Claim Missing Document
Check
Articles

Found 15 Documents
Search

PENERAPAN TEKNIK INTERPRETASI DALAM PEMBELAJARAN VOKAL SOLO UNTUK MENINGKATKAN KUALITAS BERNYANYI SISWA NEGERI 2 BATANGAN Erika Armelya Angel; Hafid Zuhdan Bahtiar
Pendas : Jurnal Ilmiah Pendidikan Dasar Vol. 11 No. 03 (2026): Volume 11 No. 03, September 2026 Processed
Publisher : Program Studi Pendidikan Guru Sekolah Dasar FKIP Universitas Pasundan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23969/jp.v11i03.60261

Abstract

This study aims to describe the application of interpretation techniques in solo vocal lessons and to determine how these techniques can improve the singing quality of students at SMP Negeri 2 Batangan. This research was motivated by the low quality of students' singing, as evidenced by inaccurate intonation, unclear pronunciation of lyrics, and poor appreciation and expression when performing songs. This condition indicates that students do not yet understand the song's meaning deeply and are unable to convey its message effectively. Therefore, the application of interpretation techniques in solo vocal lessons is necessary to improve students' singing, both in terms of technique and expression. This study used a qualitative method with a descriptive approach. The subjects consisted of Arts and Culture teachers and students participating in solo vocal lessons at SMP Negeri 2 Batangan. Data collection techniques were conducted through observation, interviews, and documentation. Data validity was achieved through source triangulation and technical triangulation. Data analysis was conducted through data reduction, data presentation, and conclusion drawing. The results showed that the application of interpretation techniques involves several stages: understanding the meaning of song lyrics, practicing basic vocal techniques, experiencing the emotions and mood of the song, and practicing communicative singing expression. The application of interpretation techniques has a positive impact on students' singing quality, as demonstrated by improved pitch accuracy, articulation clarity, breath control, and the ability to accurately express songs. Furthermore, students also demonstrated increased confidence during performances. The research findings suggest that the application of interpretation techniques in solo vocal lessons can improve students' overall singing quality, both in terms of technique and expression. Therefore, interpretation techniques must be consistently applied in vocal lessons to achieve optimal results.
Vocal Technique Based Choir Training Model in Choral Sound Formation: A Study at Soegijapranata Catholic University Choir, Semarang Brigita Prilinggar Kinanti; Hafid Zuhdan Bahtiar
Jurnal Seni Musik Vol. 15 No. 1 (2026): June 2026
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jsm.v15i1.47374

Abstract

This study examines the training model of choir vocal techniques in forming choral sound in the Gratia Choir of Universitas Katolik Soegijapranata. This research uses a descriptive qualitative, with data collected through observation, semi-structured interviews, and documentation. The research subjects included the conductor, the executive board, and members of each voice section. Data analysis was conducted through data reduction, data presentation, and drawing conclusions. The results of the study indicate that the training procedures at the Gratia Choir are structured, gradual, and continuous, beginning with initial selection, the New Comers Concert (NCC), recitals, regular rehearsals, and culminating in competitions. Training focuses on classical vocal techniques and mastery of basic singing techniques. Achieving blending and balancing is accomplished through the practice of listening to one another and aligning perceptions of sound under the conductor’s guidance. The success of this process is supported by the conductor’s role, the quality of human resources, and the arrangement of formations that support sound balance.                                                                  
Analisis Manajemen Seni Pertunjukan Saforia 2026 di SMA N 1 Brebes Satrio Hendra Purnawan; Hafid Zuhdan Bahtiar
SENTRI: Jurnal Riset Ilmiah Vol. 5 No. 8 (2026): SENTRI : Jurnal Riset Ilmiah, Agustus 2026
Publisher : LPPM Institut Pendidikan Nusantara Global

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55681/sentri.v5i8.7131

Abstract

SAFORIA (Smansa Euforia) is an annual program of the Student Council (OSIS) of SMA Negeri 1 Brebes held as part of the school anniversary celebration. SAFORIA 2026 consists of several series of activities, namely SMANSAFEST, SMANSA Fun Run, SMANSA Tujuh Belasan, Tasyakuran, and SAFORIA Day as the main performing arts event. This study aims to analyze the performing arts management of SAFORIA 2026 at SMA Negeri 1 Brebes based on Terry’s management functions, which include planning, organizing, actuating, and controlling (POAC), as well as Hasibuan’s 6M management elements, namely man, money, materials, machines, methods, and market. This study employed a descriptive method with a qualitative approach. Data were collected through observation, interviews, and documentation, while data validity was established through source and technique triangulation. The results show that SAFORIA 2026 was managed through the interconnected application of the POAC functions. Planning involved the development of objectives, programs, schedules, requirements, and budgets; organizing was implemented through the formation of teacher and student committees and the distribution of tasks based on functions and activity series; actuating was carried out through direction, coordination, communication, and mobilization of committee members; while controlling was conducted through monitoring plans, schedules, task distribution, and activity implementation. The application of these management functions was supported by the 6M elements and several supporting factors, including school support, committee cooperation, teacher and student involvement, external support, and the enthusiasm of participants and the community.
Penerapan Pendekatan Deep learning dalam Pembelajaran Seni Vokal Solo di SMP Negeri 3 Semarang Gabriella Angelick Octabian Putricia; Hafid Zuhdan Bahtiar
Visual Heritage: Jurnal Kreasi Seni dan Budaya Vol. 9 No. 1 (2026): Visual Heritage: Jurnal Kreasi Seni dan Budaya
Publisher : Universitas Indraprasta PGRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30998/vh.v9i1.1028

Abstract

Penelitian ini dilatar belakangi oleh kebutuhan pendekatan pembelajaran seni musik yang tidak hanya menekankan penguasaan teknik, tetapi juga pemahaman bermakna, keterlibatan aktif, dan refleksi belajar siswa dalam praktik vokal solo. Penelitian ini bertujuan untuk mengkaji penerapan pendekatan deep learning dalam pembelajaran vokal solo di SMP Negeri 3 Semarang serta mengetahui persepsi dan tingkat kepuasan siswa terhadap proses pembelajaran. Penelitian menggunakan pendekatan mixed methods dengan desain deskriptif dan triangulasi teknik melalui kuesioner skala Likert, wawancara semi-terstruktur, dan observasi. Subjek penelitian terdiri atas satu guru seni musik dan 28 siswa. Hasil penelitian menunjukkan bahwa penerapan prinsip meaningful learning, mindful learning, dan joyful learning memberikan respons positif dari siswa. Pembelajaran membantu siswa memahami materi secara lebih mendalam, mengaitkan teori dengan praktik bernyanyi, meningkatkan keterlibatan dan motivasi belajar, serta menumbuhkan kepercayaan diri dalam tampil solo. Dengan demikian, pendekatan deep learning relevan diterapkan dalam pembelajaran vokal solo di tingkat sekolah menengah pertama.
Manajemen Seni Pertunjukan Musik Sadam Akhmad di Kota Tegal Hafid Zuhdan Bahtiar
Tonika: Jurnal Penelitian dan Pengkajian Seni Vol. 8 No. 1 (2025): Volume 8 Nomor 1 Tahun 2025
Publisher : Sekolah Tinggi Teologi Abdiel

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37368/tonika.v8i1.1038

Abstract

Penelitian ini mengkaji manajemen seni pertunjukan musisi indie Sadam Akhmad di Kota Tegal, yang berfokus pada produktivitasnya dalam merilis karya musik dari tahun 2018 hingga 2024. Tujuan penelitian ini adalah untuk memahami bagaimana manajemen pertunjukan diterapkan oleh Sadam Akhmad dalam mengembangkan karir musiknya, khususnya dalam genre blues. Metode penelitian yang digunakan adalah deskriptif kualitatif, dengan teknik pengumpulan data melalui observasi, wawancara, dan analisis konten. Hasil penelitian menunjukkan bahwa Sadam Akhmad menerapkan prinsip-prinsip manajemen seperti perencanaan, pengorganisasian, pelaksanaan, dan evaluasi dalam pertunjukannya. Faktor pendukung keberhasilan pertunjukan meliputi tim manajemen yang solid, fleksibilitas personel, dan pemanfaatan platform digital untuk promosi. Kesimpulannya, manajemen yang baik menjadi kunci dalam menjaga kualitas pertunjukan dan memperluas audiens Sadam Akhmad di ranah musik indie.