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Senandung Ngalun Sebagai Interpretasi terhadap Kesenian Senandung Jolo di Kumpe Ilir Muaro Jambi Mirnawati Mirnawati; Yunaidi Yunaidi; Susandra Jaya
Jurnal Musik Etnik Nusantara Vol 1, No 1 (2021): Jurnal Musik Etnik Nusantara
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (408.525 KB) | DOI: 10.26887/jmen.v1i1.2017

Abstract

Senandung Jolo merupakan salah satu kesenian tradisi yang berasal dari Kelurahan Tanjung Kecamatan Kumpe Ilir Kabupaten Muaro Jambi Provinsi Jambi. Senandung merupakan suatu nyanyian, sedangkan jolo merupakan pantun, jadi senandung jolo merupakan nyanyian yang berbentuk pantun. Pantun yang dibawakan secara spontan dalam bentuk  berbalas-balasan. Senandung Jolo pada prinsipnya nyanyian ungkapan perasaan yang ditujukan terhadap orang yang disukai, dikagumi bahkan dicintai. Di dalam kesenian Senandung Jolo banyak keunikan yang dijumpai yaitu terdapat irama naik dan turun yang bercengkok melayu, sebagaimana masyarakat setempat menyebutnya Ngalun. Selain itu terdapat struktur permainan yang kotak-kotak, namun tetap menghasilkan sebuah sajian pertunjukan yang menarik, dan menjadi inspirasi untuk diwujudkan dalam bentuk karya musik baru yang berjudul Senandung Ngalun. Karya Musik Senandung Ngalun menggunakan metode garap pendekatan tradisi, dimana pengga­rapannya masih tetap mempertimbangkan nilai dan karakter musikalnya tradisi, serta menghadirkan konsep garapan kesenian senandung jolo yang diselingi dengan unsur teaterikal dalam bentuk berbalas pantun yang berisi nasehat kepada muda mudi, sehingga karya yang dihasilkan tetap menyajikan bentuk dan nilai nilai ketradisiannya, meski telah digarap dalam bentuk inovasi baru.Kata Kunci: Senandung Ngalun; Pantun; Nyanyian: Senandung Jolo; Muaro Jambi ABSTRACTSenandung Jolo is one of the traditional arts originating from Tanjung Village, Kumpe Ilir District, Muaro Jambi Regency, Jambi Province. Senandung is a song, while jolo is a rhyme, so humming jolo is a song in the form of a rhyme. Poems that are sung spontaneously in the form of reciprocation. Senandung Jolo, in principle, is a song that expresses feelings aimed at people who are liked, admired and even loved. In the art of Senandung Jolo, there are many unique things that are found, namely there is a rising and falling rhythm that bends with Malay, as local people call it Ngalun. In addition, there is a game structure that is checkered, but still produces an interesting performance presentation, and becomes an inspiration to be realized in the form of a new musical work entitled Senandung Ngalun. Musical work Senandung Ngalun uses a traditional approach to work on the method, where the work still takes into account the values and musical character of the tradition, as well as presents the concept of the art of singing the jolo interspersed with theatrical elements in the form of reciprocated rhymes containing advice to young people, so that the resulting work continues to present the forms and values of its traditions, even though it has been worked on in the form of new innovations.Keywords: Singing Ngalun; Pantun; Singing Jolo; Muaro Jambi
BEGENDANG BESERUNAI: INTEGRATION OF TRADITIONAL VALUES IN THE CREATION OF BENGKULU KARAWITAN MUSIC COMPOSITION Arnailis Arnailis; Yunaidi Yunaidi; Firman Firman; Muhammad Zulfahmi
Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Vol 27, No 2 (2025): Ekspresi Seni: Jurnal Ilmu Pengetahuan dan Karya Seni
Publisher : LPPM Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/ekspresi.v27i2.6020

Abstract

The work “Begendang Beserunai” is a contemporary karawitan music composition inspired by the musical phenomenon of the gendang serunai, one of Bengkulu’s traditional arts that plays an important role in ceremonial processions and community entertainment. The gendang serunai, consisting of two long drums (melalu and ningkah) and a serunai as the melody carrier, is distinctive for its interlocking rhythmic patterns and melodic motifs in a scale close to a-b-c-d-e-f#-g-a’. This creation aims to preserve the essence of tradition while introducing innovation through techniques such as unison, canon, polyrhythmic, responsorial, polymetric, and accentuation, supported by additional instruments such as dol, kompang, kolintang, accordion, bass guitar, and cymbals. The method used is a mixed methods approach combining qualitative methods—through participatory observation, in-depth interviews, and recording analysis—and quantitative methods—through measuring tempo, dynamics, rhythmic pattern duration, and audience questionnaires. The results show that this work successfully integrates traditional musical idioms into a modern composition format while maintaining its identity. Questionnaire analysis (n = 50) shows that 84% of respondents perceived the traditional nuance as strong, while 78% rated the aesthetic appeal as high. This work contributes to cultural preservation through documentation, education, and artistic innovation relevant to the contemporary context. “Begendang Beserunai” serves as a model for developing tradition-based works applicable to other regional music forms, as well as an academic and artistic reference for artists, researchers, and art education institutions.
Randai Ilau Nagari Saniang Baka: Dinamika, Makna, dan Upaya Revitalisasi Kesenian Tradisional Minangkabau Agung Setiawan; Yunaidi Yunaidi; Muhammad Rafif
Jejak digital: Jurnal Ilmiah Multidisiplin Vol. 2 No. 4 (2026): JUNI-JULI
Publisher : INDO PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/77gz6c94

Abstract

Randai Ilau is one of the traditional Minangkabau arts originating from Nagari Saniang Baka, X Koto Singkarak District, Solok Regency, West Sumatra. This art is included in the form of old randai which still maintains its traditional characteristics to this day. Unlike randai in general which developed as a folk performing art with elements of drama and dialogue, Randai Ilau has unique characteristics in the form of the use of vocal singing as the only musical element, movements derived from Minangkabau silek, and a strong connection with the community's traditional rituals. This study aims to describe the dynamics of the development of Randai Ilau, analyze the cultural meaning contained in it, and examine the revitalization efforts made to maintain its existence. The research method used is descriptive qualitative with a literature study approach. The results of the study show that Randai Ilau has experienced a development in function from ritual art to cultural performing arts that can be displayed in various social activities. In addition to having artistic value, Randai Ilau also contains social, leadership, religious, and cultural education values that are an important part of the life of the Nagari Saniang Baka community. Various revitalization programs undertaken by the government, academics, and local communities demonstrate a collective awareness of preserving this cultural heritage.