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All Journal Sorai: Jurnal Pengkajian dan Penciptaan Musik Abdi Seni Acintya GETER : Jurnal Seni Drama, Tari dan Musik Enggang: Jurnal Pendidikan, Bahasa, Sastra, Seni, dan Budaya Jurnal Kajian Seni PARAGUNA : Jurnal Ilmiah Pengetahuan, Pemikiran dan Kajian Tentang Seni Karawitan Jurnal Mebang Jurnal Riset Rumpun Seni, Desain dan Media (JURRSENDEM) Musikolastika: Jurnal Pertunjukan dan Pendidikan Musik
Bondan Aji Manggala
Institut Seni Indonesia Surakarta
Arts Humanities Education Environmental Science Languange, Linguistic, Communication & Media Social Sciences Other

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Ekspresi Seni sebagai Media Moderasi Sosial Tionghoa dan Jawa pada Festival Imlek di Surakarta Bondan Aji Manggala S.Sn., M.Sn.; Yuda Yedidyah Simamora
ENGGANG: Jurnal Pendidikan, Bahasa, Sastra, Seni, dan Budaya Vol. 5 No. 2 (2025): JUNI:ENGGANG: Jurnal Pendidikan, Bahasa, Sastra, Seni, dan Budaya
Publisher : FKIP, Universitas Palangka Raya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37304/enggang.v5i2.22297

Abstract

The article about Artistic Expression as a Media for Chinese and Javanese Social Moderation at the Chinese New Year Festival in Surakarta aims to build awareness about a public event which was deliberately constructed to communicate harmonious values, familiarize Surakarta society with diverse races and religions and has a history of racial conflict between Chinese. and Java. Through forms of artistic expression and symbols at the Chinese New Year Festival in Surakarta, the values ​​of harmonization to live peacefully above diversity and dark history are voiced. This article was written using the perspective of structural semiotics theory to understand the moderation efforts made by the people of Sudiroprajan Village through the symbolization of art. This article examines the substance in the form of (1) the potential of festivals as a medium for cultural harmonization, (2) the forms and symbols of Chinese-Javanese harmonization in the Grebeg Sudiro Chinese New Year Festival in Surakarta, and (3) the mental modality of pluralism in the culture of Surakarta society. It is hoped that the results of the study in this article can inspire the growth of festivals or public events in Indonesia that promote harmonization between Indonesian society, which is full of diversity and prone to conflict.
BENTUK DAN FUNGSI ENDE MANDIDENG PADA MASYARAKAT DESA KAMPUNG BARU KABUPATEN MANDAILING NATAL SUMATERA UTARA Mangunsong, Melani Eklesia; Manggala, Bondan Aji
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 16 No. 2 (2023): December
Publisher : Institut Seni Indonesia (ISI) Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v16i2.5236

Abstract

The article “The Form and Function of Ende Mandideng in the Community of Kampung Baru Village,Mandailing Natal Regency, North Sumatra”, is a presentation of a study to answer two problems, (1) what is the form of Mandideng singing in the community of Kampung Baru Village, North Panyabungan District, Mandailing Natal Regency, Province North Sumatra, and (2) how the Mandideng song functions in the culture of the people of Kampung Baru Village. The research in this article applies qualitative research methods using field research methods under the umbrella of Budilinggono and Alan’s theory. P. Merriam about the form of serving as well as function and uses. According to Budilinggono, the presentation form analyzes melodic phrases in songs and song structures related to rhythmic, melodic and time signature motifs. According to Merriam, an analysis of use and function includes a discussion of how music is used in human activities and the reasons why music is used. The results of the research in this article state that Ende Mandideng, in content analysis, reveals the concept of moral instillation in children. In terms of its function, Ende Mandideng has five functions, namely: (1) emotional expression function, functioned to express the parents’ love for their children when putting the child to sleep, (2) entertainment function, functioned as a reliever of parents’ boredom from their daily activities, ( 3) communication function, functions as a means of conveying messages through songs sung by parents to their children, (4) function of strengthening adjustment to social norms, this function can explain that Mandideng songs have the power to instill the child’s mindset. children from childhood in accordance with applicable social norms, especially regarding social norms related to the relationship between children and parents, (5) the function of preserving and stabilizing culture, functioning as the preservation of folk songs which are currently almost being displaced by developments over time.
“DURMA” (Model Penciptaan Pesan dan Kesan Musik Melalui Pembenturan Teks Lirik dengan Ekpresi Musik) Manggala, Bondan Aji
Acintya Vol. 12 No. 1 (2020)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v12i1.3139

Abstract

ABSTRACT This article is part of a report on the results of artistic research (works of music) in the field of music. Briefly expresses experience and some knowledge findings related to the process of creating musical works of art. "Durma" is an editorial for this artwork, which contains three works of music with a popular music creation approach. Inspired by the anxiety of observing the infertility of creativity in the area of popular music in Indonesia, through "Durma" the thought was made to model the creativity of popular music by paying attention to the clash of lyric texts with musical expressions to produce messages and impressions of songs that are not public. In the habits of popular music, the elements of lyric text and musical expression are linear and mutually reinforcing relationships. It has never been imagined before that when a popular musical creation thinks a little freely and tries to clash ideas with an established knowledge of popular music creation, it will instead create ambiguity and the complexity of a refreshing taste. The outputs of the "Durma" artistic research include (1) art work products in the form of audio recordings of three songs entitled (a) Candles, (b) Girls, and (c) Good Night, (2) research reports, and (3) scientific publications articles that unravel the knowledge behind this work process.Keywords : Music creation, popular, clash of musical expressions and lyric texts ABSTRAK Artikel ini adalah bagian dari laporan hasil penelitian artistik (karya musik) di bidang musik. Secara singkat, ini mengungkapkan pengalaman dan beberapa temuan pengetahuan terkait dengan proses penciptaan karya seni musik. "Durma" adalah editorial untuk karya seni ini, yang berisi tiga karya musik dengan pendekatan penciptaan musik populer. Terinspirasi oleh kecemasan mengamati ketidaksuburan kreativitas di bidang musik populer di Indonesia, melalui "Durma" pemikiran dibuat untuk memodelkan kreativitas musik populer dengan memperhatikan benturan teks lirik dengan ekspresi musik untuk menghasilkan pesan dan tayangan lagu yang tidak umum. Dalam kebiasaan musik populer, unsur-unsur teks lirik dan ekspresi musik adalah hubungan linier dan saling menguatkan. Belum pernah terbayangkan sebelumnya bahwa ketika sebuah ciptaan musik populer berpikir sedikit dengan bebas dan mencoba untuk bertabrakan dengan pengetahuan mapan tentang ciptaan musik populer, ia malah akan menciptakan ambiguitas dan kompleksitas rasa yang menyegarkan. Output dari penelitian artistik "Durma" meliputi (1) produk karya seni dalam bentuk rekaman audio dari tiga lagu berjudul (a) Lilin, (b) Gadis, dan (c) Selamat Malam, (2) laporan penelitian, dan (3) artikel publikasi ilmiah yang mengungkap pengetahuan di balik proses kerja ini. Kata kunci: Penciptaan musik, populer, benturan ekspresi musik dan teks lirik
Strategi Mempertahankan Popularitas Melalui Kegiatan Promosi Media Digital (Studi Kasus Pada Produksi Musik Hendra Kumbara) Fatima, Sephia Putri; Wrahatnala, Bondet; Manggala, Bondan Aji
Acintya Vol. 15 No. 1 (2023)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v15i1.5061

Abstract

Every year the music industry displays new musicians, and each has their characteristics in their work. Of course, there will be many contemporary artists with different characters. One of the music industry’s strategies is to increase marketing in music production. This is not only a matter of promotion, but the music industry is also thinking about stealing attention, building loyalty, encouraging action, and how to educate and entertain through the content that is presented. Hendra Kumbara is a Javanese musician who has popularity among young people in the digitalization era; Dalan Liyane’s song is one of the works that support his popularity in digital media. In addition, he also developed the music industry for creative space in the city of Semarang. This study aims to determine Hendra Kumbara’s music production strategy for maintaining its popularity through digital media promotion activities. The research used is a qualitative method with a case study approach, with data collection techniques through observation, interviews, and literature studies selected according to the topic of discussion regarding musical creativity in maintaining popularity through digital media. The survey results prove that: (1) Hendra Kumbara’s music production supports popularity through digital media promotion activities by knowing the concept of music production and marketing strategies through digital media platforms. (2) strategies carried out by knowing musical abilities and marketing musical works through digital media platforms Youtube, Instagram, TikTok, Spotify, Joox, Tunes, Apple Music, and Deezer.Keywords: strategy, popularity, musicians, digital media.
Bentuk Penyajian dan Fungsi Kidungan Malam Midodareni di Dukuh Biru Kecamatan Wonosari Kabupaten Klaten Sasongko, Mohammad Brian; Manggala, Bondan Aji
Jurnal Mebang: Kajian Budaya Musik dan Pendidikan Musik Vol. 4 No. 2 (2024)
Publisher : Program Studi Etnomusikologi, Fakultas Ilmu Budaya, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/mebang.v4i2.118

Abstract

Kidungan malam midodareni is a song or tembang macapat that is presented in a series of events on the eve of the marriage contract and panggih manten wedding ceremony in Dukuh Biru, Wonosari District, Klaten Regency, Central Java. Kidungan midodareni night is still preserved because people still consider it important and has social values. This article's writing is motivated by the younger generation's lack of interest in the midodareni night song tradition. The aim is to provide knowledge to the younger generation and the wider community about the general understanding of Kidungan Malam Midodareni, presentation procedures, functions, and how the midodareni night song tradition plays a role as a guardian of social stability in society. Qualitative research is used in this article using data observation, interviews, literature study, documentation, and interpretative descriptive analysis techniques. Richard Schechner's theoretical perspective is used to describe the form of presentation, while Alan P. Merriam's music function theory perspective is used to analyze the function of the midodareni night song. This research found that the presentation form of midodareni night song has three structures, namely (1) Preparation, (2) Performance, and 3) After the performance. The function of Kidungan Malam Midodareni is correlated in two parts, namely the function for the bride and groom and the function for the community; there are four elements of the position, namely: (1) as a means of communication, (2) as a means of community integrity, (3) as a means of entertainment, and (4) as a means of validating social institutions.
ADAPTASI TEKNIK LINEAR DRUM CHOPS DALAM LAGU YOU ARE GOOD DI SAJIAN LITURGI GBI KELUARGA ALLAH SURAKARTA Person, Christ Haryanta; Manggala, Bondan Aji
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 15 No. 1 (2022)
Publisher : Institut Seni Indonesia (ISI) Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v15i1.4481

Abstract

The research entitled "Adaptation of the Drum Chops Technique in the Song You Are Good in the Liturgical Serving of GBI Keluarga Allah Surakarta" was proposed by raising the assumption that this phenomenon occurs consciously and is related to many things in religious and cultural life in GBI Keluarga Allah Surakarta. There are two problem formulations, namely; 1) Why was gospel music adapted with drum chops technique in liturgical music at GBI Keluarga Allah Surakarta? 2) How was gospel music adapted and drum chops technique adapted to liturgical music at GBI Keluarga Allah Surakarta? and 3) How is the position of gospel music with drum chops technique in worship at GBI Keluarga Allah? The theory of cross-cultural adaptation is used as the basis for the analysis of this research by applying qualitative methods of field research techniques. The results of this study indicate that the GBI Keluarga Allah consciously accepts the gospel flow and uses Contemporary Christian Music (CCM) as the dominant music style because the concept of using liturgical music in GBI Keluarga Allah is a reference to the popular gospel music genre. The adaptation process that occurs in applying the linear drum chops technique is at least three things, namely simplification, mixing, and complicating the game references that are absorbed by the drummer through social media. The adjustment of the drum chops game is considered sufficient to affect the achievement of the desired atmosphere as in the part of the worship service.
PENGEMBANGAN VISUAL DRAMA TARI PANJI PADA VIDEO KLIP MUSIK METAL KELOMPOK DJIWOASTRA Manggala, Bondan Aji; Kiswanto, Kiswanto
Abdi Seni Vol. 14 No. 2 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/abdiseni.v14i2.4984

Abstract

Kegiatan pengembangan visual Drama Tari Panji bertujuan untuk merealisasikan konsep dan gagasan visual dalam pertunjukan musik (konser) kelompok Djiwoastra pada karya lagu terakhir yang berjudul “Panji”. Keterlibatan penulis dalam proyek ini adalah sebagai salah satu produser video klip musik, serta  berperan menjadi fasilitator gagasan visual Drama Tari Panji untuk pertunjukan musik kelompok Djiwoastra. Kegiatan dilakukan melalui metode partisipatoris yang berfokus pada upaya penemuan model pendekatan proses dan hasil (produk) kekaryaan seni pertunjukan yang berbasis pada internalisasi keberagaman pengalaman, selera, gaya, dan kompetensi dari para personil dan pendukung karya. Pengembangan visual Drama Tari Panji diharapkan dapat merepresentasikan musik metal Nusantara yang berwujud dalam simbol-simbol visual. Hasil dari kegiatan kekaryaan ini dapat membentuk pengalaman kreatif bagi penguatan ketrampilan kelompok Djiwoastra yang dapat dimanfaatkan lebih lanjut untuk mengatasi permasalahan dan tantangan kreativitas dalam pengembangan visual video klip pertunjukan musik metal Nusantara yang memperpadukan antara estetika Timur dan Barat.
Peran Musik : Proses Pembuatan Rumah adat Suku Karo “Siwaluh Jabu” di Desa Budaya Lingga Arya Adha Prananda; Bondan Aji Manggala
Jurnal Riset Rumpun Seni, Desain dan Media Vol. 4 No. 2 (2025): Oktober: Jurnal Riset Rumpun Seni, Desain dan Media
Publisher : Pusat Riset dan Inovasi Nasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/jurrsendem.v4i2.7749

Abstract

This research aims to examine the role of music in the construction process of the traditional Karo house, Siwaluh Jabu, in Lingga Cultural Village, Karo Regency, North Sumatra. In Karo culture, music is not merely a source of entertainment but serves as a symbolic and spiritual medium that reflects cultural values, social cohesion, and the community’s belief system. This study employs a qualitative descriptive method with an ethnographic approach through field observation, in-depth interviews with traditional figures, musicians, and local residents, as well as documentation of rituals and architectural elements of the Siwaluh Jabu house. The findings reveal that music plays a significant role in each stage of construction, starting from the selection of suitable wood to the completion ritual known as Mengket. The Gendang Lima Sendalanen ensemble—particularly through the performance of Gendang Limapuluh Kurang Dua—functions as a medium connecting humans with ancestral spirits, legitimizing the spiritual presence within the house, and strengthening communal cooperation. Music serves not only to regulate the rhythm of collective work but also to ensure harmony between humans, nature, and the unseen forces that are believed to inhabit the house. Therefore, music is an essential element that maintains cultural continuity, reinforces identity, and supports the preservation of the Karo intangible heritage amidst ongoing modernization.
Praktik Bermusik Musisi Kota Solo: Modalitas, Profesionalisme, dan Kualitas Karya dalam Dinamika Kerja Musik Nickelo Indira; Bondan Aji Manggala
Jurnal Riset Rumpun Seni, Desain dan Media Vol. 4 No. 1 (2025): April : Jurnal Riset Rumpun Seni, Desain dan Media
Publisher : Pusat Riset dan Inovasi Nasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/jurrsendem.v4i1.8274

Abstract

Musical modality, professionalism, and work quality in everyday musical practice constitute the main analytical framework of this study. This research departs from the view that musical professions are often reduced to hobby-based activities, whereas in practice they involve work strategies, professional attitudes, and negotiation between artistic idealism and market demands. This study employs a qualitative approach through in-depth interviews with two musicians in the city of Solo, Aditya Ong and Indra Permana, who represent different backgrounds, professional roles, and musical orientations. The findings indicate that modality comprising experience, musical skills, and professional networks forms the foundation of musicians’ professionalism. Professionalism is reflected not only in technical competence, but also in work ethics, responsibility, and the ability to position oneself within various musical work contexts. Work quality is not understood normatively as good or bad, but as the outcome of how musicians manage their modality and professionalism in specific working situations. This study concludes that musical practice in Solo is shaped through continuous negotiation between artistic orientation, market demands, and the pursuit of livelihood stability. Musical modality, professionalism, and work quality are interconnected in forming musicians’ strategies to sustain their musical practices amid the dynamics of the local music industry.
TAMAR JAYA'S ACTIVISM IN STRENGTHENING AND PRESERVING ENREKANG MUSIC CULTURE IN SOUTH SULAWESI Ilham, Ilham; Aji Manggala, Bondan; Darlenis, Teti
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 18 No. 2 (2025): December
Publisher : Institut Seni Indonesia (ISI) Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This article explores the contributions of Tamar Jaya as an art activist committed to advocating for the preservation of traditional music in Enrekang, a region characterized by its remoteness and lack of external support. This study applies a qualitative methodology, utilizing a character study framework based on Abdul Mustakim. It incorporates a historical lens and individual life narratives to explore his life journey, intellectual contributions, original concepts, and the socio-historical backdrop that influenced his activism. The findings indicate that Tamar Jaya's decisions are shaped by an intellectual wisdom acquired after higher education, which fosters a critical viewpoint on the stagnation within the arts ecosystem in South Sulawesi. This perspective particularly highlights the deficiencies in life skills among artists and the fluctuating political commitment from the local government. His activism unfolded in two strategic phases: an initial decade-long grassroots initiative (Gerakan Akar Rumput) aimed at revitalizing communal traditions, followed by a shift towards embodying a cultural survivor through the adoption of a hybrid Artist-Farmer model, characterized by a nuanced approach to political engagement. This study can be used to describe the Tamar Jaya activism movement as a model of cultural-political management, which aims to maintain and disseminate the existence of marginalized arts and culture by optimizing management skills, networks, and funding literacy.
Co-Authors Agus Budiyanto Aliansyah, Muhamad Rizky Nur Aris Setiawan Arya Adha Prananda Arya Pradipta, Dana Adi Christ Haryanta Person Darlenis, Teti Denis Setiaji dwisepta, dimas El Java, Joi Fatima, Sephia Putri Ilham Ilham Kapri, Riana Kiswanto Kiswanto Mangunsong, Melani Eklesia Muhamad Rizky Nur Aliansyah Nickelo Indira Nurhadi, Muhamad Person, Christ Haryanta Sasongko, Mohammad Brian Sri Kuncoro, Jonet Wahyu Purnomo Wardana, Sapto Wrahatnala, Bondet Yuda Yedidyah Simamora