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Review of Shape and Color on Poleng Motifs in Bali Arya Pageh Wibawa; Imam Santosa; Setiawan Sabana; Achmad Haldani Destiarmand
Mudra Jurnal Seni Budaya Vol 38 No 1 (2023)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v38i1.1983

Abstract

In the beginning, the poleng motif was a sacred motif by the Balinese people. The poleng motif has a meaning as a form of petition and protection to God Almighty in His form and manifestation as creator, preserver, and harmonizing to achieve a happy and prosperous life. Another meaning is as a form to neutralize and restore balance from dark forces to help achieve the perfection of life. In its application as a motif wrapped around sacred objects, the poleng motif has the meaning of a repellent to strengthen and as a place of worship of God in His manifestation as a guardian. In subsequent developments due to tourism with increasing local and foreign tourist visits, the poleng motif has functioned as a decoration. This shift certainly leads to a reinterpretation of the meaning of the poleng motif in Bali. This study aims to get a new meaning for the poleng motif in Bali. To get this new meaning, a qualitative methodology is used based on the theoretical basis of Panofsky's iconology which emphasizes the study of visual analysis. The study carried out resulted in new findings in the form of a new meaning for the poleng motif. Based on the analysis, it was found that there was a shift in meaning from sacred to profane with the new meaning of the poleng motif being cultural communication. The form of communication created is a self-image product that reflects Balinese cultural identity. Local cultural identity is used to introduce Balinese culture.
PERANCANGAN MOTION GRAPHIC UNTUK MEDIA PROMOSI MERCHANDISE SOYL BALI STUDIO Wira Palguna, I Putu Adi; Pageh Wibawa, Arya; Tri Narulita, Eldiana
AMARASI: JURNAL DESAIN KOMUNIKASI VISUAL Vol 5 No 01 (2024): Amarasi: Jurnal Desain Komunikasi Visual
Publisher : Program Studi Desain Komunikasi Visual

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

SOYL Bali Studio is a media partner that operates in the music industry and creates podcasts and live sessions in the form of videos uploaded on the YouTube platform and is also active on Instagram to share the activities they are carrying out and is now starting to develop with the addition of several divisions such as SOYL Merch and SOYL Records. The merchandise that SOYL made was previously intended only as souvenirs for guest stars, and now the merchandise wants to be sold to the public and SOYL podcast viewers, so the role of innovative promotional media is needed in the creative and business industries to build brand image, attract customer attention , and survive in tough competition. To overcome this competition, new and different promotional content is needed compared to the use of photos as content that is commonly used, the use of animated motion graphics as a form of promotional media can be different and can be a special attraction. Motion graphics are a combination of moving images and audio-visual elements, such as text, sound, illustrations, photos and videography. In designing motion graphics, it starts from the exploration, improvisation, and formation stages. This design includes the use of a creation method based on the Hawkins concept and its application in designing motion graphics for promotional media for SOYL Bali Studio merchandise. In addition, it discusses the role of management in the creative process at SOYL Bali Studio, with a focus on the effective use of human and other resources. Study/Independent Project at SOYL Bali Studio combines learning about management and creating motion graphic promotional content to support the promotion of SOYL Merch merchandise on social media.
MAKNA BHŪTA KALA PADA DESAIN KEMASAN KOPI “LEAK BALI” DI BALI Wibawa, Arya Pageh; Swandi, I Wayan; Wasista, I Putu Udiyana; Swandi, I Made Dwiarya
ANDHARUPA: Jurnal Desain Komunikasi Visual & Multimedia Vol. 10 No. 04 (2024): Desember 2024
Publisher : Dian Nuswantoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33633/andharupa.v10i04.11544

Abstract

Secara etimologi, kata Bhūta Kala terdiri dari dua kata yaitu Bhūta yang bermakna sesuatu yang ada dan kala yang bermakna kekuatan atau energi. Kata Bhūta juga dapat diartikan sebagai unsur-unsur alam yang terdiri dari lima elemen yang disebut dengan Panca Maha Bhūta yaitu unsur tanah, air, api, udara, dan ether (udara). Masyarakat Hindu Bali memiliki berbagai ritual keagamaan yang berhubungan dengan Bhūta Kala yang disebut dengan Bhūta Yadnya. Tujuan Bhūta Yadnya adalah untuk menjaga keharmonisan antara manusia dengan alam. Dalam perkembangannya, Bhūta Kala ini digunakan dalam produk-produk yang dikonsumsi oleh manusia. Salah satunya adalah produk kopi “Leak Bali”. Hal ini disebabkan oleh pariwisata yang menyebabkan terjadi pergeseran makna pada simbol-simbol tersebut. Penelitian ini bertujuan untuk mengetahui makna Bhūta Kala dalam kehidupan masyarakat Bali dan makna Bhūta Kala dalam kemasan produk kopi “leak Bali”. Manfaat penelitian ini adalah untuk melihat pergeseran makna Bhūta Kala dalam kehidupan masyarakat Bali. Metodologi yang digunakan adalah kualitatif dengan analisis menggunakan teori semiotika dari Roland Barthes. Hasil penelitian menunjukkan bahwa makna Bhūta Kala dalam kehidupan masyarakat Bali adalah kekuatan, penjaga, dan hukum alam. Makna denotasi Bhūta Kala dalam kemasan kopi “leak Bali” adalah janda, makna konotasi kekuatan ilmu sihir, dan makna mitologinya adalah produk yang nikmat.
PERANCANGAN MOTION GRAPHIC UNTUK MEDIA PROMOSI MERCHANDISE SOYL BALI STUDIO Wira Palguna, I Putu Adi; Pageh Wibawa, Arya; Tri Narulita, Eldiana
AMARASI: JURNAL DESAIN KOMUNIKASI VISUAL Vol 5 No 01 (2024): Amarasi: Jurnal Desain Komunikasi Visual
Publisher : Program Studi Desain Komunikasi Visual

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

SOYL Bali Studio is a media partner that operates in the music industry and creates podcasts and live sessions in the form of videos uploaded on the YouTube platform and is also active on Instagram to share the activities they are carrying out and is now starting to develop with the addition of several divisions such as SOYL Merch and SOYL Records. The merchandise that SOYL made was previously intended only as souvenirs for guest stars, and now the merchandise wants to be sold to the public and SOYL podcast viewers, so the role of innovative promotional media is needed in the creative and business industries to build brand image, attract customer attention , and survive in tough competition. To overcome this competition, new and different promotional content is needed compared to the use of photos as content that is commonly used, the use of animated motion graphics as a form of promotional media can be different and can be a special attraction. Motion graphics are a combination of moving images and audio-visual elements, such as text, sound, illustrations, photos and videography. In designing motion graphics, it starts from the exploration, improvisation, and formation stages. This design includes the use of a creation method based on the Hawkins concept and its application in designing motion graphics for promotional media for SOYL Bali Studio merchandise. In addition, it discusses the role of management in the creative process at SOYL Bali Studio, with a focus on the effective use of human and other resources. Study/Independent Project at SOYL Bali Studio combines learning about management and creating motion graphic promotional content to support the promotion of SOYL Merch merchandise on social media.