer, ia malah akan menciptakan ambiguitas dan kompleksitas rasa yang menyegarkan. Output dari penelitian artistik "Durma" meliputi (1) produk karya seni dalam bentuk rekaman audio dari tiga lagu berjudul (a) Lilin, (b) Gadis, dan (c) Selamat Malam, (2) laporan penelitian, dan (3) artikel publikasi ilmiah yang mengungkap pengetahuan di balik proses kerja ini. Kata kunci: Penciptaan musik, populer, benturan ekspresi musik dan teks lirik
Strategi Mempertahankan Popularitas Melalui Kegiatan Promosi Media Digital (Studi Kasus Pada Produksi Musik Hendra Kumbara) Fatima, Sephia Putri; Wrahatnala, Bondet; Manggala, Bondan Aji
Acintya Vol. 15 No. 1 (2023)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v15i1.5061

Abstract

Every year the music industry displays new musicians, and each has their characteristics in their work. Of course, there will be many contemporary artists with different characters. One of the music industry’s strategies is to increase marketing in music production. This is not only a matter of promotion, but the music industry is also thinking about stealing attention, building loyalty, encouraging action, and how to educate and entertain through the content that is presented. Hendra Kumbara is a Javanese musician who has popularity among young people in the digitalization era; Dalan Liyane’s song is one of the works that support his popularity in digital media. In addition, he also developed the music industry for creative space in the city of Semarang. This study aims to determine Hendra Kumbara’s music production strategy for maintaining its popularity through digital media promotion activities. The research used is a qualitative method with a case study approach, with data collection techniques through observation, interviews, and literature studies selected according to the topic of discussion regarding musical creativity in maintaining popularity through digital media. The survey results prove that: (1) Hendra Kumbara’s music production supports popularity through digital media promotion activities by knowing the concept of music production and marketing strategies through digital media platforms. (2) strategies carried out by knowing musical abilities and marketing musical works through digital media platforms Youtube, Instagram, TikTok, Spotify, Joox, Tunes, Apple Music, and Deezer.Keywords: strategy, popularity, musicians, digital media.
Bentuk Penyajian dan Fungsi Kidungan Malam Midodareni di Dukuh Biru Kecamatan Wonosari Kabupaten Klaten Sasongko, Mohammad Brian; Manggala, Bondan Aji
Jurnal Mebang: Kajian Budaya Musik dan Pendidikan Musik Vol. 4 No. 2 (2024)
Publisher : Program Studi Etnomusikologi, Fakultas Ilmu Budaya, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/mebang.v4i2.118

Abstract

Kidungan malam midodareni is a song or tembang macapat that is presented in a series of events on the eve of the marriage contract and panggih manten wedding ceremony in Dukuh Biru, Wonosari District, Klaten Regency, Central Java. Kidungan midodareni night is still preserved because people still consider it important and has social values. This article's writing is motivated by the younger generation's lack of interest in the midodareni night song tradition. The aim is to provide knowledge to the younger generation and the wider community about the general understanding of Kidungan Malam Midodareni, presentation procedures, functions, and how the midodareni night song tradition plays a role as a guardian of social stability in society. Qualitative research is used in this article using data observation, interviews, literature study, documentation, and interpretative descriptive analysis techniques. Richard Schechner's theoretical perspective is used to describe the form of presentation, while Alan P. Merriam's music function theory perspective is used to analyze the function of the midodareni night song. This research found that the presentation form of midodareni night song has three structures, namely (1) Preparation, (2) Performance, and 3) After the performance. The function of Kidungan Malam Midodareni is correlated in two parts, namely the function for the bride and groom and the function for the community; there are four elements of the position, namely: (1) as a means of communication, (2) as a means of community integrity, (3) as a means of entertainment, and (4) as a means of validating social institutions.
Co-Authors Aliansyah, Muhamad Rizky Nur Aris Setiawan Christ Haryanta Person Denis Setiaji Fatima, Sephia Putri Kiswanto Kiswanto Mangunsong, Melani Eklesia Sasongko, Mohammad Brian Wahyu Purnomo Wardana, Sapto Wrahatnala, Bondet